| # | Title | Artist | Rating | Length |
|---|
| 1 | Is This the Way to Amarillo | Tony Christie | | 3:12 |
| 2 | Papa Was a Rollin’ Stone | The Temptations | | 6:59 |
| 3 | Daniel | Elton John | 3.5 | 3:50 |
| 4 | Whiskey in the Jar | Thin Lizzy | | 5:43 |
| 5 | You Ain’t Seen Nothing Yet | Bachman–Turner Overdrive | 4.65 | 3:51 |
| 6 | Lady Bump | Penny McLean | | 3:42 |
| 7 | Cocaine | J.J. Cale | | 2:48 |
| 8 | Brick House- recording of:
- Brick House
- lyricist:
- William King , Walter Orange and Lionel Richie
- composer:
- Ronald LaPread, Thomas McClary, Lionel Richie and Milan Williams
- publisher:
- Brenda Richie Publishing, Cambrae Music, Daddy Married a Golddigger, Drop Five, Hanna Music, Jobete Music Co., Inc., Libren Music, Old Fashion Publishing, Reservoir Media Music, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Commodores | | 3:28 |
| 9 | Love Is Like Oxygen | Sweet | | 3:45 |
| 10 | Hot Stuff | Donna Summer | 3 | 3:51 |
| 11 | I Was Made for Lovin’ You- recording engineer and mixer:
- Jay Messina
- assistant engineer:
- Jim Galante and Jon Mathias
- producer:
- Vini Poncia
- drums (drum set):
- Anton Fig
- keyboard and background vocals:
- Vini Poncia
- lead vocals:
- Paul Stanley
- phonographic copyright (℗) by:
- Casablanca Record & FilmWorks, Inc. (in 1979), PolyGram Records, Inc. (in 1979) and The Island Def Jam Music Group (in 1979)
- produced for:
- Mad Vincent Productions
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant in Midtown Manhattan, New York, New York, United States
- recording of:
- I Was Made for Lovin’ You
- writer:
- Desmond Child, Vini Poncia and Paul Stanley
- publisher:
- Desmobile Inc., Hori Productions America Inc., Universal Music Publishing , Universal Polygram International Publishing I , Universal–Songs of PolyGram International, Inc., Kiss (in 1979) and Mad Vincent Music (in 1979)
- sub-publisher:
- Taiyō Music, Universal Music Publishing France , Universal Music Publishing GmbH and Universal Music Publishing Ltd.
| KISS | 4.45 | 4:29 |
| 12 | Upside Down | Diana Ross | 3.75 | 4:05 |
| 13 | Fade to Grey- engineer:
- John Hudson
- producer:
- Midge Ure and Visage
- performer:
- Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange and Midge Ure
- arranger:
- Visage
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1980) and Universal Records (in 1980)
- recorded at:
- Genetic Studios in West Berkshire, England, United Kingdom
- mixed at:
- Mayfair Sound in London , England, United Kingdom
- recording of:
- Fade to Grey
- writer:
- Billy Currie, Chris Payne and Midge Ure
- publisher:
- Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. and Performance Music Ltd
| Visage | 4.1 | 4:01 |
| 14 | Wouldn’t It Be Good- recording engineer:
- Julian Mendelsohn (in 1983)
- assistant engineer:
- Roger Howorth
- producer:
- Peter Collins
- mixer:
- Julian Mendelsohn
- lead vocals:
- Nik Kershaw (in 1983)
- horn arranger:
- Jerry Hey and Nik Kershaw
- arranger:
- Nik Kershaw
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1983, in 1984) and MCA Records Ltd. (in 1984)
- mixed at:
- Sarm East Studios in Aldgate, Tower Hamlets, London , England, United Kingdom
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
- recording of:
- Wouldn’t It Be Good (in 1983)
- lyricist and composer:
- Nik Kershaw
- publisher:
- Arctic King, Imagem Music GmbH , Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing , Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
- part of:
- Gotcha!
| Nik Kershaw | 4 | 4:30 |
| 15 | Cherish | Kool & the Gang | | 4:50 |
| 16 | The Lady in Red | Chris de Burgh | 3.35 | 4:14 |
| 17 | Ring of Fire | Johnny Cash | | 2:43 |
| 18 | Senza una donna | Zucchero | | 4:27 |
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