Cabrio Classics II

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Label: Electrola/EMI Electrola GmbH - Catalog #: 686 - EAN: 0077778974727

Label: Electrola/EMI Electrola GmbH - Catalog #: 686 - EAN: 0077778974727

Annotation last modified on 2006-07-10 08:28 UTC.

Tracklist

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1▼Medium
#TitleArtistRatingLength
1Listen to the Music
recording of:
Listen to the Music
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4:44
2The One I Love
additional recording engineer:
Gary Laney
engineer:
Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
additional mixer:
Steve Catania
bass guitar:
Mike Mills (R.E.M. bass player)
drums (drum set):
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States
mixed at:
Master Control in Burbank, California, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 149)
recording of:
The One I Love
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music, Universal Music Publishing International Ltd., Universal Tunes and Universal/MCA Music Ltd. (not for release label use!)
R.E.M.4.23:16
3No Mistakes
recording of:
No Mistakes
writer:
Kevin Savigar and Patty Smyth
Patty Smyth4:36
4You Might Think
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
You Might Think
publisher:
Ric Ocasek (in 1983)
lyricist and composer:
Ric Ocasek
publisher:
Lido Music, Inc.
The Cars4.73:05
5Every Little Thing
Memphis Blue3:40
6The Dream Is Still Alive
additional recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
recording engineer and mixer:
Francis Buckley
assistant engineer:
Dan Bosworth (engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
producer:
Glen Ballard
bass:
Neil Stubenhaus
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Michael Landau
guitar family:
Basil Fung
keyboard:
Glen Ballard and Randy Kerber
organ:
Bill Payne
percussion:
Paulinho da Costa (Brazilian percussionist)
percussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard and Wilson Phillips
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
The Dream Is Still Alive
writer:
Glen Ballard, Chynna Phillips, Carnie Wilson and Wendy Wilson
publisher:
Aerostation Corporation, Arlovol Music, EMI Blackwood Music Inc., Get Out Songs, Smooshie Music, Wendihaus Music, Willphill Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (from 1990 until 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (from 1990 until 2003) and Universal Music Corp. (USA, affiliated with ASCAP) (from 2003 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Wilson Phillips3.54:10
7Strange Weather
Glenn Frey4:07
8Just Another Day
Jon Secada4:19
9Fire
cover recording of:
Fire
lyricist and composer:
Bruce Springsteen (in 1977-05)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Pointer Sisters3:25
10You Got It
engineer:
Richard Dodd (mastering engineer, producer and engineer), Phil McDonald (engineer and producer) and Don Smith (producer, engineer and mixer)
producer:
Jeff Lynne
acoustic guitar:
Roy Orbison (in 1988-04) and Tom Petty (in 1988-04)
bass guitar, electric guitar, keyboard and piano:
Jeff Lynne (in 1988-04)
drums (drum set) and percussion:
Phil Jones (Percussionist) (in 1988-04)
background vocals:
Jeff Lynne (in 1988-04), Roy Orbison (in 1988-04) and Tom Petty (in 1988-04)
lead vocals:
Roy Orbison (in 1988-04)
phonographic copyright (℗) by:
Roys Boy’s, LLC (in 1989, in 2014) and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989)
recorded at:
F.P.S.H.O.T. (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, United Kingdom (in 1988-04), M.C. Studios in Los Angeles, California, United States (in 1988-04) and Rumbo Recorders in Canoga Park, Los Angeles, California, United States (in 1988-04)
recording of:
You Got It (in 1988-04)
writer:
Jeff Lynne, Roy Orbison and Tom Petty
publisher:
EMI Songs, Gone Gator Music (ASCAP affiliated), Island Music Ltd., MCA Gilbey, Mushroom Music (Mushroom label’s publishing company) and SBK Songs Ltd.
Roy Orbison4.553:31
11You’re Only Lonely
J.D. Souther53:45
12Gypsy Honeymoon
acoustic guitar and mandolin:
Steven Soles
bass:
Don Dixon
drums (drum set):
Denny Fongheiser
electric guitar:
Tim Pierce (US session guitarist)
keyboard:
Steve Goldstein
percussion:
Jim Brock (percussionist)
background vocals:
Kim Carnes, Julia Tillman Waters and Maxine Waters Willard
lead vocals:
Kim Carnes
recording of:
Gypsy Honeymoon
writer:
Kim Carnes and Collin Ellingson
publisher:
Andiamo Music, Fuji Pacific Music and Moonwindow Music
Kim Carnes4:06
13Could’ve Been Me
recording of:
Could've Been Me
writer:
Reed Nielsen and Monty Powell
Billy Ray Cyrus3:46
14Don’t Give Up on Me
Gerry Rafferty3:37
15City Streets
Carole King4:38
16Take It on the Run
assistant engineer:
Tom Cummings (engineer) and Jeff Eccles
engineer:
Kevin Beamish
co-producer:
Alan Gratzer (drummer)
producer:
Kevin Beamish, Kevin Cronin (guitarist, singer and songwriter) and Gary Richrath (guitarist and songwriter)
acoustic guitar and lead vocals:
Kevin Cronin (guitarist, singer and songwriter)
bass:
Bruce Hall (US bassist for REO Speedwagon)
drums (drum set):
Alan Gratzer (drummer)
guitar:
Gary Richrath (guitarist and songwriter)
synthesizer:
Neal Doughty (keyboards)
arranger:
Kevin Cronin (guitarist, singer and songwriter)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
recording of:
Take It on the Run (on 1980-09-18)
lyricist and composer:
Gary Richrath (guitarist and songwriter)
publisher:
HoriPro Entertainment Group, Slam Dunk Music (work publisher) and 大洋音楽 (Taiyō Music)
REO Speedwagon3.754:02
17Valentine
recording of:
Valentine (Nils Lofgren)
lyricist and composer:
Nils Lofgren
publisher:
EMI April Music Inc. and Hilmer Music Publishing Co. Inc.
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) and EMI Songs France (27, rue de Berri)
Nils Lofgren3:49
18The Road to Hell, Part 2
phonographic copyright (℗) by:
Magnet Records Ltd. (in 1989)
recording of:
The Road to Hell, Part 2
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher) (in 1989)
part of:
The Road to Hell
Chris Rea4:30
2▼Medium
#TitleArtistRatingLength
1Sister Golden Hair
assistant engineer:
Tom Anderson (engineer)
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass guitar:
David Dickey (U.S. drummer and bassist)
drums (drum set) and percussion:
Willie Leacox
other instruments:
America (US folk/soft rock band)
vocals:
America (US folk/soft rock band)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975), Warner Music H.K. Ltd. (in 1997) and Rhino Entertainment Company (not for release label use!) (in 2011)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 12) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 264)
recording of:
Sister Golden Hair
lyricist and composer:
Gerald Beckley
publisher:
Warner/Chappell Music Australia Pty. Ltd.
America4.13:19
2Weight of the World
Ringo Starr3:55
3Cat’s in the Cradle
producer:
Paul Leka
arranger:
Paul Leka
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1974)
recorded at:
Connecticut Recording Studios in Connecticut, United States
recording of:
Cat’s in the Cradle
writer:
Sandra Campbell Chapin and Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3.83:47
4If You Could Read My Mind
recording engineer:
Gary Brandt and Lee Herschberg
producer:
Lenny Waronker and Joe Wissert
mixer:
Lee Herschberg
vocals:
Gordon Lightfoot
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1970)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 8)
recording of:
If You Could Read My Mind
lyricist and composer:
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (ended), Early Morning Music (ended), Laetrec Music (ended), Chelsea Music Publishing Co., Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Gordon Lightfoot4.63:48
5City of New Orleans
cover recording of:
City of New Orleans
lyricist and composer:
Steve Goodman (folk musician)
publisher:
Sony/ATV Tunes LLC (ASCAP)
Arlo Guthrie4:28
6Come Monday
Jimmy Buffett3:09
7Johnny B.
recording of:
Johnny B.
writer:
Eric Bazilian, Rick Chertoff and Rob Hyman
publisher:
Edition Intro (publisher), Meisel MV and Polygram Songs MV
The Hooters3:59
8What Are You Doing With a Fool Like Me
recording of:
What Are You Doing With a Fool Like Me
lyricist and composer:
Diane Warren (US songwriter)
Joe Cocker4:17
9Nothing’s Gonna Stop Us Now
performer:
Starship (continuation of Jefferson Starship) (in 1987)
phonographic copyright (℗) by:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
cover recording of:
Nothing’s Gonna Stop Us Now
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
Starship3.754:29
10Just Take My Heart
recording of:
Just Take My Heart
writer:
Alex Call, Eric Martin (vocalist for Mr. Big) and André Pessis
publisher:
エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), Bob-A-Lew Music (from 1989 to ????), EMI April Music Inc. (from 1989 to present), Endless Frogs Music (from 1989 to present), Eric Martin Songs (from 1989 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Mr. Big3:45
11Rosanna
recording engineer:
David Leonard (US producer and engineer), Greg Ladanyi, Jamie Ledner, Lon LeMaster, Niko Bolas, Peggy McCreary, Al Schmitt, Terry Christian (US recording and mixing engineer) and Tom Knox
additional engineer:
Bruce Heigh (task: additional recording), David Paich (task: additional recording), Dick Gall (engineer/guitar technician) (task: additional recording) and Steve Porcaro (task: additional recording)
engineer:
Al Schmitt, Bruce Heigh, David Paich, Dick Gall (engineer/guitar technician), Greg Ladanyi, Steve Porcaro and Tom Knox
producer:
Bruce Dickinson (engineer and producer) and Toto (US rock group)
mixer:
Elliot Scheiner (task: for 5.1 surround sound) and Greg Ladanyi
bass:
David Hungate and Michael Porcaro
bass guitar:
David Hungate
congas:
Lenny Castro
drums (drum set) [drums]:
Jeff Porcaro
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Hammond organ and synthesizer:
David Paich and Steve Porcaro
instruments:
Lenny Castro
keyboard:
David Paich and Steve Porcaro
percussion:
Lenny Castro and Jeff Porcaro
piano:
David Paich
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist) and Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
trombone:
James Pankow
trumpet:
Gary Grant (brass) and Jerry Hey
background vocals [background vocal]:
Tom Kelly (songwriter), Bobby Kimball, Steve Lukather (guitarist, vocalist, composer, producer and arranger) and David Paich
lead vocals:
Jean-Michel Byron, Bobby Kimball and Steve Lukather (guitarist, vocalist, composer, producer and arranger)
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Steve Porcaro
brass [horns] arranger:
Jerry Hey and David Paich
arranger:
David Paich and Jerry Hey
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1982) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 15)
recording of:
Rosanna
lyricist and composer:
D. Paich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Spirit Two Music and Hudmar Publishing Co. Inc. (in 1982)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto45:32
12Square Rooms
recording of:
Square Rooms
writer:
Al Corley, Harold Faltermeyer and Peter Wood (UK keyboardist/pianist)
publisher:
Kilauea Musikverlag and Ufaton (publisher)
Al Corley3:41
13Sailing
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, background vocals and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and synthesizer:
Rob Meurer
percussion:
Victor Feldman (jazz musician)
piano:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979, in 1981, in 2001)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Sailing
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music–MGB Songs
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross4.14:17
14You’re So Different Tonight
recording of:
You’re So Different Tonight
writer:
Alan Barton (British singer and songwriter, "Smokie"), Mick Dash and Dave Dunhill
Smokie3:35
15On the Border
producer:
Alan Parsons (of The Alan Parsons Project)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
recording of:
On the Border
lyricist and composer:
Al Stewart (UK folk singer/songwriter)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30)
Al Stewart43:20
16Dance With Me
phonographic copyright (℗) by:
ABC Records, Inc (in 1973)
recording of:
Dance With Me
lyricist:
Johanna Hall
composer:
John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
EMI Blackwood Music Inc., Siren Songs, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Orleans3:19
17Waiting for a Girl Like You
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recording of:
Waiting for a Girl Like You
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner4.44:45
18Everywhere
programming:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
producer:
Lindsey Buckingham (guitarist, singer, songwriter and producer) and Richard Dashut
drums (drum set) and percussion:
Mick Fleetwood (in 1987)
electric bass guitar:
John McVie (in 1987)
guitar and sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987) and Christine McVie (in 1987)
background vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987), Christine McVie (in 1987) and Stevie Nicks (in 1987)
lead vocals:
Christine McVie (in 1987)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987) and Warner Music International (trademark of Warner Music International the company) (in 1988)
recording of:
Everywhere (in 1987)
lyricist and composer:
Christine McVie
publisher:
Bright Music Ltd. (publisher)
Fleetwood Mac43:42