1000 Years of Classical Music

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD: Volume I CD1
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1Crux fidelis
performer:
Neil McEwan and David Russell (classical guitarist)
[anonymous]4:00
2Sumer is icumen in (live)
vocals:
The Song Company (Australian vocal ensemble)
conductor:
Roland Peelman (Belgian-born Australian conductor)
[anonymous]2:56
3Spem in alium
choir vocals:
Cantillation
conductor:
Antony Walker (Australian conductor)
recording of:
Spem in alium
composer:
Thomas Tallis (composer)
Thomas Tallis9:40
4Lachrimae
lute:
Rosemary Hodgson (lutenist)
performer:
Justin Burwood (tenor)
recording of:
Lachrimae Pavan (catch-all for unspecified version)
composer:
John Dowland (English Renaissance composer, lutenist, and singer)
John Dowland5:50
5Vespers of the Blessed Virgin Mary: 3. Nigra sum
instruments:
Tommie Andersson and Daniel Yeadon (cello and viol player)
tenor vocals:
Paul McMahon (Australian tenor)
recording of:
Vespro della Beata Vergine, SV 206: III. Motetto "Nigra sum"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi4:04
6Dido and Aeneas, Z. 626: Act III: “Thy hand, Belinda… When I am laid in earth”
mezzo-soprano vocals:
Sally-Anne Russell (Australian mezzo-soprano vocalist)
orchestra:
Adelaide Symphony Orchestra
conductor:
Nicholas Milton (conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:36
7Rosary Sonatas: No. 10 “Crucifixio”, C 99: 3. Variatio
cello:
Rosanne Hunt
harpsichord and organ:
Linda Kent (harpsichordist / organist)
violin:
Elizabeth Wallfisch (violinist)
partial recording of:
The Mystery Sonatas: The Five Sorrowful Mysteries: 10. The Crucifixion
composer:
Heinrich Ignaz Franz von Biber (composer)
part of:
The Church Music of Heinrich Biber (number: C 99)
adaptations:
Violin Sonata in A minor “Victori der Christen”
part of:
The Mystery Sonatas
Heinrich Ignaz Franz von Biber4:04
8Lidio e Clori: Ah! si, purtroppo è vero (Ah yes, alas it is true)
instruments:
Chacona
countertenor vocals [Lidio]:
James Sanderson (counter-tenor)
soprano vocals [Clori]:
Jane Edwards (Australian soprano)
conductor:
Rosalind Halton (harpsichordist)
partial recording of:
Dove fuggi, o bella Clori, H. 210 "Lidio e Clori"
composer:
Alessandro Scarlatti (composer)
part of:
Alessandro Scarlatti’s Cantate da Camera (number: H. 210)
Alessandro Scarlatti3:53
9The Four Seasons: “Spring” (Violin Concerto in E major), op. 8 no. 1, RV 269: I. Allegro
violin [baroque violin]:
Elizabeth Wallfisch (violinist) (from 1996-08-20 until 1996-08-26)
orchestra:
Australian Brandenburg Orchestra (from 1996-08-20 until 1996-08-26)
conductor:
Paul Dyer (conductor) (from 1996-08-20 until 1996-08-26)
arranger:
Ernest Pätzold (arranger)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 1996-08-20 until 1996-08-26)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1996-08-20 until 1996-08-26)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:31
10Dardanus, Act III: “Paix favorable, paix adorable”
bass vocals:
David Greco (baritone)
soprano vocals:
Anna Fraser (soprano)
orchestra:
Orchestra of the Antipodes
conductor:
Antony Walker (Australian conductor)
recording of:
Dardanus, RCT 35 : Acte III, Scène 3. « Paix favorable, paix adorable » (Une Phrigienne, Un Phrigien)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Dardanus, RCT 35 : Acte III
Jean‐Philippe Rameau2:05
11Stabat Mater, P. 77: 1. Stabat Mater Dolorosa
mezzo-soprano vocals:
Sally-Anne Russell (Australian mezzo-soprano vocalist)
soprano vocals:
Sara Macliver (soprano)
orchestra:
Orchestra of the Antipodes
conductor:
Antony Walker (Australian conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:29
12Brandenburg Concerto no. 3 in G major, BWV 1048: 1. Allegro
orchestra:
Orchestra of the Antipodes
conductor:
Anna McDonald (Australian violinist and conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:33
13Concerto for Two Violins in D minor, BWV 1043: 1. Vivace
recording engineer and producer:
Virginia Read (engineer/editor/producer) (in 2005-10)
violin:
Helena Rathbone (violinist) (from 2005-10-20 until 2005-10-24) and Richard Tognetti (violinist & conductor) (from 2005-10-20 until 2005-10-24)
orchestra:
Australian Chamber Orchestra (Australian orchestra founded in 1975) (from 2005-10-20 until 2005-10-24)
conductor:
Richard Tognetti (violinist & conductor)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 2005-10-20 until 2005-10-24)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace (from 2005-10-20 until 2005-10-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach3:26
14Lobet den Herrn, BWV 230
instruments:
Neal Peres Da Costa (Australian harpsichordist, fortepianist and organist) and Daniel Yeadon (cello and viol player)
conductor:
Antony Walker (Australian conductor)
recording of:
Lobet den Herrn, alle Heiden, BWV 230
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 230) and Bach Compendium (number: BC C 6)
Johann Sebastian Bach6:57
15The Well‐Tempered Clavier, Book I, BWV 846: Prelude in C major
harpsichord:
Erin Helyard
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach2:06
16Water Music Suite in D major, HWV 349: 2. Alla Hornpipe
orchestra:
Tasmanian Symphony Orchestra
conductor:
Graham Abbott
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel3:12
17Messiah, HWV 56: Pt. 1: 4. “And the Glory of the Lord”
choir vocals:
Cantillation
orchestra:
Orchestra of the Antipodes
conductor:
Antony Walker (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:28
18Julius Caesar in Egypt, HWV 17: Piangerò la sorte mia (I shall weep at my fate)
soprano vocals:
Yvonne Kenny (Australian soprano)
orchestra:
Australian Brandenburg Orchestra
conductor:
Paul Dyer (conductor)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena III, 35. Aria “Piangerò la sorte mia” (Cleopatra)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
George Frideric Handel5:41
2▼CD: Volume 1 CD2
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1Symphony for Strings in B-flat major, Wq. 182/2: I. Allegro di molto
harpsichord:
Geoffrey Lancaster (pianist / conductor)
orchestra:
Tasmanian Symphony Chamber Players and Tasmanian Symphony Orchestra
conductor:
Geoffrey Lancaster (pianist / conductor)
recording of:
Symphony in B-flat major, Wq. 182 no. 2, H. 658: I. Allegro di molto
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Symphony in B-flat major, Wq. 182 no. 2, H. 658
Carl Philipp Emanuel Bach3:41
2Cello Concerto no. 1 in C major, Hob. VIIb:1: 2. Adagio
cello:
Sally Maer (English/Australian cellist)
orchestra:
Sinfonia Australis
conductor:
William Motzing (conductor, composer, trombonist)
recording of:
Cello Concerto no. 1 in C major, Hob. VIIb:1: II. Adagio
composer:
Joseph Haydn (composer)
part of:
Cello Concerto no. 1 in C major, Hob. VIIb:1
Joseph Haydn7:32
3Die Jahreszeiten, Hob. XXI:3: Pt. 2 Der Sommer: "Welche Labung für die Sinne!"
soprano vocals:
Sara Macliver (soprano)
orchestra:
Tasmanian Symphony Orchestra
conductor:
Ola Rudner (conductor)
recording of:
Die Jahreszeiten, Der Sommer: XV. Aria. Adagio. Allegro assai: "Welche Labung für die Sinne!" (Hanne)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn4:48
4Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace
orchestra:
Tasmanian Symphony Orchestra
conductor:
Sebastian Lang-Lessing
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart11:14
5Piano Concerto no. 24 in C minor, K. 491: 2. Larghetto (cadenza by Piers Lane)
piano:
Piers Lane (Australian classical pianist)
orchestra:
Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010)
conductor:
Johannes Fritzsch (conductor)
recording of:
Concerto for Piano no. 24 in C minor, K. 491: II. Larghetto
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1786-03-24)
part of:
Concerto for Piano no. 24 in C minor, K. 491
Wolfgang Amadeus Mozart8:12
6Le nozze di Figaro, K. 492: Act I: "Non più andrai"
baritone vocals and bass-baritone vocals:
Teddy Tahu Rhodes (baritone)
orchestra:
Tasmanian Symphony Orchestra
conductor:
Ola Rudner (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:53
7Requiem, KV. 626: Dies irae (The day of wrath)
choir vocals:
Cantillation
orchestra:
Orchestra of the Antipodes
conductor:
Antony Walker (Australian conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart1:49
8Clarinet Concerto in A major, K. 622 (version for basset clarinet): 2. Adagio (live)
basset clarinet and clarinet:
Craig Hill (Classical music clarinetist)
orchestra:
Australian Brandenburg Orchestra
conductor:
Paul Dyer (conductor)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart6:29
9String Quartet in F minor, op. 95 "Quartetto serioso": IV. Larghetto espressivo - Allegretto agitato (live)
string quartet:
Goldner String Quartet
live recording of:
String Quartet no. 11 in F minor, op. 95: IV. Larghetto espressivo – Allegretto agitato – Allegro
composer:
Ludwig van Beethoven (German composer) (from 1810 until 1811)
part of:
String Quartet no. 11 in F minor, op. 95
Ludwig van Beethoven4:58
10Piano Sonata no. 8 in C minor, op. 13 "Pathétique": 2. Adagio cantabile
piano:
Gerard Willems (Australian pianist)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven5:48
11Symphony no. 5 in C minor, op. 67: 1. Allegro con brio
orchestra:
Tasmanian Symphony Orchestra
conductor:
David Porcelijn (composer and conductor)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven6:58
12Symphony no. 9 in D minor, op. 125 "Choral": 2. Molto vivace - Presto
orchestra:
Tasmanian Symphony Orchestra
conductor:
David Porcelijn (composer and conductor)
phonographic copyright (℗) by:
Australian Broadcasting Corporation (ABC for short, national public broadcaster, for copyrights/licensing use only) (in 2002)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven12:08
3▼CD: Volume 1 CD3
#TitleArtistRatingLength
1Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio
piano:
Gerard Willems (Australian pianist)
orchestra:
Sinfonia Australis
conductor:
Antony Walker (Australian conductor)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven7:44
2Piano Trio no. 4 in G major, op. 65: III. Rondo (Vivace assai e scherzando)
piano trio:
The Australian Trio (piano trio)
recording of:
Piano Trio no. 4 in G major, op. 65: III. Rondo. Vivace assai e scherzando
composer:
Johann Nepomuk Hummel (Austrian composer)
part of:
Piano Trio no. 4 in G major, op. 65
Johann Nepomuk Hummel4:20
3Il barbiere di Siviglia: Overture
orchestra:
Tasmanian Symphony Orchestra
conductor:
Ola Rudner (conductor)
recording of:
Il barbiere di Siviglia: Sinfonia
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini7:28
4Piano Quintet in A major, D. 667 "Trout": V. Finale
double bass:
David Campbell (Australian double-bassist)
piano trio:
Seraphim Trio
viola:
Jacqueline Cronin (violist)
phonographic copyright (℗) by:
Australian Broadcasting Corporation (ABC for short, national public broadcaster, for copyrights/licensing use only)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: V. Finale. Allegro giusto
composer:
Franz Schubert (composer) (in 1819)
part of:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert6:44
5Symphony no. 8, D. 759 "Unfinished": I. Allegro moderato
orchestra:
Tasmanian Symphony Orchestra
conductor:
Sebastian Lang-Lessing
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert13:47
6Symphonie fantastique, H 48: IV. March to the Scaffold
orchestra:
Sydney Symphony Orchestra
conductor:
Willem van Otterloo (conductor)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:44
7The Hebrides (Fingal's Cave), op. 26
orchestra:
Tasmanian Symphony Orchestra
conductor:
Sebastian Lang-Lessing
recording of:
Die Hebriden, op. 26 (The Hebrides, op. 26 “Fingal’s Cave”, Fingal's Cave)
premiered in:
London (Greater London), England, United Kingdom (on 1832-05-14)
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Works of Felix Mendelssohn by opus number (number: op. 26) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 7)
Felix Mendelssohn9:58
8Violin Concerto no. 2 in E minor, op. 64, MWV O14: 3. Allegretto non troppo - Allegro molto vivace
violin:
Niki Vasilakis (violinist)
orchestra:
Tasmanian Symphony Orchestra
conductor:
Sebastian Lang-Lessing
recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn7:03
9Nocturnes, op. 32: I. Nocturne in B major
piano:
Ewa Kupiec (pianist) (from 2011-03-15 until 2011-03-16)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 2011-03-15 until 2011-03-16)
recording of:
Nocturne no. 9 in B major, op. 32 no. 1: Andantino sostenuto (from 2011-03-15 until 2011-03-16)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 116)
part of:
Nocturnes, op. 32
Frédéric Chopin5:03
10Kinderscenen (Scenes from Childhood), op. 15: No. 7 Träumerei (Dreaming)
piano:
Stephanie McCallum (pianist)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann2:05
11Symphony no. 3 in E-flat major, op. 97 "Rhenish": 2. Scherzo (Sehr mäßig)
orchestra:
Tasmanian Symphony Orchestra
conductor:
Sebastian Lang-Lessing
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: II. Scherzo. Sehr mäßig
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann5:55
4▼CD: Volume I CD4
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1Années de pèlerinage: 1ère année: Suisse, S. 160: 2. Au lac de Wallenstadt
piano:
Stephanie McCallum (pianist)
recording of:
Au lac de Wallenstadt, S. 160 no. 2
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1848 until 1854)
part of:
Années de pèlerinage
part of:
Années de pèlerinage : Première année : Suisse, S. 160
revision of:
Le Lac de Wallenstadt, S. 156/2a bis (intermediate version)
Franz Liszt3:33
2Carmen, WD 31: Act I: "L'amour est un oiseau rebelle"
choir vocals [choir, chorus, ensemble]:
Adelaide Vocal Project
mezzo-soprano vocals and mezzo-soprano vocals [Carmen]:
Sally-Anne Russell (Australian mezzo-soprano vocalist)
orchestra:
Adelaide Symphony Orchestra
conductor:
Nicholas Milton (conductor)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:39
3Ein deutsches Requiem: Wie lieblich sind deine Wohnungen
orchestra:
Melbourne Symphony Orchestra
conductor:
Johannes Fritzsch (conductor)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms5:14
4Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo
orchestra:
Melbourne Symphony Orchestra
conductor:
Tadaaki Otaka (conductor)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo
composer:
Johannes Brahms (German composer) (from 1878 until 1881)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83
Johannes Brahms18:18
5Symphony no. 4 in E-flat major "Romantic": III. Scherzo (Bewegt)
orchestra:
Melbourne Symphony Orchestra
conductor:
Hubert Soudant (conductor)
recording of:
Symphony no. 4 in E-flat major, WAB 104 "Romantische": III. Scherzo (Bewegt) - Trio (Nicht zu schnell, Keinesfalls schleppend) (1881 revision, ed. Haas, 1936)
composer:
Anton Bruckner (Austrian composer)
part of:
Symphony no. 4 in E-flat major, WAB 104 "Romantische" (Symphony no. 4 in E flat major, WAB 104 "Romantic", 1881 revision, ed. Haas, 1936)
Anton Bruckner10:44
6Voices of Spring - Waltz, op. 410
orchestra:
Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010)
conductor:
Vladimir Ponkin
arranger:
Max Schönherr
recording of:
Frühlingsstimmen, op. 410 (catch-all for arrangements)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
arrangement of:
Frühlingsstimmen, op. 410 (Voices of Spring)
Johann Strauss II5:46
7Cello Concerto in B minor, op. 104: I. Allegro
orchestra:
Melbourne Symphony Orchestra
conductor:
David Stanhope (Australian composer, conductor and virtuoso pianist)
recording of:
Cello Concerto in B minor, op. 104: I. Allegro
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-02-09)
part of:
Cello Concerto in B minor, op. 104
Antonín Dvořák15:53
8Symphony no. 9 in E minor, op. 95 (B. 178) "From the New World": I. Adagio - Allegro molto
orchestra:
Melbourne Symphony Orchestra
conductor:
Tadaaki Otaka (conductor)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto (Symphony No. 9 in E minor, Op. 95 “From the New World”: I. Adagio – Allegro molto)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák9:40
9Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King
orchestra:
Tasmanian Symphony Orchestra
conductor:
Sebastian Lang-Lessing
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:27
5▼CD: Volume II CD1
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1Piano Concerto in A minor, op. 16: 1. Allegro molto moderato
piano:
Simon Tedeschi (Australian pianist)
orchestra:
Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderato
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg13:58
2The Nutcracker, op. 71: Dance of the Mirlitons (Flutes)
recording engineer:
Alan Calvert and Robert Hobson (engineer)
producer:
Robert Karbow
orchestra:
Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010)
conductor:
Werner Andreas Albert (conductor)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky2:27
3Violin Concerto, op. 35: III. Finale (Allegro vivacissimo) (live)
orchestra:
Australian Youth Orchestra
conductor:
Christoph Eschenbach (pianist and conductor)
live recording of:
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Pyotr Ilyich Tchaikovsky10:17
4Tannhäuser, WWV 70: Act II: Dich teure Halle (Dear Hall of Song)
soprano vocals:
Marilyn Richardson (soprano)
orchestra:
Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010)
conductor:
Werner Andreas Albert (conductor)
partial recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Einleitung und Szene I. "Dich, teure Halle, grüss ich wieder" (Elisabeth)
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Einleitung und Szene I. "Dich, teure Halle, grüss ich wieder" (Elisabeth)
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II
Richard Wagner5:20
5Nabucco: Act III: "Va', pensiero" (Chorus Of The Hebrew Slaves)
orchestra:
Opera Australia
conductor:
Simone Young (Australian conductor)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:43
6Messa da Requiem: 4. Sanctus (live)
choir vocals:
Opera Australia Chorus
orchestra:
Opera Australia
conductor:
Simone Young (Australian conductor)
live recording of:
Messa da requiem: IV. Sanctus (a doppio coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi2:34
7Symphony no. 3 in C minor "Organ", op. 78: 2b. Maestoso - Più allegro - Molto allegro
orchestra:
Adelaide Symphony Orchestra
conductor:
David Stanhope (Australian composer, conductor and virtuoso pianist)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro
composer:
Camille Saint‐Saëns (composer) (in 1886)
publisher:
Éditions Durand (1947–present)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint-Saëns8:15
8Pictures at an Exhibition: V. Ballet of the Chicks in Their Shells
piano:
Simon Tedeschi (Australian pianist)
recording of:
Pictures at an Exhibition: No. 5 “Балетъ невылупившихся птенцовъ” [Balet nevylupivshikhsya ptentsov] (Pictures at an Exhibition: IX. No. 5 "Ballet of the Unhatched Chicks", original piano version)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
dedicated to:
Viktor Hartmann (Russian architect and painter)
part of:
Pictures at an Exhibition (original piano version)
Modest Mussorgsky1:17
9Requiem in D minor, op. 48: 4. Pie Jesu
soprano vocals:
Sara Macliver (soprano)
orchestra:
Sinfonia Australis
conductor:
Antony Walker (Australian conductor)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:17
10Turandot: Act III: "Nessun dorma"
tenor vocals:
Rosario La Spina (tenor)
orchestra:
Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010)
conductor:
Stephen Mould (conductor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:02
11Symphony no. 4 in G major: IV Sehr behaglich (Very comfortably)
orchestra:
Melbourne Symphony Orchestra
conductor:
Markus Stenz
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
revision of:
Des Knaben Wunderhorn: Das himmlische Leben
Gustav Mahler8:59
12Symphony no. 5 in C-sharp minor: 4. Adagietto (Sehr langsam)
recording engineer:
Jim Atkins (Australian sound engineer)
executive producer:
Lyle Chan (executive producer at ABC Classics and ABC Jazz) and Robert Patterson (producer)
producer:
Stephen Snelleman (producer)
orchestra:
Melbourne Symphony Orchestra (in 2002-02)
conductor:
Markus Stenz (in 2002-02)
recorded at:
Robert Blackwood Hall (Monash University) in Melbourne, Victoria, Australia (in 2002-02)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 2002-02)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler9:58
6▼CD: Volume II CD2
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1Prélude à ‘L’Après-midi d’un Faune’, L. 86
orchestra:
Melbourne Symphony Orchestra
conductor:
Jorge Mester (conductor)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy9:59
2Préludes, Book 1, L. 117: 6. Des pas sur la neige
piano:
Duncan Gifford (pianist)
recording of:
Préludes, Livre I, L. 117, CD 125: VI. Des pas sur la neige. Triste et lent
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert]
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:54
3Cello Concerto In E minor, op. 85: 1. Adagio - Moderato
cello and solo cello:
Li-Wei Qin (cellist)
orchestra:
Adelaide Symphony Orchestra
conductor:
Nicholas Braithwaite (conductor)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar8:32
4Variations on an Original Theme, op. 36, "Enigma": Variation 9: Nimrod (Adagio)
orchestra:
Sydney Symphony Orchestra
conductor:
Myer Fredman (British-Australian conductor)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:24
5The Planets, op. 32: 3. Mercury, the Winged Messenger
orchestra:
Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010)
conductor:
Nicholas Braithwaite (conductor)
recording of:
The Planets, op. 32: III. Mercury, the Winged Messenger
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: III. Mercury, the Winged Messenger (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst4:23
6Iberia: IV. El puerto
orchestra:
West Australian Symphony Orchestra
conductor:
Jorge Mester (conductor)
recording of:
Iberia, B. 47: Book I: II. El puerto (orchestrated by Arbós)
orchestrator:
Enrique Fernández Arbós (Spanish violinist, composer and conductor)
composer:
Isaac Albéniz (Spanish composer)
orchestration of:
Iberia, B. 47: Book I: II. El puerto
Isaac Albéniz4:49
7Four Last Songs, TrV 296: I. Frühling
soprano vocals:
Erin Wall (Canadian-American soprano) (from 2014-07-24 until 2014-07-26)
orchestra:
Melbourne Symphony Orchestra (from 2014-07-24 until 2014-07-26)
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger) (from 2014-07-24 until 2014-07-26)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 2014-07-24 until 2014-07-26)
live recording of:
Vier letzte Lieder, AV 150: I. „Frühling“ (Four Last Songs, AV 150: 1. “Spring”) (from 2014-07-24 until 2014-07-26)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-07-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss3:34
8Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto
solo violin:
Adele Anthony (violinist)
orchestra:
Adelaide Symphony Orchestra
conductor:
Arvo Volmer (conductor)
recording of:
Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto
composer:
Jean Sibelius (Finnish composer) (from 1903 until 1905)
part of:
Violin Concerto in D minor, op. 47
Jean Sibelius7:38
9Symphony no. 2 in D major, op. 43: 1. Allegretto
orchestra:
Adelaide Symphony Orchestra
conductor:
Arvo Volmer (conductor)
recording of:
Sinfonia nro 2 D-duuri, op. 43: I. Allegretto (Symphony no. 2 in D major, op. 43: I. Allegretto)
composer:
Jean Sibelius (Finnish composer) (from 1900 until 1902)
publisher:
Breitkopf & Härtel
part of:
Sinfonia nro 2 D-duuri, op. 43 (Symphony no. 2 in D major, op. 43)
Jean Sibelius9:05
10Symphony no. 2 in E minor, op. 27: II. Allegro molto
orchestra:
Melbourne Symphony Orchestra
conductor:
Tadaaki Otaka (conductor)
recording of:
Symphony no. 2 in E minor, op. 27: II. Allegro molto
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1906 until 1907)
part of:
Symphony no. 2 in E minor, op. 27
Sergei Rachmaninoff10:40
11Piano Concerto no. 2 in C minor, op. 18: I. Moderato
orchestra:
Sydney Symphony Orchestra
conductor:
Charles Dutoit (conductor)
recording of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninoff9:57
7▼CD: Volume II CD3
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13 Gymnopédies: 1. Lent et douloureux
piano:
Stephanie McCallum (pianist)
phonographic copyright (℗) by:
Australian Broadcasting Corporation (ABC for short, national public broadcaster, for copyrights/licensing use only) (in 2007)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie3:44
2Boléro, M. 81
orchestra:
Sydney Symphony Orchestra
conductor:
Stuart Challender (conductor)
live recording of:
Boléro
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel14:45
3String Quartet in F major, M. 35: 2. Assez vif, très rythmé
cello:
Rachel Johnston (cellist)
string quartet and strings:
Australian String Quartet
viola:
Sally Boud (violist)
violin:
Anne Horton (violinist) and Sophie Rowell (violinist)
phonographic copyright (℗) by:
Australian Broadcasting Corporation (ABC for short, national public broadcaster, for copyrights/licensing use only)
recording of:
String Quartet in F major: II. Assez vif – Très rythmé
composer:
Maurice Ravel (French composer) (from 1902 until 1903)
arrangement of:
Assez vif - Très rythmé
part of:
String Quartet in F major
recording of:
String Quartet in F major: IV. Vif et agité
composer:
Maurice Ravel (French composer) (from 1902 until 1903)
arrangement of:
Vif et agité
part of:
String Quartet in F major
Maurice Ravel6:18
4Pines of Rome: III. The Pine Trees of the Janiculum
orchestra:
West Australian Symphony Orchestra
conductor:
Jorge Mester (conductor)
recording of:
Pini di Roma, P 141: III. I pini del Gianicolo
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi7:35
5Pelleas und Melisande, op. 5: III. Langsam
orchestra:
Sydney Symphony Orchestra
conductor:
Edo de Waart (conductor)
partial recording of:
Pelleas und Melisande, op. 5
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (from 1902 until 1903-02)
premiered by:
Arnold Schönberg (Arnold Schoenberg, composer) (on 1905-01-25)
premiered at:
[concert] (1905-01-25)
premiered at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1905-01-25)
part of:
Works of Arnold Schönberg by opus number (number: op. 5)
Arnold Schoenberg6:43
6Concerto for Orchestra, Sz. 116: 4. Intermezzo interrotto
orchestra:
Melbourne Symphony Orchestra
conductor:
Hiroyuki Iwaki (conductor)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók4:12
7The Rite of Spring, Pt. 2 - The Sacrifice: Sacrificial Dance - The Chosen One
orchestra:
Australian World Orchestra
conductor:
Zubin Mehta (conductor)
recording of:
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:44
8Romeo and Juliet, Suite no. 2, op. 64ter: Montagues and Capulets
orchestra:
West Australian Symphony Orchestra
conductor:
Benjamin Northey (Australian conductor)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: I. Montagues and Capulets
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Sergei Prokofiev3:43
9Songs of the Auvergne, Book I: 2. Baïlèro
soprano vocals:
Sara Macliver (soprano)
orchestra:
Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010)
conductor:
Brett Kelly (trombonist and conductor)
recording of:
Chants d'Auvergne: Première Série: No. 2. Baïlèro
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
part of:
Chants d'Auvergne: Première Série
Joseph Canteloube6:17
10Brigg Fair
choir vocals:
Cantillation
tenor vocals:
Dan Walker (tenor / composer)
conductor:
Paul Stanhope (Australian composer)
recording of:
Brigg Fair (Percy Grainger choral arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Percy Grainger (Australian composer 1882–1961)
arrangement of:
Brigg Fair
Traditional / Percy Grainger3:10
11Carmina Burana: Fortuna Imperatrix Mundi: 1. "O Fortuna"
instruments:
Australian Virtuosi
percussion:
Synergy Percussion
choir vocals:
Cantillation
conductor:
Antony Walker (Australian conductor)
performer:
Cantillation
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:42
12Fantasia on Greensleeves
orchestra:
Tasmanian Symphony Orchestra
conductor:
David Stanhope (Australian composer, conductor and virtuoso pianist)
recording of:
Fantasia on “Greensleeves”
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams / Ralph Greaves5:14
13Les Soirées de Nazelles, FP 84: Variation I: Le Comble de la distinction
piano:
Antony Gray (Australian pianist)
recording of:
Les Soirées de Nazelles: Variation I. Le Comble de la distinction
composer:
Francis Poulenc (French composer and pianist)
part of:
Les Soirées de Nazelles, FP 84
Francis Poulenc1:30
14Four Sea Interludes from Peter Grimes, op. 33a: III. Moonlight (Andante comodo e rubato)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Zhang Yi (Chinese conductor)
recording of:
Four Sea Interludes from 'Peter Grimes', op. 33a: III. Moonlight: Andante comodo e rubato
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945)
part of:
Four Sea Interludes from 'Peter Grimes', op. 33a
Benjamin Britten3:56
8▼CD: Volume II CD4
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1Appalachian Spring - Suite: VII. Shaker Melody ‘The Gift to be Simple’
orchestra:
Melbourne Symphony Orchestra
conductor:
Benjamin Northey (Australian conductor)
recording of:
Appalachian Spring Suite: VII. Doppio movimento: Variations on a Shaker Hymn (Simple Gifts)
composer:
Aaron Copland (composer) (from 1943 until 1944)
is based on:
Simple Gifts
part of:
Appalachian Spring Suite (for full orchestra, 1945)
Aaron Copland3:13
2Concierto de Aranjuez for Guitar and Orchestra: 1. Allegro con spirito
guitar:
Slava Grigoryan (Australian classical guitarist)
orchestra:
The Queensland Orchestra (aka The Queensland Orchestra between 2001–2010)
conductor:
Brett Kelly (trombonist and conductor)
recorded at:
Studio 420 (West End) in Brisbane, Queensland, Australia (from 2005-02-01 until 2005-02-05)
recording of:
Concierto de Aranjuez: I. Allegro con spirito
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo5:57
3Preludes: I. Allegro ben ritmato e deciso
piano:
Simon Tedeschi (Australian pianist)
phonographic copyright (℗) by:
Australian Broadcasting Corporation (ABC for short, national public broadcaster, for copyrights/licensing use only) (from 2012 to present)
recording of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (original version for piano)
composer:
George Gershwin (composer) (in 1926)
arrangement of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (for clarinet and string orchestra, Cohn)
part of:
Three Preludes (original for piano)
George Gershwin1:46
4Symphony no. 8, op. 65: II. Allegretto
orchestra:
Adelaide Symphony Orchestra
conductor:
Nicholas Braithwaite (conductor)
recording of:
Symphony no. 8 in C minor, op. 65: II. Allegretto
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 8 in C minor, op. 65
Dmitri Shostakovich6:30
5Turangalîla-symphonie: 3. Turangalîla I - Live
orchestra:
Melbourne Symphony Orchestra
conductor:
Hiroyuki Iwaki (conductor)
live recording of:
Turangalîla-Symphonie, I/29: III. Turangalîla 1
composer:
Olivier Messiaen (composer and organist) (from 1946 until 1948)
part of:
Turangalîla-Symphonie, I/29
Olivier Messiaen4:56
6Adagio for Strings, op. 11
orchestra:
Melbourne Symphony Orchestra
conductor:
Jorge Mester (conductor)
recording of:
Adagio for Strings
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber8:16
7Gabriel's Oboe (from "The Mission")
oboe:
Diana Doherty (oboist)
orchestra:
Sinfonia Australis
conductor:
Mark Summerbell (conductor)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 2002 until 2003)
recording of:
Gabriel’s Oboe (The Mission, main theme)
publisher:
Ennio Morricone (Italian classical and score composer)
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
part of:
The Mission
Ennio Morricone2:32
8Djilile
orchestra:
Tasmanian Symphony Orchestra
conductor:
David Porcelijn (composer and conductor)
recording of:
Djilile, W307 (for string orchestra)
composer:
Peter Sculthorpe (composer) (in 2001)
part of:
Peter Sculthorpe's Worklist (number: W307)
Peter Sculthorpe4:36
9A Flock Descends into the Pentagonal Garden
engineer:
Jim Atkins (Australian sound engineer) (from 1990-11-08 until 1990-11-15: task: Recording)
producer:
Maria Vandamme (from 1990-11-08 until 1990-11-15: task: Recording)
orchestra:
Melbourne Symphony Orchestra (from 1990-11-08 until 1990-11-15)
conductor:
Hiroyuki Iwaki (conductor) (from 1990-11-08 until 1990-11-15)
phonographic copyright (℗) by:
Australian Broadcasting Corporation (ABC for short, national public broadcaster, for copyrights/licensing use only) (in 1993)
recorded at:
Concert Hall of the Victorian Arts Centre in Melbourne, Victoria, Australia (from 1990-11-08 until 1990-11-15)
recording of:
鳥は星型の庭に降りる (A Flock Descends Into the Pentagonal Garden)
composer:
武満徹 (Tōru Takemitsu, composer) (in 1977)
Toru Takemitsu11:06
10Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": 2. Lento e largo
soprano vocals:
Yvonne Kenny (Australian soprano)
orchestra:
Adelaide Symphony Orchestra
conductor:
Takuo Yussa (Takuo Yuasa, Japanese conductor)
recording of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": II. Lento e largo: Tranquillissimo - Cantabilissimo - Dolcissimo - Legatissimo (ended)
lyricist:
Helena Wanda Błażusiakówna
composer:
Henryk Mikołaj Górecki (Henryk Mikolaj Gorecki, Polish composer) (in 1976)
part of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs"
Henryk Górecki8:56
11Metamorphosis III
grand piano:
Sally Whitwell (Australian pianist)
recording of:
Metamorphosis III
composer:
Philip Glass (US composer & pianist) (in 1988)
part of:
Metamorphosis
Philip Glass44:48
12Three Gymnopédies: Gymnopédie no. 1
orchestra:
Sydney Symphony Orchestra
conductor:
Myer Fredman (British-Australian conductor)
recording of:
Three Gymnopedies: No. 1. Lento tranquillo
composer:
Peggy Glanville-Hicks (Australian composer) (in 1953)
part of:
Three Gymnopedies
Peggy Glanville-Hicks4:13
13Dawn Mantras
recording engineer:
Allan Maclean (engineer/editor)
producer and editor:
Virginia Read (engineer/editor/producer)
cor anglais [cor anglais]:
Rixon Thomas
didgeridoo [didjeridoo] and didgeridoo [didjeridu]:
Matthew Doyle
percussion:
Ian Cleworth (percussion) and Brian Nixon (percussionist)
shakuhachi:
Jim Franklin (shakahuchi master)
choir vocals:
Cantillation and The Sydney Children's Choir
soprano vocals:
Jane Sheldon (Australian-American soprano)
conductor:
Lyn Williams (Australian composer / choir master)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (on 2001-10-01)
recording of:
Dawn Mantras
composer:
Ross Edwards (Australian composer)
Ross Edwards7:17