Can’t Get Out Of This Mood

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Qobuz digital release

Anmerkung zuletzt geändert am 2024-02-10 16:19 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Can’t Get Out of This Mood
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
Can’t Get Out of This Mood (in 1959)
Texter:
Frank Loesser
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Peermusic Ltd (UK) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
sub-publisher:
SEMI Société (SEMI Société)
42:34
2Do Nothin’ Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
3.652:50
3Love Me or Leave Me
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Love Me or Leave Me (in 1957-12)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
4.753:22
4It Don’t Mean a Thing
Sologesang:
Nina Simone (in 1962)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (in 1962)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
42:33
5Stompin’ at the Savoy
recording engineer:
Rudy van Gelder (in 1959-04)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959-04)
vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959-04)
cover recording of:
Stompin’ at the Savoy (in 1959-04)
Texter:
Andy Razaf
Komponist(in):
Benny Goodman (clarinetist and bandleader), Edgar Sampson und Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
42:10
6Where Can I Go Without You
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
Where Can I Go Without You? (in 1961)
Verfasser(in):
Peggy Lee (jazz vocalist) und Victor Young (American composer, arranger, violinist & conductor)
publisher:
Denslow Music, Inc. und EMI Waterford Music
32:51
7I Loves You Porgy
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
34:10
8My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
3.93:35
9Children Go Where I Send You
recording engineer:
Rudy van Gelder (in 1959-04)
Produzent(in):
Hecky Krasnow
Klavier und Sologesang:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959-04)
cover recording of:
Children Go Where I Send Thee (in 1959-04)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 133)
42:53
10I Love to Love
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
I Love to Love (Herbert Baker song) (in 1961)
Texter und Komponist(in):
Herbert Baker
33:27
11Just Say I Love Him
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
Just Say I Love Her (Engl. translation "Dicitencello vujie") (in 1961)
Texter:
Enzo Fusco
Komponist(in):
Rodolfo Falvo
zusätzlich arranger:
Jimmy Dale (American jazz composer, pianist, music arranger) und Jack Val (ASCAP songwriter)
Übersetzer:
Martin Kalmanoff (ASCAP songwriter) und Sam Ward
übersetzte Version von:
Dicitencello vuje
56:39
12African Mailman
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
recording of:
African Mailman (in 1957-12)
Komponist(in):
Nina Simone
publisher:
Sam Fox Publishing Co. Ltd.
13:07
13Mood Indigo
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Phillips (publisher; do NOT use as release label) (in 1966)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 1957-12)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, volume I)
34:03
14Good Bait
Bass:
Jimmy Bond (in 1957-12)
Klavier:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
instrumental cover recording of:
Good Bait (in 1957-12)
Texter:
Tadd Dameron
Komponist(in):
Count Basie (pianist) und Tadd Dameron
publisher:
Redwood Music Ltd. (Carlin) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
35:27
15Work Song
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier und Sologesang:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
vocals:
Nina Simone
cover recording of:
Work Song (lyrics added by Oscar Brown Jr.) (in 1961)
Texter:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Komponist(in):
Nat Adderley
publisher:
Upam Music Co. und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Version von:
Work Song (original instrumental)
4.652:36
16I’ll Look Around
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
I’ll Look Around (in 1961)
Texter:
Douglass Cross (US songwriter)
Komponist(in):
George Cory
publisher:
Northern Music Corp. und Universal/MCA Music Ltd. (not for release label use!)
3.655:08
17For All We Know
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
cover recording of:
For All We Know (1934 song) (in 1957-12)
Texter:
Sam M. Lewis (1930s lyricist) (in 1934)
Komponist(in):
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (beendet), Cromwell Music, Inc. (beendet), EMI Feist Catalog Inc. (beendet), Leo Feist, Inc. (beendet), Redwood Music Ltd. (Carlin) (beendet), Tro-Cromwell Music, Inc. (beendet), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company und Toy Town Tunes, Inc.
4:01
18Little Girl Blue
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Little Girl Blue (in 1957-12)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
44:16
19Solitaire
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
Solitaire (in 1959)
Verfasser(in):
Reneé Borek, King Guion (jazz tenor saxophonist, clarinetist and bass clarinetist) und Carl Nutter
53:26
20No Good Man
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
No Good Man (in 1961)
Texter:
Sammy Gallop
Komponist(in):
Dan Fisher (U.S. songwriter ("Good Morning Heartache"), author, producer) und Irene Higginbotham
43:39