Original Album Series

~ Release by Natalie Cole (see all versions of this release, 1 available)

Annotation

CD 1: Everlasting
CD 2: Good to Be Back
CD 3: Unforgettable: With Love
CD 4: Take a Look
CD 5: Stardust

Annotation last modified on 2015-05-31 21:32 UTC.

Tracklist

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1▼CD: Everlasting
#TitleRatingLength
1Everlasting
5:18
2Jump Start
recording of:
Jump Start
writer:
Reggie Calloway and Vincent Calloway
6:28
3The Urge to Merge
4:11
4Split Decision
4:14
5When I Fall in Love
cover recording of:
When I Fall in Love
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:08
6Pink Cadillac
cover recording of:
Pink Cadillac
lyricist and composer:
Bruce Springsteen (from 1981 until 1982)
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
4:29
7I Live for Your Love
recording of:
I Live for Your Love
writer:
Pam Reswick (American songwriter), Allan Rich and Steve Werfel
24:29
8In My Reality
5:22
9I’m the One
5:21
10More Than the Stars
4:39
11What I Must Do
4:54
2▼CD: Good to Be Back
#TitleArtistRatingLength
1Safe
producer:
Dennis Lambert
Natalie Cole3:49
2As a Matter of Fact
producer:
Andre Fischer (US drummer and funk/soul/pop producer)
Natalie Cole4:01
3Rest of the Night
producer:
Dennis Lambert
recording of:
Rest of the Night
writer:
Glen Ballard and Randy Goodrum
Natalie Cole4:37
4Miss You Like Crazy
producer:
Michael Masser
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1991)
recording of:
Miss You Like Crazy
writer:
Preston Glass, Gerry Goffin and Michael Masser
publisher:
Gemia Music, Irving Music, Inc., Lauren Wesley Music (BMI-affiliated) and Prince Street Music (Also known as "Prince St. Music")
Natalie Cole33:56
5I Do
producer:
Narada Michael Walden
guest performer:
Freddie Jackson
Natalie Cole & Freddie Jackson3:58
6Good to Be Back
producer:
Dennis Lambert
recording of:
Good to Be Back
writer:
Pam Reswick (American songwriter)
composer:
Steve Werfel
Natalie Cole4:22
7Gonna Make You Mine
producer:
Andre Fischer (US drummer and funk/soul/pop producer)
Natalie Cole4:38
8Starting Over Again
producer:
Michael Masser
cover recording of:
Now We’re Starting Over Again
writer:
Gerry Goffin and Michael Masser
Natalie Cole4:17
9Don’t Mention My Heartache
producer:
Lee Curreri
cover recording of:
Don’t Mention My Heartache
writer:
C.M. Lord and Clydene Jackson
Natalie Cole4:48
10I Can’t Cry
producer:
Ric Wake
Natalie Cole4:21
11Someone’s Rockin’ My Dreamboat
producer:
Eddie Cole (Producer and cousin of Natalie Cole)
cover recording of:
Someone’s Rocking My Dreamboat
writer:
Leon René, Otis René and Emerson C. Scott
Natalie Cole4:06
3▼CD: Unforgettable: With Love
#TitleRatingLength
1The Very Thought of You
producer:
Andre Fischer (US drummer and funk/soul/pop producer)
mixer:
Al Schmitt
bass:
Andy Simpkins
drums (drum set):
Harold Jones (jazz drummer)
piano:
Clare Fischer
vocals:
Natalie Cole
additional arranger:
Clare Fischer
orchestrator:
Michel Legrand
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
The Very Thought of You
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
4:16
2Paper Moon
producer:
Tommy LiPuma
mixer:
Al Schmitt
bass:
John Patitucci
drums (drum set):
Dave Weckel
piano:
Joe Sample
vocals:
Natalie Cole
arranger:
Ralph Burns
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
It’s Only a Paper Moon
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
3:26
3Route 66
producer:
Andre Fischer (US drummer and funk/soul/pop producer)
mixer:
Al Schmitt
bass:
Ray Brown (jazz bassist)
drums (drum set):
Jeff Hamilton (jazz drummer)
guitar and solo guitar:
Dennis Budimir
piano and solo piano:
Ike Cole (jazz pianist and composer, brother of Nat King Cole)
vocals:
Natalie Cole
arranger:
Ray Brown (jazz bassist) and Andre Fischer (US drummer and funk/soul/pop producer)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
(Get Your Kicks on) Route 66
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Burke-Van Heusen, Inc. (on 1946-04-22)
3:01
4Mona Lisa
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
Al Schmitt
bass:
Ray Brown (jazz bassist)
drums (drum set):
Sol Gubin
guitar and solo guitar:
John Chiodini
piano:
Mike Lang (American pianist and composer) and Michael Melvoin
vocals:
Natalie Cole
arranger:
Johnny Mandel (American composer and arranger)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Mona Lisa
lyricist:
Raymond B. Evans (American songwriter)
composer:
Jay Livingston
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
part of:
The 23rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1950 winner)
3:46
5L‐O‐V‐E
producer:
Andre Fischer (US drummer and funk/soul/pop producer)
mixer:
Al Schmitt
bass:
James Hughart
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Alfred Viola
piano:
Brad Cole (US keyboardist/woodwind player)
solo trumpet:
Chuck Findley (trumpet, trombone, horn player)
vocals:
Natalie Cole
arranger:
Bill Holman
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
L‐O‐V‐E
lyricist:
Milton Gabler
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert (publisher) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
2:32
6This Can’t Be Love
producer:
Andre Fischer (US drummer and funk/soul/pop producer)
mixer:
Al Schmitt
bass:
James Hughart
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Alfred Viola
piano:
Brad Cole (US keyboardist/woodwind player)
vocals:
Natalie Cole
arranger:
Bill Holman
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
This Can’t Be Love
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
2:14
7Smile
producer:
Andre Fischer (US drummer and funk/soul/pop producer)
mixer:
Al Schmitt
bass:
Chuck Domanico (American bassist)
drums (drum set):
Sol Gubin
guitar:
Dennis Budimir
piano:
Alan Broadbent
vocals:
Natalie Cole
orchestrator:
Johnny Mandel (American composer and arranger)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Smile (song version w/ lyrics)
lyricist:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. and Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
3:38
8Lush Life
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
Al Schmitt
bass:
Ray Brown (jazz bassist)
drums (drum set):
Sol Gubin
guitar:
John Chiodini
piano:
Mike Lang (American pianist and composer) and Michael Melvoin
vocals:
Natalie Cole
arranger:
Johnny Mandel (American composer and arranger)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Lush Life
lyricist and composer:
Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and Tempo Music, Inc. (Duke Ellington’s music publishing company) (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, volume I)
4:21
9That Sunday That Summer
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
Al Schmitt
bass:
Ray Brown (jazz bassist)
drums (drum set):
Sol Gubin
guitar:
John Chiodini
piano:
Mike Lang (American pianist and composer) and Michael Melvoin
solo saxophone:
Pete Christlieb
background vocals:
Donna Davidson, Debbie Hall (Vocalist), Kerry Katz, Rick Logan, Gene Merlino, Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist), Sally Stevens and Susan Stevens (recorded with Tojo and Rams Horn Records in the 1980s)
vocals:
Natalie Cole
arranger:
Johnny Mandel (American composer and arranger)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
That Sunday, That Summer
writer:
Joe Sherman and George David Weiss
publisher:
Comet Music (publisher)
3:32
10Orange Colored Sky
producer:
Tommy LiPuma
mixer:
Al Schmitt
bass:
John Patitucci
drums (drum set):
Dave Weckel
piano:
Joe Sample
vocals:
Natalie Cole
arranger:
Ralph Burns
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Orange Colored Sky
writer:
Milton DeLugg and William Stein
publisher:
Amy Dee Music Corp.
2:27
11A Medley Of: For Sentimental Reasons / Tenderly, Autumn Leaves
producer:
Tommy LiPuma
mixer:
Al Schmitt
bass:
Andrew Simpkins
drums (drum set):
Harold Jones (jazz drummer)
guitar:
John Collins (US jazz guitarist) and John Pisano
piano:
Monty Alexander
solo saxophone:
David “Fathead” Newman (American jazz saxophonist)
vocals:
Natalie Cole
additional arranger:
Marty Paich
orchestrator:
Marty Paich
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
medley including a cover recording of:
(I Love You) for Sentimental Reasons
lyricist:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
composer:
William “Pat” Best
publisher:
MCA Duchess Music Corporation and Peter Maurice Music Co. Ltd.
medley including a cover recording of:
Autumn Leaves (jazz standard, English lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
medley including a cover recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
7:33
12Straighten Up and Fly Right
producer:
Andre Fischer (US drummer and funk/soul/pop producer)
mixer:
Al Schmitt
bass:
Ray Brown (jazz bassist)
drums (drum set):
Jeff Hamilton (jazz drummer)
guitar and solo guitar:
John Chiodini
piano and solo piano:
Alan Broadbent
vocals:
Natalie Cole
arranger:
Ray Brown (jazz bassist) and Andre Fischer (US drummer and funk/soul/pop producer)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Straighten Up and Fly Right
writer:
Nat King Cole and Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30)
2:40
13Avalon
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
Al Schmitt
bass:
John Clayton (US jazz and classical double bassist)
drums (drum set):
Jeff Hamilton (jazz drummer)
piano:
Mike Lang (American pianist and composer)
vocals:
Natalie Cole
arranger:
Bill Holman
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Avalon
writer:
B. G. DeSylva, Al Jolson and Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and Jerome H. Remick & Co. (on 1920-09-04)
1:52
14Don’t Get Around Much Anymore
producer:
Andre Fischer (US drummer and funk/soul/pop producer)
mixer:
Al Schmitt
bass:
James Hughart
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Alfred Viola
piano:
Brad Cole (US keyboardist/woodwind player)
vocals:
Natalie Cole
arranger:
Bill Holman
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Don’t Get Around Much Anymore
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
2:35
15Too Young
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
Al Schmitt
bass:
Ray Brown (jazz bassist)
drums (drum set):
Sol Gubin
guitar:
John Chiodini
piano:
Mike Lang (American pianist and composer) and Michael Melvoin
solo trombone:
Dick Nash
vocals:
Natalie Cole
arranger:
Johnny Mandel (American composer and arranger)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Too Young
lyricist:
Sylvia Dee (American lyricist)
composer:
Sidney Lippman (American songwriter)
publisher:
Aria Music Co.
4:33
16Nature Boy
producer:
Andre Fischer (US drummer and funk/soul/pop producer)
mixer:
Al Schmitt
piano:
Alan Broadbent
vocals:
Natalie Cole
arranger:
Michel Legrand
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Nature Boy
lyricist and composer:
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:24
17Darling, je vous aime beaucoup
producer:
Andre Fischer (US drummer and funk/soul/pop producer)
mixer:
Al Schmitt
bass:
Andy Simpkins
drums (drum set):
Harold Jones (jazz drummer)
piano:
Clare Fisher
vocals:
Natalie Cole
additional arranger:
Clare Fisher
orchestrator:
Michel Legrand
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Darling, je vous aime beaucoup
lyricist and composer:
Anna Sosenko (in 1935)
publisher:
Chappell & Co., Inc. (USA) and Francis Day S.A.
medley of:
La Vie en rose (French original)
3:25
18Almost Like Being in Love
producer:
Andre Fischer (US drummer and funk/soul/pop producer)
mixer:
Al Schmitt
bass:
John Clayton (US jazz and classical double bassist)
drums (drum set):
Jeff Hamilton (jazz drummer)
piano:
Mike Lang (American pianist and composer)
vocals:
Natalie Cole
arranger:
Bill Holman
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Almost Like Being in Love (from “Brigadoon”)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
2:11
19Thou Swell
producer:
Andre Fischer (US drummer and funk/soul/pop producer)
mixer:
Al Schmitt
bass:
James Hughart
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Alfred Viola
piano:
Alan Broadbent
vocals:
Natalie Cole
arranger:
Bill Holman
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Thou Swell
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: file NO releases)
1:51
20Non dimenticar
producer:
Tommy LiPuma
mixer:
Al Schmitt
bass:
Andrew Simpkins
drums (drum set):
Harold Jones (jazz drummer)
guitar:
John Collins (US jazz guitarist) and John Pisano
piano:
Monty Alexander
vocals:
Natalie Cole
additional arranger:
Tommy LiPuma and Marty Paich
orchestrator:
Marty Paich
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Non dimenticar (English/Italian lyrics)
lyricist:
Shelley Dobbins (American songwriter) and Michele Galdieri
composer:
P. G. Redi (Italian composer)
publisher:
Redi-Ponti-DeLaurentis and TRO-Hollis, Inc.
version of:
Non dimenticar (English lyrics)
translated version of:
T’ho voluto bene (Non dimenticar)
2:58
21Our Love Is Here to Stay
producer:
Andre Fischer (US drummer and funk/soul/pop producer)
mixer:
Al Schmitt
bass:
Andy Simpkins
drums (drum set):
Harold Jones (jazz drummer)
piano:
Clare Fisher
solo piano:
Clare Fischer
vocals:
Natalie Cole
additional arranger:
Clare Fisher
orchestrator:
Johnny Mandel (American composer and arranger)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Love Is Here to Stay
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
3:30
22Unforgettable
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
Al Schmitt
bass:
Ray Brown (jazz bassist)
drums (drum set):
Sol Gubin
guitar:
John Chiodini
piano:
Mike Lang (American pianist and composer) and Michael Melvoin
solo saxophone:
Pete Christlieb
vocals:
Natalie Cole and Nat King Cole (in 1951)
arranger:
Johnny Mandel (American composer and arranger)
vocals arranger:
Natalie Cole and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Unforgettable
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
recording of:
Unforgettable
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
3:29
4▼CD: Take a Look
#TitleRatingLength
1I Wish You Love
cover recording of:
I Wish You Love
lyricist:
Charles Trenet
writer and translator:
Albert Beach
composer:
Léo Chauliac and Charles Trenet
publisher:
Éditions Salabert France, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music, Inc., Leeds Music, MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), On Backstreet Music Inc. and Universal Music Publishing Group
sub-publisher:
Universal Music Publishing MGB Hong Kong Ltd. Taiwan Branch and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
translated version of:
Que reste-t-il de nos amours ?
4:09
2I’m Beginning to See the Light
cover recording of:
I’m Beginning to See the Light (in 1993)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
3:30
3Swingin’ Shepherd Blues
cover recording of:
Swingin’ Shepherd Blues (in 1993)
composer:
Moe Koffman (Canadian jazz flautist and saxophonist)
4:02
4Crazy He Calls Me
cover recording of:
Crazy He Calls Me (in 1993)
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:12
5Cry Me a River
cover recording of:
Cry Me a River (in 1993)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
3:53
6Undecided
cover recording of:
Undecided (in 1993)
lyricist:
Sid Robin (US lyricist & composer) (in 1938)
composer:
Charlie Shavers (in 1938)
2:16
7Fiesta in Blue
cover recording of:
Fiesta in Blue (in 1993)
writer:
Benny Goodman (clarinetist and bandleader) (in 1941) and Jimmy Mundy (in 1941)
4:04
8I’m Gonna Laugh You Right Out of My Life
cover recording of:
I’m Gonna Laugh You Right Out of My Life (in 1993)
lyricist:
Joseph McCarthy (lyricist, 1885–1943)
composer:
Cy Coleman
3:34
9Let There Be Love
cover recording of:
Let There Be Love (in 1993)
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
3:51
10It’s Sand Man
cover recording of:
It's Sand, Man! (in 1993)
writer:
Jon Hendricks, Dave Lambert (jazz vocalist) and Ed Lewis (jazz trumpeter)
2:31
11Don’t Explain
cover recording of:
Don’t Explain (in 1993)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
3:12
12As Time Goes By
cover recording of:
As Time Goes By (the song from “Casablanca”) (in 1993)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
3:45
13Too Close for Comfort
cover recording of:
Too Close for Comfort (Mr. Wonderful) (in 1993)
writer:
Jerry Bock, Lawrence Holofcener and George David Weiss
publisher:
Carlin Music Corporation and Memory Lane Music Ltd.
2:56
14Calypso Blues
cover recording of:
Calypso Blues (in 1993)
lyricist:
Don George (US songwriter/composer, 1909–1987)
composer:
Nat King Cole
5:04
15This Will Make You Laugh
cover recording of:
This Will Make You Laugh (in 1993)
lyricist and composer:
Irene Higginbotham
3:46
16Lovers
recording of:
Lovers (in 1993)
lyricist and composer:
Natalie Cole (in 1977), Chuck Jackson (songwriter/producer) (in 1977) and Rev. Marvin Yancy (R&B/soul singer and pastor) (in 1977)
3:14
17All About Love
cover recording of:
All About Love (in 1993)
lyricist and composer:
Robert Artur and Bill Dana
3:40
18Take a Look
cover recording of:
Take a Look (in 1993)
lyricist and composer:
Clyde Otis (American songwriter and record producer)
3:05
5▼CD: Stardust
#TitleArtistRatingLength
1There’s a Lull in My Life
cover recording of:
There’s a Lull in My Life
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
publisher:
Robbins Music Corp.
Natalie Cole5:24
2Stardust
cover recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
Natalie Cole4:41
3Let’s Face the Music and Dance
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
Natalie Cole2:18
4Teach Me Tonight
cover recording of:
Teach Me Tonight
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Natalie Cole3:18
5When I Fall in Love
performer:
Nat King Cole
cover recording of:
When I Fall in Love
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Natalie Cole feat. Nat King Cole4:12
6What a Difference a Day Made
cover recording of:
What a Diff’rence a Day Made
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Natalie Cole3:17
7Love Letters
cover recording of:
Love Letters
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and Warner/Chappell Music Ltd. (1996–2019)
part of:
The 18th Academy Award for Best Original Song (number: 2)
Natalie Cole4:50
8He Was Too Good to Me
cover recording of:
He Was Too Good to Me
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer)
publisher:
Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Williamson Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Simple Simon
Natalie Cole5:09
9Dindi (Portuguese)
cover recording of:
Dindi
lyricist:
Aloysio de Oliveira
composer:
Antônio Carlos Jobim
Natalie Cole4:36
10Two for the Blues
Natalie Cole4:23
11If Love Ain’t There
cover recording of:
If Love Ain’t There
lyricist and composer:
Johnny Burke (American lyricist, 1908–1964)
Natalie Cole3:26
12To Whom It May Concern
Natalie Cole3:29
13Where Can I Go Without You
cover recording of:
Where Can I Go Without You?
writer:
Peggy Lee (jazz vocalist) and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Denslow Music, Inc. and EMI Waterford Music
Natalie Cole4:24
14Ahmad’s Blues
cover recording of:
Ahmad’s Blues
composer:
Ahmad Jamal
Natalie Cole4:15
15Pick Yourself Up
cover recording of:
Pick Yourself Up (from “Swing Time”)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
Natalie Cole3:31
16If You Could See Me Now
cover recording of:
If You Could See Me Now (jazz standard)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Natalie Cole4:43
17Like a Lover
cover recording of:
Like a Lover
lyricist:
Nelson Motta
composer:
Dori Caymmi (the son)
translator:
Alan Bergman (American lyricist) and Marilyn Bergman
translated version of:
O Cantador
Natalie Cole5:18
18This Morning It Was Summer
cover recording of:
This Morning It Was Summer
lyricist and composer:
Bob Haymes
Natalie Cole3:26
19When I Fall in Love (Spanish)
Natalie Cole4:11