Quintet Sextet Complete Recordings

~ Release by Hank Jones & Tyree Glenn (see all versions of this release, 1 available)

Annotation

Personnel:
CD 1
1 - 4: Tyree Glenn, TB, Vib; Hank Jones, piano; Mary Osborne,G;
Tommy Potter, bass; Jo Jones, drums - New York, March 28-29, 1957
5-11: As above, plus Harold 'Shorty' Baker, trumpet; - New York, March 28-29, 1957
12-17: Same as 1-4, Roundtable, New York, 1958

CD2
1-6: Tyree Glenn, TB, Vib; Hank Jones, piano; Mary Osborne, G; Tommy Potter, bass; Jo Jones, drums - Roundtable, New York, 1958
7-8 - Same as 1-6 except Milt Hinton, bass - London House, Chicago, 1961
9-18 - Same as 7-8 except add Harold 'Shorty' Baker, trumpet - London House, Chicago, 1961

Annotation last modified on 2021-05-19 02:43 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1Sinbad the Sailor
double bass:
Tommy Potter (in 1957-03)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957-03)
guitar:
Mary Osborne (Jazz guitarist) (in 1957-03)
piano:
Hank Jones (piano) (in 1957-03)
3:58
2Lonely Moment
double bass:
Tommy Potter (in 1957-03)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957-03)
guitar:
Mary Osborne (Jazz guitarist) (in 1957-03)
piano:
Hank Jones (piano) (in 1957-03)
recording of:
Lonely Moments (in 1957-03)
composer:
Mary Lou Williams (American jazz pianist and composer)
4:06
3Without a Song
double bass:
Tommy Potter (in 1957-03)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957-03)
guitar:
Mary Osborne (Jazz guitarist) (in 1957-03)
piano:
Hank Jones (piano) (in 1957-03)
instrumental recording of:
Without a Song (in 1957-03)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., CBS Miller Catalog, Inc., Chappell & Co., EMI Miller Catalog, Inc., Johnny Mathis Music, Inc., LSQ Music Co., Miller Music Corp., The Songwriters Guild and WB Music Corp. (1929–2019)
part of:
Great Day!
3:59
4How High the Moon
double bass:
Tommy Potter (in 1957-03)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957-03)
guitar:
Mary Osborne (Jazz guitarist) (in 1957-03)
piano:
Hank Jones (piano) (in 1957-03)
instrumental recording of:
How High the Moon (in 1957-03)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:55
5What Can I Tell My Heart
double bass:
Tommy Potter (in 1957-03)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957-03)
guitar:
Mary Osborne (Jazz guitarist) (in 1957-03)
piano:
Hank Jones (piano) (in 1957-03)
trumpet:
Harold “Shorty” Baker (in 1957-03)
3:24
6After the Rain
double bass:
Tommy Potter (in 1957-03)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957-03)
guitar:
Mary Osborne (Jazz guitarist) (in 1957-03)
piano:
Hank Jones (piano) (in 1957-03)
trumpet:
Harold “Shorty” Baker (in 1957-03)
2:51
7Tyree's Tune
double bass:
Tommy Potter (in 1957-03)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957-03)
guitar:
Mary Osborne (Jazz guitarist) (in 1957-03)
piano:
Hank Jones (piano) (in 1957-03)
trumpet:
Harold “Shorty” Baker (in 1957-03)
6:37
8Until the Real Thing Comes Along
double bass:
Tommy Potter (in 1957-03)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957-03)
guitar:
Mary Osborne (Jazz guitarist) (in 1957-03)
piano:
Hank Jones (piano) (in 1957-03)
trumpet:
Harold “Shorty” Baker (in 1957-03)
instrumental recording of:
Until the Real Thing Comes Along (in 1957-03)
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
3:22
9I Thought About You
double bass:
Tommy Potter (in 1957-03)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957-03)
guitar:
Mary Osborne (Jazz guitarist) (in 1957-03)
piano:
Hank Jones (piano) (in 1957-03)
trumpet:
Harold “Shorty” Baker (in 1957-03)
instrumental recording of:
I Thought About You (in 1957-03)
lyricist:
Johnny Mercer
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3:12
10I Wanna Be Loved
double bass:
Tommy Potter (in 1957-03)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957-03)
guitar:
Mary Osborne (Jazz guitarist) (in 1957-03)
piano:
Hank Jones (piano) (in 1957-03)
trumpet:
Harold “Shorty” Baker (in 1957-03)
2:28
11Too Marvelous for Words
double bass:
Tommy Potter (in 1957-03)
drums (drum set):
Jo Jones (US jazz drummer) (in 1957-03)
guitar:
Mary Osborne (Jazz guitarist) (in 1957-03)
piano:
Hank Jones (piano) (in 1957-03)
trumpet:
Harold “Shorty” Baker (in 1957-03)
instrumental recording of:
Too Marvelous for Words (in 1957-03)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:53
12Teach Me Tonight
double bass:
Tommy Potter (in 1958)
drums (drum set):
Jo Jones (US jazz drummer) (in 1958)
guitar:
Mary Osborne (Jazz guitarist) (in 1958)
piano:
Hank Jones (piano) (in 1958)
instrumental recording of:
Teach Me Tonight (in 1958)
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
2:27
13Sunday
double bass:
Tommy Potter (in 1958)
drums (drum set):
Jo Jones (US jazz drummer) (in 1958)
guitar:
Mary Osborne (Jazz guitarist) (in 1958)
piano:
Hank Jones (piano) (in 1958)
3:26
14Just a Wearyin' for You
double bass:
Tommy Potter (in 1958)
drums (drum set):
Jo Jones (US jazz drummer) (in 1958)
guitar:
Mary Osborne (Jazz guitarist) (in 1958)
piano:
Hank Jones (piano) (in 1958)
instrumental recording of:
Just A-Wearyin' for You (in 1958)
lyricist:
Frank Lebby Stanton
composer:
Carrie Jacobs‐Bond
2:13
15There Will Never Be Another You
double bass:
Tommy Potter (in 1958)
drums (drum set):
Jo Jones (US jazz drummer) (in 1958)
guitar:
Mary Osborne (Jazz guitarist) (in 1958)
piano:
Hank Jones (piano) (in 1958)
instrumental recording of:
There Will Never Be Another You (in 1958)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, volume I)
3:38
16All of Me
double bass:
Tommy Potter (in 1958)
drums (drum set):
Jo Jones (US jazz drummer) (in 1958)
guitar:
Mary Osborne (Jazz guitarist) (in 1958)
piano:
Hank Jones (piano) (in 1958)
instrumental recording of:
All of Me (in 1958)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
2:36
17Royal Garden Blues
double bass:
Tommy Potter (in 1958)
drums (drum set):
Jo Jones (US jazz drummer) (in 1958)
guitar:
Mary Osborne (Jazz guitarist) (in 1958)
piano:
Hank Jones (piano) (in 1958)
recording of:
Royal Garden Blues (in 1958)
composer:
Clarence Williams (US jazz pianist, composer, singer and bandleader) (in 1919) and Spencer Williams (US jazz composer, pianist & singer) (in 1919)
3:34
2▼CD
#TitleRatingLength
1Wonder Why
double bass:
Tommy Potter (in 1958)
drums (drum set):
Jo Jones (US jazz drummer) (in 1958)
guitar:
Mary Osborne (Jazz guitarist) (in 1958)
piano:
Hank Jones (piano) (in 1958)
instrumental recording of:
Wonder Why (Rich, Young and Pretty) (in 1958)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
Primary Wave Songs and Robbins Music Corp.
part of:
The 24th Academy Award for Best Original Song (number: 2)
2:34
2Dear Old Southland
double bass:
Tommy Potter (in 1958)
drums (drum set):
Jo Jones (US jazz drummer) (in 1958)
guitar:
Mary Osborne (Jazz guitarist) (in 1958)
piano:
Hank Jones (piano) (in 1958)
instrumental recording of:
Dear Old Southland (jazz standard) (in 1958)
lyricist:
Henry Creamer (Lyricist) (in 1921)
composer:
Turner Layton (in 1921)
publisher:
Mills Music
2:25
3Them There Eyes
double bass:
Tommy Potter (in 1958)
drums (drum set):
Jo Jones (US jazz drummer) (in 1958)
guitar:
Mary Osborne (Jazz guitarist) (in 1958)
piano:
Hank Jones (piano) (in 1958)
instrumental recording of:
Them There Eyes (in 1958)
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) and Warner Chappell Music Limited (2019–present)
2:27
4Sweet and Lovely
double bass:
Tommy Potter (in 1958)
drums (drum set):
Jo Jones (US jazz drummer) (in 1958)
guitar:
Mary Osborne (Jazz guitarist) (in 1958)
piano:
Hank Jones (piano) (in 1958)
instrumental recording of:
Sweet and Lovely (in 1958)
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC (ASCAP), Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
2:59
5Marcheta
double bass:
Tommy Potter (in 1958)
drums (drum set):
Jo Jones (US jazz drummer) (in 1958)
guitar:
Mary Osborne (Jazz guitarist) (in 1958)
piano:
Hank Jones (piano) (in 1958)
instrumental recording of:
Marcheta (in 1958)
lyricist and composer:
Victor Schertzinger
3:47
6Limehouse Blues
double bass:
Tommy Potter (in 1958)
drums (drum set):
Jo Jones (US jazz drummer) (in 1958)
guitar:
Mary Osborne (Jazz guitarist) (in 1958)
piano:
Hank Jones (piano) (in 1958)
instrumental recording of:
Limehouse Blues (in 1958)
lyricist:
Douglas Furber
composer:
Philip Braham
publisher:
Harms, Inc. and Warner Bros. Mus. (ASCAP) (publisher; do NOT use as release label)
3:24
7By and by When Morning Comes
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (US jazz drummer) (in 1961)
guitar:
Mary Osborne (Jazz guitarist) (in 1961)
piano:
Hank Jones (piano) (in 1961)
instrumental recording of:
By and By When the Morning Comes (in 1961)
writer:
[traditional] (special purpose artist)
arranger:
Lead Belly
2:38
8Stomping at the Savoy
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (US jazz drummer) (in 1961)
guitar:
Mary Osborne (Jazz guitarist) (in 1961)
piano:
Hank Jones (piano) (in 1961)
instrumental recording of:
Stompin’ at the Savoy (in 1961)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
2:48
9On the Alamo
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (US jazz drummer) (in 1961)
guitar:
Mary Osborne (Jazz guitarist) (in 1961)
piano:
Hank Jones (piano) (in 1961)
trumpet:
Harold “Shorty” Baker (in 1961)
instrumental recording of:
On the Alamo (in 1961)
lyricist:
Gilbert Keyes and Joe Lyons (US songwriter & arranger)
composer:
Isham Jones
publisher:
Forster Music Publisher, Inc. (from 1922-08-02 to present) and Tell Taylor, Inc. (from 1922-03-17 until 1922-08-02)
2:59
10Lonesome Road
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (US jazz drummer) (in 1961)
guitar:
Mary Osborne (Jazz guitarist) (in 1961)
piano:
Hank Jones (piano) (in 1961)
trumpet:
Harold “Shorty” Baker (in 1961)
instrumental recording of:
Lonesome Road (in 1961)
lyricist:
Gene Austin
composer:
Nathaniel Shilkret
publisher:
Campbell Connelly & Co. Ltd., Chappell’s • Sydney, Nathaniel Shilkret Music Corp., Paramount Music Corporation and Spier & Coslow Inc.
4:32
11Some Other Spring
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (US jazz drummer) (in 1961)
guitar:
Mary Osborne (Jazz guitarist) (in 1961)
piano:
Hank Jones (piano) (in 1961)
trumpet:
Harold “Shorty” Baker (in 1961)
instrumental recording of:
Some Other Spring (in 1961)
composer:
Arthur Herzog, Jr. and Irene Kitchings
3:06
12Waycross Walk
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (US jazz drummer) (in 1961)
guitar:
Mary Osborne (Jazz guitarist) (in 1961)
piano:
Hank Jones (piano) (in 1961)
trumpet:
Harold “Shorty” Baker (in 1961)
3:18
13Mack the Knife
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (US jazz drummer) (in 1961)
guitar:
Mary Osborne (Jazz guitarist) (in 1961)
piano:
Hank Jones (piano) (in 1961)
trumpet:
Harold “Shorty” Baker (in 1961)
instrumental recording of:
Mack the Knife (1954 Blitzstein translation) (in 1961)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
3:12
14'til There Was You
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (US jazz drummer) (in 1961)
guitar:
Mary Osborne (Jazz guitarist) (in 1961)
piano:
Hank Jones (piano) (in 1961)
trumpet:
Harold “Shorty” Baker (in 1961)
instrumental recording of:
Till There Was You (The Music Man) (in 1961)
lyricist and composer:
Meredith Willson (in 1950)
publisher:
Chappell Music Ltd., Frank Music Corp., Meredith Willson Music, Meredith Willson Music LLC, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing and Rinimer Corp.
part of:
The Music Man
2:43
15Avalon
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (US jazz drummer) (in 1961)
guitar:
Mary Osborne (Jazz guitarist) (in 1961)
piano:
Hank Jones (piano) (in 1961)
trumpet:
Harold “Shorty” Baker (in 1961)
instrumental recording of:
Avalon (in 1961)
writer:
B. G. DeSylva, Al Jolson and Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and Jerome H. Remick & Co. (on 1920-09-04)
3:07
16Learn to Croon
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (US jazz drummer) (in 1961)
guitar:
Mary Osborne (Jazz guitarist) (in 1961)
piano:
Hank Jones (piano) (in 1961)
trumpet:
Harold “Shorty” Baker (in 1961)
2:15
17Blue You
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (US jazz drummer) (in 1961)
guitar:
Mary Osborne (Jazz guitarist) (in 1961)
piano:
Hank Jones (piano) (in 1961)
trumpet:
Harold “Shorty” Baker (in 1961)
recording of:
Blue Lou
composer:
Irving Mills and Edgar Sampson
4:09
18Indiana
double bass:
Milt Hinton (in 1961)
drums (drum set):
Jo Jones (US jazz drummer) (in 1961)
guitar:
Mary Osborne (Jazz guitarist) (in 1961)
piano:
Hank Jones (piano) (in 1961)
trumpet:
Harold “Shorty” Baker (in 1961)
instrumental recording of:
Indiana (Back Home Again in Indiana) (in 1961)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
2:56