Cabrio Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Roll On Down the Highway
recording engineer and mixer:
Mark K. Smith (Canadian engineer)
assistant engineer:
Buzz Richmond
engineer:
Mark Smith (Canadian engineer)
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
assistant mixer:
Richard Dashut
guitar [fuzz]:
Blair Thornton
solo guitar:
Randy Bachman (Canadian guitarist, singer & songwriter)
lead vocals:
C.F. “Fred” Turner
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Phonogram, Inc. (in 1975), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1975), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
Kaye–Smith Studios in Seattle, Washington, United States
mixed at:
Sound City Studios in Van Nuys, California, United States
recording of:
Roll on Down the Highway
writer:
Robbie Bachman and C.F. “Fred” Turner
publisher:
Eventide Music (1970s publisher, likely Canadian), Ranbach Music (publisher), Randy Backman Music, Sony Songs Inc., Sony/ATV Songs LLC and Top Soil Music (publisher) (from 1975 to present)
Bachman–Turner Overdrive4.53:59
2Need You Tonight
assistant engineer:
Paula Jones (Australian audio engineer, producer)
engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
mixer:
Bob Clearmountain and Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
INXS (label and copyrights holder for INXS) (in 1987, in 1997), PolyGram International Music B.V. (not for release label use!) (in 1987) and Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1999)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
music videos:
Need You Tonight (music video) by INXS
part of:
triple j’s Hottest 100 of Australian Songs (number: 59), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 16) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 114)
recording of:
Need You Tonight
lyricist and composer:
Andrew Farriss (in band INXS) and Michael Hutchence
publisher:
Muziekuitgeverij Artemis B. V., Tol Muziek, WB Music Corp. (1929–2019), XL Publishing Pty. Ltd., 101 Muziek (publisher) (in 1987) and Chardonnay Investments Ltd. (in 1987)
INXS4.153:01
3Maggie May
producer:
Rod Stewart
acoustic guitar:
Martell Brandy (in 1971-01), Martin Quittenton (guitarist for Steamhammer) (in 1971-01) and Rod Stewart (in 1971-01)
bass:
Andy Pyle (in 1971-01)
bass guitar, guitar and pedal steel guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971-01)
double bass:
Danny Thompson (English double bass player) (in 1971-01)
drums (drum set):
Micky Waller (in 1971-01)
organ:
Ian McLagan (in 1971-01)
piano:
Pete Sears (in 1971-01)
slide guitar:
Sam Mitchell (in 1971-01)
violin:
Dick Powell (Violinist and double-bass player) (in 1971-01)
lead vocals:
Rod Stewart (in 1971-01)
vocals:
Madeline Bell (in 1971-01)
compilation of:
Henry by Rod Stewart and Maggie May (without “Henry” prelude) by Rod Stewart
music videos:
Maggie May by Rod Stewart
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 130) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 141)
recording of:
Henry (prelude to “Maggie May”) (in 1971-01)
composer:
Martin Quittenton (guitarist for Steamhammer)
recording of:
Maggie May (in 1971-01)
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4.155:47
4Show Me the Way
phonographic copyright (℗) by:
A&M Records, Inc. (in 1976)
recording of:
Show Me the Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and United Artists Music Co., Inc.
Peter Frampton4:03
5Valerie
assistant engineer:
Nobby
producer:
Steve Winwood
recorded at:
Netherturkdonic Studios in Gloucester, Gloucestershire, England, United Kingdom
recording of:
Valerie
writer:
Will Jennings and Steve Winwood
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner Chappell North America
Steve Winwood44:08
6She’s a Lady
phonographic copyright (℗) by:
Decca Records Co. Ltd. (Decca Records) (in 1971) and Tom Jones Enterprises Ltd. (in 1971)
cover recording of:
She’s a Lady (in 1971)
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. and Spanka Music Corp.
recording of:
She’s a Lady
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. and Spanka Music Corp.
Tom Jones3.92:54
7Gypsy Road
assistant recording engineer:
Thom Cadley and Ryan Dorn
engineer:
Andy Johns
producer:
Eric Brittingham, Andy Johns and Tom Keifer
assistant mixer:
George Cowan (US engineer)
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
acoustic guitar, harmonica, steel guitar [national steel guitar] and lead vocals:
Tom Keifer (from 1987 until 1988)
additional drums (drum set):
Denny Carmassi (from 1987 until 1988) and Cozy Powell (from 1987 until 1988)
additional guest Hammond organ [B3], additional guest piano and additional guest synthesizer:
Rick Criniti (from 1987 until 1988)
additional keyboard:
Kurt Shore (from 1987 until 1988) and John Webster (Canadian keyboardist) (from 1987 until 1988)
additional pedal steel guitar:
Jay Levine (from 1987 until 1988)
additional percussion:
Paulinho da Costa (Brazilian percussionist) (from 1987 until 1988)
bass guitar [12 string bass], electric bass guitar and background vocals:
Eric Brittingham (from 1987 until 1988)
drums (drum set):
Fred Coury (from 1987 until 1988)
electric guitar:
Tom Keifer (from 1987 until 1988) and Jeff LaBar (from 1987 until 1988)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1987 until 1988) and Kajem/Victory Studios (An American recording studio and production facility.) in Philadelphia, Pennsylvania, United States (from 1987 until 1988)
mixed at:
Bearsville Studios in Bearsville, New York, United States
recording of:
Gypsy Road (from 1987 until 1988)
lyricist and composer:
Tom Keifer
publisher:
Chappell & Co., Inc. (USA)
Cinderella43:56
8After Midnight
bass guitar:
Norbert Putnam (on 1971-06-09)
drums (drum set):
Chuck Browning (on 1971-06-09)
guitar:
J.J. Cale (on 1971-06-09)
piano:
Jerry Whitehurst (session pianist) (on 1971-06-09)
vocals:
J.J. Cale (on 1971-06-09)
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States (on 1971-06-09)
recording of:
After Midnight (on 1971-06-09)
lyricist and composer:
J.J. Cale
publisher:
Mijac Music, Robert Stigwood Organisation Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
J.J. Cale3.62:22
9Good Times
recording of:
Good Times
writer:
Vic Briggs (Victor Briggs), Eric Burdon, Barry Jenkins (British rock drummer), Danny McCulloch and John Weider
Eric Burdon & the Animals2:54
10Drop the Pilot
assistant engineer:
Niko Bolas
engineer and producer:
Val Garay
bass:
Bryan Garofalo
drums (drum set):
Craig Krampf
guitar:
Joan Armatrading, Craig Hull and Tim Pierce (US session guitarist)
keyboard:
Steve Goldstein
percussion:
M. L. Benoit
vocals:
Joan Armatrading
phonographic copyright (℗) by:
A&M Records (in 1983) and A&M Records, Ltd. (in 1983)
recording of:
Drop the Pilot
composer:
Joan Armatrading
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Pty. Ltd. and Polygram Music
Joan Armatrading43:40
11Wishing I Was Lucky
producer:
Wet Wet Wet
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1987) and Phonogram Ltd. (not for release label use!) (in 1987)
recording of:
Wishing I Was Lucky
writer:
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell and Marti Pellow
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Precious Music Ltd. (publisher)
Wet Wet Wet3.353:52
12Luka
sound engineer:
Robin Danar
engineer:
Steve Addabbo and Rod O’Brien
producer:
Steve Addabbo and Lenny Kaye
mixer:
Shelly Yakus
solo guitar:
Jon Gordon (guitarist, music director, producer, composer)
background vocals:
Shawn Colvin
vocals:
Suzanne Vega (American singer-songwriter)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1987)
recorded at:
duo Music Exchange in Dōgenzaka, Shibuya (Shibuya-ku), Tokyo, Japan
recording of:
Luka
lyricist and composer:
Suzanne Vega (American singer-songwriter)
publisher:
WB Music Corp. (1929–2019)
Suzanne Vega4.353:53
13Don’t Turn Around
producer:
Aswad (British reggae group)
cover recording of:
Don’t Turn Around
lyricist and composer:
Albert Hammond and Diane Warren (US songwriter)
publisher:
Albert Hammond Music, BMG Music, Edition Sunset Publishing, EMI Music (do not use as release label! this is a music publisher), Empire Music Ltd., Intersong Music Ltd., Realsongs and Warner Chappell
Aswad43:38
14Finally
phonographic copyright (℗) by:
A&M Records, Inc. (in 1982)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 447)
recording of:
Finally (CeCe Peniston song)
writer:
Cecilia Peniston, Felipe Delgado, Elbert Linnear and R. K. Jackson
publisher:
Blue Zephyr, Ce Ce Peniston Music, Mainlot Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Urban Tracks Music and Wax Museum Music
CeCe Peniston4.24:10
15Axel F
producer:
Harold Faltermeyer
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) and Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 70)
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer4.153:02
16I’m Not in Love
recording engineer:
10cc (in 1974)
engineer and mixer:
Eric Stewart
producer:
10cc
bass and guitar:
Graham Gouldman (in 1974)
effects [musical effects], electric piano and lead vocals:
Eric Stewart (in 1974)
Moog:
Kevin (in 1974)
piano:
Lol (in 1974)
synclavier [control desk]:
Graham Gouldman (in 1974), Kevin (in 1974), Lol (in 1974) and Eric Stewart (in 1974)
background vocals:
Graham Gouldman (in 1974), Kevin (in 1974) and Lol (in 1974)
other vocals [whisper vocals]:
Kathy Redfern (in 1974)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1975), Mercury Records Ltd. (London) (for copyrights use only) (in 1975), Phonogram, Inc. (in 1975), Phonogram Ltd. (not for release label use!) (in 1979) and Mercury Records Ltd. (not for release label use!) (in 1996)
recorded by:
Phonogram Ltd. (London) (company name, NOT a label!)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1974)
music videos:
I’m Not in Love by 10cc
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 319)
recording of:
I’m Not in Love (in 1974)
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music and St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
10cc3.856:03
2CD
#TitleArtistRatingLength
1Looking for Clues
engineer:
Alex Sadkin
producer:
Robert Palmer (English singer‐songwriter)
recording of:
Looking for Clues
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music
Robert Palmer44:54
2California Dreamin’
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan (in 1965)
solo alto flute:
Bud Shank (in 1965)
phonographic copyright (℗) by:
Geffen Records and Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:39
3Nightshift
choir vocals [background vocal chorus]:
Gregory Alexander, Ambrose Price, Tracy Augcomfar, Debbie Garrett, Doris Garrett, Patricia Hamlin, Philip Ingram, William King (William Atwell King Jr. (member of Commodores)), Dennis Lambert, Ronald LaPread, J.D. Nicholas, Walter Orange, Darryl Phinnessee, Sheldon Reynolds and David Swanson (US soul/funk pianist/synthesizer)
performer:
J.D. Nicholas and Walter Orange
recording of:
Nightshift
writer:
Franne Golde, Dennis Lambert and Walter Orange
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Platinum Songs US, Careers–BMG Music Publishing, Inc., Franne Golde Music, Reservoir Media Music, Rightsong Music Inc., Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Zomba Enterprises, Inc.
Commodores4.355:05
4I’ll Find My Way Home
producer:
Vangelis (Greek composer of electronic, new age and classical)
instruments and performer:
Vangelis (Greek composer of electronic, new age and classical)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis)
vocals:
Jon Anderson (Yes/Jon & Vangelis)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1981) and Spheric B.V. (in 1981)
recording of:
I’ll Find My Way Home
lyricist:
Jon Anderson (Yes/Jon & Vangelis)
composer:
Jon Anderson (Yes/Jon & Vangelis) and Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music (do not use as release label! this is a music publisher), Spheric B.V., Toughknot Ltd., Warner Bros. Music Co., Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and Warner Chappell North America
Jon and Vangelis44:32
5To One in Paradise
assistant engineer:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK), Tony Richards (recording engineer) and Pat Stapley
engineer and producer:
Alan Parsons (of The Alan Parsons Project)
executive producer:
Eric Woolfson
acoustic guitar:
Ian Bairnson (in 1975-08) and David Paton (of Pilot) (in 1975-08)
bass:
David Paton (of Pilot) (in 1975-08)
drums (drum set):
Stuart Tosh (in 1975-08)
electric guitar:
Ian Bairnson (in 1975-08)
glockenspiel and Rhodes piano [Fender Rhodes]:
Billy Lyall (in 1975-08)
additional vocals:
Alan Parsons (of The Alan Parsons Project) (in 1975-08) and Eric Woolfson (in 1975-08)
background vocals:
Jane Powell (American singer, dancer and actress) (in 1975-08)
choir vocals:
Westminster City School Boys Choir (in 1975-08)
lead vocals:
Terry Sylvester (singer and guitarist) (in 1975-08)
spoken vocals:
Leonard Whiting (in 1975-08)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 2007)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1975-08)
remixed at:
The Grange in Kent, England, United Kingdom (from 1987-05 until 1987-06)
remix of:
To One in Paradise (original 1976 LP version) by The Alan Parsons Project (in 1987)
recording of:
To One in Paradise (in 1975-08)
writer:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
The Alan Parsons Project3.54:46
6Love Is a ShieldCamouflage3:58
7What’s Up?
recording engineer:
David Tickle (in 1992) and Mark Hensley (in 1992)
additional engineer:
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy and Paul Dieter (American sound engineer and producer.)
producer and mixer:
David Tickle
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass and background vocals:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
piano:
Laurent Tardy (in 1992)
lead vocals:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981–2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
music videos:
What’s Up? by 4 Non Blondes
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 46), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 486)
recording of:
What’s Up? (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
4 Non Blondes3.94:57
8MMMBop
programming and engineer:
Mac Quale (US composer)
additional producer:
Stephen Lironi
executive producer:
Steve Greenberg (Record producer)
producer:
The Dust Brothers (production duo John King & Mike Simpson)
mixer:
Tom Lord‐Alge
drums (drum set):
Zac Hanson
guitar:
Isaac Hanson
keyboard:
Taylor Hanson
vocals:
Isaac Hanson, Taylor Hanson and Zac Hanson
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 61)
recording of:
MMMBop
writer:
Isaac Hanson, Taylor Hanson and Zachary Hanson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Hanson3.54:30
9Regulate
recording engineer and mixer:
Greg Geitzenauer
producer:
Warren G
additional mixer:
John Morris (engineer)
editor:
John Philip Shenale
guest guitar:
Andreas Straub
guest keyboard:
Greg Geitzenauer
lead vocals:
Nate Dogg and Warren G
phonographic copyright (℗) by:
Rush Associated Labels (in 1994)
recorded at and mixed at:
Track Record, Inc. in North Hollywood, Los Angeles, California, United States
edited at:
The Nut Ranch in Studio City, Los Angeles, California, United States
samples:
I Keep Forgettin’ by Michael McDonald (R&B & soul singer) and Sign of the Times by Bob James (US jazz keyboardist, arranger and producer)
music videos:
Regulate (music video) by Warren G
recording of:
Regulate
writer:
Nathaniel Hale (Nate Dogg) and Warren Griffin (Warren G)
publisher:
Shug Publishing and Warren G. Publishing
is based on:
I Keep Forgettin’ (Every Time You’re Near)
Warren G feat. Nate Dogg4.454:10
10Too Good to Be Forgotten
cover recording of:
Too Good to Be Forgotten
writer:
Barbara Acklin (singer and songwriter) and Eugene Record
Amazulu3:04
11Rocky Mountain Way
Joe Walsh & Barnstorm5:17
12I Go to Rio
recording of:
I Go to Rio
lyricist:
Adrienne Anderson
composer:
Peter Allen (Australian singer‐songwriter)
publisher:
Angela Music Co., Irving Music (BMI), Woolnough Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peter Allen3:17
13Running in the Family
engineer and mixer:
Julian Mendelsohn (Australian record producer and engineer)
assistant producer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Wally Badarou and Level 42
recording of:
Running in the Family
writer:
Wally Badarou, Phil Gould and Mark King (bass guitarist and vocalist)
Level 423.43:58
14Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) and John Mills (recording/mix engineer) (in 1972)
producer:
Jerry Leiber and Mike Stoller
drums (drum set):
Rod Coombes (in 1972)
electric bass guitar:
Tony Williams (bass) (in 1972)
guitar:
Paul Pilnick (in 1972) and Gerry Rafferty (in 1972)
keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) and Gerry Rafferty (in 1972)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1972) and A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:25
15Crockett’s Theme
recording of:
Crockett’s Theme (Miami Vice)
composer:
Jan Hammer
publisher:
Involved Publishing Ltd, MCA Music Inc. (Universal Music Philippines’ legal name) and Universal/MCA Music Ltd. (not for release label use!)
Jan Hammer3.53:33
16Under the Boardwalk
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1987)
cover recording of:
Under the Boardwalk
writer:
Arthur Resnick (songwriter, producer) and Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. and Trio Music Company
Bruce Willis & The Temptations2.353:02

Credits

Release

ASIN:DE: B000HEWJ94 [info]