Rock Times plus, Volume 7: 1979–1982

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Down Under
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Ron Strykert
Holzblasinstrumente und Keyboard:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 21) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work3.953:45
2Call Me
Techniker(in):
Harold Faltermeyer
Produzent(in):
Giorgio Moroder
Bassgitarre [bass]:
Nigel Harrison (in 1980-01)
Gitarre:
Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
Hybrid-Piano:
Jimmy Destri (in 1980-01)
Schlagzeug [drums]:
Clem Burke (in 1980-01)
zusätzlich Synthesizer:
Giorgio Moroder (in 1980-01)
Sologesang:
Debbie Harry (in 1980-01)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979) und The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 157)
recording of:
Call Me (in 1980-01)
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Blondie4.23:30
3Hold On Tight
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Jeff Lynne
Bass:
Kelly Groucutt (in 1981)
Gitarre, Klavier und Synthesizer:
Jeff Lynne (in 1981) und Richard Tandy (keyboardist for Electric Light Orchestra) (in 1981)
Hybrid-Piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1981)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (in 1981)
Sologesang:
Jeff Lynne (in 1981)
conductor:
Rainer Pietsch (musician, songwriter and arranger) (in 1981)
phonographisches Urheberrecht (℗) von:
Jet Records (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 2005), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (in 1981)
recording of:
Hold On Tight (in 1981)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Ltd. (British branch), Polygon Publishing Ltd., EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4.153:10
4Urgent
phonographisches Urheberrecht (℗) von:
Atlantic (Warner Music imprint) (in 1982)
Bearbeitung von:
Urgent von Foreigner (British/American rock band)
recording of:
Urgent
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Intersong Music Ltd. und Somerset Songs Publishing Inc.
sub-publisher:
Fuji Pacific Music inc. (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.253:59
5Turn Me Loose
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer)
Techniker(in):
Bob Rock
Produzent(in):
Bruce Fairbairn
Bassgitarre:
Scott Smith (Canadian bassist for Loverboy) (in 1980)
Gitarre:
Paul Dean (Canadian guitarist) (in 1980)
Keyboard:
Doug Johnson (Canadian keyboardist for Loverboy) (in 1980)
Schlagzeug:
Matt Frenette (in 1980)
Sologesang:
Mike Reno (in 1980)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment) und Sony Music Canada Inc. (unlikely to be an imprint, 1990/12/14–1991/11/18) (in 1980)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada
recording of:
Turn Me Loose (in 1980)
Verfasser(in):
Paul Dean (Canadian guitarist) und Mike Reno
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dean of Music und EMI Songs
Loverboy4.65:40
6Heartbreaker
Techniker(in):
Karl Richardson
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
Akustikgitarre und Hintergrundgesang:
Barry Gibb (in 1982)
Bassgitarre:
George “Chocolate” Perry (bassist aka "Chocolate") (in 1982)
E-Gitarre:
George Terry (guitar player with Clapton in 70's) (in 1982)
Schlagzeug:
Steve Gadd (drummer) (in 1982)
Sologesang:
Dionne Warwick (in 1982)
conductor:
Albhy Galuten (in 1982)
Saiteninstrumente arranger:
Albhy Galuten und Barry Gibb
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982)
produced for:
Karlbhy Productions
aufgenommen bei:
Middle Ear Studio in Miami Beach, Florida, Vereinigte Staaten (in 1982)
zusätzlich aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten (in 1982)
recording of:
Heartbreaker (Dionne Warwick song) (in 1982)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Unichappell Music, Inc. und Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dionne Warwick3.54:21
799
recording engineer:
Tom Knox
assistierende(r) Techniker(in):
Stephen McManus (Aufgabe: assistant)
Techniker(in) und Mix:
Dana Latham und Tom Knox
Produzent(in):
Bruce Dickinson (engineer and producer), James Guthrie, Tom Knox und Toto (US rock group)
zusätzliche(r) Produzent(in):
Tom Knox und Toto (US rock group)
Bass:
David Hungate und Michael Porcaro
Gitarre:
David Hungate und Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Instrumente:
Steve Porcaro
Keyboard:
David Paich und Steve Porcaro
Klavier:
David Paich
Perkussion und Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Bobby Kimball, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und David Paich
Sologesang:
Jean-Michel Byron und Steve Lukather (guitarist, vocalist, composer, producer and arranger)
vocals:
Bobby Kimball, David Paich und Steve Lukather (guitarist, vocalist, composer, producer and arranger)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1979) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
live recording of:
99
Texter und Komponist(in):
David Paich
publisher:
Hudmar Publishing Co. Inc.
Toto3.855:16
8Sailing
assistierende(r) Techniker(in):
Stuart Gitlin
Techniker(in) und Mix:
Chet Himes
Produzent(in):
Michael Omartian
Akustikgitarre, E-Gitarre, Hintergrundgesang und Sologesang:
Christopher Cross (US singer‐songwriter)
Bassgitarre:
Andy Salmon
Hybrid-Piano und Synthesizer:
Rob Meurer
Klavier:
Michael Omartian
Perkussion:
Victor Feldman (jazz musician)
Schlagzeug:
Tommy Taylor (US drummer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979, in 1981, in 2001)
produced for:
Free Flow Productions
aufgenommen bei:
Pecan Street Studios in Austin, Texas, Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Sailing
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher), Universal Music Corp. (USA, affiliated with ASCAP) und Universal Music–MGB Songs
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross4.14:20
9It’s My Party
Techniker(in):
Nick Bradford
Produzent(in):
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
elektronische Instrumente [claptrap], elektronisches Schlagzeug / E-Drums [SDS V], Keyboard [keyboards] und Vocoder:
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
Hintergrundgesang:
Amanda Parsons
Sologesang:
Barbara Gaskin
aufgenommen bei und mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1981-06 bis 1981-07)
cover recording of:
It’s My Party
Verfasser(in):
John Gluck, Jr., Wally Gold, Seymour Gottlieb und Herb Weiner
publisher:
A. Schroeder Music Ltd. und Chappell & Co., Inc. (USA)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Stewart & Barbara Gaskin3.53:49
10Japanese Boy
Produzent(in):
Neil Ross (UK based Music Engineer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 26)
recording of:
Japanese Boy
Texter und Komponist(in):
Bobby Heatlie (songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1981)
Aneka3.353:59
11Lost in Love
Techniker(in) und Mix:
William Wittman
Produzent(in):
Rick Chertoff, Charles Fisher (Australian producer) und Robie Porter
Bassgitarre:
Criston Barker
Gitarre [lead guitar]:
David Moyse
Gitarre [rhythm guitar]:
Graham Russell (Air Supply)
Keyboard:
Frank Esler‐Smith und Sam McNally
Schlagzeug:
Ralph Cooper (drummer)
Hintergrundgesang:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, David Moyse, Nancy Nash und Graham Russell (Air Supply)
Sologesang:
Russell Hitchcock
vocals:
Graham Russell (Air Supply)
arranger:
Air Supply und Robie Porter
Orchestrator(in):
Frank Esler‐Smith und Robie Porter
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980) und Wizard Records Pty. Ltd. (holding company - file no releases here!) (in 1980)
aufgenommen bei:
Trafalgar Studios in Annandale, Sydney, New South Wales, Australien
mixed at:
Soundmixers in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
The Downloader’s Music Source Book (Nummer: 295)
recording of:
Lost in Love
Texter und Komponist(in):
Graham Russell (Air Supply)
publisher:
Nottsongs, Universal Music Careers und Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply53:56
12Jessie’s Girl
Produzent(in):
Keith Olsen (US producer and engineer)
arranger:
Neil Geraldo (multi-instrumentalist, songwriter, producer), Keith Olsen (US producer and engineer) und Rick Springfield
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1981), BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 2001) und Wizard Records (Germany, hard-trance) (in 1981)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 20) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 55)
recording of:
Jessie’s Girl
Texter und Komponist(in):
Rick Springfield
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. und Wizard Music
Rick Springfield4.43:15
13One Way Ticket
recording of:
One Way Ticket
Verfasser(in):
Eruption (British disco/R&B band)
cover recording of:
One Way Ticket (to the Blues)
Verfasser(in):
Hank Hunter und Jack Keller
publisher:
Colgems-EMI Music Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Eruption33:38
14Going Back to My Roots
Produzent(in):
Steve Tyrell (American producer and vocalist)
cover recording of:
Going Back to My Roots
Texter und Komponist(in):
Lamont Dozier
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., Maurice Starr Music, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Odyssey55:29
15Time
Akustikgitarre:
Ian Bairnson und David Paton (of Pilot)
Bass:
David Paton (of Pilot)
Gitarre [pitch shifted]:
Ian Bairnson
Klavier und Stimme/Gesang:
Eric Woolfson
Perkussion und Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel)
Hintergrundgesang:
Chris Rainbow
zusätzlich Stimme/Gesang:
Alan Parsons (of The Alan Parsons Project)
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
recording of:
Time
Verfasser(in) und Komponist(in):
Alan Parsons (of The Alan Parsons Project) und Eric Woolfson
publisher:
Careers Music, Inc., Careers–BMG Music Publishing, Inc., Irving Music, Inc. und Woolfsongs Ltd.
The Alan Parsons Project55:12
16America
Produzent(in):
Michelangelo Romano
vocals:
Gianna Nannini (in 1979)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1987)
recording of:
America (in 1979)
Texter:
Gianna Nannini
Komponist(in):
Mauro Paoluzzi
publisher:
Ed. Jubal (publisher; do NOT use as release label) (in 1979)
Gianna Nannini4:24
17Carbonara
Techniker(in):
Imre Sereg (in 1981)
Produzent(in):
Reinhold Heil (in 1981), Herwig Mitteregger (in 1981), Potsch Potschka (in 1981) und Manfred Praeker (in 1981)
Mix:
Udo Arndt (in 1981)
E-Bass:
Manfred Praeker (in 1981)
Gitarre:
Potsch Potschka (in 1981)
Keyboard und Sologesang:
Reinhold Heil (in 1981)
Schlagzeug:
Herwig Mitteregger (in 1981)
Hintergrundgesang:
Herwig Mitteregger (in 1981), Potsch Potschka (in 1981) und Manfred Praeker (in 1981)
arranger:
Reinhold Heil (in 1981), Herwig Mitteregger (in 1981), Potsch Potschka (in 1981) und Manfred Praeker (in 1981)
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1982)
aufgenommen bei:
Spliff Studio in Berlin, Deutschland (in 1981)
mixed at:
Audio Studios in Berlin, Deutschland (in 1981)
Musikvideos:
Carbonara von Spliff (Neue Deutsche Welle)
recording of:
Carbonara (in 1981)
Texter und Komponist(in):
Reinhold Heil
publisher:
April Musikverlag GmbH (publisher) (in 1982) und Edition SPLIFF (publisher) (in 1982)
Spliff54:23
18Hundsgemein
Produzent(in):
Klaus D. Müller (in 1980-06)
E-Bass:
Ulli Deuker (in 1980-06)
E-Gitarre und Sologesang:
Eff Jott Krüger (in 1980-06)
Keyboard:
Annette Humpe (in 1980-06)
Schlagzeug:
Hans Behrendt (in 1980-06)
aufgenommen bei:
IC-Studio in Winsen an der Aller (Winsen), Niedersachsen, Deutschland (in 1980-06)
recording of:
Hundsgemein (in 1980-06)
Texter und Komponist(in):
Annette Humpe
Ideal2:15
19Hallo Engel
recording of:
Hallo Engel
Texter und Komponist(in):
Stefan Waggershausen
Stefan Waggershausen5:08

Nennungen

Veröffentlichungsgruppe

Teil von:Rock Times Plus (Nummer: 7) (Reihenfolge: 7)