Annotation

work in progress :-)

RIAS Berlin 1950
Copyright: ℗ 2013 audite Musikproduktion

Annotation last modified on 2024-12-29 23:36 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Christmas Oratorio, BWV 248, Pt. 1: No. 1, Chor. Jauchzet, frohlocket, auf, preiset die Tage
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach8:20
2Christmas Oratorio, BWV 248, Pt. 1: No. 2, Rezitativ Evangelist. Es begab sich aber zu der Zeit
producer:
Wackernagel (German musicologist and librarian)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:29
3Christmas Oratorio, BWV 248, Pt. 1: No. 3, Rezitativ. Nun wird mein liebster Bräutigam
producer:
Wackernagel (German musicologist and librarian)
alto vocals:
Charlotte Wolf-Matthäus (alto) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:08
4Christmas Oratorio, BWV 248, Pt. 1: No. 4, Arie. Bereite dich, Zion
producer:
Wackernagel (German musicologist and librarian)
alto vocals:
Charlotte Wolf-Matthäus (alto) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:55
5Christmas Oratorio, BWV 248, Pt. 1: No. 5, Choral. Wie soll ich dich empfangen
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:20
6Christmas Oratorio, BWV 248, Pt. 1: No. 6, Rezitativ Evangelist. Und sie gebar ihren ersten Sohn & No. 7, Choral. Er ist auf Erden
producer:
Wackernagel (German musicologist and librarian)
baritone vocals:
Walter Hauck (baritone) (on 1950-12-08)
choir vocals:
RIAS Knabenchor (on 1950-12-08)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:17
7Christmas Oratorio, BWV 248, Pt. 1: No. 8, Arie. Großer Herr, o starker König
producer:
Wackernagel (German musicologist and librarian)
baritone vocals:
Walter Hauck (baritone) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:20
8Christmas Oratorio, BWV 248, Pt. 1: No. 9, Choral. Ach mein herzliebes Jesulein
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:13
9Christmas Oratorio, BWV 248, Pt. 2: No. 10, Sinfonia
producer:
Wackernagel (German musicologist and librarian)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:23
10Christmas Oratorio, BWV 248, Pt. 2: No. 11, Rezitativ Evangelist. Und es waren Hirten in derselben Gegend
producer:
Wackernagel (German musicologist and librarian)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:47
11Christmas Oratorio, BWV 248, Pt. 2: No. 12, Choral. Brich an, o schönes Morgenlicht
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
is based on:
Geistliches Lied, BWV 454: „Ermuntre dich, mein schwacher Geist“
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:21
12Christmas Oratorio, BWV 248, Pt. 2: No. 13, Rezitativ Evangelist & Engel. Und der Engel sprach zu ihnen
producer:
Wackernagel (German musicologist and librarian)
soprano vocals:
Agnes Giebel (soprano) (on 1950-12-08)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:44
13Christmas Oratorio, BWV 248, Pt. 2: No. 14, Rezitativ. Was Gott dem Abraham verheißen
producer:
Wackernagel (German musicologist and librarian)
baritone vocals:
Walter Hauck (baritone) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:57
14Christmas Oratorio, BWV 248, Pt. 2: No. 15, Arie. Frohe Hirten, eilt, ach eilet
producer:
Wackernagel (German musicologist and librarian)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:37
15Christmas Oratorio, BWV 248, Pt. 2: No. 16, Rezitativ Evangelist. Und das habt zum Zeichen
producer:
Wackernagel (German musicologist and librarian)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:20
16Christmas Oratorio, BWV 248, Pt. 2: No. 17, Choral. Schaut hin, dort liegt im finstern Stall
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:43
17Christmas Oratorio, BWV 248, Pt. 2: No. 18, Rezitativ. So geht denn hin, ihr Hirten, geht
producer:
Wackernagel (German musicologist and librarian)
baritone vocals:
Walter Hauck (baritone) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:59
18Christmas Oratorio, BWV 248, Pt. 2: No. 19, Arie. Schlafe, mein liebster, genieße der Ruh
producer:
Wackernagel (German musicologist and librarian)
alto vocals:
Charlotte Wolf-Matthäus (alto) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach9:56
19Christmas Oratorio, BWV 248, Pt. 2: No. 20, Rezitativ Evangelist. Und alsobald war da bei dem Engel
producer:
Wackernagel (German musicologist and librarian)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:16
20Christmas Oratorio, BWV 248, Pt. 2: No. 21, Chor. Ehre sei Gott in der Höhe und Friede auf Erden
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:47
21Christmas Oratorio, BWV 248, Pt. 2: No. 22, Rezitativ. So recht, ihr Engel, jauchzt und singet
producer:
Wackernagel (German musicologist and librarian)
baritone vocals:
Walter Hauck (baritone) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:26
22Christmas Oratorio, BWV 248, Pt. 2: No. 23, Choral. Wir singen dir in deinem Heer
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (on 1950-12-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:07
23Christmas Oratorio, BWV 248, Pt. 3: No. 24, Chor. Herrscher des Himmels, erhöre das Lallen
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:18
24Christmas Oratorio, BWV 248, Pt. 3: No. 25, Rezitativ Evangelist. Und da die Engel von ihnen gen Himmel fuhren & No. 26, Chor. Las
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:52
25Christmas Oratorio, BWV 248, Pt. 3: No. 28, Choral. Dies hat er alles uns getan
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:50
26Christmas Oratorio, BWV 248, Pt. 3: No. 29, Duett. Herr, dein Mitleid, dein Erbarmen
producer:
Wackernagel (German musicologist and librarian)
baritone vocals:
Walter Hauck (baritone) (on 1950-12-08)
soprano vocals:
Agnes Giebel (soprano) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach8:06
27Christmas Oratorio, BWV 248, Pt. 3: No. 30, Rezitativ Evangelist. Und sie kamen eilend
producer:
Wackernagel (German musicologist and librarian)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:20
28Christmas Oratorio, BWV 248, Pt. 3: No. 31, Arie. Schließe, mein Herze, dies selige Wunder
producer:
Wackernagel (German musicologist and librarian)
alto vocals:
Charlotte Wolf-Matthäus (alto) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:48
29Christmas Oratorio, BWV 248, Pt. 3: No. 32, Rezitativ. Ja, ja, mein Herz soll es bewahren
producer:
Wackernagel (German musicologist and librarian)
alto vocals:
Charlotte Wolf-Matthäus (alto) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:30
30Christmas Oratorio, BWV 248, Pt. 3: No. 33, Choral. Ich will dich mit Fleiß bewahren
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:53
31Christmas Oratorio, BWV 248, Pt. 3: No. 34, Rezitativ Evangelist. Und die Hirten kehrten wieder um
producer:
Wackernagel (German musicologist and librarian)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
32Christmas Oratorio, BWV 248, Pt. 3: No. 35, Choral. Seid froh dieweil
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:48
33Christmas Oratorio, BWV 248, Pt. 3: No. 24, Chor da capo. Herrscher des Himmels, erhöre das Lallen
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:20
34Christmas Oratorio, BWV 248, Pt. 4: No. 36, Chor. Fallt mit Danken, fallt mit Loben
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:22
35Christmas Oratorio, BWV 248, Pt. 4: No. 37, Rezitativ Evangelist. Und da acht Tage um waren
producer:
Wackernagel (German musicologist and librarian)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:32
36Christmas Oratorio, BWV 248, Pt. 4: No. 38, Rezitativ. Immanuel, o süßes Wort & Arioso. Jesu, du mein liebstes Leben & Rezitativ.
producer:
Wackernagel (German musicologist and librarian)
baritone vocals:
Walter Hauck (baritone) (on 1950-12-08)
soprano vocals:
Agnes Giebel (soprano) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:52
37Christmas Oratorio, BWV 248, Pt. 4: No. 39, Arie. Flößt, mein Heiland, flößt dein Namen
producer:
Wackernagel (German musicologist and librarian)
soprano vocals:
Agnes Giebel (soprano) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:19
38Christmas Oratorio, BWV 248, Pt. 4: No. 40, Rezitativ. Wohlan, dein Name soll allein & Arioso. Jesu, meine Freud und Wonne
producer:
Wackernagel (German musicologist and librarian)
baritone vocals:
Walter Hauck (baritone) (on 1950-12-08)
soprano vocals:
Agnes Giebel (soprano) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:52
39Christmas Oratorio, BWV 248, Pt. 4: No. 41, Arie. Ich will nur dir zu Ehren leben
producer:
Wackernagel (German musicologist and librarian)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:17
40Christmas Oratorio, BWV 248, Pt. 4: No. 42, Choral. Jesus richte mein Beginnen
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:21
41Christmas Oratorio, BWV 248, Pt. 5: No. 43, Chor. Ehre sei dir, Gott, gesungen
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:56
42Christmas Oratorio, BWV 248, Pt. 5: No. 44, Rezitativ Evangelist. Da Jesus geboren war zu Bethlehem & No. 45, Chor. Wo ist der neu
producer:
Wackernagel (German musicologist and librarian)
alto vocals:
Charlotte Wolf-Matthäus (alto) (on 1950-12-08)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:18
43Christmas Oratorio, BWV 248, Pt. 5: No. 46, Choral. Dein Glanz all Finsternis verzehrt
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:58
44Christmas Oratorio, BWV 248, Pt. 5: No. 47, Aria. Erleucht auch meine finstre Sinnen
producer:
Wackernagel (German musicologist and librarian)
baritone vocals:
Walter Hauck (baritone) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:32
45Christmas Oratorio, BWV 248, Pt. 5: No. 48, Rezitativ Evangelist. Da das der König Herodes hörte & No. 49, Rezitativ. Warum wollt
producer:
Wackernagel (German musicologist and librarian)
alto vocals:
Charlotte Wolf-Matthäus (alto) (on 1950-12-08)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:47
46Christmas Oratorio, BWV 248, Pt. 5: No. 50, Rezitativ Evangelist. Und ließ versammeln alle Hohenpriester
producer:
Wackernagel (German musicologist and librarian)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:19
47Christmas Oratorio, BWV 248, Pt. 5: No. 51, Terzett. Ach, wann wird die Zeit erscheinen?
producer:
Wackernagel (German musicologist and librarian)
alto vocals:
Charlotte Wolf-Matthäus (alto) (on 1950-12-08)
soprano vocals:
Agnes Giebel (soprano) (on 1950-12-08)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:45
48Christmas Oratorio, BWV 248, Pt. 5: No. 52, Rezitativ. Mein Liebster herrschet schon
producer:
Wackernagel (German musicologist and librarian)
alto vocals:
Charlotte Wolf-Matthäus (alto) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:35
49Christmas Oratorio, BWV 248, Pt. 5: No. 53, Choral. Zwar ist solche Herzensstube
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:06
50Christmas Oratorio, BWV 248, Pt. 6: No. 54, Chor. Herr, wenn die stolzen Feinde schnauben
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:55
51Christmas Oratorio, BWV 248, Pt. 6: No. 55, Rezitativ Evangelist. Da berief Herodes die Weisen heimlich & Herodes. Ziehet hin und
producer:
Wackernagel (German musicologist and librarian)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
52Christmas Oratorio, BWV 248, Pt. 6: No. 56, Rezitativ. Du Falscher, suche nur den Herrn zu fällen
producer:
Wackernagel (German musicologist and librarian)
soprano vocals:
Agnes Giebel (soprano) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:01
53Christmas Oratorio, BWV 248, Pt. 6: No. 57, Arie. Nur ein Wink von seinen Händen
producer:
Wackernagel (German musicologist and librarian)
soprano vocals:
Agnes Giebel (soprano) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:51
54Christmas Oratorio, BWV 248, Pt. 6: No. 58, Rezitativ Evangelist. Als sie nun den König gehöret hatten
producer:
Wackernagel (German musicologist and librarian)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:09
55Christmas Oratorio, BWV 248, Pt. 6: No. 59, Choral. Ich steh an deiner Krippen hier
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:07
56Christmas Oratorio, BWV 248, Pt. 6: No. 60, Rezitativ Evangelist. Und Gott befahl ihnen im Traum
producer:
Wackernagel (German musicologist and librarian)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:20
57Christmas Oratorio, BWV 248, Pt. 6: No. 61, Rezitativ. So geht! Genug, mein Schatz geht nicht von hier
producer:
Wackernagel (German musicologist and librarian)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:43
58Christmas Oratorio, BWV 248, Pt. 6: No. 62, Arie. Nun mögt ihr stolzen Feinde schrecken
producer:
Wackernagel (German musicologist and librarian)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:48
59Christmas Oratorio, BWV 248, Pt. 6: No. 63, Rezitativ. Was will der Hölle Schrecken nun
producer:
Wackernagel (German musicologist and librarian)
alto vocals:
Charlotte Wolf-Matthäus (alto) (on 1950-12-08)
baritone vocals:
Walter Hauck (baritone) (on 1950-12-08)
soprano vocals:
Agnes Giebel (soprano) (on 1950-12-08)
tenor vocals:
Helmut Krebs (tenor) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:47
60Christmas Oratorio, BWV 248, Pt. 6: No. 64, Choral. Nun seid ihr wohl gerochen
producer:
Wackernagel (German musicologist and librarian)
choir vocals:
RIAS Kammerchor (German chamber choir) (on 1950-12-08)
orchestra:
RIAS Kammerorchester (on 1950-12-08)
conductor:
Karl Ristenpart (conductor) (on 1950-12-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1950-12-08, on 1950-12-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (on 1950-12-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:53