Instruments of the Middle Ages and Renaissance

~ Veröffentlichung von Early Music Consort of London, David Munrow (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

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1▼CD: The Middle Ages
Nr.TitelKünstlerBewertungLänge
1Shawm: Saltarello
Pauke [naker]:
David Corkhill (percussion)
shawm [oriental shawm]:
David Munrow (UK early music historian & musician)
Tamburin:
James Tyler
Trompete [medieval trumpet]:
Alan Lumsden
recording of:
Saltarello No.2 (From a document in the British Library in London (Ms.29987))
Komponist(in):
[anonymous] (special purpose artist)
[anonymous]1:55
2Reed pipe: Shepherd’s tune
Rohrblattinstrumente [reed pipe]:
David Munrow (UK early music historian & musician)
recording of:
Shepherd’s Tune (traditional Syrian)
Komponist(in):
[traditional] (special purpose artist)
[traditional]1:02
3Bagpipes: (a) Cylindrical chanter: Saltarello; (b) Conical chanter: Ballade “Dame, se vous m’estés”
Dudelsack:
David Munrow (UK early music historian & musician)
recording of:
Dame se vous m'estes lonteinne
Komponist(in):
Guillaume de Machaut (French medieval poet & composer)
recording of:
Saltarello No. 3 (From a document in the British Library in London (Ms.29987))
Komponist(in):
[anonymous] (special purpose artist)
[anonymous] / Guillaume de Machaut3:14
4Bladder pipes: Pastourelle “Au tans d’aost”
Dudelsack [bladder pipe]:
David Munrow (UK early music historian & musician) und James Tyler
Tamburin:
David Corkhill (percussion)
recording of:
Pastourelle “Au tans d’aost” (Chansonnier Cangé)
[anonymous]1:08
5Panpipes: A prisai qu’en chantant plour
pan flute [panpipes]:
James Tyler
recording of:
A prisai qu’en chantant plour (Chansonnier Cangé)
Komponist(in):
[anonymous] (special purpose artist)
[anonymous]1:13
6Transverse flute: Ach owê, daz nâch liebe ergât
Querflöten (alle Arten):
David Munrow (UK early music historian & musician)
instrumental recording of:
Owe daz nach liebe ergat
Verfasser(in):
Der wilde Alexander
Master Alexander1:34
7Six-holed pipe: Dou tres douz non
fipple flute [six‐holed pipe]:
David Munrow (UK early music historian & musician)
Mundharfe [Jew’s harp]:
James Tyler
instrumental recording of:
Du tres douz non a la virge Marie
Verfasser(in):
Thibaud de Navarre (Theobald I of Navarre, French medieval ruler & trouvère, c. 1201-1253)
Thibaud of Navarre1:55
8Double pipes: Virelai “Gracïeuse”
fipple flute [double pipes]:
David Munrow (UK early music historian & musician)
recording of:
Gracïeusette
Komponist(in):
Jehannot de Lescurel (French medieval composer) und Gus Viseur (Belgian/French 1930s-70s accordionist)
Jehan de Lescurel1:21
9Pipe and tabor: Dansa “Ben volgra, s’esser poges”
pipe and tabor:
David Munrow (UK early music historian & musician)
recording of:
Ben volgra
Komponist(in):
Peire Cardenal
Guiraut d'Espanha de Toloza1:13
10Recorder: English Te Deum
Altblockflöte [alto recorder]:
David Munrow (UK early music historian & musician)
Glocken [chime bells]:
Gillian Reid
Tenorblockflöte:
Oliver Brookes und James Tyler
[anonymous]1:55
11Gemshorn: Chansonnette “Quan je voi iver retorner”
gemshorn [alto gemshorn]:
David Munrow (UK early music historian & musician)
Laute:
James Tyler
instrumental recording of:
Quant je voi iver retourner
Texter und Komponist(in):
Colin Muset (French trouvère, fl. c. 1210-50 or 1230-70)
Colin Muset1:33
12Portative organ: Madrigal “Ay, sconsolato ed amoroso”
portative [portative organ]:
Christopher Hogwood (conductor, harpsichordist)
Rebec [bass rebec]:
Oliver Brookes
recording of:
Madrigal “Ay, sconsolato ed amoroso”
Komponist(in):
Vincenzo da Rimini
Vincenzo da Rimini1:43
13Positive organ: Estampie
Orgel [positive organ]:
Christopher Hogwood (conductor, harpsichordist)
[anonymous]2:23
14Hurdy-gurdy: Chanson “Joliveté et bone amor”
Drehleier:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Chanson “Joliveté et bone amor”
Komponist(in):
Jehannot de Lescurel (French medieval composer)
Jehan d'Esquiri1:39
15Clavichord: Ellend du hast
Clavichord [fretted clavichord]:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Ellend, du hast umbfangen mich
Komponist(in):
Conrad Paumann (German composer, organist & lutenist, c. 1410-1473)
Conrad Paumann2:16
16Trumpet: (a) Clarion: Fanfare “Untarn slaf tut den sumer wol”; (b) Buisine: Fanfare “Ad modum tubae”
Blechtrompete [buisines]:
Michael Laird (classical trumpeter) und Iaan Wilson (classical cornett/trumpet)
Trompete [clarion]:
Michael Laird (classical trumpeter)
recording of:
Fanfare “Untarn slaf tut den sumer wol”
Komponist(in):
Der Mönch von Salzburg (Monk of Salzburg)
recording of:
Gloria ad modum tubae
Komponist(in):
Guillaume Dufay (French 15th century composer) (bis 1474)
Herman, Monk of Salzburg / Guillaume Dufay2:21
17(a) Cowhorn: Ballade “De moi doloureus”; (b) Medieval Cornett: Das Nachthorn; (c) Slide trumpet: Geisslerlied “Maria muoter reinû maît”; (d) Ensemble (medieval cornett, slide trumpet, alto shawm, tabor): Der Trumpet
Horn [cowhorn] und Trompete [slide trumpet]:
Alan Lumsden
shawm:
David Munrow (UK early music historian & musician)
tabor und triangle [medieval triangle with rings]:
David Corkhill (percussion)
Zink [medieval cornett]:
Michael Laird (classical trumpeter)
recording of:
Das Nachthorn
Komponist(in):
Der Mönch von Salzburg (Monk of Salzburg)
instrumental recording of:
De moi doleros vos chant
Verfasser(in):
Gillebert de Berneville
instrumental recording of:
Der Trumpet
Komponist(in):
Der Mönch von Salzburg (Monk of Salzburg)
recording of:
Maria muoter
Komponist(in):
[anonymous] (special purpose artist)
Gillebert de Berneville / Herman, Monk of Salzburg / [anonymous] / Herman, Monk of Salzburg3:37
18Harp: (a) Metal strung: Lai “Qui porroit un guierredon”; (b) Gut strung: Dance tune
Harfe:
Christopher Hogwood (conductor, harpsichordist)
Harfe [harp with ‘bray’ pins]:
Gillian Reid
recording of:
Dance Tune
Komponist(in):
Tassinus (Minstrel 13th century)
recording of:
Lai “Qui porroit un guierredon”
Komponist(in):
[anonymous] (special purpose artist)
[anonymous] / Tassin2:14
19Lyre: Goliard melody “O Roma nobilis”
Lyra:
Eleanor Sloan (violin and rebec player)
recording of:
Goliard Melody “O Roma nobilis”
Komponist(in):
[anonymous] (special purpose artist)
[anonymous]0:51
20Psaltery: Hymn to St Magnus “Nobilis humilis”
Psalterium:
Gillian Reid
recording of:
Hymn to St Magnus “Nobilis humilis”
Komponist(in):
[anonymous] (special purpose artist)
Teil von:
Codex Upsalensis C233
[traditional]1:01
21Dulcimer: Madrigal “Tanto soavemente”
Rebec [treble rebec]:
Eleanor Sloan (violin and rebec player)
Schlag-Saiteninstrumente [dulcimer]:
David Corkhill (percussion)
recording of:
Madrigal “Tanto soavemente”
Komponist(in):
Jacopo da Bologna (Italian ars nova composer, fl. c. 1340-1386)
Jacopo da Bologna1:57
22Lute: Madrigal “Di novo è giunto”
Laute:
James Tyler
Rebec [bass rebec]:
Oliver Brookes
recording of:
Madrigal “Di novo è giunto”
Komponist(in):
Jacopo da Bologna (Italian ars nova composer, fl. c. 1340-1386)
Jacopo da Bologna2:14
23Mandora: Chanson “Amours que porra”
mandora / gallichon [mandora]:
James Tyler
recording of:
Chanson “Amours que porra”
Komponist(in):
Thibaut de Blaison
Thibaut de Blason1:23
24Long-necked lute: Aquel que de voontade
Laute [long‐necked lyre]:
James Tyler
recording of:
Cantiga de Santa María no. 249 "Aquel que de volontade"
Komponist(in):
Alfonso X el Sabio (Spanish/Castillian medieval monarch & composer)
Teil von:
Cantigas de Santa Maria (Nummer: 249)
Teil von:
Cantigas de Santa María
Alfonso X el Sabio1:15
25Cittern: Virelai “Quant je sui mis”
gittern:
Mary Remnant
instrumental recording of:
Quant je sui mis au retour
Komponist(in):
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut1:02
26Citole: English dance
Citole:
James Tyler
recording of:
English Dance
Komponist(in):
[anonymous] (special purpose artist)
[anonymous]1:46
27Rebec: La septime estampie real
Citole:
James Tyler
Pauke [nakers]:
David Corkhill (percussion)
Rebec [treble rebec]:
Eleanor Sloan (violin and rebec player)
Trumscheit (auch Marientrompete, Nonnengeige, Nonnentrompete, Trompetengeige):
Oliver Brookes
recording of:
Septime Estampie Réal
Komponist(in):
[anonymous] (special purpose artist) und Adam de la Halle (French poet-composer trouvère, fl. 13th century)
[anonymous]1:05
28Fiddle: Ballata “Poi che da te mi convien”
Francesco Landini1:26
29Bowed lyre: Virelai “Comment qu’a moy”
Guillaume de Machaut1:35
30Tromba marina: Improvised fanfare Motet “Quant ie le voi — Bon vin doit — Cis chans veult boire”
[anonymous]1:05
2▼CD: The Renaissance
Nr.TitelKünstlerBewertungLänge
1Shawm: Two courantes
Samuel Voelckel2:13
2Curtal: Chanson “Ce qui souloit”
Tielman Susato1:45
3Rackett: Caro ortolano
Giorgio Mainerio1:30
4Crumhorn: Padouana
Johann Schein2:09
5Cornamuse: Bicinium “Le cuer de vous”
Antonio Gardano1:11
6Kortholt: Bicinium “Mon petit cuer”
Guillaume le Heurteur1:23
7Rauschpfeife: Three Bransles Doubles
Michael Praetorius1:33
8Flute: Chanson “Amor me poingt”
Claudin de Sermisy1:26
9Recorder (a) 8′ Consort: Chanson “Hellas! Amour”
Guillaume le Heurteur2:17
10Recorder (b) 4′ Consort: The Fairie Round
Instrumente:
Early Music Consort of London (in 1973-09)
conductor:
David Munrow (UK early music historian & musician) (in 1973-09)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1973-09)
recording of:
The Fairie-Round (galliard) (in 1973-09)
Komponist(in):
Anthony Holborne (composer) (in 1599)
Teil von:
Pavans, Galliards, Almains, and Other Short Aeirs (entire collection)
Anthony Holborne1:22
11Renaissance organ: Entrada réal
Pedro de Soto2:22
12Regal: (a) Prelude “Ascensus simplex”; (b) “Min Hertz hat sich ser gefröwet”
Conrad Paumann / [anonymous]1:35
13Harpsichord: Toccata from the Naples MS
Giovanni Salvatore1:57
14Virginals: Variations on the Romanesca
[anonymous]2:35
15Xylophone: Ballo Francese
Giorgio Mainerio0:57
16Trumpet: (a) Unmuted: Toccata from Orfeo, 1607; (b) Muted: Toccata from Orfeo, 1607
Claudio Monteverdi1:26
17Sackbut: (a) Solo: Adagio and Allegro; (b) Consort: “Lobt Gott ihr Christen alle gleich”
Heinrich Biber / Michael Praetorius2:59
18Cornett: Canzona for “due canti”
Girolamo Frescobaldi3:08
19Alto and tenor cornett: Bicinium “Amour cruel”
Pierre de Manchicourt1:22
20Serpent: Canzona Quarta for “basso solo”
Girolamo Frescobaldi2:22
21Lute: Orlando sleepeth
John Dowland1:44
22Theorbo: A Fancy — Praelude, or Voluntary
Thomas Mace1:48
23Mandora: Ballo Anglese
Giorgio Mainerio1:06
24Cittern: Galliarde for cittern and bass
Anthony Holborne2:22
25Ceterone: Toccata prima
Alessandro Piccinini1:44
26Bandora: Galliard
John Dowland0:50
27Orpharion: Duet “Le Rossignol”
[anonymous]1:36
28Vihuela: Fantasia XI from El maestro, 1536
Luis de Milán2:50
29Guitar: Pavana (Variations on the Romanesca)
[anonymous]1:32
30Viol: (a) Consort: Fantasy in four parts; (b) Lyra viol: Duet “Forget me not”
William Byrd / Thomas Ford3:21
31Violin: La volta
[anonymous]1:32