Top 40 Nina Simone: Her Ultimate Top 40 Collection

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
3.93:36
2Feeling Good
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (am 1965-01-15)
Verfasser(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd und Musical Comedy Prods.
Teil von:
The Roar of the Greasepaint – The Smell of the Crowd
4.12:54
3Don't Let Me Be Misunderstood
recorded in:
New York, New York, Vereinigte Staaten (in 1964-06)
Klavier:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
Orchester:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
4.052:44
4I Loves You Porgy
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
34:09
5I Put a Spell on You
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (am 1965-01-15)
Texter und Komponist(in):
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) und EMI United Partnership Ltd. (in 1956)
4.252:35
6I Think It's Going to Rain Today
recording engineer:
Ray Hall (engineer)
Klavier:
Nina Simone (am 1968-09-16)
vocals:
Nina Simone (am 1968-09-16)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-09-16)
cover recording of:
I Think It’s Going to Rain Today (am 1968-09-16)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music Corp., Warner/Chappell North America und Unichappell Music, Inc. (in 1966)
übersetzte Version von:
Ik denk dat niemand mij morgen mist
3.653:20
7Backlash Blues
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
recording of:
Backlash Blues (am 1967-01-05)
Texter:
Langston Hughes
Komponist(in):
Nina Simone
publisher:
Filmtrax-Mogul (publisher; do NOT use as release label) und Rolls Royce Music (publisher; do NOT use as release label)
42:29
8I Wish I Knew How It Would Feel to Be Free
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Mix:
Mark Hartry
vocals:
Nina Simone
conductor:
Sammy Lowe (trumpeter, arranger and conductor)
arranger:
Sammy Lowe (trumpeter, arranger and conductor)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-06-15)
Teil von:
CBC Music: 10 Songs That Have Changed the World
cover recording of:
I Wish I Knew How It Would Feel to Be Free (am 1967-06-15)
Verfasser(in):
Billy Taylor (jazz/bop pianist) und Richard Lamb
publisher:
Duane Music Inc. und Westminster Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
43:10
9Do I Move You?
recording engineer:
Mickey Crofford (am 1966-12-19) und Ray Hall (engineer) (am 1966-12-19)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1966-12-19)
recording of:
Do I Move You? (am 1966-12-19)
Texter und Komponist(in):
Nina Simone
publisher:
Filmtrax Mogull (publisher; do NOT use as release label)
42:45
10The Look of Love
Techniker(in):
Ray Hall (engineer) (am 1967-06-15)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Cembalo und Klavier:
Ernest Hayes (American pianist, organist and arranger) (am 1967-06-15)
E-Bass:
Gene Taylor (US jazz bassist) (am 1967-06-15)
E-Gitarre:
Eric Gale (am 1967-06-15) und Rudy Stevenson (am 1967-06-15)
Schlagzeug:
Bernard “Pretty” Purdie (am 1967-06-15)
vocals:
Nina Simone (am 1967-06-15)
conductor:
Sammy Lowe (trumpeter, arranger and conductor) (am 1969-06-15)
arranger:
Sammy Lowe (trumpeter, arranger and conductor)
aufgenommen bei:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, Vereinigte Staaten (am 1967-06-15)
cover recording of:
The Look of Love (am 1967-06-15)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 40th Academy Award for Best Original Song (Nummer: 2)
32:22
11Go to Hell
cover recording of:
Go to Hell (am 1967-06-21)
Verfasser(in):
Morris Bailey (Philadelphia-based composer, producer, saxophonist)
32:48
12I Want a Little Sugar in My Bowl
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Interpret(in):
Sam Ellis (House DJ)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (am 1967-01-05)
Verfasser(in):
James “Tim” Brymn, Nina Simone, Dally Small und Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
Version von:
Need a Little Sugar in My Bowl (Bessie Smith's version)
4.152:32
13My Man Is Gone Now
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (am 1967-01-05)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America und WB Music Corp. (1929–2019) (bis 2019-05-28)
Version von:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
2.354:15
14Turn Me On
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
cover recording of:
Turn Me On (am 1967-06-13)
Texter und Komponist(in):
John D. Loudermilk
publisher:
Loudermilk Music, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1961-08-09)
3.52:24
15Since I Fell for You
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
cover recording of:
Since I Fell for You (am 1967-01-05)
Texter und Komponist(in):
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (beendet), Warner Bros., Inc. (not for release label use!) (beendet) und Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3.52:51
16I Get Along Without You Very Well (Except Sometimes)
recording engineer:
Ray Hall (engineer)
Klavier:
Nina Simone (am 1968-09-16)
vocals:
Nina Simone (am 1968-09-16)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-09-16)
cover recording of:
I Get Along Without You Very Well (am 1968-09-16)
Texter:
Jane Brown Thompson
Komponist(in):
Hoagy Carmichael (in 1939)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Songs of Peer, Ltd. (ASCAP) und Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
2.754:49
17I Shall Be Released
recording engineer:
Ray Hall (engineer) und Mike Moran (American engineer, associated with RCA)
Bass [Fender bass] und E-Bass:
Gene A Perla
Gitarre:
Al Schackman
Klavier und Sologesang:
Nina Simone
Orgel:
Weldon J. Irvine, Jr.
Schlagzeug:
Don Alias
Schlagzeug [drums]:
Charles D. Alias
Hintergrundgesang und Hintergrundgesang [vocalist]:
Virdia Crawford und Doris Willingham
conductor:
Nina Simone
arranger:
Nina Simone
phonographisches Urheberrecht (℗) von:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten
Bearbeitung von:
I Shall Be Released ('To Love Somebody' album version, with Nina Simone talking in the studio at the beginning) von Nina Simone
cover recording of:
I Shall Be Released (original lyrics) (von 1967-01-08 bis 1967-01-27)
Texter und Komponist(in):
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Dwarf Music (vom 1967 bis heute)
3.253:53
18Nobody's Fault but Mine
recording engineer:
Ray Hall (engineer)
Klavier:
Nina Simone (am 1968-09-16)
vocals:
Nina Simone (am 1968-09-16)
arranger:
Nina Simone
phonographisches Urheberrecht (℗) von:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-09-16)
cover recording of:
It’s Nobody’s Fault but Mine (Blind Willie Johnson song) (am 1968-09-16)
Texter, Komponist(in) und arranger:
Blind Willie Johnson
vorher zugeschrieben zu:
[traditional] (special purpose artist)
publisher:
Filmtrax Mogull (publisher; do NOT use as release label)
3.53:00
19Do What You Gotta Do
recording engineer:
Ray Hall (engineer) (am 1968-06-24)
A&R-Management:
Tom Berman
Produzent(in):
Joe René
E-Bass:
Jerry Jemmott (am 1968-06-24)
Gitarre:
Eric Gale (am 1968-06-24), Carl Lynch (am 1968-06-24) und Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (am 1968-06-24)
Klavier:
Paul Griffin (American pianist, session musician) (am 1968-06-24) und Nina Simone (am 1968-06-24)
Orgel:
Ernest Hayes (American pianist, organist and arranger) (am 1968-06-24)
Pauke und Schlagzeug:
Bernard “Pretty” Purdie
Perkussion, Tamburin und Vibraphon:
Specs Powell (am 1968-06-24)
Posaune:
Garnett Brown (am 1968-06-24)
Trompete:
Wilbur "Dud" Bascomb (Sr., jazz trumpeter) (am 1968-06-24), Harold Johnson (US jazz trumpeter aka "Money") (am 1968-06-24) und Joe Shepley (am 1968-06-24)
Sologesang:
Nina Simone (am 1968-06-24)
conductor:
Horace Ott (am 1968-06-24)
arranger:
Horace Ott
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-06-24)
Bearbeitung von:
Do What You Gotta Do (1968 version, full length) von Nina Simone
cover recording of:
Do What You Gotta Do (am 1968-06-24)
Texter und Komponist(in):
Hazel O’Connor und Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC (1995–2020) und Sosahamu Music Inc. (publisher; do NOT use as release label)
33:00
20Sinnerman (live in New York 1965)
Produzent(in):
Hal Mooney
cover recording of:
Sinnerman (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
[traditional] (special purpose artist)
basiert auf:
Oh Sinner Man (Bob Gibson's version)
4.510:19
21Why? (The King of Love Is Dead) (live)
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1968-04-07)
Produzent(in):
Joe René
Klavier und Sologesang:
Nina Simone (am 1968-04-07)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
Westbury Music Fair in Westbury, New York, Vereinigte Staaten (am 1968-04-07)
Bearbeitung von:
Why? (The King of Love Is Dead) (live, 1968‐04‐07: Westbury Music Fair, Long Island, NY, USA, unabridged version) von Nina Simone
live recording of:
Why? (The King of Love Is Dead) (am 1968-04-07)
Texter und Komponist(in):
Gene Taylor (US jazz bassist)
gewidmet:
Dr. Martin Luther King (group)
publisher:
Ninandy Music Co. (publisher; do NOT use as release label)
Teil von:
Martin Luther King Suite
55:44
2▼CD
Nr.TitelBewertungLänge
1Ain't Got No - I Got Life (From the Musical Production "Hair")
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1968-05-13)
Produzent(in):
Joe René
E-Bass:
Gene Taylor (US jazz bassist) (am 1968-05-13)
E-Gitarre:
Rudy Stevenson (am 1968-05-13)
Klavier und Sologesang:
Nina Simone (am 1968-05-13)
Orgel:
Sam Waymon (am 1968-05-13)
Schlagzeug:
Buck Clarke (am 1968-05-13)
phonographisches Urheberrecht (℗) von:
BMG Ariola (company mostly named as distributor in Europe) (in 1968) und BMG Music (in 1968)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-05-13)
Bearbeitung von:
Ain’t Got No / I Got Life (’Nuff Said’ version without overdubs and with studio banter at the end (“It’s groovy”)) von Nina Simone
cover recording of:
Ain’t Got No, I Got Life (am 1968-05-13)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Medley von:
I Got Life (from “Hair”)
Medley von:
Ain’t Got No (from “Hair”)
3.62:16
2Here Comes the Sun
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1971-02-17)
Produzent(in):
Nat Shapiro und Harold Wheeler
Sologesang:
Nina Simone
conductor:
Harold Wheeler
arranger:
Nina Simone und Harold Wheeler
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1971-02-17)
Bearbeitung von:
Here Comes the Sun von Nina Simone
cover recording of:
Here Comes the Sun
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
Harrisongs Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Teil von:
Reprise
4.353:34
3Strange Fruit
Produzent(in):
Hal Mooney
cover recording of:
Strange Fruit (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
3.653:30
4Baltimore
E-Bass:
Gary King (jazz bassist, arranger and songwriter)
Klavier:
Al Schackman
membranophone:
Jimmy Madison
cover recording of:
Baltimore
Texter, Verfasser(in) und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Six Pictures Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Hightree Music (in 1977)
2.54:38
5Just Like a Woman
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1971-02-12)
Produzent(in):
Nat Shapiro und Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone und Harold Wheeler
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1971-02-12)
cover recording of:
Just Like a Woman
Texter und Komponist(in):
Bob Dylan (am 1965-11-25)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), M. Witmark & Sons und Dwarf Music (vom 1966 bis heute)
54:53
6To Love Somebody
recording engineer:
Ray Hall (engineer) und Mike Moran (American engineer, associated with RCA)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Klavier und Sologesang:
Nina Simone (in 1967)
Schlagzeug:
Don Alias (in 1967)
conductor:
Jimmy Wisner (pianist, producer and songwriter)
arranger:
Jimmy Wisner (pianist, producer and songwriter)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-12-20)
cover recording of:
To Love Somebody (am 1967-12-20)
geschrieben in:
New York, New York, Vereinigte Staaten (in 1967)
Verfasser(in):
Barry Gibb (in 1967) und Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) und Universal Music Careers
Teil von:
50/50
3.852:42
7Everything Must Change
E-Bass:
Gary King (jazz bassist, arranger and songwriter)
membranophone:
Jimmy Madison
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
cover recording of:
Everything Must Change
Texter und Komponist(in):
Benard Ighner
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Trans Traditional Suite
2.653:58
8Funkier Than a Mosquito's Tweeter (live)
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1971-06-24)
leitende(r) Produzent(in):
Bruce Somerfeld
Produzent(in):
Nina Simone
andere Instrumente [Guinee Kuna], andere Instrumente [Madagascar harp], andere Instrumente [Mama-Likembi] und andere Instrumente [Tal Viha]:
Nadi Qamar (American jazz pianist and ethnomusicologist.) (am 1971-06-24)
Bass:
Gene A Perla (am 1971-06-24)
Gitarre:
David Spinozza (am 1971-06-24)
Klavier und Sologesang:
Nina Simone (am 1971-06-24)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1971-06-24)
Bearbeitung von:
Funkier Than a Mosquito’s Tweeter (‘It Is Finished’ recording without the added applause) von Nina Simone
cover recording of:
Funkier Than a Mosquito's Tweeter (am 1971-06-24)
Texter und Komponist(in):
Aillene Bullock
publisher:
United Artists Musikverlag (publisher) (in 1970)
2.755:17
9Mr Bojangles
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1971-02-09)
Produzent(in):
Nat Shapiro und Harold Wheeler
conductor:
Harold Wheeler
arranger:
Nina Simone und Harold Wheeler
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1971-02-09)
cover recording of:
Mr. Bojangles
Texter und Komponist(in):
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
3.355:00
10Revolution (Part 1)
recording engineer:
Ray Hall (engineer) und Mike Moran (American engineer, associated with RCA)
Bass [Fender bass] und E-Bass:
Gene A Perla
Gitarre:
Al Schackman
Klavier und Sologesang:
Nina Simone
Orgel:
Weldon J. Irvine, Jr.
Schlagzeug [drums]:
Charles D. Alias
Hintergrundgesang und Hintergrundgesang [vocalist]:
Virdia Crawford und Doris Willingham
conductor:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten
teilweise cover recording of:
Revolution (Beatles song)
geschrieben in:
Rishikesh, Uttarakhand, Indien (von 1968-02 bis 1968-05-30)
Verfasser(in):
John Lennon (The Beatles) (von 1968-02 bis 1968-05-30) und Paul McCartney (The Beatles) (von 1968-02 bis 1968-05-30)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
22:50
11My Way
recording engineer:
Ed Begley (sound engineer in RCA Victor) (am 1971-02-12)
Produzent(in):
Nat Shapiro und Harold Wheeler
Sologesang:
Nina Simone
vocals:
Nina Simone
conductor:
Harold Wheeler
arranger:
Nina Simone und Harold Wheeler
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1971-02-12)
Bearbeitung von:
My Way (1971 studio version, full length) von Nina Simone
cover recording of:
My Way (Frank Sinatra song)
Texter:
Paul Anka (Canadian singer, songwriter and actor)
Komponist(in):
Claude François und Jacques Revaux
vorher zugeschrieben zu:
Gilles Thibaut
Übersetzer:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
übersetzte Version von:
Comme d’habitude
35:09
12Save Me
Techniker(in):
Ray Hall (engineer) (am 1969-08-26)
Produzent(in):
Andy Stroud (former husband of Nina Simone.)
E-Bass:
Jerry Jemmott (am 1969-08-26)
E-Gitarre:
Eric Gale (am 1969-08-26)
Keyboard:
Weldon Irvine (am 1969-08-26) und Richard Tee (am 1969-08-26)
Klavier:
Nina Simone (am 1969-08-26)
Perkussion:
Roger “Montego Joe” Sanders (am 1969-08-26)
vocals:
Nina Simone (am 1969-08-26)
conductor:
Weldon Irvine (am 1969-08-26) und Nina Simone (am 1969-08-26)
arranger:
Weldon Irvine und Nina Simone
aufgenommen bei:
RCA Studio A (New York) in New York, New York, Vereinigte Staaten (am 1969-08-26)
cover recording of:
Save Me (Aretha Franklin song) (am 1969-08-26)
Verfasser(in):
Aretha Franklin, Carolyn Franklin und Curtis Ousley
publisher:
Kilynn Music und Pronto Music (publisher)
33:22
13Suzanne
recording engineer:
Ray Hall (engineer) und Mike Moran (American engineer, associated with RCA)
Bass [Fender bass] und E-Bass:
Gene A Perla
Gitarre:
Al Schackman
Klavier und Sologesang:
Nina Simone
Orgel:
Weldon J. Irvine, Jr.
Schlagzeug:
Don Alias
Schlagzeug [drums]:
Charles D. Alias
Hintergrundgesang und Hintergrundgesang [vocalist]:
Virdia Crawford und Doris Willingham
conductor:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten und Westbury Music Fair in Westbury, New York, Vereinigte Staaten (am 1968-04-05)
cover recording of:
Suzanne (English original song by Leonard Cohen)
Texter:
Leonard Cohen (Canadian singer‐songwriter and poet) (in 1966)
Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Ardmore & Beechwood Music Ltd., Project 7 Music, Sony/ATV Music Publishing LLC (1995–2020), Stranger Music Inc. und Writers Workshop Ltd.
2.54:19
14The Times They Are A-Changin'
recording engineer:
Ray Hall (engineer) und Mike Moran (American engineer, associated with RCA)
Bass [Fender bass] und E-Bass:
Gene A Perla
Gitarre:
Al Schackman
Klavier und Sologesang:
Nina Simone
Orgel:
Weldon J. Irvine, Jr.
Pauke und Schlagzeug:
Bernard “Pretty” Purdie
Perkussion:
Charles D. Alias
Hintergrundgesang und Hintergrundgesang [vocalist]:
Virdia Crawford und Doris Willingham
conductor:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1969-01-13)
cover recording of:
The Times They Are A‐Changin’ (am 1969-01-13)
Texter und Komponist(in):
Bob Dylan (in 1963)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1963 bis 1991) und Special Rider Music (vom 1991 bis heute)
35:58
15To Be Young Gifted and Black
Techniker(in):
Ray Hall (engineer) (von 1969-08-25 bis 1969-08-26)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1969)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (von 1969-08-25 bis 1969-08-26)
recording of:
To Be Young, Gifted and Black (von 1969-08-25 bis 1969-08-26)
Texter:
Weldon Irvine
Komponist(in):
Nina Simone
32:48
16The Family
E-Gitarre:
Jerry Friedman (guitar, session musician)
Klavier:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
cover recording of:
The Family
Verfasser(in):
John Hurley und Ronnie Wilkins
2.254:56
17Let It Be Me
recording engineer:
Ed Begley (sound engineer in RCA Victor)
leitende(r) Produzent(in):
Bruce Somerfeld
Produzent(in):
Nat Shapiro, Nina Simone und Harold Wheeler
andere Instrumente [harmonizing] und Hintergrundgesang:
Sam Waymon
Klavier und Sologesang:
Nina Simone
conductor:
Harold Wheeler
arranger:
Nina Simone und Harold Wheeler
produced for:
C.F.N.S. Production
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1971-02-09)
cover recording of:
Let It Be Me (von 1971-02-02 bis 1971-02-09)
Texter:
Pierre Delanoë
Komponist(in):
Gilbert Bécaud
Übersetzer:
Mann Curtis
publisher:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
übersetzte Version von:
Je t’appartiens
3:28
18Sinnerman (Felix da Housecat's Heavenly House mix)
zusätzliche(r) Produzent(in):
Lost Daze und Neil Petricone
remixer:
Felix da Housecat (Felix Stallings, Jr.)
Remix von:
Sinnerman (album version) von Nina Simone
cover recording of:
Sinnerman
Texter und Komponist(in):
[traditional] (special purpose artist)
basiert auf:
Oh Sinner Man (Bob Gibson's version)
4.54:36
19Ain't Got No, I Got Life (vs. Groovefinder) (remix radio edit)
remixer:
Groovefinder
cover recording of:
Ain’t Got No, I Got Life
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Medley von:
I Got Life (from “Hair”)
Medley von:
Ain’t Got No (from “Hair”)
23:19

Nennungen