Drivin’ with Johnnie Walker

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloArtistaValutazioneDurata
1What About Now
parte di:
Billboard Decade End Chart: Country (2000's) (numero: 18)
Lonestar3.53:31
2The Road to Hell, Part 2
diritti fonografici (℗) detenuti da:
Magnet Records Ltd. (nel 1989)
registrazione di:
The Road to Hell, Part 2
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher) (nel 1989)
parte di:
The Road to Hell
Chris Rea4:31
3All You Want
tecnico di registrazione e tecnico di missaggio:
Ash Howes (British mixer, writer and musician)
programmazione:
James Sanger
produttore:
Dido (English singer‐songwriter) e Rick Nowels
batteria e percussione aggiunto:
Richie Stevens (UK drummer)
chitarra basso :
John Pierce (US session bassist)
chitarra elettrica :
Rusty Anderson
chitarra elettrica e percussione :
John Themis
piano elettrico Wurlitzer, chitarra acustica, chamberlin e tastiera :
Rick Nowels
voce principale:
Dido (English singer‐songwriter)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1999)
registrazione di:
All You Want
autore:
Dido (English singer‐songwriter), Paul Herman e Rollo Armstrong
Dido33:53
4Dancing in the Moonlight
tecnico:
Alan Douglas (Scottish born engineer)
produttore:
George Drakoulias
tecnico di missaggio:
Dave Shiftman (American producer/audio engineer) e Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 2000)
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito
mixata presso:
Ocean Wave Studios
registrazione cover di:
Dancing in the Moonlight
paroliere e compositore:
Sherman Kelly
editore:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., St. Nathanson Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Toploader4.53:52
5There’s a Guy Works Down the Chip Shop Swears He’s Elvis
produttore:
Bazza
tecnico di missaggio:
Bazza e Kirsty MacColl
è stato produttore per:
Loose End Productions
registrazione di:
There’s a Guy Works Down the Chip Shop Swears He’s Elvis
autore:
Kirsty MacColl e Philip Rambow
editore:
Blackhill Music Ltd. e Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Kirsty MacColl43:07
6Whatever It Takes
Sinéad Lohan3:35
7Save Tonight
diritti fonografici (℗) detenuti da:
Diesel Music AB (nel 1998)
registrazione di:
Save Tonight
paroliere e compositore:
Eagle‐Eye Cherry
editore:
Diesel 2 Publishing e Warner Chapell
Eagle‐Eye Cherry43:59
8I Fought the Law
diritti fonografici (℗) detenuti da:
Chess (US label) (nel 1957)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 175)
registrazione cover di:
I Fought the Law
paroliere e compositore:
Sonny Curtis
editore:
Acuff-Rose Publications, Inc. (BMI), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Bobby Fuller Four4.352:15
9Constant Craving
produttore:
k.d. lang, Ben Mink e Greg Penny
basso elettrico :
David Piltch
batteria :
Randall Stoll (drummer)
famiglia delle chitarre e violino :
Ben Mink
fisarmonica e pianoforte :
Teddy Borowiecki
percussione :
Graham Boyle (drummer)
vibrafono :
Gary Burton (jazz vibraphonist and composer)
voce:
k.d. lang
voce aggiuntiva:
Sue Leonard
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992) e Warner Music H.K. Ltd. (nel 1997)
registrata presso:
Vancouver Studios in Vancouver, British Columbia (Columbia Britannica), Canada
mixata presso:
Saylor Recording in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Constant Craving (music video) di k.d. lang
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 14)
registrazione di:
Constant Craving
paroliere e compositore:
k.d. lang e Ben Mink
editore:
Bumstead Publishing e Zavion Music
k.d. lang3.84:36
10Sloop John B.
registrazione di:
Sloop John B
paroliere e compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. e New Executive Music
versione di:
The John B. Sails
The Beach Boys2:56
11Don’t Get Me Wrong
tecnico:
Bruce Lampcov
produttore:
Bob Clearmountain e Jimmy Iovine
tecnico di missaggio:
Bob Clearmountain
basso :
Chucho Merchán
batteria e percussione :
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
chitarra :
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) e Robbie McIntosh (English guitarist for The Pretenders)
pianoforte e sintetizzatore :
Wix (UK / Paul Wickens)
voce:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) e Warner Music UK Ltd. (not for release label use!) (nel 2007)
registrazione di:
Don’t Get Me Wrong
paroliere e compositore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
Clive Banks Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hynde House of Hits Music
The Pretenders4.23:47
12GloriousAndreas Johnson43:28
13Ain’t Too Proud to Beg
produttore:
Norman Whitfield
strumenti:
The Funk Brothers (dal 1966-01-04 al 1966-01-11)
voce di accompagnamento:
Melvin Franklin (dal 1966-01-04 al 1966-01-11), Eddie Kendricks (dal 1966-01-04 al 1966-01-11), Otis Williams (US baritone singer, member of The Temptations & The Distants) (dal 1966-01-04 al 1966-01-11) e Paul Williams (member of The Temptations) (dal 1966-01-04 al 1966-01-11)
voce principale:
David Ruffin (soul singer, member of The Temptations) (dal 1966-01-04 al 1966-01-11)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1966)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1966-01-04 al 1966-01-11)
registrazione di:
Ain’t Too Proud to Beg (dal 1966-01-04 al 1966-01-11)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) e Norman Whitfield
compositore:
Norman Whitfield
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Agate Music e Stone Agate Music Division
registrazione cover di:
Ain’t Too Proud to Beg
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) e Norman Whitfield
compositore:
Norman Whitfield
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Agate Music e Stone Agate Music Division
The Temptations4.352:33
14Love and Happiness
tecnico:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
produttore:
Al Green (US soul singer, songwriter, pastor and record producer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
basso elettrico :
Leroy Hodges
batteria :
Howard Grimes e Al Jackson, Jr. (Booker T & The MGs drummer)
chitarra :
Mabon Hodges (“Teenie”, soul guitarist)
organo e pianoforte :
Charles Hodges (soul organist)
sassofono baritono :
James Mitchell (US saxophonist/arranger)
sassofono tenore :
Ed Logan e Andrew Love
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
trombone :
Jack Hale (trombone)
voce di accompagnamento:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes e Sandra Rhodes
arrangiatore archi :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) e James Mitchell (US saxophonist/arranger)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 98) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 274)
registrazione di:
Love and Happiness
autore:
Al Green (US soul singer, songwriter, pastor and record producer) e Mabon Hodges (“Teenie”, soul guitarist)
editore:
Al Green Music Inc. (BMI-affiliated) (nel 1972) e Irving Music, Inc. (nel 1972)
Al Green3.95:02
15Tokoloshe Man
registrazione di:
Tokoloshe Man
paroliere e compositore:
John Kongos
editore:
Tapestry Music Ltd.
John Kongos4:10
16Stay You
Wood3:45
17Dignity
produttore:
Jon Kelly (engineer at Air London Studios) (dal 1986-12 al 1987-02)
batteria e percussione :
Dougie Vipond (dal 1986-12 al 1987-02)
chitarra :
Graeme Kelling (dal 1986-12 al 1987-02)
chitarra basso :
Ewen Vernal (dal 1986-12 al 1987-02)
tastiera :
James Prime (dal 1986-12 al 1987-02)
voce di accompagnamento:
Lorraine McIntosh (vocalist for Deacon Blue) (dal 1986-12 al 1987-02)
voce principale:
Ricky Ross (Scottish singer-songwriter) (dal 1986-12 al 1987-02)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1987)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (dal 1986-12 al 1987-02)
registrazione di:
Dignity (dal 1986-12 al 1987-02)
paroliere e compositore:
Ricky Ross (Scottish singer-songwriter)
editore:
ATV Music e Sony/ATV Music Publishing
Deacon Blue4.254:01
18Goodbye’s All We’ve Got Left
tecnico di registrazione e tecnico di missaggio:
Chuck Ainlay
batteria :
Harry Stinson
voce principale:
Steve Earle (US folk/rock singer/songwriter)
registrata presso:
Sound Stage Studio in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
The Castle (Castle Recording Studios) in Franklin, Tennessee, Stati Uniti
registrazione di:
Goodbye’s All We’ve Got Left
paroliere e compositore:
Steve Earle (US folk/rock singer/songwriter)
editore:
Goldline Music, Inc.
Steve Earle33:23
19Runaway Train
assistente tecnico:
David Michael Dill (engineer) e Dan Gellert (sound engineer)
produttore:
Michael Beinhorn
assistente tecnico di missaggio:
Craig Doubet (recording engineer) e Steve Sisco
tecnico di missaggio:
Andy Wallace (engineer)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1992) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1992)
registrazione di:
Runaway Train
paroliere e compositore:
Dave Pirner
editore:
EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), LFR Music, Standing Water Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell North America Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e WB Music Corp. (1929–2019)
Soul Asylum4.44:27
20She’s Gone
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 413)
registrazione di:
She’s Gone
paroliere e compositore:
Daryl Hall e John Oates
editore:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Hall & Oates4.53:26
2CD
#TitoloArtistaValutazioneDurata
1Alright Guy
registrazione di:
Alright Guy
paroliere e compositore:
Todd Snider
Todd Snider3:55
2You Only Get What You Give
produttore:
Gregg Alexander
basso :
John Pierce (US session bassist)
chitarra :
Gregg Alexander e Rusty Anderson
membranofono :
Gary Ferguson (Session drummer)
percussione :
Juliet Prater
pianoforte :
Rick Nowels
arrangiatore:
Gregg Alexander
arrangiatore voci aggiunto:
Richard Podolor
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1998)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 390) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 453)
registrazione di:
You Get What You Give
autore:
Gregg Alexander e Rick Nowels
editore:
EMI Blackwood Music Inc., EMI Music Inc., Future Furniture Music Inc. e Grosse Point Harlem
New Radicals4.655:01
3Green Onions
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1962-06)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (nel 1962-06)
chitarra :
Steve Cropper (nel 1962-06)
chitarra basso [bass] :
Lewie Steinberg (nel 1962-06)
organo Hammond :
Booker T. Jones (nel 1962-06)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 181) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 418)
registrazione di:
Green Onions (nel 1962-06)
compositore:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones e Lewie Steinberg
editore:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. e Irving Music (BMI)
Booker T. & the MG’s3.852:53
4Cream
tecnico di registrazione:
Michael Koppelman (Minneapolis producer and engineer)
tecnico aggiunto:
Tim Penn
produttore:
The New Power Generation e Prince (“The Artist Formerly Known as…”)
tecnico di missaggio:
Keith Cohen
basso elettrico :
Sonny T. (Prince bass player)
batteria :
Michael B. (drummer aka Michael B.)
chitarra elettrica :
Levi Seacer, Jr.
organo Hammond e voce di accompagnamento:
Rosie Gaines
sintetizzatore :
Tommy Barbarella
voce principale:
Prince (“The Artist Formerly Known as…”)
esecutore:
The New Power Generation e Prince (“The Artist Formerly Known as…”)
arrangiatore:
The New Power Generation e Prince (“The Artist Formerly Known as…”)
registrata presso:
Paisley Park in Chanhassen, Minnesota, Stati Uniti (il 1990-12-03) e Paisley Park Studios in Chanhassen, Minnesota, Stati Uniti (dal 1991-09 al 1991-10)
mixata presso:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Cream (il 1990-12-03)
paroliere e compositore:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
editore:
Controversy Music
Prince3.54:15
5(You Make Me Feel Like) A Natural Woman
tecnico di registrazione:
Tom Dowd (il 1967-02-16)
produttore:
Jerry Wexler
batteria :
Gene Chrisman (il 1967-02-16)
chitarra basso :
Tommy Cogbill (il 1967-02-16)
pianoforte :
Spooner Oldham (il 1967-02-16)
tromba :
Bernie Glow (il 1967-02-16), Melvin Lastie (il 1967-02-16) e Joe Newman (US jazz trumpeter) (il 1967-02-16)
cori:
Carolyn Franklin (il 1967-02-16), Erma Franklin (il 1967-02-16) e The Sweet Inspirations (il 1967-02-16)
voce:
Aretha Franklin (il 1967-02-16)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-16)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 4) (numero: 10) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 90)
registrazione di:
(You Make Me Feel Like) A Natural Woman (il 1967-02-16)
paroliere:
Gerry Goffin
autore aggiunto:
Jerry Wexler
compositore:
Carole King
editore:
Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Screen Gems–EMI Music Ltd. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin4.22:46
6Fields of Gold
chitarra acustica :
Eva Cassidy
chitarra elettrica :
Keith Grimes
voce:
Eva Cassidy
remaster di:
Fields of Gold di Eva Cassidy
registrazione cover di:
Fields of Gold
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
EMI Music Publishing Germany (GmbH & Co. KG), EMI Music Publishing Ltd. (PRS‐affiliated) e Steerpike Ltd. (PRS-affiliated)
Eva Cassidy4.154:44
7Runaway
diritti fonografici (℗) detenuti da:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1995) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1995)
edit di:
Runaway (album version) di The Corrs
registrazione di:
Runaway
autore:
Andrea Corr, Caroline Corr, Jim Corr e Sharon Corr
editore:
PolyGram Music Publishing
The Corrs3:49
8Will the Wolf Survive
tecnico di registrazione:
Mark Linett
produttore:
Steve Berlin e T‐Bone Burnett (musician, songwriter and producer)
tecnico di missaggio:
Larry Kalman Hirsch (Producer & Engineer)
mixata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Will the Wolf Survive?
autore:
David Hidalgo e Louie Pérez (Los Lobos)
editore:
Bug Music (music publishing), Davince Music e No K.O. Music
Los Lobos43:44
9In the Midnight HourWilson Pickett2:38
10I Drove All Night
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1989) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1989)
registrazione di:
I Drove All Night
autore:
Tom Kelly (songwriter) e Billy Steinberg
editore:
Billy Steinberg Music, Denise Barry Music, Sony/ATV Music Publishing Ltd. e Warner Chappell Music Ltd.
Cyndi Lauper4.354:11
11Spiritual High (State of Independence), Part II
Moodswings feat. Chrissie Hynde4:59
12All Together Now
programmazione:
Luke Tunney
tecnico:
Noel Rafferty e Simon Gogerty
produttore aggiunto:
Terry Farley e Peter Heller
diritti fonografici (℗) detenuti da:
Produce Records (UK label owned by the band The Farm) (nel 1990)
registrazione di:
All Together Now
paroliere:
Peter Hooton
compositore:
Steve Grimes (The Farm)
editore:
Farm Music (publisher for The Farm), Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) e Windswept Music (London) Ltd.
The Farm4.454:04
13Everywhere
programmazione:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987)
produttore:
Lindsey Buckingham (guitarist, singer, songwriter and producer) e Richard Dashut
basso elettrico :
John McVie (nel 1987)
batteria e percussione :
Mick Fleetwood (nel 1987)
campionatore [Fairlight CMI] e chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987)
tastiera :
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987) e Christine McVie (nel 1987)
voce di accompagnamento:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987), Christine McVie (nel 1987) e Stevie Nicks (nel 1987)
voce principale:
Christine McVie (nel 1987)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1987) e Warner Music International (trademark of Warner Music International the company) (nel 1988)
registrazione di:
Everywhere (nel 1987)
paroliere e compositore:
Christine McVie
editore:
Bright Music Ltd. (publisher)
Fleetwood Mac43:44
14(I’m a) Roadrunner
tecnico di missaggio:
Suha Gur
basso :
James Jamerson
chitarra :
Willie Woods (US guitarist & songwriter)
membranofono :
James Graves
sassofono :
Junior Walker
tastiera :
Vic Thomas (keyboard)
registrazione di:
(I’m a) Road Runner
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Stone Agate Music, Stone Agate Music Corp., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Jr. Walker & the All Stars22:49
15(Sittin’ on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:46
16Surrender
assistente tecnico:
Mike Beiriger
tecnico:
Gary Ladinsky (engineer)
produttore:
Tom Werman
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 356) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 465)
registrazione di:
Surrender (dal 1978-04-30 al 1978-05-03)
paroliere e compositore:
Rick Nielsen
editore:
Adult Music (nel 1978) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (nel 1978)
sub-editore:
イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Cheap Trick3.854:15
17Stay With Me
produttore:
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) e Glyn Johns
batteria :
Kenney Jones (drummer for Small Faces, Faces, and The Who)
chitarra :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
chitarra basso :
Ronnie Lane
piano elettrico Wurlitzer :
Ian McLagan
voce principale:
Rod Stewart
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1971) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1971)
registrazione di:
Stay With Me
autore:
Rod Stewart e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
editore:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
Faces4.54:40
18Missing (Todd Terry club mix)
produttore:
John Coxon, Tracey Thorn (of Everything but the Girl) e Ben Watt
produttore aggiunto:
Todd Terry (US house DJ, producer and remixer)
remixer e contiene campionamenti da parte di:
Todd Terry (US house DJ, producer and remixer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1995)
remix di:
Missing (“Amplified Heart” album original mix) di Everything but the Girl
registrazione di:
Missing (dal 1993-12 al 1994-04)
paroliere:
Tracey Thorn (of Everything but the Girl)
compositore:
Tracey Thorn (of Everything but the Girl) e Ben Watt
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony Music Publishing (worldwide except Japan, ended 1995)
Everything but the Girl3.354:58
19Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:56
20Warm and Tender Love
The Reel & Soul Association3:44

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ASIN:UK: B000067UCG [info]