Classic mania (Los éxitos de los últimos siglos)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Así habló Zarathustra: Introducción
editor:
Christopher Alder (editor/engineer/producer)
solo violin:
Rainer Küchl (Austrian violinist) (in 1983-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1983-02)
conductor:
Lorin Maazel (conductor) (in 1983, in 1983-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1983-02)
live recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (in 1983-02)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:55
2La primavera (de "Las Cuatro Estaciones"): 1er. mov
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1982-12), Itzhak Perlman (violinist and conductor) (in 1982-12), Isaac Stern (violinist) (in 1982-12) and Pinchas Zukerman (violinist/conductor) (in 1982-12)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (in 1982-12)
conductor:
Zubin Mehta (conductor) (in 1982-12)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1982-12)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (in 1982-12)
live recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (in 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:22
3Concierto para piano y orquesta no. 21: 2.º mov.
recording engineer and producer:
Hans Weber (producer/engineer)
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
piano:
Géza Anda (Geza Anda, pianist) (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra) (in 1961-05)
conductor:
Géza Anda (Geza Anda, pianist) (in 1961-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1961-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:08
4La Walkyria: Cabalgata de las Walkyrias
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-12)
conductor:
Herbert von Karajan (conductor) (in 1966-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-12)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (in 1966-12)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner6:08
5Los cuentos de Hoffmann: Barcarola
orchestra:
Gothenburg Symphony Orchestra (from 1989-06 until 1989-09)
conductor:
Neeme Järvi (Estonian conductor) (from 1989-06 until 1989-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1990)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta) (from 1989-06 until 1989-09)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:31
6Sinfonía n.º 9: Oda a la Alegría (fragmento)
bass vocals:
Karl Ridderbusch (operatic bass)
mezzo-soprano vocals:
Tatiana Troyanos (mezzo-soprano)
soprano vocals:
Gwyneth Jones (soprano)
tenor vocals:
Jess Thomas (tenor)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic)
conductor:
Karl Böhm (Austrian conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven7:37
7Carmen: Preludio del acto I (comienzo)
orchestra:
New York Metropolitan Opera Orchestra (Metropolitan Opera Orchestra) (on 1972-10-13)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1972-10-13)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1972-10-13)
recording of:
Carmen : Prélude (on 1972-10-13)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet2:35
8Adagio
orchestra:
Lucerne Festival Strings
conductor:
Rudolf Baumgartner (conductor)
arranger:
Remo Giazotto
partial recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni4:14
9Carmina Burana: "O Fortuna"
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:35
10Concierto de Aranjuez: 2.º mov (comienzo)
classical guitar [Spanish guitar]:
Narciso Yepes (classical guitarist) (in 1979-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979-04)
conductor:
García Navarro (conductor) (in 1979-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1979-04)
edit of:
Concierto de Aranjuez: II. Adagio by Narciso Yepes (classical guitarist), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Luis Antonio García Navarro (conductor)
partial recording of:
Concierto de Aranjuez: II. Adagio (in 1979-04)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo5:43
11Rapsodia Paganini: variación 18ª
piano:
Tamás Vásáry (Hungarian pianist and conductor)
orchestra:
London Symphony Orchestra
conductor:
Yuri Ahronovitch (conductor)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Sergei Rachmaninoff53:18
12El Amor Brujo: Danza ritual del fuego
producer:
Rudolf Werner (producer at Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Garcia Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1978-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-01)
recording of:
El amor brujo: VIII. Danza ritual del fuego (in 1978-01)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla4:04
13Cavalleria rusticana: Intermedio
producer:
Hans Weber (producer/engineer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1967-09-22 until 1967-09-25)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Cavalleria rusticana: Intermezzo (from 1967-09-22 until 1967-09-25)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:27
14El Mesías: Aleluya
sound engineer:
Hans‐Peter Schweigmann (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
editor:
Ulrich Vette (engineer)
choir vocals:
The English Concert Choir (in 1988-01)
orchestra:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1988)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1988-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:55
2▼CD
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1Sinfonía n.º 5: 1er. mov. (comienzo)
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1962-03-09 until 1962-03-12)
conductor:
Herbert von Karajan (conductor) (from 1962-03-09 until 1962-03-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1962-03-09 until 1962-03-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1962-03-09 until 1962-03-12)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (from 1962-03-09 until 1962-03-12)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:14
2Minueto célebre
Luigi Boccherini3:36
3Danza Húngara n.º 5
producer:
Werner Wolf (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1959-09-04)
conductor:
Herbert von Karajan (conductor) (on 1959-09-04)
balance engineer:
Günter Hermanns (producer/engineer) (on 1959-09-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1959-09-04)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 5 in G minor: Allegro - Vivace (orch. Parlow) (on 1959-09-04)
orchestrator:
Albert Parlow
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances for orchestra (Parlow orchestration)
Johannes Brahms2:34
4Toccata y fuga en Re menor: Toccata
miscellaneous support:
Erich Thienhaus (task: production and recording supervision)
producer:
Erich Thienhaus
organ:
Helmut Walcha (German organist) (on 1956-09-17)
balance engineer:
Hansjoachim Reiser (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1959) and Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1956-09-17)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (on 1956-09-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach2:37
5Nocturno n.º 2
producer:
Hans Weber (producer/engineer)
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1965-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965) and Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1965-04)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante (in 1965-04)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Classic 100: Piano (2025) (number: 3), Classic 100: Piano (2004) (number: 18) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 109)
part of:
Nocturnes, op. 9 (original for piano)
Fryderyk Chopin3:58
6El Barbero de Sevilla: Obertura
recording engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1984-12)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1984-12)
recording of:
Il barbiere di Siviglia: Sinfonia (in 1984-12)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini7:34
7Marcha Radetzky
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-12-28 until 1966-12-29)
conductor:
Herbert von Karajan (conductor) (from 1966-12-28 until 1966-12-29)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1966-12-28 until 1966-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-12-28 until 1966-12-29)
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228) (from 1966-12-28 until 1966-12-29)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss padre2:50
8Concierto para piano y orquesta n.º 1: comienzo
Pyotr Ilyich Tchaikovsky3:40
9Para Elisa
producer:
Wolfgang Lohse
piano:
Wilhelm Kempff (pianist) (in 1964-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1964-05)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59) (in 1964-05)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven3:08
10La Creación: dúo de Adán y Eva
Joseph Haydn3:28
11La bella durmiente: Vals
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1978-06)
conductor:
Mstislav Rostropovich (cellist/conductor) (in 1978-06)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse (in 1978-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky4:22
12Bolero
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1974-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1974-04)
balance engineer:
Joachim Niss and Gernot Westhäuser (Engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1974-04)
recording of:
Boléro (in 1974-04)
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel15:03