Disco Party, Vol. 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1I Want to Break Free
assistente tecnico di registrazione:
Eddie DeLena (engineer) (dal 1983-08 al 1984-01) e Stephan Wissnet (dal 1983-08 al 1984-01)
tecnico di registrazione e programmazione:
Reinhold Mack (German rock producer/engineer Reinhold Mack) (dal 1983-08 al 1984-01)
tecnico di registrazione aggiunto:
Mike Beiriger (dal 1983-08 al 1984-01)
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
tecnico aggiunto:
Mike Beiriger
produttore:
Mack (German rock producer/engineer Reinhold Mack) e Queen (UK rock group)
batteria elettronica :
Roger Taylor (Queen drummer) (dal 1983-08 al 1984-01)
chitarra acustica , chitarra basso e sintetizzatore :
John Deacon (dal 1983-08 al 1984-01)
chitarra elettrica :
John Deacon (dal 1983-08 al 1984-01) e Brian May (Queen guitarist) (dal 1983-08 al 1984-01)
sintetizzatore solista ospite :
Fred Mandel (dal 1983-08 al 1984-01)
voce principale:
Freddie Mercury (dal 1983-08 al 1984-01)
diritti fonografici (℗) detenuti da:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (nel 1984, nel 2011) e Raincloud Productions Ltd. (nel 1984, nel 2011)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (dal 1983-08 al 1984-01) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (dal 1983-08 al 1984-01)
video musicali:
I Want to Break Free (music video) di Queen (UK rock group)
registrazione di:
I Want to Break Free (dal 1983-08 al 1984-01)
paroliere e compositore:
John Deacon
editore:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Queen Music Ltd.
compresa in:
We Will Rock You (Queen musical)
compresa in:
We Will Rock You (German version of the Queen musical)
Queen4.14:18
2Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:53
3Midnight Man
registrazione di:
Midnight Man
autore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
J. Albert & Son Pty. Ltd.
Flash and the Pan3:32
4Locomotion
registrazione di:
Locomotion (OMD)
autore:
Paul Humphreys (Orchestral Manoeuvres in the Dark), Andy McCluskey e Gordian Troeller (band manager)
editore:
Virgin Music, Inc. (US arm of Virgin’s publishing company)
Orchestral Manoeuvres in the Dark3:35
5Sounds Like Melody
registrazione di:
Sounds Like a Melody
paroliere:
Marian Gold
compositore:
Marian Gold, Bernhard Lloyd e Frank Mertens (German synthpop keyboardist Frank Sorgatz)
editore:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville4:18
6Break My Stride
programmazione degli strumenti:
John Gilston (nel 1983)
produttore:
Peter Bunetta, Rick Chudacoff e Bill Elliott (keyboardist/composer)
batteria , drum machine [Oberheim DMX] e percussione :
Peter Bunetta (nel 1983)
chitarra :
Dennis Herring (nel 1983)
sintetizzatore analogico [Prophet-5] :
Bill Elliott (keyboardist/composer) (nel 1983) e Matthew Wilder (nel 1983)
voce di accompagnamento:
Greg Prestopino (nel 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (nel 1983) e Matthew Wilder (nel 1983)
voce principale:
Matthew Wilder (nel 1983)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment Inc. (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983)
registrata presso:
Pasha Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 39)
registrazione di:
Break My Stride (nel 1983)
autore:
Greg Prestopino e Matthew Wilder
editore:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (nel 1983), No Ears Music (nel 1983) e Streetwise Music (US publisher) (nel 1983)
Matthew Wilder3.42:55
7Smalltown Boy
tecnico di registrazione:
Pete Griffiths (UK studio technician, programmer & producer)
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
registrazione di:
Smalltown Boy
autore:
Steve Bronski, Jimmy Somerville e Larry Steinbachek
editore:
BMG Music Publishing Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bronski Music Ltd., Bucks Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Fujipacific Music, Inc., The Copyright Collective, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
Gotcha! (1985 film soundtrack)
Bronski Beat3.654:54
8Can't Take My Eyes Off You
registrazione cover di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Boys Town Gang3:37
9Love Is in the Air
produttore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1977, nel 1978), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records) (nel 1978) e Volcano Entertainment III, L.L.C. (nel 1998)
registrazione di:
Love Is in the Air (nel 1978)
autore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
John Paul Young33:23
10In the Navy
tecnico:
Michael Hutchinson (engineer)
produttore:
Jacques Morali
produttore esecutivo:
Henri Belolo
voce principale:
Victor Willis (member of the Village People)
direttore d'orchestra:
Horace Ott
arrangiatore archi e arrangiatore ottoni [horns] :
Horace Ott
diritti fonografici (℗) detenuti da:
Metronome GmbH (Manufacturing department of Metronome Records GmbH — not a label) (nel 1979)
è stato produttore per:
Can’t Stop Productions, Inc.
registrata presso e mixata presso:
Sigma Sound Studios (New York) in New York, New York, Stati Uniti
registrazione di:
In the Navy
paroliere:
Henri Belolo e Victor Willis (member of the Village People)
compositore:
Jacques Morali
editore:
Can’t Stop Music (US work publisher, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), Harlem West Music Group e Scorpio Music (French label and publisher) (nel 1979)
Village People43:40
11Abba (medley)
Stars on 453:52
12Belfast
produttore:
Frank Farian
voce di accompagnamento e voce principale:
Marcia Barrett, Frank Farian e Liz Mitchell
registrazione di:
Belfast (English version)
paroliere e compositore:
Jimmy Bilsbury, Drafi Deutscher e Joe Menke (schlager songwriter & producer)
Boney M.3.53:27
13Call Me
tecnico:
Harold Faltermeyer
produttore:
Giorgio Moroder
batteria [drums] :
Clem Burke (nel 1980-01)
chitarra :
Frank Infante (nel 1980-01) e Chris Stein (nel 1980-01)
chitarra basso [bass] :
Nigel Harrison (nel 1980-01)
pianoforte elettrico :
Jimmy Destri (nel 1980-01)
sintetizzatore aggiunto:
Giorgio Moroder (nel 1980-01)
voce principale:
Debbie Harry (nel 1980-01)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980, nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 2002), Capitol Records (imprint of Capitol Records, Inc.) (nel 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1998) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2002)
registrata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (nel 1979) e The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1980-01)
mixata presso:
Allen Zentz Mastering in San Clemente, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 157)
registrazione di:
Call Me (nel 1980-01)
paroliere:
Deborah Harry
compositore:
Giorgio Moroder
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody e Sony/ATV Music Publishing Australia Pty Ltd.
sub-editore:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Blondie4.23:26
14You Make Me Feel (Mighty Real)
registrazione di:
You Make Me Feel (Mighty Real)
autore:
Sylvester (US disco and soul singer-songwriter) e James Wirrick
Sylvester3:40
15I'm Still Standing
tecnico di registrazione:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
basso elettrico :
Dee Murray
batteria :
Nigel Olsson
chitarra elettrica :
Davey Johnstone
pianoforte , sintetizzatore e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
voce di accompagnamento:
Davey Johnstone, Dee Murray e Nigel Olsson
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1983)
registrata presso:
AIR Studios Montserrat in Saint Peter, Montserrat (il 1983-06-26)
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
video musicali:
I’m Still Standing di Elton John (English singer, songwriter, pianist, and composer)
registrazione di:
I’m Still Standing
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Big Pig Music Ltd. (publisher) e Universal–Songs of PolyGram International, Inc.
Elton John3.92:59
16The Race
produttore:
Yello (Swiss electronica duo)
registrazione di:
The Race
paroliere:
Dieter Meier (member of Yello)
compositore:
Boris Blank
editore:
Bavaria Sonor Musikverlag, Datasound AG, Warner Bros. Music (publisher; do NOT use as release label) e Warner Chappell
Yello3.653:15
17Camillo
registrazione parziale di:
Camillo
paroliere e compositore:
Kurt Hauenstein
Supermax1:15
18Swing Moods
registrazione di:
Swing the Mood
autore:
Jive Bunny (Jive Bunny)
medley di:
Let’s Twist Again
medley di:
In the Mood
medley di:
Rock Around the Clock (Bill Haley’s version)
medley di:
Rock‐a‐Beatin’ Boogie
medley di:
Tutti Frutti
medley di:
Wake Up Little Susie
medley di:
C’mon Everybody
medley di:
Hound Dog
medley di:
Shake, Rattle and Roll
medley di:
All Shook Up
medley di:
Jailhouse Rock
medley di:
At the Hop
Jive Bunny & the Mastermixers24:18
19Puttin' on the Ritz
tip-tap :
Taco (Dutch singer)
video musicali:
Puttin’ on the Ritz di Taco (Dutch singer)
registrazione cover di:
Puttin’ On the Ritz
paroliere e compositore:
Irving Berlin (nel 1929)
editore:
Berlin Irving Music Corp e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
parte di:
Idiot’s Delight (film)
Taco44:37
20Bird of Paradise
diritti fonografici (℗) detenuti da:
Snowy White (guitarist) (nel 1984)
registrazione di:
Bird of Paradise
paroliere e compositore:
Snowy White (guitarist)
editore:
Campbell Connolly Ltd. e Novello & Co. Ltd.
Snowy White4.54:58
2▼CD
#TitoloArtistaValutazioneDurata
1Flashback
registrazione di:
Flashback
autore:
Ashley Ingram, Leee John, Steve Jolley, Errol Kennedy e Tony Swain (songwriter, producer)
editore:
Sony/ATV Tunes LLC (ASCAP) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Imagination34:22
2Let It All Blow
registrazione di:
Let It All Blow
autore:
Robert Harris (saxophonist, producer and songwriter) e Keith Harrison (US funk keyboardist/vocalist for Heatwave/Dazz Band)
Dazz Band23:56
3Keep on Dancing
registrazione di:
Keep on Dancin’
compositore:
Eric Matthew (songwriter, engineer, producer, record label owner, = Joe Tucci) e Gary R. Turnier
Gary’s Gang5:21
4Let's Start to Dance
registrazione di:
Let’s Start the Dance
autore:
Hamilton Bohannon
Hamilton Bohannon5:50
5Jump (for My Love)
registrata a:
Los Angeles, California, Stati Uniti (nel 1983)
programmazione degli strumenti:
Reek Havoc (nel 1983) e Stephen Mitchell (US musician, composer, songwriter, producer et al.) (nel 1983)
tecnico:
Gary Skardina
produttore:
Richard Perry (producer)
produttore associato:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) e Gary Skardina
basso :
Louis Johnson (bass, member of Brothers Johnson) (nel 1983)
drum machine e sintetizzatore :
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (nel 1983)
minimoog e batteria elettronica e sintetizzatore aggiunto:
Howie Rice (nel 1983)
percussione :
Paulinho da Costa (Brazilian percussionist) (nel 1983)
voce principale:
June Pointer (nel 1983)
remixer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) e James C. Tract
diritti fonografici (℗) detenuti da:
Planet Records Inc. (nel 1983)
registrazione di:
Jump (for My Love) (nel 1983)
autore:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron e Gary Skardina
editore:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Songs LLC
The Pointer Sisters3.354:20
6Dance Dance Dance (Yowsah.Yowsah.Yowsah)
edit di:
Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) (LP / 12″ version) di Chic (US disco group)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 20)
registrazione di:
Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) (nel 1977)
autore:
Bernard Edwards (American bassist and record producer), Kenny Lehman e Nile Rodgers
Chic3.653:40
7We Are Family
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (dal 1978 a oggi)
registrazione di:
We Are Family
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge3:10
8Shake Your Groove Thing
registrazione di:
Shake Your Groove Thing
autore:
Dino Fekaris e Freddie Perren
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Peaches & Herb3:51
9Stomp
registrazione di:
Stomp!
autore:
George Johnson (member of Brothers Johnson, guitar), Louis Johnson (bass, member of Brothers Johnson), Valerie Johnson e Rod Temperton
The Brothers Johnson34:04
10Best of My Love
produttore:
Al McKay
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 334)
registrazione di:
Best of My Love
autore:
Al McKay e Maurice White (Earth, Wind & Fire)
editore:
EMI Songs Ltd.
The Emotions4.153:37
11I'm Coming Out
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1980)
registrazione di:
I’m Coming Out
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs e Tommy Jymi Inc.
Diana Ross43:53
12Get Down Saturday Night
registrazione di:
Get Down Saturday Night
compositore:
Oliver Cheatham e Kevin McCord
editore:
Songs of Universal, Inc. (BMI)
Oliver Cheatham4:01
13Get Down
registrazione di:
Get Down
paroliere e compositore:
James Allen Thompson, Jr. (songwriter)
Gene Chandler3:20
14Ladies Night
produttore:
Eumir Deodato e Kool & the Gang
registrazione di:
Ladies’ Night
autore:
Cliff Adams, Chris Alberts, Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Jon Faddis, Adam Ippolito, Robert Spike Mickens e Claydes Smith
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kool & the Gang4.153:24
15Last Night a DJ Saved My Life
registrazione di:
Last Night a D.J. Saved My Life
paroliere e compositore:
Mike Cleveland (80's dance)
editore:
Windswept Pacific Music Ltd.
Indeep44:41
16What's Love Got to Do With It
tecnico e tecnico di missaggio:
John Hudson (producer, recording and mixing engineer)
produttore:
Terry Britten
batteria :
Graham Jarvis (UK session drummer)
chitarra :
Terry Britten
percussione :
Simon Morton
tastiera :
Nick Glennie‐Smith e Billy Livsey
voce di accompagnamento:
Terry Britten e Tessa Niles
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1984, nel 1997) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 160) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 309)
registrazione di:
What’s Love Got to Do With It
autore:
Graham Lyle e Terence Ernest Britten
editore:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (nel 1984), Irving Music, Inc. (nel 1984), Rondor Music (London) Ltd. (nel 1984), WB Music Corp. (1929–2019) (dal 1984 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
registrazione di:
What’s Love Got to Do With It (Kygo version)
autore:
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) e Graham Lyle
editore:
Kobalt Music (publisher) (dal 2020 a oggi) e WC Music Corp. (dal 2020 a oggi)
si basa su:
What’s Love Got to Do With It
Tina Turner4.153:46
17Bensonhurst Blues
registrazione di:
Bensonhurst Blues
autore:
Artie Kaplan e Artie Kornfeld
Oscar Benton3:52

Accreditamenti