Media Markt Collection: The 70s, Volume 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloArtistaValutazioneDurata
1Cecilia
tecnico di registrazione:
Ted Brosnan (il 1969-11-02)
tecnico:
Roy Halee
produttore:
Arthur Garfunkel, Roy Halee e Paul Simon (of Simon & Garfunkel)
archi :
Ernie Freeman (il 1969-11-02) e Jimmie Haskell (il 1969-11-02)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1969-11-02)
chitarra :
Fred Carter, Jr. (il 1969-11-02) e Paul Simon (of Simon & Garfunkel) (il 1969-11-02)
chitarra basso :
Joe Osborn (American bass guitar player, session musician and songwriter) (il 1969-11-02)
tastiera :
Larry Knechtel (il 1969-11-02)
voce:
Art Garfunkel e Paul Simon (of Simon & Garfunkel)
diritti fonografici (℗) detenuti da:
Paul Simon (of Simon & Garfunkel) (nel 1969)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 49)
registrazione di:
Cecilia (il 1969-11-02)
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
editore:
Pattern Music Ltd (publisher), Paul Simon Music e Charing Cross Music Inc. (Paul Simon’s publishing company) (nel 1970)
Simon & Garfunkel42:56
2Co‐Co
produttore:
Phil Wainman
registrazione di:
Co‐Co
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Ariola (company mostly named as distributor in Europe)
The Sweet4.353:09
3Soley Soley
arrangiatore:
Giosy Capuano e Mario Capuano
diritti fonografici (℗) detenuti da:
BMG Ariola Hamburg GmbH (nel 1973)
registrazione di:
Soley Soley (1971 song)
paroliere e compositore:
Fernando Arbex
editore:
Universal Music Publishing S.L. (Spain)
Middle of the Road3:05
4One Way Wind
registrazione di:
One Way Wind
paroliere e compositore:
Arnold Mühren
The Cats3:41
5The Air That I Breathe
tecnico:
Mike Jarratt (recording, mixing and lacquer cutting engineer) e Alan Parsons (of The Alan Parsons Project)
produttore:
The Hollies e Ron Richards
voce:
Allan Clarke (of The Hollies) (dal 1973-11-15 al 1973-11-22), Tony Hicks (dal 1973-11-15 al 1973-11-22) e Terry Sylvester (singer and guitarist) (dal 1973-11-15 al 1973-11-22)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1973), The Hollies Ltd. (nel 1973, nel 1974, nel 2008) e Polydor International GmbH (not for release label use!) (nel 1974)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1973-11-15 al 1973-11-22)
registrazione cover di:
The Air That I Breathe (dal 1973-11-15 al 1973-11-22)
autore:
Albert Hammond e Mike Hazlewood
editore:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies3.84:04
6I’d Love You to Want Me
registrazione di:
I’d Love You to Want Me
paroliere e compositore:
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
editore:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo33:58
7Kiss and Say Goodbye
registrazione di:
Kiss and Say Goodbye
paroliere e compositore:
Winfred Lovett (Lovett Winfred Lorenzo)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. e EMI Songs Ltd.
The Manhattans4:27
8Lost in France
produttore:
David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
arrangiatore:
David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), Soundbarrier Ltd. (production company) (nel 1976) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1995)
registrazione di:
Lost in France
autore:
Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
editore:
BMG Music Publishing Ltd. e Lojo Music
Bonnie Tyler2.353:54
9Girls, Girls, Girls
tecnico:
Jeffrey Lesser e Al Scott (Oysterband, engineer, song writer)
produttore:
Georg Kajanus, Jeffrey Lesser e Al Scott (Oysterband, engineer, song writer)
produttore associato:
Rupert Holmes
tecnico di missaggio:
Jeffrey Lesser
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1974)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1975-10)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 51)
registrazione di:
Girls, Girls, Girls (nel 1975-10)
paroliere e compositore:
Georg Kajanus
editore:
Chappell Morris Ltd.
registrazione di:
Girls, Girls, Girls
paroliere:
Nikki Sixx
compositore:
Tommy Lee (Mötley Crüe drummer), Mick Mars e Nikki Sixx
editore:
Mars Mountain Music, Sixx/Gunner Music, Tommyland Music e WB Music Corp. (1929–2019)
Sailor33:02
10Jealous Mind
Alvin Stardust2:52
11Till I Kissed Her
John Kincade2:25
12Loop di Love
Juan Bastos3:15
13Theme From Shaft
produttore:
Isaac Hayes
bonghi e congas :
Gary Jones (percussionist)
chitarra :
Charles Pitts e Michael Toles
chitarra basso :
James Alexander (US soul bassist, singer and songwriter)
membranofono e tamburello :
Willie "Too Big" Hall
pianoforte elettrico :
Lester Snell (Pianist/keyboardist, songwriter and producer)
pianoforte elettrico, organo, pianoforte e vibrafono e voce principale:
Isaac Hayes
diritti fonografici (℗) detenuti da:
Stax Records (not for release) (nel 1971)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 303)
registrazione di:
Theme From Shaft (Shaft, 1971)
paroliere e compositore:
Isaac Hayes
editore:
Irving Music, Inc.
parte di:
The 44th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1971 winner)
parte di:
Shaft (1971 film soundtrack)
Isaac Hayes3.654:36
14I Love to Love
tecnico:
Richard Dodd (mastering engineer, producer and engineer)
produttore:
Biddu (composer, songwriter, producer and musician)
arrangiatore:
Biddu (composer, songwriter, producer and musician)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1976) e Arista Records Ltd. (not for release label use!) (nel 1986)
registrazione cover di:
I Love to Love
paroliere:
Philo Jack Robinson (disco songwriter, producer, composer)
compositore:
James Bolden (French singer and songwriter)
editore:
Mautoglade Music, Robin Song Music (affiliated to SACEM) e Rolf Baierle Music
Tina Charles4.653:02
15Never Can Say Goodbye
registrazione cover di:
Never Can Say Goodbye
paroliere e compositore:
Clifton Davis (musical theatre actor, singer and songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. e Portable Music Co., Inc.
Gloria Gaynor46:21
16Get Up (I Feel Like Being a) Sex Machine
produttore:
James Brown (The Godfather of Soul)
batteria :
John Starks
chitarra :
Catfish Collins
chitarra basso :
Bootsy Collins (US funk musician & songwriter)
organo :
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
pianoforte :
James Brown (The Godfather of Soul)
sassofono tenore :
Robert McCollough
tromba :
Clayton Gunnells e Darryl Hassan Jamison
voce:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
voce principale:
James Brown (The Godfather of Soul) (il 1970-04-25)
esecutore:
The J.B.’s
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1970)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 196) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 326)
registrazione di:
Get Up (I Feel Like Being Like a) Sex Machine (il 1970-04-25)
autore:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) e Ron Lenhoff
editore:
Dynatone Publishing Co. e Intersong Music Ltd.
James Brown45:16
2CD
#TitoloArtistaValutazioneDurata
1Mexican Girl
produttore:
Mike Chapman (Australian producer and songwriter)
batteria e percussione :
Pete Spencer (UK drummer/songwriter, in Smokie)
chitarra :
Chris Norman (English soft rock singer) e Alan Silson
chitarra basso :
Terry Uttley (English bassist, singer and songwriter)
tastiera e voce principale:
Chris Norman (English soft rock singer)
diritti fonografici (℗) detenuti da:
Chinnichap Records Ltd. (nel 1978)
è stato produttore per:
Chinnichap (production company and publisher)
registrazione di:
Mexican Girl
compositore:
Chris Norman (English soft rock singer) e Pete Spencer (UK drummer/songwriter, in Smokie)
editore:
Hanseatic (publisher), RAK Publishing Ltd. e Willow Music Publ. Ltd.
Smokie3:58
2So You Win Again
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977) e RAK (nel 1977)
registrazione di:
So You Win Again
paroliere e compositore:
Russ Ballard
editore:
EMI Virgin Music Publishing Australia Pty Ltd, Sony Music Publishing (worldwide except Japan, ended 1995) e Universal Music–MGB Songs
Hot Chocolate4.254:29
3I Feel Love
registrazione di:
I Feel Love
paroliere:
Pete Bellotte (English lyricist and producer)
compositore:
Pete Bellotte (English lyricist and producer), Giorgio Moroder e Donna Summer (soul/disco diva)
arrangiatore:
Thor Baldursson
editore:
Budde Music Inc. (US publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rick’s Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music e Warner Chappell (Warner/Chappell Music, Inc.)
Donna Summer43:47
4Automatic Lover
Dee D. Jackson4:12
5That’s the Way (I Like It)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1976) e T.K. Records (Miami‐based disco label) (nel 1975)
edit di:
That’s the Way (I Like It) di KC and the Sunshine Band (US funk, R&B & disco band)
registrazione di:
That’s the Way (I Like It)
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.43:05
6In Zaire
registrazione di:
In Zaire
autore:
Johnny Wakelin
Johnny Wakelin23:17
7Everything I Want to Do
Albert Hammond2:52
8Spirit in the Sky
produttore:
Erik Jacobsen
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1969), Seven Arts Records, Inc. (not a label) (nel 1969), Transtone Productions (nel 1970) e Craft Recordings (US jazz label; reissue division of Concord) (nel 2023)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 5), Billboard Year-End Hot 100 singles of 1970 (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 333)
registrazione di:
Spirit in the Sky (nel 1969)
paroliere e compositore:
Norman Greenbaum
editore:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) e Westminster Music Ltd.
Norman Greenbaum4.053:59
9This Flight Tonight
produttore:
Roger Glover
diritti fonografici (℗) detenuti da:
Nazareth (Dunfermline) Ltd. (fino al 1973) e Mountain Records (British record company, established early 1970s, best known act is Nazareth) (nel 1973)
registrazione cover di:
This Flight Tonight
paroliere e compositore:
Joni Mitchell
editore:
Global Musikverlag (Global Musik GmbH & Co. KG), Joni Mitchell Publishing Corp., Siquomb Pub. Corp. e Warner Bros. Music (publisher; do NOT use as release label)
Nazareth3.83:22
10Can the Can
registrazione di:
Can the Can
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
BMG Music, Chinnichap (production company and publisher) e Universal Music Publishing MGB Australia
Suzi Quatro3:35
11Mama Loo
registrazione di:
Mama Loo
paroliere e compositore:
Jimmy Bilsbury e Les Humphries
editore:
Sikorski (German publisher) (nel 1973)
Les Humphries Singers33:45
12Some Girls
registrazione di:
Some Girls
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Downtown DLJ Songs, Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Racey3.53:26
13Under the Moon of Love
registrazione cover di:
Under the Moon of Love
autore:
Tommy Boyce (US songwriter of Boyce and Hart) e Curtis Lee (US rock & roll singer, had single “Pretty Little Angel Eyes”)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it)
Showaddywaddy3:04
14Oh Boy
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
RAK Records Ltd. (nel 1975)
registrazione cover di:
Oh, Boy!
autore:
Norman Petty, Bill Tilghman (songwriter) e Sonny West (American songwriter and musician Joseph “Sonny” West)
editore:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) e Wren Music Co.
Mud22:53
15Ça plane pour moi
produttore:
Lou Deprijck
diritti fonografici (℗) detenuti da:
BMG Belgium (nel 1977)
registrazione di:
Ça plane pour moi (nel 1977)
paroliere:
Yves Lacomblez
compositore:
Lou Deprijck
editore:
Klugerpartners e Universal Publishing
Plastic Bertrand4.552:58
161‐2‐3‐4… Fire!
Penny McLean3:11
3CD
#TitoloArtistaValutazioneDurata
1Sunday Girl
assistente tecnico:
Grey Russell e Peter Coleman (British engineer & producer)
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1978-06 al 1978-07)
chitarra :
Frank Infante (dal 1978-06 al 1978-07) e Chris Stein (dal 1978-06 al 1978-07)
chitarra basso :
Nigel Harrison (dal 1978-06 al 1978-07)
tastiera :
Jimmy Destri (dal 1978-06 al 1978-07)
voce principale:
Deborah Harry (dal 1978-06 al 1978-07)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978, nel 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 2001) e Capitol Records (imprint of Capitol Records, Inc.) (nel 2001)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
registrazione di:
Sunday Girl (dal 1978-06 al 1978-07)
paroliere e compositore:
Chris Stein
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) (conclusa), Monster Island Music Publishing Corporation (conclusa), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) e Rare Blue Music Inc (nel 1978)
Blondie3.83:03
2Substitute
produttore:
Grahame Beggs
registrazione di:
Substitute (nel 1978)
paroliere e compositore:
Willie Wilson
editore:
Discoton (German club label)
Clout43:24
3Dancing in the City
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (nel 1978)
registrazione di:
Dancing in the City (nel 1978)
autore:
Kit Hain e Julian Marshall
editore:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) e Rondor Music (London) Ltd.
Marshall Hain3:47
4Lovemachine
raccolta di:
Lovemachine (Part 2) (Part II) di Supermax e Lovemachine, Part 1 (Part I) di Supermax
registrazione di:
Lovemachine (dal 1977-05 al 1977-09)
paroliere e compositore:
Kurt Hauenstein
Supermax8:37
5Samba pa ti
tecnico:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) e John Fiore (engineer)
produttore:
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) e Carlos Santana
batteria :
Michael Shrieve (drummer) (il 1970-07-19)
chitarra :
Carlos Santana (il 1970-07-19)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (il 1970-07-19)
congas e percussione :
Michael Carabello (percussionist) (il 1970-07-19)
congas, percussione e timbales :
José “Chepito” Áreas (il 1970-07-19)
percussione :
Rico Reyes (il 1970-07-19)
tabla :
Steven Saphore (il 1970-07-19)
tastiera :
Gregg Rolie (keyboardist and vocalist) (il 1970-07-19)
arrangiatore:
Gregg Rolie (keyboardist and vocalist) e Carlos Santana
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1970) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1970)
registrata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti (il 1970-07-19)
registrazione di:
Samba pa ti (il 1970-07-19)
compositore:
Carlos Santana
editore:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) e Universal Music Careers
Santana3.754:27
6Sylvia’s Mother
produttore:
Ron Haffkine
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrazione di:
Sylvia’s Mother
paroliere e compositore:
Shel Silverstein
editore:
Essex Music, Essex Music of Australia Pty. Ltd. e Evil Eye Music Inc.
Dr. Hook & the Medicine Show43:49
7Yellow River
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 83)
registrazione di:
Yellow River (nel 1970)
paroliere e compositore:
Jeff Christie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Christie3.352:43
8Mississippi
diritti fonografici (℗) detenuti da:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (nel 1975)
registrazione di:
Mississippi
paroliere e compositore:
Werner Theunissen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:35
9Bye Bye Baby
tecnico:
Barry Hammond e Peter Tattersall
produttore:
Phil Wainman
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1974)
registrazione cover di:
Bye, Bye, Baby (Baby Goodbye) (nel 1974)
autore:
Bob Crewe e Bob Gaudio
editore:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. e Seasons’ Four Music Inc.
registrazione di:
Bye, Bye, Baby (Baby Goodbye)
autore:
Bob Crewe e Bob Gaudio
editore:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. e Seasons’ Four Music Inc.
Bay City Rollers4.52:48
10Kung Fu Fighting
arrangiatore:
Gerry Shury
registrazione di:
Kung Fu Fighting
paroliere e compositore:
Carl Douglas
editore:
Carren Music (publisher) e 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
si basa su:
[Oriental Riff]
Carl Douglas4.23:15
11I Can Help
tecnico:
Chip Young (American session guitarist, bassist, producer in the genre of country)
produttore:
Billy Swan e Chip Young (American session guitarist, bassist, producer in the genre of country)
basso :
Mike Leech (Nashville session musician and arranger) (nel 1974)
batteria :
Hayward Bishop (nel 1974)
chitarra acustica :
Johnny Christopher (guitarist, lyricist, composer, singer, session musician) (nel 1974)
chitarra elettrica :
Chip Young (American session guitarist, bassist, producer in the genre of country) (nel 1974) e Reggie Young (guitarist and songwriter) (nel 1974)
strumenti:
Paul Richmond (engineer) (nel 1974)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1974)
registrata presso:
Youngun Sound Studio in Murfreesboro, Tennessee, Stati Uniti (nel 1974)
registrazione di:
I Can Help (nel 1974)
paroliere e compositore:
Billy Swan
editore:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. e EMI Songs Ltd.
Billy Swan43:58
12Neanderthal ManHotlegs4:11
13Crazy Horses
registrazione di:
Crazy Horses
paroliere e compositore:
Alan Osmond, Merrill Osmond e Wayne Osmond
editore:
Kolob Music e Mike Curb Music
versione di:
Crazy Horses
The Osmonds2:31
14The Witch
registrazione di:
The Witch
paroliere e compositore:
Herbert Hildebrandt
The Rattles2:31
15Rockin’ All Over the World
assistente tecnico:
Kevin Whyte
tecnico:
John Eden (producer), Barry Hammond e Simon Sullivan
produttore:
Status Quo (UK boogie rock band) e Pip Williams (producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1977), Mercury Records Ltd. (London) (for copyrights use only) (nel 1977), Mercury Records Ltd. (UK) (nel 1977), Phonogram Ltd. (not for release label use!) (nel 1977), Phonogram Ltd. (London) (company name, NOT a label!) (nel 1977, nel 1988) e Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1992)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito (il 1992-08-30), Studio Bohus in Kungälv Municipality (Kungälv municipality), Västra Götaland (Västra Götaland county), Svezia (il 1992-08-30) e Sutton Park in Birmingham, West Midlands, England, Regno Unito (il 1992-08-30)
mixata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
video musicali:
Rockin All Over the World di Status Quo (UK boogie rock band)
registrazione cover di:
Rockin’ All Over the World (il 1992-08-30)
paroliere e compositore:
John Fogerty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Wenaha Music, Wenaha Music Company e Intersong Ltd. (publisher) (nel 1977)
Status Quo43:33
16Bang BangB. A. Robertson3:20

Accreditamenti

Gruppo di pubblicazioni

parte di:Media Markt Collection (ordine: 22)