Mother: Music From the Motion Picture

~ Veröffentlichung von Marc Shaiman (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Mrs Robinson
cover recording of:
Mrs. Robinson
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing Pty Ltd
Steve Lively & Jess Harnell3:51
2Main Title
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Norm Dlugatch, Dominic Gonzales, Tom Hardisty (film score engineer) und Paul Wertheimer (engineer)
Produzent(in):
Marc Shaiman (American score composer and lyricist)
assistierendes Editing:
Mark Herman
Editing:
Scott Stambler
conductor:
Artie Kane
recording of:
Main Title
Orchestrator(in):
Jeff Atmajian
Marc Shaiman3:21
3Such a Surprise
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Norm Dlugatch, Dominic Gonzales, Tom Hardisty (film score engineer) und Paul Wertheimer (engineer)
Produzent(in):
Marc Shaiman (American score composer and lyricist)
assistierendes Editing:
Mark Herman
Editing:
Scott Stambler
conductor:
Artie Kane
recording of:
Such a Surprise
Orchestrator(in):
Jeff Atmajian
Marc Shaiman1:06
4In My Room
Techniker(in):
Chuck Britz
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
Sologesang:
Brian Wilson (Beach Boys co‐founder) (am 1963-07-16)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 209)
recording of:
In My Room (am 1963-07-16)
Texter und Komponist(in):
Gary Usher und Brian Wilson (Beach Boys co‐founder)
The Beach Boys32:13
5Circling the Market
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Norm Dlugatch, Dominic Gonzales, Tom Hardisty (film score engineer) und Paul Wertheimer (engineer)
Produzent(in):
Marc Shaiman (American score composer and lyricist)
assistierendes Editing:
Mark Herman
Editing:
Scott Stambler
conductor:
Artie Kane
recording of:
Circling the Market
Orchestrator(in):
Jeff Atmajian
Marc Shaiman2:00
6Berate Me Tomorrow / The Blank Screen
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Norm Dlugatch, Dominic Gonzales, Tom Hardisty (film score engineer) und Paul Wertheimer (engineer)
Produzent(in):
Marc Shaiman (American score composer and lyricist)
assistierendes Editing:
Mark Herman
Editing:
Scott Stambler
conductor:
Artie Kane
recording of:
Berate Me Tomorrow / The Blank Screen
Orchestrator(in):
Jeff Atmajian
Marc Shaiman1:42
7Trip to the Mall
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Norm Dlugatch, Dominic Gonzales, Tom Hardisty (film score engineer) und Paul Wertheimer (engineer)
Produzent(in):
Marc Shaiman (American score composer and lyricist)
assistierendes Editing:
Mark Herman
Editing:
Scott Stambler
conductor:
Artie Kane
recording of:
Trip to the Mall
Orchestrator(in):
Jeff Atmajian
Marc Shaiman4:22
8Land of a Thousand Dances
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1966-05-08 bis 1966-05-11)
Bassgitarre [bass]:
Tommy Cogbill (von 1966-05-08 bis 1966-05-11)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-05-08 bis 1966-05-11) und Chips Moman (von 1966-05-08 bis 1966-05-11)
Klavier:
Spooner Oldham (von 1966-05-08 bis 1966-05-11)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1966-05-08 bis 1966-05-11)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-05-08 bis 1966-05-11) und Andrew Love (von 1966-05-08 bis 1966-05-11)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1966-05-08 bis 1966-05-11)
vocals:
Wilson Pickett (von 1966-05-08 bis 1966-05-11)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-05-08 bis 1966-05-11)
cover recording of:
Land of 1000 Dances (von 1966-05-08 bis 1966-05-11)
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. und Tune-Kel
recording of:
Land of 1000 Dances
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. und Tune-Kel
Wilson Pickett42:26
9At the Zoo
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Norm Dlugatch, Dominic Gonzales, Tom Hardisty (film score engineer) und Paul Wertheimer (engineer)
Produzent(in):
Marc Shaiman (American score composer and lyricist)
assistierendes Editing:
Mark Herman
Editing:
Scott Stambler
conductor:
Artie Kane
recording of:
At the Zoo
Orchestrator(in):
Jeff Atmajian
Marc Shaiman2:34
10The Hat Box
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Norm Dlugatch, Dominic Gonzales, Tom Hardisty (film score engineer) und Paul Wertheimer (engineer)
Produzent(in):
Marc Shaiman (American score composer and lyricist)
assistierendes Editing:
Mark Herman
Editing:
Scott Stambler
conductor:
Artie Kane
recording of:
The Hat Box
Orchestrator(in):
Jeff Atmajian
Marc Shaiman3:05
11Understanding Mother
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Norm Dlugatch, Dominic Gonzales, Tom Hardisty (film score engineer) und Paul Wertheimer (engineer)
Produzent(in):
Marc Shaiman (American score composer and lyricist)
assistierendes Editing:
Mark Herman
Editing:
Scott Stambler
conductor:
Artie Kane
recording of:
Understanding Mother
Orchestrator(in):
Jeff Atmajian
Marc Shaiman4:48
12Look Who’s Writing
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Norm Dlugatch, Dominic Gonzales, Tom Hardisty (film score engineer) und Paul Wertheimer (engineer)
Produzent(in):
Marc Shaiman (American score composer and lyricist)
assistierendes Editing:
Mark Herman
Editing:
Scott Stambler
conductor:
Artie Kane
recording of:
Look Who’s Writing
Orchestrator(in):
Jeff Atmajian
Marc Shaiman1:14
13Across the Line
recording of:
Across the Line
Texter und Komponist(in):
Peter Boe, Bruce M. Bromberg, Richard Cousins, Robert Cray (blues guitarist, singer and songwriter), David Olson (drummer) und Joe Louis Walker
publisher:
Calhoun St. Music und Robert Cray Music
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) und Kobalt Music Publishing France
The Robert Cray Band4:08
14Keep On Movin’
Programmierung:
Nellee
zusätzliche Programmierung:
Gota (Gota Yashiki)
Techniker(in):
Arabella Rodriguez
Produzent(in) und Mix:
Nellee Hooper und Jazzie B
Keyboard [keyboards]:
Simon Law (Soul II Soul)
Saiteninstrumente:
Reggae Philharmonic Orchestra
vocals und Interpret(in):
Caron Wheeler (English singer, songwriter, and record producer)
Saiteninstrumente [string] arranger:
Mykaell S. Riley (UK reggae keyboardist, tv/film writer/producer/arranger)
aufgenommen bei und mixed at:
Brittania Row (first location, 1975–1995 Islington) in Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
Keep On Movin’
Texter und Komponist(in):
Jazzie B
Verfasser(in):
Romeo
arranger:
Matthias Vogt
publisher:
Virgin Music (Publishers) Ltd. (in 1989)
Soul II Soul4.355:59

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