Concierto de Aranjuez / Concertos & Orchestral works

~ Release by Joaquín Rodrigo (see all versions of this release, 2 available)

Tracklist

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1▼CD: Concierto serenata / Concierto pastoral / Concierto heroico
#TitleRatingLength
1Concierto serenata: Estudiantina (Allegro ma non troppo)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo harp:
Nancy Allen (harpist) (in 1985-01)
orchestra:
Royal Philharmonic Orchestra (in 1985-01)
conductor:
Enrique Bátiz (conductor and pianist) (in 1985-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
St. Barnabas Church, Woodside Park (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Concierto serenata: I. Estudiantina (allegro) (in 1985-01)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1952)
part of:
Concierto serenata
8:34
2Concierto serenata: Intermezzo con Aria (Adagio)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo harp:
Nancy Allen (harpist) (in 1985-01)
orchestra:
Royal Philharmonic Orchestra (in 1985-01)
conductor:
Enrique Bátiz (conductor and pianist) (in 1985-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
St. Barnabas Church, Woodside Park (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Concierto serenata: II. Intermezzo (molto tranquillo) (in 1985-01)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1952)
part of:
Concierto serenata
8:26
3Concierto serenata: Sarao (Allegro deciso)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo harp:
Nancy Allen (harpist) (in 1985-01)
orchestra:
Royal Philharmonic Orchestra (in 1985-01)
conductor:
Enrique Bátiz (conductor and pianist) (in 1985-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
St. Barnabas Church, Woodside Park (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Concierto serenata: III. Sarao (allegro deciso) (in 1985-01)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1952)
part of:
Concierto serenata
6:04
4Concierto pastoral: Allegro
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo flute:
Lisa Hansen (classical flutist) (in 1984-12)
orchestra:
Royal Philharmonic Orchestra (in 1984-12)
conductor:
Enrique Bátiz (conductor and pianist) (in 1984-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1984-12)
recording of:
Concierto pastoral: I. Allegro (in 1984-12)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (from 1977 until 1978)
part of:
Concierto pastoral
7:28
5Concierto pastoral: Adagio
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo flute:
Lisa Hansen (classical flutist) (in 1984-12)
orchestra:
Royal Philharmonic Orchestra (in 1984-12)
conductor:
Enrique Bátiz (conductor and pianist) (in 1984-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1984-12)
recording of:
Concierto pastoral: II. Adagio (in 1984-12)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (from 1977 until 1978)
part of:
Concierto pastoral
11:00
6Concierto pastoral: Rondo (Allegro)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo flute:
Lisa Hansen (classical flutist) (in 1984-12)
orchestra:
Royal Philharmonic Orchestra (in 1984-12)
conductor:
Enrique Bátiz (conductor and pianist) (in 1984-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1984-12)
recording of:
Concierto pastoral: III. Rondo. Allegro (in 1984-12)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (from 1977 until 1978)
part of:
Concierto pastoral
6:51
7Concierto heroico: Allegro con brio
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo piano:
Jorge Federico Osorio (Mexican pianist) (in 1984-12)
orchestra:
Royal Philharmonic Orchestra (in 1984-12)
conductor:
Enrique Bátiz (conductor and pianist) (in 1984-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1984-12)
recording of:
Concierto heroico: I. Allegro con brio (in 1984-12)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto heroico
8:24
8Concierto heroico: Scherzo (Allegro molto ma pesante)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo piano:
Jorge Federico Osorio (Mexican pianist) (in 1984-12)
orchestra:
Royal Philharmonic Orchestra (in 1984-12)
conductor:
Enrique Bátiz (conductor and pianist) (in 1984-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1984-12)
recording of:
Concierto heroico: II. Scherzo (Allegro molto ritmico) (in 1984-12)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto heroico
5:25
9Concierto heroico: Largo
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo piano:
Jorge Federico Osorio (Mexican pianist) (in 1984-12)
orchestra:
Royal Philharmonic Orchestra (in 1984-12)
conductor:
Enrique Bátiz (conductor and pianist) (in 1984-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1984-12)
recording of:
Concierto heroico: III. Largo (in 1984-12)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto heroico
11:30
10Concierto heroico: Finale
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo piano:
Jorge Federico Osorio (Mexican pianist) (in 1984-12)
orchestra:
Royal Philharmonic Orchestra (in 1984-12)
conductor:
Enrique Bátiz (conductor and pianist) (in 1984-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1984-12)
recording of:
Concierto heroico: IV. Allegro maestoso (in 1984-12)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto heroico
5:18
2▼CD: Concierto madrigal / Concierto de estío / Concierto de Aranjuez
#TitleRatingLength
1Concierto madrigal: Fanfarre (Allegro marziale)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Deborah Mariotti (in 1983-02) and Alfonso Moreno (in 1983-02)
orchestra:
London Symphony Orchestra (in 1983-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1983-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1983-02)
recording of:
Concierto madrigal: I. Fanfarre (Allegro marziale) (in 1983-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto madrigal
2:01
2Concierto madrigal: Madrigal (Andante nostalgico)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Deborah Mariotti (in 1983-02) and Alfonso Moreno (in 1983-02)
orchestra:
London Symphony Orchestra (in 1983-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1983-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1983-02)
recording of:
Concierto madrigal: II. Madrigal (Andante nostalgico) (in 1983-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto madrigal
2:35
3Concierto madrigal: Entrada (Allegro vivace)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Deborah Mariotti (in 1983-02) and Alfonso Moreno (in 1983-02)
orchestra:
London Symphony Orchestra (in 1983-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1983-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1983-02)
recording of:
Concierto madrigal: III. Entrada (Allegro vivace) (in 1983-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto madrigal
1:59
4Concierto madrigal: Pastorcito, tu que vienes, pastorcito tu que vas (Allegro vivace)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Deborah Mariotti (in 1983-02) and Alfonso Moreno (in 1983-02)
orchestra:
London Symphony Orchestra (in 1983-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1983-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1983-02)
recording of:
Concierto madrigal: IV. "Pastorcico tú que vienes, pastorcico tú que vas" (Allegro vivace) (in 1983-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto madrigal
1:36
5Concierto madrigal: Girardilla (Presto)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Deborah Mariotti (in 1983-02) and Alfonso Moreno (in 1983-02)
orchestra:
London Symphony Orchestra (in 1983-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1983-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1983-02)
recording of:
Concierto madrigal: V. Girardilla (Presto) (in 1983-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto madrigal
1:50
6Concierto madrigal: Pastoral (Allegretto)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Deborah Mariotti (in 1983-02) and Alfonso Moreno (in 1983-02)
orchestra:
London Symphony Orchestra (in 1983-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1983-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1983-02)
recording of:
Concierto madrigal: VI. Pastoral (Allegro) (in 1983-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto madrigal
3:41
7Concierto madrigal: Fandango (Molto rítmico)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Deborah Mariotti (in 1983-02) and Alfonso Moreno (in 1983-02)
orchestra:
London Symphony Orchestra (in 1983-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1983-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1983-02)
recording of:
Concierto madrigal: VII. Fandango (Molto ritmico) (in 1983-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto madrigal
2:22
8Concierto madrigal: Arieta (Andante nostalgico)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Deborah Mariotti (in 1983-02) and Alfonso Moreno (in 1983-02)
orchestra:
London Symphony Orchestra (in 1983-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1983-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1983-02)
recording of:
Concierto madrigal: VIII. Arieta (Andante nostalgico) (in 1983-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto madrigal
6:02
9Concierto madrigal: Zapateado (Allegro vivace)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Deborah Mariotti (in 1983-02) and Alfonso Moreno (in 1983-02)
orchestra:
London Symphony Orchestra (in 1983-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1983-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1983-02)
recording of:
Concierto madrigal: IX. Zapateado (Allegro vivace) (in 1983-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto madrigal
6:31
10Concierto madrigal: Caccia a la española
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Deborah Mariotti (in 1983-02) and Alfonso Moreno (in 1983-02)
orchestra:
London Symphony Orchestra (in 1983-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1983-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1983-02)
recording of:
Concierto madrigal: X. Caccia a la española (Allegro vivace - Andante nostalgico) (in 1983-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist)
part of:
Concierto madrigal
5:12
11Concierto de estío: Prélude (Allegro molto leggiero)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo violin:
Agustín León Ara (violinist) (in 1981-08)
orchestra:
London Symphony Orchestra (in 1981-08)
conductor:
Enrique Bátiz (conductor and pianist) (in 1981-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1981-08)
recording of:
Concierto de estío: I. Preludio. Allegro molto leggiero (in 1981-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1943)
part of:
Concierto de estío
7:46
12Concierto de estío: Sicilienne (Andantino)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo violin:
Agustín León Ara (violinist) (in 1981-08)
orchestra:
London Symphony Orchestra (in 1981-08)
conductor:
Enrique Bátiz (conductor and pianist) (in 1981-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1981-08)
recording of:
Concierto de estío: II. Siciliana. Andantino (in 1981-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1943)
part of:
Concierto de estío
7:55
13Concierto de estío: Rondino (Allegro ma non troppo)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo violin:
Agustín León Ara (violinist) (in 1981-08)
orchestra:
London Symphony Orchestra (in 1981-08)
conductor:
Enrique Bátiz (conductor and pianist) (in 1981-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1981-08)
recording of:
Concierto de estío: III. Rondino. Allegro ma non troppo (in 1981-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1943)
part of:
Concierto de estío
5:04
14Concierto de Aranjuez: Allegro con spirito
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Alfonso Moreno (in 1981-08)
orchestra:
London Symphony Orchestra (in 1981-08)
conductor:
Enrique Bátiz (conductor and pianist) (in 1981-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1981-08)
recording of:
Concierto de Aranjuez: I. Allegro con spirito (in 1981-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
5:52
15Concierto de Aranjuez: Adagio
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Alfonso Moreno (in 1981-08)
orchestra:
London Symphony Orchestra (in 1981-08)
conductor:
Enrique Bátiz (conductor and pianist) (in 1981-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1981-08)
recording of:
Concierto de Aranjuez: II. Adagio (in 1981-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
10:31
16Concierto de Aranjuez: Allegro gentile
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Alfonso Moreno (in 1981-08)
orchestra:
London Symphony Orchestra (in 1981-08)
conductor:
Enrique Bátiz (conductor and pianist) (in 1981-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1981-08)
recording of:
Concierto de Aranjuez: III. Allegro gentile (in 1981-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
4:52
3▼CD: Fantasia para un gentilhombre / Concierto Andaluz / Concierto en modo galante
#TitleRatingLength
1Fantasia para un gentilhombre: Villano y Ricercare
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Alfonso Moreno (in 1980-02)
orchestra:
Orquesta Sinfónica del Estado de Mexico (Symphony Orchestra of the State of Mexico) (in 1980-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1980-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Sala Nezahualcoyotl in Ciudad de México (Mexico City), Mexico (in 1980-02)
recording of:
Fantasía para un gentilhombre: I. Villano y ricercare (in 1980-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
4:32
2Fantasia para un gentilhombre: Españoleta
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Alfonso Moreno (in 1980-02)
orchestra:
Orquesta Sinfónica del Estado de Mexico (Symphony Orchestra of the State of Mexico) (in 1980-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1980-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Sala Nezahualcoyotl in Ciudad de México (Mexico City), Mexico (in 1980-02)
partial recording of:
Fantasía para un gentilhombre: II. Españoleta y fanfare de la caballería de Nápoles (in 1980-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
4:03
3Fantasia para un gentilhombre: Fanfare de la caballería de Nápoles
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Alfonso Moreno (in 1980-02)
orchestra:
Orquesta Sinfónica del Estado de Mexico (Symphony Orchestra of the State of Mexico) (in 1980-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1980-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Sala Nezahualcoyotl in Ciudad de México (Mexico City), Mexico (in 1980-02)
partial recording of:
Fantasía para un gentilhombre: II. Españoleta y fanfare de la caballería de Nápoles (in 1980-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
4:44
4Fantasia para un gentilhombre: Danza de las Hachas
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Alfonso Moreno (in 1980-02)
orchestra:
Orquesta Sinfónica del Estado de Mexico (Symphony Orchestra of the State of Mexico) (in 1980-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1980-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Sala Nezahualcoyotl in Ciudad de México (Mexico City), Mexico (in 1980-02)
recording of:
Fantasía para un gentilhombre: III. Danza de las hachas (in 1980-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
2:03
5Fantasia para un gentilhombre: Canario
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Alfonso Moreno (in 1980-02)
orchestra:
Orquesta Sinfónica del Estado de Mexico (Symphony Orchestra of the State of Mexico) (in 1980-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1980-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Sala Nezahualcoyotl in Ciudad de México (Mexico City), Mexico (in 1980-02)
recording of:
Fantasía para un gentilhombre: IV. Canario (in 1980-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
5:04
6Concierto Andaluz: Tempo de Bolero (Allegro vivace)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Minerva Garibay (in 1980-02), Cecilia López (in 1980-02), Alfonso Moreno (in 1980-02) and Jesús Ruiz (in 1980-02)
orchestra:
Orquesta Sinfónica del Estado de Mexico (Symphony Orchestra of the State of Mexico) (in 1980-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1980-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Sala Nezahualcoyotl in Ciudad de México (Mexico City), Mexico (in 1980-02)
recording of:
Concierto andaluz: I. Tempo de bolero (in 1980-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1967)
part of:
Concierto andaluz
8:42
7Concierto Andaluz: Adagio — Allegro — Adagio
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Minerva Garibay (in 1980-02), Cecilia López (in 1980-02), Alfonso Moreno (in 1980-02) and Jesús Ruiz (in 1980-02)
orchestra:
Orquesta Sinfónica del Estado de Mexico (Symphony Orchestra of the State of Mexico) (in 1980-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1980-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Sala Nezahualcoyotl in Ciudad de México (Mexico City), Mexico (in 1980-02)
recording of:
Concierto andaluz: II. Adagio (in 1980-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1967)
part of:
Concierto andaluz
10:59
8Concierto Andaluz: Allegretto — Allegro — Allegretto
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
solo guitar:
Minerva Garibay (in 1980-02), Cecilia López (in 1980-02), Alfonso Moreno (in 1980-02) and Jesús Ruiz (in 1980-02)
orchestra:
Orquesta Sinfónica del Estado de Mexico (Symphony Orchestra of the State of Mexico) (in 1980-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1980-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Sala Nezahualcoyotl in Ciudad de México (Mexico City), Mexico (in 1980-02)
recording of:
Concierto andaluz: III. Allegretto (in 1980-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1967)
part of:
Concierto andaluz
6:30
9Concierto en modo galante: Allegro grazioso
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
cello:
Robert Cohen (cellist) (in 1981-08)
orchestra:
London Symphony Orchestra (in 1981-08)
conductor:
Enrique Bátiz (conductor and pianist) (in 1981-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1981-08)
recording of:
Concerto in modo galante: I. Allegretto grazioso (in 1981-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1949)
part of:
Concerto in modo galante
10:22
10Concierto en modo galante: Adagietto
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
cello:
Robert Cohen (cellist) (in 1981-08)
orchestra:
London Symphony Orchestra (in 1981-08)
conductor:
Enrique Bátiz (conductor and pianist) (in 1981-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1981-08)
recording of:
Concerto in modo galante: II. Adagietto (in 1981-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1949)
part of:
Concerto in modo galante
9:02
11Concierto en modo galante: Rondo giocoso (Allegro deciso)
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
cello:
Robert Cohen (cellist) (in 1981-08)
orchestra:
London Symphony Orchestra (in 1981-08)
conductor:
Enrique Bátiz (conductor and pianist) (in 1981-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1981-08)
recording of:
Concerto in modo galante: III. Rondo giocoso (in 1981-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1949)
part of:
Concerto in modo galante
6:23
4▼CD
#TitleRatingLength
1Per la flor del Iliri blau ("El lirio azul")
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
orchestra:
London Symphony Orchestra (in 1983-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1983-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1983-02)
recording of:
Per la flor del lliri blau (in 1983-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1934)
20:05
2Música para un jardín
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
orchestra:
London Symphony Orchestra (in 1983-02)
conductor:
Enrique Bátiz (conductor and pianist) (in 1983-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1983-02)
recording of:
Música para un jardín (in 1983-02)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1957)
11:27
3A la busca del más del más allá
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
orchestra:
London Symphony Orchestra (in 1981-08)
conductor:
Enrique Bátiz (conductor and pianist) (in 1981-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1981-08)
recording of:
A la busca del más allá (in 1981-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1976)
14:00
4Zarabanda lejana y villancico
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
orchestra:
London Symphony Orchestra (in 1981-08)
conductor:
Enrique Bátiz (conductor and pianist) (in 1981-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1981-08)
recording of:
Zarabanda lejana y Villancico (in 1981-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (from 1927 until 1930)
9:30
5Cinco piezas infantiles: Son chicos que pasán
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
orchestra:
Royal Philharmonic Orchestra (in 1985-01)
conductor:
Enrique Bátiz (conductor and pianist) (in 1985-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
St. Barnabas Church, Woodside Park (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Cinco piezas infantiles, nº 1: Son chicos que pasan (in 1985-01)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1924)
part of:
Cinco piezas infantiles
1:35
6Cinco piezas infantiles: Después de un cuento
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
orchestra:
Royal Philharmonic Orchestra (in 1985-01)
conductor:
Enrique Bátiz (conductor and pianist) (in 1985-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
St. Barnabas Church, Woodside Park (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Cinco piezas infantiles, nº 2: Después de un cuento (in 1985-01)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1924)
part of:
Cinco piezas infantiles
3:27
7Cinco piezas infantiles: Mazurka
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
orchestra:
Royal Philharmonic Orchestra (in 1985-01)
conductor:
Enrique Bátiz (conductor and pianist) (in 1985-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
St. Barnabas Church, Woodside Park (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Cinco piezas infantiles, nº 3: Mazurka (in 1985-01)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1924)
part of:
Cinco piezas infantiles
1:55
8Cinco piezas infantiles: Plegaria
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
orchestra:
Royal Philharmonic Orchestra (in 1985-01)
conductor:
Enrique Bátiz (conductor and pianist) (in 1985-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
St. Barnabas Church, Woodside Park (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Cinco piezas infantiles, nº 4: Plegaria (in 1985-01)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1924)
part of:
Cinco piezas infantiles
2:55
9Cinco piezas infantiles: Gritería Finale
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
orchestra:
Royal Philharmonic Orchestra (in 1985-01)
conductor:
Enrique Bátiz (conductor and pianist) (in 1985-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
St. Barnabas Church, Woodside Park (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Cinco piezas infantiles, nº 5: Gritería final (in 1985-01)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1924)
part of:
Cinco piezas infantiles
2:53
10Soleriana: No. 4: Pastoral
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
orchestra:
Royal Philharmonic Orchestra (in 1985-01)
conductor:
Enrique Bátiz (conductor and pianist) (in 1985-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
St. Barnabas Church, Woodside Park (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Soleriana: IV. Pastoral (in 1985-01)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1953)
part of:
Soleriana
6:33
11Soleriana: No. 5: Passepied
producer and balance engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (ended)
orchestra:
Royal Philharmonic Orchestra (in 1985-01)
conductor:
Enrique Bátiz (conductor and pianist) (in 1985-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recorded at:
St. Barnabas Church, Woodside Park (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Soleriana: V. Passepied (in 1985-01)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1953)
part of:
Soleriana
3:03