Die Super Flower Power Box

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1San Francisco (Be Sure to Wear Flowers in Your Hair)
Produzent(in):
Lou Adler und John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) und Wingate Music Corp.
Scott McKenzie3.753:00
2Chirpy Chirpy Cheep Cheep
cover recording of:
Chirpy Chirpy Cheep Cheep (Lally Stott / Middle of the Road)
Texter:
Lally Stott (in 1971)
Komponist(in):
Lally Stott
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Middle of the Road42:58
3Eloise
recording of:
Eloise
Texter und Komponist(in):
Paul Ryan (UK singer, songwriter & producer) (in 1968)
publisher:
Carlin Music Corporation und Hill & Range (publisher)
Barry Ryan5:47
4Long Train Runnin’
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Becken, Conga und Timbales:
Michael Hossack
Gast-Synthesizer:
Malcolm Cecil und Robert Margouleff
Gitarre:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
Keyboard, Klavier und Orgel:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) und Michael Hossack
Mundharmonika:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
Perkussion:
John Hartman (drummer for the Doobie Brothers) und Ted Templeman
Steel-Gitarre:
Jeff “Skunk” Baxter
Synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter und Patrick Simmons
Bass arranger:
Tiran Porter
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Long Train Runnin’
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.13:27
5Summertime Blues
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1967)
Produzent(in):
Abe Kesh
Bass und Sologesang:
Dickie Peterson (in 1967)
Gitarre:
Leigh Stephens (in 1967)
Schlagzeug:
Paul Whaley (in 1967)
phonographisches Urheberrecht (℗) von:
Mercury Inc. (copyrights use only) (in 1968)
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 63)
cover recording of:
Summertime Blues (in 1967)
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Blue Cheer4.53:46
6I Will Return
recording of:
I Will Return
Texter und Komponist(in):
Phil Cordell
Springwater2:56
7Woodstock
cover recording of:
Woodstock
Texter und Komponist(in):
Joni Mitchell
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
Matthews’ Southern Comfort3.64:29
8Where Do You Go To (My Lovely)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) und United Artists (in 1969)
recording of:
Where Do You Go To (My Lovely)?
Texter und Komponist(in):
Peter Sarstedt
publisher:
EMI Catalogue Partnership
Peter Sarstedt54:43
9Green Tambourine
phonographisches Urheberrecht (℗) von:
Buddha Records (1998–2002, formerly known as Buddah Records) (in 1967)
recording of:
Green Tambourine
Verfasser(in):
Paul Leka und Shelley Pinz
publisher:
BMG Music Publishing Ltd. und Dominion Music Co. Ltd.
The Lemon Pipers3.652:26
10Hang On Sloopy
recording of:
Hang On Sloopy
Verfasser(in):
Bert Russell Berns und Wes Farrell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc und Robert Mellin Music, Inc.
The McCoys33:53
11Dream a Little Dream of Me
recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
The Mamas & the Papas3:15
12White Bird
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1969)
Produzent(in):
David LaFlamme
Bass:
Mitchell Holman (in 1969)
Geige / Violine und Sologesang:
David LaFlamme (in 1969)
Gitarre:
Hal Wagenet (in 1969)
Orgel:
Linda LaFlamme (in 1969)
Perkussion:
Pattie Santos (in 1969)
Schlagzeug:
Val Fuentes (in 1969)
vocals:
Pattie Santos (in 1969)
recording of:
White Bird (in 1969)
Verfasser(in):
David LaFlamme und Linda LaFlamme
It’s a Beautiful Day56:08
13Bend It
recording of:
Bend It (in 1966)
Texter:
Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
Komponist(in):
Alan Blaikley
Dave Dee, Dozy, Beaky, Mick & Tich32:32
14Cinderella Rockefella
arranger:
Phil Dennys
phonographisches Urheberrecht (℗) von:
Phonogram GmbH (in 1967), Phonogram Ltd. (not for release label use!) (in 1967), PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1967), Philips (von 1967 bis 1968), Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (von 1967 bis 1968), Phonogram, Inc. (von 1967 bis 1968) und Phonogram (in 1979)
cover recording of:
Cinderella Rockefella (in 1967)
Texter:
Nancy Ames
Komponist(in):
Mason Williams (US classical guitarist, composer, writer, comedian & poet)
publisher:
Irving (BMI), Laetrec Music, Music Publishers of Africa (M.P.A.), Rondor Music (Australia) und Rondor Music (London) Ltd.
Esther & Abi Ofarim2:29
15The Air That I Breathe
Techniker(in):
Mike Jarratt (recording, mixing and lacquer cutting engineer) und Alan Parsons (of The Alan Parsons Project)
Produzent(in):
The Hollies und Ron Richards
vocals:
Allan Clarke (of The Hollies) (von 1973-11-15 bis 1973-11-22), Tony Hicks (von 1973-11-15 bis 1973-11-22) und Terry Sylvester (singer and guitarist) (von 1973-11-15 bis 1973-11-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) und Polydor International GmbH (not for release label use!) (in 1974)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-11-15 bis 1973-11-22)
cover recording of:
The Air That I Breathe (von 1973-11-15 bis 1973-11-22)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies3.84:12
16Lady in Black
recording engineer:
Peter Gallen (von 1969 bis 1970-11)
assistierende(r) Techniker(in):
Les Cunningham (studio engineer) und Ashley Howe
Produzent(in):
Gerry Bron
Mix:
Peter Gallen
Bassgitarre:
Paul Newton (UK bassist for Uriah Heep) (von 1970-10 bis 1970-11)
E-Bass:
Paul Newton (UK bassist for Uriah Heep) (von 1969 bis 1970)
E-Gitarre:
Mick Box (von 1970-10 bis 1970-11)
Gitarre:
Mick Box (von 1969 bis 1970)
Orgel:
Ken Hensley (von 1969 bis 1970, von 1970-10 bis 1970-11)
Schlagzeug:
Keith Baker (drummer) (von 1969 bis 1970, von 1970-10 bis 1970-11)
Hintergrundgesang:
Mick Box (von 1970-10 bis 1970-11), Ken Hensley (von 1970-10 bis 1970-11) und Paul Newton (UK bassist for Uriah Heep) (von 1970-10 bis 1970-11)
Sologesang:
David Byron (von 1970-10 bis 1970-11)
vocals:
David Byron (von 1969 bis 1970)
phonographisches Urheberrecht (℗) von:
Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) und Castle Communications PLC (not for label use, copyright holder) (in 1996)
aufgenommen bei:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Vereinigtes Königreich (von 1969 bis 1970, von 1970-10 bis 1970-11)
recording of:
Lady in Black (von 1969 bis 1970-11)
Texter und Komponist(in):
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG, S. Bron Music Co. Ltd. und Sidney Bron Music (also spelled “Sydney”)
Uriah Heep4.354:43
17Let’s Live for Today
recording of:
Let’s Live for Today
Verfasser(in):
Michael Julien (British songwriter), Mogol (Italian lyricist) und Shel Shapiro
übersetzte Version von:
Piangi con me
The Grass Roots2:47
18Universal Soldier
recording of:
The Universal Soldier
Texter und Komponist(in):
Buffy Sainte‐Marie
publisher:
Peermusic (UK) Limited
cover recording of:
The Universal Soldier
Texter und Komponist(in):
Buffy Sainte‐Marie
publisher:
Peermusic (UK) Limited
Donovan42:13
19Dizzy
recording of:
Dizzy
Texter und Komponist(in):
Tommy Roe und Freddy Weller
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Tommy Roe2:53
20Alone Again Or
Techniker(in):
Bruce Botnick
Produzent(in):
Bruce Botnick und Arthur Lee
Akustikgitarre und Sologesang:
Bryan MacLean (am 1967-09-10)
E-Bass:
Ken Forssi (am 1967-09-10)
Schlagzeug:
Michael Stuart-Ware (US drummer for Love) (am 1967-09-10)
zusätzlich Sologesang:
Arthur Lee (in 1967-09)
Horn arranger und Saiteninstrumente arranger:
David Angel (composer and arranger) (am 1967-09-10)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-09-10)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 436)
recording of:
Alone Again Or (am 1967-09-10)
Texter und Komponist(in):
Bryan MacLean
Love4.23:14
2▼CD
Nr.TitelKünstlerBewertungLänge
1All Right Now
Techniker(in):
Roy Thomas Baker (producer)
Produzent(in):
Free (60s/70s UK blues rock group)
zusätzliche(r) Produzent(in):
John Kelly (producer)
Bass:
Andy Fraser (English bassist, member of Free) (in 1970)
E-Bass und Klavier:
Andy Fraser (English bassist, member of Free)
Gitarre:
Paul Kossoff (in 1970)
Schlagzeug:
Simon Kirke (in 1970)
Sologesang:
Paul Rodgers (in 1970)
vocals:
Paul Rodgers
phonographisches Urheberrecht (℗) von:
Free (60s/70s UK blues rock group) (in 1970)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1970) und Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1970) und Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1970)
Musikvideos:
All Right Now von Free (60s/70s UK blues rock group)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 27)
recording of:
All Right Now (in 1970)
Verfasser(in):
Andy Fraser (English bassist, member of Free) und Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing und Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.155:33
2Summer in the City
recording of:
Summer in the City
Verfasser(in):
Steve Boone, John Sebastian und Mark Sebastian
publisher:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) und Trio Music Co., Inc.
The Lovin’ Spoonful2:41
3Heavenly Club
Les Sauterelles2:33
4Hiroshima
Produzent(in):
Lou Reizner
phonographisches Urheberrecht (℗) von:
Global Records and Tapes (in 1970) und Global Records (German label) (in 1978)
recording of:
Hiroshima
Texter und Komponist(in):
Dave Morgan (UK rock bassist/vocalist, member of Magnum)
publisher:
Global Musikverlag (Global Musik GmbH & Co. KG)
Wishful Thinking54:51
5Hair
live recording of:
Hair (from “Hair”)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
Teil von:
Hair (1967 musical)
The Cowsills33:27
6The Carnival Is Over
recording of:
The Carnival Is Over
Verfasser(in):
[traditional] (special purpose artist), Catherine Courage, Frank Farian und Tom Springfield
publisher:
Warner/Chappell Music Australia Pty. Ltd.
basiert auf:
Из-за острова на стрежень (Stenka Razin)
The Seekers3:10
7Where Have All the Flowers Gone?
cover recording of:
Where Have All the Flowers Gone
Texter und Komponist(in):
Pete Seeger (in 1955-10)
zusätzlicher Texter:
Joe Hickerson (in 1960-05)
publisher:
Sanga Music, Inc. und The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (in 1961)
recording of:
Where Have All the Flowers Gone
Texter und Komponist(in):
Pete Seeger (in 1955-10)
zusätzlicher Texter:
Joe Hickerson (in 1960-05)
publisher:
Sanga Music, Inc. und The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (in 1961)
The Kingston Trio43:03
8Mexico
recording of:
Mexico (in 1972)
Texter und Komponist(in):
Jimmy Driftwood und Les Humphries
publisher:
Edition Opry Rose und Goldy-Musikverlag Hans Sikorski GmbH
Version von:
The Battle of New Orleans
Les Humphries Singers3:43
9Na Na Hey Hey Kiss Him Goodbye
recording of:
Na Na Hey Hey Kiss Him Goodbye (in 1969)
Verfasser(in):
Gary DeCarlo, Dale Frashuer, Mark Hall (2 for Joy), Paul Leka, Daz Sampson und Graham Turner
publisher:
Warner Chappell North America und Warner/Chappell North America
Teil von:
Goodbye
Steam53:37
10Ruby Tuesday
vocals:
Melanie (US singer‐songwriter Melanie Safka) (in 1970)
cover recording of:
Ruby Tuesday (in 1970)
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Melanie44:35
11The Mighty Quinn
Manfred Mann2:49
12One and One Is One
Produzent(in):
Tony Ashton (British pianist, singer, composer and producer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1973)
recording of:
One and One Is One (in 1973)
Texter und Komponist(in):
John Fiddler (British singer and guitarist)
publisher:
Biscuit Music Ltd. (publisher) (in 1973)
Medicine Head4.53:29
13War
Interpret(in):
Edwin Starr
cover recording of:
War (am 1970-05-15)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
Edwin Starr4.23:20
14For What It’s Worth
Produzent(in):
Charles Greene (producer) und Brian Stone (producer)
Hintergrundgesang:
Richie Furay und Dewey Martin
vocals:
Stephen Stills
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 63)
recording of:
For What It’s Worth (am 1966-12-05)
Texter und Komponist(in):
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East und Ten‐East Music (BMI)
Buffalo Springfield4.252:38
15Put Your Hand in the Hand
cover recording of:
Put Your Hand in the Hand
Texter und Komponist(in):
Gene MacLellan
publisher:
Ardmore and Beechwood Ltd., Beechwood Music Canada und EMI Blackwood Music Inc.
Ocean32:53
16House of the Rising Sun
Produzent(in):
Mickie Most (English record producer)
Bassgitarre:
Chas Chandler
E-Gitarre:
Hilton Valentine
Orgel:
Alan Price
Schlagzeug:
John Steel (English musician)
Sologesang:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964), Columbia Pictures Industries, Inc. (in 1964) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 122), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. und Universal/MCA Music Ltd. (not for release label use!)
Arrangement von:
House of the Rising Sun
The Animals4.154:29
17The Sun Ain’t Gonna Shine (Anymore)
cover recording of:
The Sun Ain’t Gonna Shine (Anymore)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), Seasons Four Music und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Walker Brothers3:28
18Sunday Morning
recording engineer:
Omi Haden
Produzent(in):
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
Hintergrundgesang:
Nico (Christa Päffgen, German singer, fashion model, actress)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1967)
recording of:
Sunday Morning
Texter:
Lou Reed
Komponist(in):
John Cale (The Velvet Underground founder) und Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground & Nico4.152:54
19The Look of Love
cover recording of:
The Look of Love (am 1967-01-29)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 40th Academy Award for Best Original Song (Nummer: 2)
recording of:
The Look of Love
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 40th Academy Award for Best Original Song (Nummer: 2)
Dusty Springfield53:33
20Sweet Dreams
Produzent(in):
Peter K. Siegel (American folk producer, engineer & banjo player)
E-Bass [bass]:
Pete Van Allen (bass) (in 1972-07)
E-Gitarre [lead guitar]:
Roy Buchanan (in 1972-07)
E-Gitarre [rhythm guitar]:
Teddy Irwin (guitarist) (in 1972-07)
Keyboard:
Dick Heintze (in 1972-07)
Schlagzeug:
Ned Davis (drums) (in 1972-07)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1972)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1972-07)
instrumental cover recording of:
Sweet Dreams (in 1972-07)
Texter und Komponist(in):
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose Publications, Inc. (BMI) (am 1955-12-28)
Roy Buchanan3:31
3▼CD
Nr.TitelKünstlerBewertungLänge
1Born to Be Wild
Produzent(in):
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 129)
recording of:
Born to Be Wild
Texter und Komponist(in):
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:31
2Nutbush City Limits
Produzent(in):
Ike Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973), United Artists (in 1973) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
Texter und Komponist(in):
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
Ike & Tina Turner3.752:58
3How Do You Do
recording of:
How Do You Do (english version)
Texter:
Harry van Hoof
Komponist(in):
Hans van Hemert
Mouth & MacNeal4:04
4Wild Thing
cover recording of:
Wild Thing
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH und April Music (in 1981)
The Troggs2:36
5Son of a Preacher Man
Techniker(in):
Ed Kollis
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bassgitarre:
Tommy Cogbill (in 1968-09)
Gitarre und Sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
Hybrid-Piano und Orgel:
Bobby Emmons (in 1968-09)
Schlagzeug:
Gene Chrisman (in 1968-09)
Hintergrundgesang:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
Blechblasinstrumente arranger:
Tom Dowd
Blechblasinstrumente und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1968)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 168) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 240)
recording of:
Son of a Preacher Man (in 1968-09)
Verfasser(in):
John Hurley und Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Dusty Springfield4.452:26
6It Never Rains in Southern California
recording of:
It Never Rains in Southern California (in 1972)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc. (beendet), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI April Music Inc.
Albert Hammond3.83:52
7He Ain’t Heavy, He’s My Brother
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) und The Hollies Ltd. (von 1969 bis 1970)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1969-06-25)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (am 1969-06-25)
Verfasser(in):
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) und Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies3.854:20
8I Got You Babe
vocals:
Sonny Bono (in 1965) und Cher (in 1965)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 331) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 444)
recording of:
I Got You Babe (in 1965)
Texter und Komponist(in):
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) und Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:11
9You’ve Got to Hide Your Love Away
cover recording of:
You’ve Got to Hide Your Love Away
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Silkie2:11
10Daydream Believer
Produzent(in):
Chip Douglas
Bass:
Chip Douglas (von 1967-06-14 bis 1967-08-09)
Bassposaune:
Richard Leith (trombonist) (von 1967-06-14 bis 1967-08-09) und Phil Teele (von 1967-06-14 bis 1967-08-09)
Geige / Violine:
Nathan Kaproff (von 1967-06-14 bis 1967-08-09), George Kast (von 1967-06-14 bis 1967-08-09), Alex Murray (violinist) (von 1967-06-14 bis 1967-08-09) und Erno Neufeld (von 1967-06-14 bis 1967-08-09)
Gitarre:
Michael Nesmith (von 1967-06-14 bis 1967-08-09)
Klavier:
Peter Tork (von 1967-06-14 bis 1967-08-09)
Perkussion:
William E. Martin (von 1967-06-14 bis 1967-08-09)
Posaune:
Richard Noel (trombonist) (von 1967-06-14 bis 1967-08-09)
Schlagzeug:
Eddie Hoh (von 1967-06-14 bis 1967-08-09)
Trompete:
Pete Candoli (von 1967-06-14 bis 1967-08-09), Al Porcino (von 1967-06-14 bis 1967-08-09) und Manuel Stevens (von 1967-06-14 bis 1967-08-09)
Hintergrundgesang:
Micky Dolenz (von 1967-06-14 bis 1967-08-09)
Sologesang:
Davy Jones (The Monkees member) (von 1967-06-14 bis 1967-08-09)
Horn und Saiteninstrumente arranger:
Shorty Rogers (trumpet)
Musikvideos:
Daydream Believer von The Monkees
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 39)
recording of:
Daydream Believer (von 1967-06-14 bis 1967-08-09)
Texter und Komponist(in):
John Stewart (singer-songwriter (Kingston Trio))
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.652:54
11Atlantis
recording of:
Atlantis (Donovan song)
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan (Music) Ltd., Peer International Corporation (BMI), Peer Musikverlag (Peermusic Musikverlag GesmbH), peermusic (“Peermusic—the global independent”) und Peer Southern Music (publisher, affiliated to BMI in the US) (in 1968)
Donovan4:57
12Jessica
Techniker(in):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records), Ovie Sparks und Buddy Thornton
Produzent(in):
The Allman Brothers Band und Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
Akustikgitarre:
Les Dudek (in 1972-12)
Bass:
Lamar Williams (in 1972-12)
Gitarre [lead guitar]:
Dickey Betts (in 1972-12)
Hybrid-Piano und Klavier:
Chuck Leavell (in 1972-12)
Orgel und Klavier:
Gregg Allman (in 1972-12)
Schlagzeug und Perkussion:
Jai Johanny Johanson (in 1972-12) und Butch Trucks (in 1972-12)
vocals:
Gregg Allman (in 1972-12)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2013)
aufgenommen bei:
Capricorn Sound Studio in Macon, Georgia, Vereinigte Staaten (in 1972-12)
recording of:
Jessica (in 1972-12)
Komponist(in):
Dickey Betts
publisher:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell Music, Inc.
The Allman Brothers Band4.257:29
13(Sittin’ on) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
Komponist(in):
Steve Cropper und Otis Redding
arranger:
Oliver Lake
Arrangement von:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:41
14Vietnam
recording of:
Vietnam
Texter und Komponist(in):
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
publisher:
Universal Music Publishing Group (in 1975)
Jimmy Cliff4:51
15In the Summertime
Produzent(in):
Barry Murray (producer, associated with Mungo Jerry)
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1970) und Dawn (UK 70s 'underground and progressive' label, a subsidiary of Pye Records) (in 1970)
früheste Veröffentlichung:
In the Summertime von Mungo Jerry
Musikvideos:
In the Summertime von Mungo Jerry
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 40) und Billboard Year-End Hot 100 singles of 1970 (Nummer: 53)
recording of:
In the Summertime
Texter und Komponist(in):
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.753:30
16Keep On Running
The Spencer Davis Group2:45
17Paper Sun
Produzent(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1967)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1967-04 bis 1967-11)
recording of:
Paper Sun
Verfasser(in):
Jim Capaldi und Steve Winwood
publisher:
Polygram Music und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Traffic4:15
18She’s Not There
Neil MacArthur3:20
19Music
recording of:
Music
Texter und Komponist(in):
John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
Velvet Music (John Miles)
John Miles5:53
20Streets of London
Produzent(in):
Gus Dudgeon
Gitarre:
Ralph McTell (in 1969)
vocals:
Ralph McTell (in 1969)
recording of:
Streets of London (in 1969)
Texter und Komponist(in):
Ralph McTell
publisher:
Essex Music International und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Ralph McTell4:08
4▼CD
Nr.TitelKünstlerBewertungLänge
1California Dreamin’
Techniker(in):
Bones Howe
Produzent(in):
Lou Adler
Gitarre:
P.F. Sloan (in 1965)
Solo-Altflöte:
Bud Shank (in 1965)
phonographisches Urheberrecht (℗) von:
Geffen Records und Dunhill Records (in 1966)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 420)
recording of:
California Dreamin’ (in 1965)
Verfasser(in):
John Phillips (The Mamas & The Papas) und Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) und Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:39
2Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-01-20)
Produzent(in):
Terry Melcher
Bassgitarre:
Chris Hillman (am 1965-01-20)
Gitarre:
David Crosby (am 1965-01-20)
Schlagzeug:
Michael Clarke (drummer for the 1960s rock group The Byrds) (am 1965-01-20)
Tamburin:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20)
zwölfsaitige Gitarre:
Jim McGuinn (am 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20), David Crosby (am 1965-01-20), Chris Hillman (am 1965-01-20) und Jim McGuinn (am 1965-01-20)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 79) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 230)
cover recording of:
Mr. Tambourine Man (am 1965-01-20)
Texter und Komponist(in):
Bob Dylan (von 1964-02 bis 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
adaptations:
Setä pelimanni
The Byrds4.152:30
3On the Road Again
Techniker(in):
Dino (US Music engineer) und Lanky (US recording engineer)
Produzent(in):
Calvin Carter und Dallas Smith (producer)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968), Liberty (a division of UMG Recordings, Inc.) (in 1968) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
aufgenommen bei:
Liberty Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-09-06)
recording of:
On the Road Again (am 1967-09-06)
Texter und Komponist(in):
Floyd Jones (blues performer and songwriter) und Alan Wilson (Canned Heat member)
publisher:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) und United Partnership Ltd.
Canned Heat44:57
4Free Bird
recording of:
Free Bird
Texter und Komponist(in):
Allen Collins und Ronnie Van Zant
publisher:
EMI Longitude Music, Songs of Universal, Inc. (BMI) und Universal Duchess Music Corp.
Lynyrd Skynyrd3:32
5In‐a‐Gadda‐Da‐Vida
phonographisches Urheberrecht (℗) von:
ATCO Records (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recording of:
In‐A‐Gadda‐Da‐Vida
Texter und Komponist(in):
Douglas Lloyd Ingle
publisher:
Ten East‐Cotillion‐Itasca
Iron Butterfly42:54
6Eve of Destruction
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
Eve of Destruction (in 1965)
Texter und Komponist(in):
P.F. Sloan
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.63:36
7In the Year 2525
Produzent(in):
Zager & Evans
recording of:
In the Year 2525 (Exordium and Terminus) (in 1968)
Texter und Komponist(in):
Rick Evans (US singer, songwriter and guitarist)
publisher:
ATV Music, Chelsea Music Publishing, Zelad Music und Zerlad Music Enterprises Ltd.
Zager & Evans43:17
8All Kinds of Everything
Teil von:
Ireland in the Eurovision Song Contest (Irland beim Eurovision Song Contest) (Nummer: 1970) und Winners of the Eurovision Song Contest (Die Sieger des Eurovision Song Contest) (Nummer: 1970)
recording of:
All Kinds of Everything (1970 eurovision song)
Verfasser(in):
Derry Lindsay (Songwriter) und Jackie Smith (Songwriter)
Dana23:02
9Morning of My Life
arranger:
Phil Dennys
phonographisches Urheberrecht (℗) von:
Phonogram GmbH (in 1967), Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1967), Phonogram, Inc. (in 1967), PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1967), Philips (von 1967 bis 1968) und Phonogram (in 1979)
cover recording of:
In the Morning (aka “Morning of My Life”) (in 1967)
Texter und Komponist(in):
Barry Gibb (in 1965)
publisher:
Bramsdene Music Corporation, Campbell Connelly, Campbell Connelly & Co. Ltd., Careers–BMG Music Publishing, Inc., Connelly Musikverlag, Gibb Brothers Music, Norman Whiteley Ltd., Penjane Music (Australia) Pty. Limited und Plymouth Music Co., Inc.
Esther & Abi Ofarim43:30
10Christine’s Tune
Produzent(in):
Henry Lewy und Larry Marks (US producer/songwriter/executive for Columbia, A&M Records & Warner Bros)
Schlagzeug:
Jon Corneal
recording of:
Christine's Tune
Komponist(in):
Chris Hillman und Gram Parsons
recording of:
Devil in Disguise
Komponist(in):
Chris Hillman und Gram Parsons
The Flying Burrito Brothers3.53:03
11Somebody to Love
recording engineer:
David Hassinger
Produzent(in):
Rick Jarrard
recording of:
Somebody to Love (Jefferson Airplane song)
Texter und Komponist(in):
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane2:58
12The Rain, the Park & Other Things
recording of:
The Rain, the Park & Other Things
Verfasser(in):
Steve Duboff und Artie Kornfeld
publisher:
Akbestal Music Inc. und MPCA Lehsem Songs
The Cowsills2:51
13Mendocino
recording of:
Mendocino (in 1968)
Texter und Komponist(in):
Doug Sahm
Sir Douglas Quintet2:42
14Groovin’
recording of:
Groovin’
Verfasser(in):
Eddie Brigati und Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
The Young Rascals2:32
15I’d Love You to Want Me
recording of:
I’d Love You to Want Me
Texter und Komponist(in):
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo4:03
16Pearl’s a Singer
cover recording of:
Pearl’s a Singer
Verfasser(in):
Ralph Dino, Jerry Leiber, John Sembello und Mike Stoller
publisher:
Sony/ATV Songs LLC
Elkie Brooks43:39
17Only One Woman
recording of:
Only One Woman
Texter und Komponist(in):
Barry Gibb, Maurice Gibb und Robin Gibb
The Marbles2:45
18If I Were a Carpenter
Techniker(in):
Doc Siegel und Val Valentin (Aufgabe: director of engineering)
Produzent(in):
Charles Koppelman (American businessman and musician) und Don Rubin
arranger:
Donald Peake
recording of:
If I Were a Carpenter (in 1967)
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Faithful Virtue Music
live recording of:
If I Were a Carpenter
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Faithful Virtue Music
Tim Hardin12:43
19Sealed With a Kiss
recording of:
Sealed With a Kiss
Verfasser(in):
Gary Geld und Peter Udell
uraufgeführt von:
The Four Voices (in 1960-05)
publisher:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) und Pogo Music Corp. (in 1962)
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Brian Hyland2:42
20If You Could Read My Mind
cover recording of:
If You Could Read My Mind
Texter und Komponist(in):
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (beendet), Early Morning Music (beendet), Laetrec Music (beendet), Chelsea Music Publishing Co., Ltd., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
The Spotnicks33:15

Nennungen

Veröffentlichung

andere Datenbanken:https://www.musik-sammler.de/release/790465/ [Info]