Messiah

~ Release by Handel; Lynne Dawson, Catherine Denley, David James, Maldwyn Davies, Michael George, The Sixteen Choir and Orchestra, Harry Christophers (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Messiah: Part I. I. Symphony
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:22
2Messiah: Part I. II. Tenor recitative "Comfort ye, My people"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:20
3Messiah: Part I. III. Tenor aria "Every valley shall be exhalted"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:23
4Messiah: Part I. IV. Chorus "And the glory of the Lord"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:52
5Messiah: Part I. V. Bass recitative "Thus saith the Lord of hosts"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel1:23
6Messiah: Part I. VI. Countertenor aria "But who may abide the days of his coming?"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:57
7Messiah: Part I. VII. Chorus "And He shall purify the sons of Levi"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:40
8Messiah: Part I. VIII. Contralto recitative "Behold, a virgin shall conceive"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:26
9Messiah: Part I. IX. Contralto aria and Chorus "O thou that tellest good tidings"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel5:20
10Messiah: Part I. X. Bass recitative "For behold, darkness shall cover the earth"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:28
11Messiah: Part I. XI. Bass aria "The people that walked in darkness"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:09
12Messiah: Part I. XII. Chorus "For unto us a child is born"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen Choir (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:11
13Messiah: Part I. XIII. Pifa
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:59
14Messiah: Part I. XIVa. Soprano recitative "There were shepherds abiding in a field"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
partial recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:18
15Messiah: Part I. XIVb. Soprano recitative "And lo, the angel of the Lord"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
partial recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:20
16Messiah: Part I. XV. Soprano recitative "And the angel said unto them, fear not"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:35
17Messiah: Part I. XVI. Soprano recitative "And suddently there was with the angel"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:18
18Messiah: Part I. XVII. Chorus "Glory to God in the highest"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:03
19Messiah: Part I. XVIII. Soprano aria "Rejoice greatly, O daughter of Zion"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:02
20Messiah: Part I. XIX. Contralto recitative "Then shall the eyes of the blind be opened"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:26
21Messiah: Part I. XX. Contralto aria "He shall feed His flock like a shepherd" / Soprano aria "Come unto Him all ye that labour"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel5:24
22Messiah: Part I. XXI. Chorus "His yoke is easy and his burthen is light"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:20
23Messiah: Part II. XXII. Chorus "Behold the Lamb of God"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:04
24Messiah: Part II. XXIII. Contralto aria "He was despised and rejected of men"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel10:32
2▼CD
#TitleArtistRatingLength
1Messiah: Part II. XXIV. Chorus "Surely He hath borne our griefs"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:53
2Messiah: Part II. XXV. Chorus "And with His stripes we are healed"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:39
3Messiah: Part II. XXVI. Chorus "All we like sheep have gone astray"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:53
4Messiah: Part II. XXVII. Tenor recitative "All they that see Him laugh Him to scorn"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:48
5Messiah: Part II. XXVIII. Chorus "He trusted in God"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:17
6Messiah: Part II. XXIX. Tenor recitative "Thy rebuke hath broken His heart"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:55
7Messiah: Part II. XXX. Tenor aria "Behold and see if there be any sorrow"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:27
8Messiah: Part II. XXXI. Tenor recitative "He was cut off out of the land"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:18
9Messiah: Part II. XXXII. Tenor aria "But Thou didst not leave His soul in hell"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:31
10Messiah: Part II. XXXIII. Chorus "Lift up your heads, O ye gates"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:57
11Messiah: Part II. XXXIV. Tenor recitative "Unto which of the angels said He"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:15
12Messiah: Part II. XXXV. Chorus "Let all the angels of God worship Him"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:24
13Messiah: Part II. XXXVI. Countertenor aria "Thou art gone up on high"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:24
14Messiah: Part II. XXXVII. Chorus "The Lord gave the word"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:02
15Messiah: Part II. XXXVIII. Soprano aria "How beautiful are the feet"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:26
16Messiah: Part II. XXXIX. Chorus "Their sound is gone out into all lands"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1745)
is based on:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:21
17Messiah: Part II. XL. Bass aria "Why do the nations so furiously rage"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:51
18Messiah: Part II. XLI. Chorus "Let us break their bonds asunder"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:47
19Messiah: Part II. XLII. Tenor recitative "He that dwelleth in Heaven"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:14
20Messiah: Part II. XLIII. Tenor aria "Thou shalt break them with a rod of iron"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:13
21Messiah: Part II. XLIV. Chorus "Hallelujah"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:48
22Messiah: Part III. XLV. Soprano aria "I know that my Redeener liveth"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel6:06
23Messiah: Part III. XLVI. Chorus "Since by man came death"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel2:13
24Messiah: Part III. XLVII. Bass recitative "Behold, I tell you a mystery"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel0:34
25Messiah: Part III. XLVIII. Bass aria "The trumpet shall sound"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel8:45
26Messiah: Part III. XLIX. Countertenor recitative "Then shall be brought to pass"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel0:16
27Messiah: Part III. L. Countertenor/tenor aria "O Death, where is thy sting?"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel1:17
28Messiah: Part III. LI. Chorus "But thanks be to God"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel2:18
29Messiah: Part III. LII. Soprano aria "If God be for us, who can be against us"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel4:44
30Messiah: Part III. LIIIa. Chorus "Worthy is the Lamb that was slain"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel3:25
31Messiah: Part III. LIIIb. Chorus "Amen"
recording engineer:
Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1986-12-16 until 1986-12-20)
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel3:13

Credits

Release

manufactured in:England, United Kingdom
executive producer:John Bickley
Nick Flower
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
illustration:Louis Le Nain (c.1603–1648, one of the Le Nain brothers, painters in 17th‐century France)
design:Terry Shannon (designer)
copyrighted (©) by:Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
Discogs:https://www.discogs.com/release/11261757 [info]
ASIN:UK: B000002ZEM [info]