Atlantic Records 50 Years: The Gold Anniversary Collection

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Elenco tracce

| |
1▼HDCD
#TitoloArtistaValutazioneDurata
1Yakety Yak
registrata a:
New York, New York, Stati Uniti (il 1958-03-17)
produttore:
Leiber and Stoller (songwriting team)
batteria [drums] :
Joe Marshall (jazz drummer) (il 1958-03-17)
chitarra :
George Barnes (il 1958-03-17) e Allen Hanlon (jazz guitarist) (il 1958-03-17)
contrabbasso [bass] :
Wendell Marshall (il 1958-03-17)
pianoforte :
Mike Stoller (il 1958-03-17)
sassofono tenore :
King Curtis (saxophonist) (il 1958-03-17)
voce:
The Coasters (il 1958-03-17)
arrangiatore:
Mike Stoller
registrazione di:
Yakety Yak (il 1958-03-17)
paroliere:
Jerry Leiber
autore:
Jerry Leiber e Mike Stoller
compositore:
Mike Stoller
editore:
Sony/ATV Songs LLC
parte di:
Twins (1988)
The Coasters31:50
2What’d I Say
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
basso :
Edgar Willis (bass) (il 1959-02-18)
batteria :
Milt Turner (il 1959-02-18)
pianoforte elettrico :
Ray Charles (soul musician, singer and songwriter) (il 1959-02-18)
sassofono baritono [baritone sax] :
Bennie "Hank" Crawford (il 1959-02-18)
sassofono tenore [tenor sax] :
David “Fathead” Newman (American jazz saxophonist) (il 1959-02-18)
tromba :
Marcus Belgrave (il 1959-02-18)
voce:
Ray Charles (soul musician, singer and songwriter) (il 1959-02-18)
voce di accompagnamento:
The Raelettes (il 1959-02-18)
arrangiatore:
Ray Charles (soul musician, singer and songwriter)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 10) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 80)
registrazione di:
What’d I Say (il 1959-02-18)
paroliere e compositore:
Ray Charles (soul musician, singer and songwriter)
editore:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles36:29
3Mack the Knife
produttore:
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun e Jerry Wexler
voce:
Bobby Darin
direttore d'orchestra:
Richard Wess
arrangiatore:
Richard Wess
parte di:
Grammy Award: Record of the Year nominees (numero: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (numero: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 40) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 251)
registrazione cover di:
Mack the Knife (1954 Blitzstein translation)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:08
4Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:57
5In the Midnight Hour
registrata a:
Memphis, Tennessee, Stati Uniti (il 1965-05-12)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records) e Jerry Wexler
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1965-05-12)
batteria :
Al Jackson (Booker T & The MGs drummer) (il 1965-05-12)
chitarra :
Steve Cropper (il 1965-05-12)
pianoforte :
Joe Hall (Memphis pianist) (il 1965-05-12)
sassofono baritono :
Floyd Newman (il 1965-05-12)
sassofono tenore :
Charles “Packy” Axton (il 1965-05-12) e Andrew Love (il 1965-05-12)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1965-05-12)
voce:
Wilson Pickett (il 1965-05-12)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965, nel 1992) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (il 1965-05-12)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 134) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 218)
registrazione di:
In the Midnight Hour (il 1965-05-12)
autore:
Steve Cropper e Wilson Pickett
editore:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. e Irving Music, Inc.
Wilson Pickett32:40
6I Got You Babe
voce:
Sonny Bono (nel 1965) e Cher (nel 1965)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 331) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 444)
registrazione di:
I Got You Babe (nel 1965)
paroliere e compositore:
Sonny Bono
editore:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) e Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:12
7When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:53
8Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:25
9Soul Man
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-08-10)
produttore:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) e Jim Stewart (US producer, founder for Stax & Volt Records)
strumenti:
Booker T. & the MG’s (nel 1967) e The Mar‐Keys Horns (nel 1967)
voce principale:
Sam Moore (singer, ex “Sam and Dave”) (nel 1967) e David Prater (soul artist) (nel 1967)
diritti fonografici (℗) detenuti da:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 458)
registrazione di:
Soul Man (il 1967-08-10)
autore:
Isaac Hayes (nel 1967) e David Porter (US soul musician, producer & songwriter) (nel 1967)
editore:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1986) e Walden Music Corp. (publisher) (nel 1986)
Sam & Dave4.52:41
10(Sittin’ on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:45
11Sunshine of Your Love
tecnico di registrazione:
Tom Dowd (dal 1967-04 al 1967-05)
produttore:
Felix Pappalardi
basso :
Jack Bruce (dal 1967-04 al 1967-05)
batteria :
Ginger Baker (dal 1967-04 al 1967-05)
chitarra :
Eric Clapton (dal 1967-04 al 1967-05)
voce:
Jack Bruce (dal 1967-04 al 1967-05) e Eric Clapton (dal 1967-04 al 1967-05)
diritti fonografici (℗) detenuti da:
Robert Stigwood Group Ltd. (nel 1967), Robert Stigwood Organisation Ltd. (nel 1967, nel 1969) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1967-04 al 1967-05)
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 65) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Sunshine of Your Love (dal 1967-04 al 1967-05)
autore:
Pete Brown (UK poet & producer, with Cream and Jack Bruce), Jack Bruce e Eric Clapton
editore:
Casserole Music Corp., Dratleaf Music Ltd., E.C. Music (UK work publisher for Eric Clapton), Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music, Inc.
Cream4.14:12
12Suite: Judy Blue Eyes
tecnico di registrazione:
Bill Halverson
produttore:
David Crosby, Graham Nash e Stephen Stills
tecnico di missaggio:
David Crosby, Bill Halverson, Graham Nash e Stephen Stills
chitarra basso, chitarra e percussione :
Stephen Stills (nel 1969)
voce:
David Crosby (nel 1969), Graham Nash (nel 1969) e Stephen Stills (nel 1969)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1969)
registrata presso:
Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California, Stati Uniti (nel 1969)
mixata presso:
Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 222) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 418)
registrazione di:
Suite: Judy Blue Eyes (nel 1969)
paroliere e compositore:
Stephen Stills
editore:
Gold Hill Music (BMI)
Crosby, Stills & Nash4.67:28
13Whole Lotta Love
tecnico:
George Chkiantz
produttore:
Jimmy Page
produttore esecutivo:
Peter Grant (English manager, notably of Led Zeppelin, Bad Company, and The Yardbirds among others)
tecnico di missaggio:
Eddie Kramer (engineer)
basso elettrico :
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (nel 1969-04)
batteria e bonghi :
John Bonham (nel 1969-04)
chitarra elettrica e theremin :
Jimmy Page (nel 1969-04)
voce di accompagnamento e voce principale:
Robert Plant (of Led Zeppelin) (nel 1969-04)
registrata in aggiunta presso:
A&M Recording Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1969-04), Mystic Sound Studio in Hollywood, Los Angeles, California, Stati Uniti (nel 1969-04) e Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1969-06)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (nel 1969-04)
mixata presso:
A&R Recording Studio, room A-1 (second location, 799 7th Avenue) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1969-08-29 al 1969-08-30)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 75), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 128) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Whole Lotta Love (dal 1969-04 al 1969-08)
paroliere aggiunto:
Willie Dixon
autore:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page e Robert Plant (of Led Zeppelin)
editore:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB e WB Music Corp. (1929–2019)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
You Need Love
Led Zeppelin4.355:34
14Brown Sugar
tecnico:
Glyn Johns
produttore:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
tecnico di missaggio:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
batteria :
Charlie Watts (drummer in The Rolling Stones)
chitarra :
Mick Taylor
chitarra acustica e chitarra :
Keith Richards (Rolling Stones guitarist)
chitarra basso :
Bill Wyman
percussione :
Mick Jagger (The Rolling Stones)
pianoforte :
Ian Stewart (piano/keyboard, Rolling Stones member)
sassofono :
Bobby Keys (American saxophonist)
voce:
Mick Jagger (The Rolling Stones)
registrata presso:
Muscle Shoals Sound Studio in Sheffield, Alabama, Stati Uniti e Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 490)
registrazione di:
Brown Sugar (nel 1969-12)
autore:
Mick Jagger (The Rolling Stones) e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Westminster Music Ltd.
The Rolling Stones4.053:48
2▼HDCD
#TitoloArtistaValutazioneDurata
1Layla
produttore:
Derek and the Dominos
produttore esecutivo:
Tom Dowd
batteria e percussione :
Jim Gordon (US drummer with Derek and the Dominos) (il 1970-09-09)
chitarra :
Duane Allman (il 1970-09-09) e Eric Clapton (il 1970-09-09)
chitarra basso :
Carl Radle (il 1970-09-09)
organo elettrico e pianoforte :
Bobby Whitlock (il 1970-09-09)
voce:
Bobby Whitlock (il 1970-09-09)
voce principale:
Eric Clapton (il 1970-09-09)
arrangiatore:
Derek and the Dominos
diritti fonografici (℗) detenuti da:
RSO Records Ltd., London (nel 1970) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1970)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1970-09-09)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 23), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 27) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 224)
registrazione di:
Layla (il 1970-09-09)
autore:
Eric Clapton e Jim Gordon (US drummer with Derek and the Dominos)
editore:
Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), Throat Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Derek and the Dominos4.57:06
2Roundabout
assistente tecnico:
Gary Martin (sound engineer)
tecnico:
Eddy Offord
produttore:
Eddy Offord e Yes (British progressive rock band)
batteria :
Bill Bruford (nel 1971-09)
chitarra :
Steve Howe (nel 1971-09)
chitarra basso :
Chris Squire (Yes bassist) (nel 1971-09)
tastiera :
Rick Wakeman (nel 1971-09)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (nel 1971-09)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1971) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito (nel 1971-09)
registrazione di:
Roundabout (nel 1971-09)
autore:
Jon Anderson (Yes/Jon & Vangelis) e Steve Howe
editore:
Cotillion Music Inc. (BMI), Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Bros. (holding: file NO releases), Warner Chappell Music, Inc., Yessongs Ltd., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Yes4.58:32
3Le Freak
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1978)
registrazione di:
Le Freak (nel 1978)
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.43:35
4We Are Family
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 444)
registrazione di:
We Are Family
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge43:37
5Stop Draggin’ My Heart Around
tecnico:
Shelly Yakus
produttore:
Jimmy Iovine e Tom Petty
basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
batteria :
Stan Lynch
chitarra :
Michael Campbell (Tom Petty and the Heartbreakers guitarist) e Tom Petty
organo :
Benmont Tench
percussione :
Phil Jones (Percussionist)
voce principale:
Stevie Nicks e Tom Petty
esecutore:
Tom Petty
esecutore ospite:
Tom Petty and the Heartbreakers
diritti fonografici (℗) detenuti da:
Modern Records, Inc. (nel 1981) e Rhino Entertainment Company (not for release label use!) (nel 2016)
registrazione di:
Stop Draggin’ My Heart Around
paroliere:
Tom Petty
compositore:
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
editore:
Gone Gator Music (ASCAP affiliated) e Wild Gator Music
Stevie Nicks with Tom Petty4.354:04
6In the Air Tonight
tecnico:
Hugh Padgham
assistente produttore:
Hugh Padgham
produttore:
Phil Collins (of Genesis)
registrazione di:
In the Air Tonight
paroliere e compositore:
Phil Collins (of Genesis)
editore:
EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (publisher) (nel 1980, nel 1981), Hit & Run Music (Publishing) Ltd (nel 1980) e Pun Music, Inc. (nel 1981)
parte di:
Risky Business (film soundtrack)
Phil Collins4:59
7I Want to Know What Love Is
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott “Abada” Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984, nel 2018) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner3.955:06
8Wind Beneath My Wings
registrazione di:
Wind Beneath My Wings
autore:
Larry Henley (singer songwriter) e Jeff Silbar
editore:
Silbar’Songs e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bette Midler4:22
9Silent All These Years
tecnico di registrazione:
John Beverly Jones
tecnico di registrazione aggiunto:
Leslie Ann Jones (recording engineer)
produttore:
Davitt Sigerson
tecnico di missaggio:
Ross Cullum
cimbalini a dita :
Philly (finger cymbalist) (dal 1990 al 1990-06)
pianoforte e voce di accompagnamento e voce principale:
Tori Amos (dal 1990 al 1990-06)
direttore d'orchestra:
Nick de Caro (dal 1990 al 1990-06)
orchestratore:
Nick de Caro
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (dal 1990 al 1990-06)
registrazione di:
Silent All These Years (dal 1990 al 1990-06)
paroliere e compositore:
Tori Amos
editore:
Sword and Stone (nel 1991)
Tori Amos3.84:14
10Baby
tecnico di registrazione e produttore:
Keith Crouch
tecnico di missaggio:
Booker T. Jones III e Keith Crouch
chitarra :
Glenn McKinney
membranofono e tastiera [All Keyboards] :
Keith Crouch
voce di accompagnamento:
Brandy Norwood (US R&B singer), Rahsaan Patterson e Sherree Ford Payne
arrangiatore:
Keith Crouch
arrangiatore voci:
Keith Crouch, Kipper Jones e Rahsaan Patterson
registrata presso:
Human Rhythm Studios in Los Angeles, California, Stati Uniti
mixata presso:
Sound Castle Recording Studios (former LA location) in Silver Lake, Los Angeles, California, Stati Uniti
registrazione di:
Baby
paroliere:
Kevin Todd Jones e Rahsaan Patterson
compositore:
Keith Crouch
editore:
BMG Monarch, Ecstasoul Music, Human Rhythm Music, Pecot Music Co. e Young Legend Songs
Brandy35:15
11Hold My Hand
assistente tecnico:
Wade Norton
tecnico, produttore e tecnico di missaggio:
Don Gehman
assistente tecnico di missaggio:
Liz Sroka
batteria [drums] :
Jim “Soni” Sonefeld
chitarra acustica e percussione :
Mark Bryan e Darius Rucker
chitarra basso e clavinet :
Dean Felber
chitarra elettrica :
Mark Bryan
voce:
Mark Bryan, Dean Felber e Jim “Soni” Sonefeld
voce di accompagnamento:
David Crosby
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1994) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1994)
registrata presso:
N.R.G. Recording Services in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Scream Studios in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
Hold My Hand
autore:
Mark Bryan, Dean Felber, Darius Rucker e Jim Sonefeld
Hootie & the Blowfish44:18
12Who Will Save Your Soul
assistente tecnico:
John Hausmann
tecnico:
Tim Mulligan e John Nowland
produttore:
Ben Keith
assistente tecnico di missaggio:
John Dixon (engineer)
tecnico di missaggio:
Gene Eichelberger
basso :
Tim Drummond
batteria :
Oscar Butterworth
pianoforte :
Robbie Buchanan (Canadian producer)
tastiera :
Spooner Oldham
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1994) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1994)
registrata presso:
Redwood Digital in Woodside, California, Stati Uniti
registrazione di:
Who Will Save Your Soul
paroliere e compositore:
Jewel (singer-songwriter Jewel Kilcher)
editore:
Wiggly Tooth Music (nel 1994)
sub-editore:
フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Jewel3.754:03