The Tales of Hoffmann

~ Release by Offenbach; Beverly Sills, Stuart Burrows, Norman Treigle, Nico Castel, London Symphony Orchestra, Julius Rudel (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1The Tales of Hoffmann : Prélude
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). Prélude (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach0:29
2The Tales of Hoffmann : Glou ! Glou ! Glou ! Glou !
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
spoken vocals [Muse]:
Thamilla Mesbah (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 1 Introduction « Glou, glou, glou ! Je suis la bière » (Chœur des esprits invisibles) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach2:46
3The Tales of Hoffmann : Le Conseiller Lindorf, morbleu !
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Nico Castel (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). « Le conseiller Lindorf, morbleu ! » (Lindorf, Andrès) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach3:07
4The Tales of Hoffmann : Dans les rôles d'amoureux langoureux
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 2 « Voyons, 'Pour Hoffmann', bon » … « Dans le rôle d’amoureux langoureux » … « Oui, chère prima donna » (Lindorf) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach2:13
5The Tales of Hoffmann : Deux heures devant moi
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
John Noble (baritone) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). « Deux heures devant moi ! » (Lindorf, Luther) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach0:59
6The Tales of Hoffmann : Drig, drig ! Drig ! Maître Luther !
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Raimund Herincx (bass-baritone) (from 1972-07-25 until 1972-08-08) and John Noble (baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 3 « L'entr'acte commence » … « Drig, drig, drig, maître Luther » (Nathanaël, Hermann, les étudiants, Luther) (Chœur des étudiants) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach2:28
7The Tales of Hoffmann : Vrai Dieu ! Mes amis, la belle créature
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Raimund Herincx (bass-baritone) (from 1972-07-25 until 1972-08-08) and John Noble (baritone) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 4 « Vive Dieu, mes amis, la belle créature ! » (Nathanaël, les étudiants, Hermann, Lindorf, Luther, Hoffmann, Nicklausse) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach4:14
8The Tales of Hoffmann : Il était une fois à la cour d'Eisenach
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). Chanson « Il était une fois à la cour d’Eisenach » (Hoffmann, les étudiants, Nathanaël) (Va pour Kleinzach: La Chanson de Kleinzach) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach4:47
9The Tales of Hoffmann : Peuh ! Cette bière est détestable !
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Raimund Herincx (bass-baritone) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). « Peuh ! cette bière est détestable ! » (Hoffmann, Nathanaël, Hermann, Étudiants, Nicklausse, Lindorf) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach3:35
10The Tales of Hoffmann : Simple échange de politesses !
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Raimund Herincx (bass-baritone) (from 1972-07-25 until 1972-08-08) and John Noble (baritone) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). « Simple échange de politesses ! » (Nicklausse, les étudiants, Hoffman, Lindorf) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach6:03
11The Tales of Hoffmann : Entr'acte
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. Entr’acte (Menuet) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach1:24
12The Tales of Hoffmann : Là ! Dors en paix
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08), Nico Castel (tenor) (from 1972-07-25 until 1972-08-08) and Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. « Là ! dors en paix » (Spalanzani, Hoffmann, Cochenille) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach1:40
13The Tales of Hoffmann : Allons ! Courage et confiance ! -- Ah ! Vivre à deux
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. « Allons ! courage et confiance » … « Ah ! vivre deux » (Hoffmann, Nicklausse) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach3:30
14The Tales of Hoffmann : Pardieu ! J'étais bien sûr
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. « Par Dieu ! j'étais bien sûr de te trouver ici ! » ... « Une poupée aux yeux d'émail » (Nicklausse, Hoffmann) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach2:36
15The Tales of Hoffmann : C'est moi, Coppélius !
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
partial recording of:
Les Contes d’Hoffmann : Acte II. No 7 Récit et trio « C’est moi, Coppélius » … « J’ai des yeux, de vrais yeux » (Coppélius, Nicklausse, Hoffmann) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach1:32
16The Tales of Hoffmann : J'ai deux yeux, de vrais yeux
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
partial recording of:
Les Contes d’Hoffmann : Acte II. No 7 Récit et trio « C’est moi, Coppélius » … « J’ai des yeux, de vrais yeux » (Coppélius, Nicklausse, Hoffmann) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach2:00
17The Tales of Hoffmann : Ha ! Vous ?
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08), Nico Castel (tenor) (from 1972-07-25 until 1972-08-08) and Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. « Tout est prêt! » … « Hein ! vous ! » (Spalanzani, Coppélius, Hoffmann, Cochenille) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach2:02
18The Tales of Hoffmann : Non aucun hôte vraiment
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08), Nico Castel (tenor) (from 1972-07-25 until 1972-08-08) and Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. No 8 Chœurs, scène et couplets « Non, aucun hôte vraiment » (Spalanzani, Nicklausse, Hoffmann, Cochenille, une voix de basse, Olympia, les invitès) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach5:15
19The Tales of Hoffmann : Les Oiseaux dans la charmille
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. « Les oiseaux dans la charmille » (Olympia, Spalanzani, Les invités, Hoffmann, Nicklausse, Cochenille) (Chanson d’Olympia) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach5:09
20The Tales of Hoffmann : Ah ! Mon ami ! Quel accent !
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08), Nico Castel (tenor) (from 1972-07-25 until 1972-08-08) and Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. « Ah ! mon ami ! quel accent ! » (Hoffmann, Nicklausse, Spalanzani, les invités, Olympia, Cochenille) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach2:18
21The Tales of Hoffmann : Ils se sont éloignés ! Enfin !
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. No 9 Récit et romance « Ils se sont éloignés enfin » (Hoffmann, Olympia) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach2:22
22The Tales of Hoffmann : Tu me fuis ?
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. No 10 Finale « Tu me fuis ? qu'ai-je fait ? » (Hoffmann, Nicklausse, Coppélius) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach1:42
23The Tales of Hoffmann : Voici les valseurs !
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08), Nico Castel (tenor) (from 1972-07-25 until 1972-08-08) and Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. « Voici les valseurs ! » (Spalanzani, Cochenille, Hoffmann, Olympia, Les invités, Nicklausse, Coppélius) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach5:37
24The Tales of Hoffmann : Barcarolle « Belle nuit ô nuit d'amour »
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:16
2▼CD
#TitleArtistRatingLength
1The Tales of Hoffmann : Et moi, ce n'est pas là
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d'Hoffmann: Acte III. "Et moi, ce n'est pas là, pardieu ! ... Amis, l'amour tendre et rêveur" (Hoffmann, Chœur, Schlemil, Giulietta, Pittichinaccio) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach0:30
2The Tales of Hoffmann : Amis, l'amour tendre et rêveur
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d'Hoffmann: Acte III. "Amis ! l'Amour tendre et rêveur" (Hoffmann, Les invités, Schlemil, Pitichinaccio, Giulietta, Un laquais) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach2:36
3The Tales of Hoffmann : Je vois qu'on est en fête !
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Raimund Herincx (bass-baritone) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Nico Castel (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d'Hoffmann : Acte IV. No 18 Scène « Je vois qu'on est en fête » (Schlémil, Giulietta, Pitichinaccio, Hoffmann, les invités, Nicklausse, Dapertutto) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach2:51
4The Tales of Hoffmann : Scintille, diamant
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d'Hoffmann: Acte III. "Scintille, diamant" (Dapertutto, Giulietta, Hoffmann, Schlemil) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach2:28
5The Tales of Hoffmann : Cher ange !
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d'Hoffmann: Acte III. "Cher ange !" (Dapertutto, Giulietta) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach2:04
6The Tales of Hoffmann : Malheureux, tu ne comprends donc pas. Ô dieu, de quelle ivresse. Si ta présence m'est ravie
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d'Hoffmann: Acte III. Duo "Malheureux, tu ne comprends donc pas" – "Ô dieu, de quelle ivresse" (Giulietta, Hoffmann, Dapertutto) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach5:56
7The Tales of Hoffmann : Schlémil !
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Raimund Herincx (bass-baritone) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Nico Castel (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d'Hoffmann: Acte III. "Schlemil ! ... J'en étais sûr !" (Giulietta, Schlemil, Hoffmann, Pittichinaccio, Dapertutto, Nicklausse) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach1:34
8The Tales of Hoffmann : Hélas, mon cœur s'égare encore
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Nico Castel (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d'Hoffmann: Acte III. Septuor “Hélas ! mon cœur s'égare encore !” (Hoffmann, Dapertutto, Giulietta, Nicklausse, Schlemil, Pittichinaccio, Chœur) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:18
9The Tales of Hoffmann : Écoutez, messieurs
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Raimund Herincx (bass-baritone) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Nico Castel (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d'Hoffmann: Acte III. "Écoutez, messieurs !" (Hoffmann, Dapertutto, Giulietta, Nicklausse, Schlemil, Pittichinaccio, Chœur) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach3:10
10The Tales of Hoffmann : Entr'acte
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte III. Entr’acte (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
Jacques Offenbach0:50
11The Tales of Hoffmann : Elle a fui, la tourterelle
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV. “Elle a fui, la tourterelle” (Antonia, Crespel, Frantz) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach4:28
12The Tales of Hoffmann : Malheureuse enfant !
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass vocals:
Robert Lloyd (operatic bass) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Nico Castel (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Malheureuse enfant !“ (Crespel, Antonia, Frantz) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach2:56
13The Tales of Hoffmann : Jour et nuit je me mets en quatre
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
tenor vocals:
Nico Castel (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Jour et nuit je me mets en quatre” (Frantz, Hoffmann, Nicklausse) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach3:18
14The Tales of Hoffmann : Frantz... C'est ici !
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Nico Castel (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Frantz ! C’est ici !” (Hoffmann, Frantz) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach0:43
15The Tales of Hoffmann : C'est une chanson d'amour
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
partial recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “C'est une chanson … J'ai le bonheur dans l'âme !” (Hoffmann, Antonia) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach0:57
16The Tales of Hoffmann : J'ai le bonheur dans l'âme !
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
partial recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “C'est une chanson … J'ai le bonheur dans l'âme !” (Hoffmann, Antonia) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach6:26
17The Tales of Hoffmann : Qu'as-tu donc ?
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass vocals:
Robert Lloyd (operatic bass) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Nico Castel (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Qu'as-tu donc ?” (Hoffmann, Antonia, Crespel, Frantz, Miracle) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach2:24
18The Tales of Hoffmann : Pour conjurer le danger
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass vocals:
Robert Lloyd (operatic bass) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Pour conjurer le danger” (Miracle, Hoffmann, Crespel) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach7:13
19The Tales of Hoffmann : Ne plus chanter !
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Ne plus chanter !” (Hoffmann, Antonia) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach2:56
20The Tales of Hoffmann : Tu ne chanteras plus ?
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals:
Patricia Kern (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Tu ne chanteras plus ?” (Miracle) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach4:58
21The Tales of Hoffmann : Chère enfant que j'appelle
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals:
Patricia Kern (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Ta mère ? Oses-tu l’invoquer ?... Chère enfant ! Que j’appelle” (Miracle, la voix de la mère d'Antonia, Antonia) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach4:03
22The Tales of Hoffmann : Mon enfant ! Ma fille !
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass vocals:
Robert Lloyd (operatic bass) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. Finale “Mon enfant ! ma fille ! Antonia !” (Crespel, Antonia, Hoffmann, Nicklausse, Miracle) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach2:58
23The Tales of Hoffmann : Entr'acte
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV. Entr’acte (orchestre) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach1:56
24The Tales of Hoffmann : Voilà quelle fut l'histoire de mes amours
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
John Noble (baritone) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). “Voilà, mes amis, quelle fut l'histoire de mes trois amours” (Hoffmann, Nicklausse, Etudiants, Luther, Lindorf) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
Jacques Offenbach1:55
25The Tales of Hoffmann : Vidons les tonneaux !
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). “Messieurs, le souper est servi !” (Luther, Hoffmann, Etudiants) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
Jacques Offenbach1:10
26The Tales of Hoffmann : Et moi ? Moi, la fidèle amie
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
spoken vocals [Muse]:
Thamilla Mesbah (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). “Et moi ? Moi, la fidèle amie” (La Muse, Hoffmann, Stella) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
Jacques Offenbach2:48
27The Tales of Hoffmann : Non, ivre mort
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
spoken vocals [Muse]:
Thamilla Mesbah (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). “Jusqu'au matin remplis, remplis, mon verre !” (Les étudiants) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
Jacques Offenbach0:47