101 Aussie Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Down Under
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Ron Strykert
keyboard and woodwind:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 21) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
lyricist:
Colin Hay
composer:
Colin Hay and Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Men at Work3.953:34
2Forever Now
recording of:
Forever Now
publisher:
Steve Prestwich
lyricist and composer:
Steve Prestwich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing (do not use as a release label!)
Cold Chisel4:25
3To Her Door
part of:
triple j’s Hottest 100 of Australian Songs (number: 22)
recording of:
To Her Door
lyricist and composer:
Paul Kelly (Australian singer/songwriter)
publisher:
Mushroom Music Publishing and Sony/ATV Music Publishing
Paul Kelly & The Coloured Girls33:14
4Come Said the Boy
recording of:
Come Said the Boy
writer:
Eric McCusker
publisher:
Origin Music (publisher) and Origin Music Publishing Pty Ltd
Mondo Rock4:37
5Age of Reason
assistant engineer:
Doug Roberts (Australian producer, studio technician and engineer)
engineer:
Doug Brady (engineer)
producer:
Ross Fraser
bass:
Wayne Nelson
drums (drum set):
Angus Burchall
guitar:
Brett Garsed
keyboard and solo piano:
David Hirschfelder (Australian score composer)
vocals:
Lindsay Field and Venetta Fields
phonographic copyright (℗) by:
BMG Arista/Ariola Limited (not for release label use! manufacturers/distributors operating in Australasia) (in 1988), BMG Australia Limited (not for release label use!) (in 1988) and Wheatley Records (label founded by Glenn Wheatley) (in 1988)
mixed at:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australia
recording of:
Age of Reason
writer:
Todd Hunter (Todd Stuart Hunter of Dragon) and Johanna Pigott
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, J. Albert & Son Pty. Ltd. and SBK Songs (publisher)
John Farnham45:06
6Solid Rock
phonographic copyright (℗) by:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1982, in 1997) and Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1982)
part of:
triple j’s Hottest 100 of Australian Songs (number: 47)
recording of:
Solid Rock (Sacred Ground)
writer:
Shane Howard (Australian singer / songwriter)
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Goanna4:30
7Jessie’s Girl
producer:
Keith Olsen (US producer and engineer)
arranger:
Neil Geraldo (multi-instrumentalist, songwriter, producer), Keith Olsen (US producer and engineer) and Rick Springfield
phonographic copyright (℗) by:
BMG Entertainment (in 1981), BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 2001) and Wizard Records (Germany, hard-trance) (in 1981)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 20) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 55)
recording of:
Jessie’s Girl
lyricist and composer:
Rick Springfield
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. and Wizard Music
Rick Springfield4.43:13
8What About Me
producer:
Charles Fisher (Australian producer)
bass:
Ian Lees (Australian bassist)
brass and keyboard:
Charlie Cole (Australian keyboards)
drums (drum set):
Paul Freeland
guitar:
Garry Frost
vocals:
Alex Smith (Australian artist ex. Moving Pictures)
phonographic copyright (℗) by:
WBE Records (label founded by Glenn Wheatley) (in 1981)
recording of:
What About Me (Moving Pictures song)
writer:
Garry Frost and Frances Swan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Unichappell Music, Warner Chapell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner/Chappell Pty. Ltd.
Moving Pictures3:31
9Howzat
phonographic copyright (℗) by:
Festival Records (Australian) (in 1976), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1976) and Sherbet Record Productions (in 1976)
recording of:
Howzat
writer:
Tony Mitchell (bass, songwriter, Australia) and Garth Porter
publisher:
Heath Levy Music Ltd. (publisher), Rondor Music and Rondor Music (Australia) Pty Ltd
Sherbet23:44
10Help Is on Its Way
assistant engineer:
John Hodge (engineer)
engineer:
Ross Cockle and Paul Grupp
producer:
John Boylan and Little River Band
bass:
George McArdle (in 1977-03)
drums (drum set):
Derek Pellicci (in 1977-03)
guitar:
Beeb Birtles (in 1977-03) and David Briggs (producer, guitarist of Little River Band) (in 1977-03)
piano:
Peter Sullivan (in 1977-03)
vocals:
Beeb Birtles (in 1977-03), Graham Goble (in 1977-03) and Glenn Shorrock (in 1977-03)
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!) (in 1972, in 1977, in 2002), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1976, in 1977), EMI Music Australia Pty. Limited (not for release label use!) (in 1976, in 1977), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1977) and Capitol Records Ltd. (not for release label use; UK company) (in 1989)
produced for:
Tumbleweed Productions
recorded at:
Armstrong Audio/Video (later renamed AAV Studios) in Melbourne, Victoria, Australia and Armstrong Audio Video (later renamed AAV Studios) in Melbourne, Victoria, Australia (in 1977-03)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
recording of:
Help Is on Its Way (in 1977-03)
lyricist and composer:
Glenn Shorrock
publisher:
Australian Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) and Wheatley Music Pty Ltd.
Little River Band3.353:55
11Are You Old Enough
bass:
Todd Hunter (Todd Stuart Hunter of Dragon)
drums (drum set):
Kerry Jacobson
guitar:
Robert Taylor (singer-songwriter and guitarist)
keyboard:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
vocals:
Marc Hunter
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1976, in 1978)
recording of:
Are You Old Enough
lyricist and composer:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
publisher:
EMI Songs and EMI Songs Australia Pty. Ltd.
Dragon4:01
12Horror Movie
engineer:
John French (Australian producer/engineer)
producer:
Ross 'The Boss' Wilson (Australian singer-songwriter, guitarist and producer)
bass guitar:
Greg Macainsh (in 1974)
drums (drum set):
Fred Strauks (in 1974)
guitar:
Bob “Bongo” Starkie (in 1974) and Redmond Symons (in 1974)
lead vocals:
Graeme 'Shirley' Strachan (in 1974)
vocals:
Fred Strauks (in 1974), Greg Macainsh (in 1974), Bob “Bongo” Starkie (in 1974) and Redmond Symons (in 1974)
phonographic copyright (℗) by:
Mushroom Records Pty Limited (in 1990)
recorded at:
T.C.S. Studios in Richmond, Melbourne, Victoria, Australia (in 1974)
recording of:
Horror Movie (in 1974)
lyricist and composer:
Greg Macainsh
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Skyhooks3:46
13Girls on the Avenue
phonographic copyright (℗) by:
Festival Records (Australian) (in 1974), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1975) and Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1999)
recording of:
Girls on the Avenue (Richard Clapton song)
writer:
Richard Clapton
publisher:
Festival Music, Festival Music Pty, Ltd., Festival Music Publishing (APRA-affiliated), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Richard Clapton3:09
14Slipping Away
bass:
Howard Deniz
drums (drum set):
Stewart Spears
guitar:
John Gourd and Max Merritt
piano:
John Gourd
saxophone:
Lance Dixon
vocals:
Max Merritt
phonographic copyright (℗) by:
Arista Records Ltd. (not for release label use!) and BMG Australia Limited (not for release label use!) (in 1976)
recording of:
Slipping Away
writer:
Max Merritt
publisher:
Warner Chappell and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Max Merritt & the Meteors5:27
15Because I Love You
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1970, in 1971)
recording of:
Because I Love You (Masters Apprentices song)
writer:
Doug Ford and Jim Keays
publisher:
EMI Music Australia Pty. Limited (not for release label use!), EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
Masters Apprentices4:30
16One Perfect Day
bass:
Peter Leslie (bassist)
drums (drum set):
Alan "Clutch" Robertson
keyboard:
Martin Fisher (keyboards, in Dear Enemy)
vocals:
Roger Hart (Australian guitarist, vocalist, songwriter)
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!) (in 1982) and EMI Music Australia Pty. Limited (not for release label use!) (in 1982)
recording of:
One Perfect Day (Little Heroes song)
writer:
Roger Wells (Roger Garfield Ferrier)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Orient Pacific Music Pty. Ltd.
The Little Heroes3:39
17Way Out West
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1992)
cover recording of:
Way Out West
writer:
Michael Bois, John Lee (Australian drummer, songwriter and singer), Broderick Smith, Chris Stockley (The Dingoes) and Kerryn Tolhurst (Australian musician)
publisher:
Cellar Music Co Pty Ltd, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
James Blundell & James Reyne4:00
18Eagle Rock
bass:
Wayne Duncan (Australian musician)
drums (drum set):
Gary Young (Australian drummer)
guitar:
Ross Hannaford and Ross Wilson (Australian singer-songwriter, guitarist and producer)
vocals:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1971), Sparmac (in 1971), Wizard (Australian rock) (in 1971), Wizard Records (Germany, hard-trance) (in 1971) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1998)
part of:
triple j’s Hottest 100 of Australian Songs (number: 45)
recording of:
Eagle Rock
writer:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
Daddy Cool4:08
19The Real Thing
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!) and EMI Music Australia Pty. Limited (not for release label use!) (in 1969)
recording of:
The Real Thing
lyricist and composer:
John B. Young (Australian singer)
writer:
Johnny Young (Australian singer)
publisher:
Chappell/Morris Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Russell Morris6:19
2▼CD
#TitleArtistRatingLength
1Run to Paradise
bass:
Ian Hulme
drums (drum set):
Lindsay Tebbutt
guitar:
Brad Carr and Mark Gable
vocals:
Mark Gable
phonographic copyright (℗) by:
Mushroom Records (in 1987)
recording of:
Run to Paradise
writer:
Brad Carr and Mark Gable
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Choirboys44:06
2Pleasure and Pain
producer:
Mike Chapman (Australian producer and songwriter)
phonographic copyright (℗) by:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985) and Chrysalis Records, Inc. (not for release label use!) (in 1985)
recording of:
Pleasure and Pain
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
Hebbes Music Group Pty. Ltd., Warner Chappell and Warner/Chappell Music Ltd. (1996–2019)
Divinyls3.353:48
3Out of Mind Out of Sight
producer:
Mark Opitz
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1985) and Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1993)
recording of:
Out of Mind Out of Sight
lyricist and composer:
James Freud
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Models3:35
4What's My Scene
bass:
Clyde Bramley
drums (drum set):
Mark Kingsmill
guitar:
Dave Faulkner (David Faulkner) and Brad Shepherd
harmonica:
Brad Shepherd
keyboard:
Dave Faulkner (David Faulkner)
vocals:
Dave Faulkner (David Faulkner)
phonographic copyright (℗) by:
Hoodoo Gurus Pty Ltd (in 1987)
recording of:
What’s My Scene?
writer:
Dave Faulkner (David Faulkner)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Mushroom Music (Mushroom label’s publishing company) and Sony/ATV Music Publishing
Hoodoo Gurus3.353:47
5Heaven (Must Be There)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) and Nostata Pty. Limited (in 1983, in 1984)
recording of:
Heaven (Must Be There)
lyricist and composer:
Bernie Lynch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Orient Pacific Music Pty. Ltd. and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Eurogliders33:36
6Funky Town
producer:
Mark Berry (producer, mixer, engineer and remixer from Brooklyn, New York)
mixer:
Mark Berry (producer, mixer, engineer and remixer from Brooklyn, New York) and Brian Canham (Australian singer ex. Pseudo Echo)
bass:
Pierre Gigliotti
drums (drum set):
Anthony Argiro
guitar:
Brian Canham (Australian singer ex. Pseudo Echo)
keyboard:
James Leigh (Pseudo Echo)
vocals:
Brian Canham (Australian singer ex. Pseudo Echo)
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!) (in 1986), EMI Music Australia Pty. Limited (not for release label use!) (in 1986), EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1986) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1987)
cover recording of:
Funkytown
lyricist and composer:
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Pseudo Echo54:52
7He’s Gonna Step on You Again
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1992)
cover recording of:
He’s Gonna Step on You Again
writer:
Christos Demitriou and John Kongos
publisher:
Essex Music of Australia Pty. Ltd.
The Party Boys4:08
8Onion Skin
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1989) and Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1989)
recording of:
Onion Skin
writer:
Peter Farnan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Boom Crash Opera3:27
9Man Overboard
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1985) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Man Overboard (Do-Ré-Mi song)
writer:
Dorland Bray, Helen Carter (country singer), Deborah Conway and Stephen Philip (member of Do-Ré-Mi, Thought Criminals)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, Mushroom Music Pty. Ltd. and Mushroom Music Publishing
Do Re Mi34:09
10Current Stand
phonographic copyright (℗) by:
Mushroom Records (in 1985)
recording of:
Current Stand
writer:
Scott Carne (Kids in the Kitchen), Claude Carranza, Bruce Curnow and Craig Harnath
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Mushroom Music Pty. Ltd.
Kids in the Kitchen3:59
1150 Years
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1985)
recording of:
50 Years
writer:
Brian Mannix (Australian singer) and Ron Thiessen
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Uncanny X‐Men4:03
12No Tragedy
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1983)
recording of:
No Tragedy
writer:
Geoff Turner (Australian)
publisher:
Rondor Music (Australia) Pty Ltd
The Radiators3:59
13Counting the Beat
producer:
David Tickle
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1981) and Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 2002)
recording of:
Counting the Beat
writer:
Bones Hillman, Phil Judd and Buster Stiggs
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
part of:
APRA Silver Scroll Awards Winners (number: 1981) and APRA Top 100 New Zealand Songs of All Time (number: 4)
The Swingers3:01
14Soul Kinda Feeling
phonographic copyright (℗) by:
Right On Records (in 2016)
recording of:
Soul Kind of Feeling
writer:
Robert Susz
publisher:
Mushroom Music Pty. Ltd. and Mushroom Music Publishing
Dynamic Hepnotics3:50
15No Secrets
bass:
Chris Bailey (Australian bassist for The Angels)
drums (drum set):
Graham (Buzz) Bidstrup
guitar:
John Brewster and Rick Brewster
vocals:
Doc Neeson
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) and Tutankhamen Nominees Pty. Ltd. (in 1980)
recording of:
No Secrets
writer:
Graham "Buzz" Bidstrup and Doc Neeson
publisher:
J. Albert & Son and J. Albert & Son Pty. Ltd.
The Angels4:18
16(I’m) Stranded
producer:
Rod Coe
bass guitar:
Kym Bradshaw
drums (drum set):
Ivor Hay
guitar:
Ed Kuepper
lead vocals:
Chris Bailey (Irish punk vocalist, member of The Saints)
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1976) and EMI Music Australia (defunct holding company, not for release label use!) (in 1977)
recording of:
(I’m) Stranded
lyricist and composer:
Chris Bailey (Irish punk vocalist, member of The Saints) and Ed Kuepper
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
The Saints4.153:29
17Computer Games
bass:
Don Martin (bassist and vocalist)
drums (drum set):
Richard Hodgkinson
guitar:
Kevin Stanton
keyboard:
Murray Burns
vocals:
Steve Gilpin
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1979), Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1979), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1979) and Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1980)
recording of:
Computer Games
lyricist:
Steve Gilpin and Kevin Stanton
composer:
Murray Burns and Kevin Stanton
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), BMG Music, BMG Music Ltd., BMG Music Publishing Australia Pty Ltd, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, EMI Songs Australia Pty. Ltd. and Universal Music Publishers MGB Australia Pty Ltd
Mi‐Sex3:59
18Bad Moon Rising
phonographic copyright (℗) by:
Dave Mason (lead singer of The Reels) (in 2007)
cover recording of:
Bad Moon Rising
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music and Warner/Chappell Music Australia Pty. Ltd.
The Reels3:44
19No Say in It
phonographic copyright (℗) by:
Mushroom Records (in 1982)
recording of:
No Say in It
writer:
Tim Doyle (Machinations), Fred Loneragan, Tony Starr (Machinations) and Nick Swan (Machinations)
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Machinations3:12
20Under the Milky Way
assistant engineer:
Duane Seykora
engineer:
Shep Lonsdale
producer:
The Church, Greg Ladanyi and Waddy Wachtel
mixer:
Greg Ladanyi, Shep Lonsdale and Waddy Wachtel
bass and lead vocals:
Steve Kilbey
drums (drum set):
Richard Ploog
guitar:
Peter Koppes and Marty Willson-Piper
keyboard:
Greg Kuehn
synclavier:
Awesome Welles
phonographic copyright (℗) by:
The Church (in 2009)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987, in 1988) and The Church Pty Limited (in 1988, in 2005)
part of:
triple j’s Hottest 100 of Australian Songs (number: 29) and VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 84)
recording of:
Under the Milky Way
writer:
Karin Jansson and Steve Kilbey
publisher:
Campbell Connelly (Australia) P/L, Funzalo Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music Sales Corporation (American copyright holder in both popular and classical music) and Universal/MCA Music Publishing Pty Ltd
The Church4.354:56
3▼CD
#TitleArtistRatingLength
1Tucker’s Daughter
phonographic copyright (℗) by:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1989)
recording of:
Tucker's Daughter (Ian Moss song)
writer:
Ian Moss and Don Walker (Australian musician and songwriter, member of Cold Chisel)
publisher:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Mushroom Music Publishing, Rondor Music, Rondor Music (Australia) P/L, Sony/ATV Music Publishing and Sony/ATV Music Publishing Australia Pty Ltd.
Ian Moss4:31
2Torn
producer:
Phil Thornalley
mixer:
Nigel Godrich (English record producer)
lead vocals:
Natalie Imbruglia
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (from 1997 to present) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
part of:
triple j’s Hottest 100 of Australian Songs (number: 32), Cachitos Nochevieja 2022 (number: 60) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 333)
cover recording of:
Torn
lyricist:
Anne Preven
composer:
Scott Cutler, Anne Preven and Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:02
3The Horses
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1990), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1990), Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1990) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1991)
part of:
triple j’s Hottest 100 of Australian Songs (number: 30)
cover recording of:
The Horses
writer:
Walter Becker and Rickie Lee Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Australia Pty Ltd, Mushroom Music Pty. Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Universal/MCA Music Publishing Pty Ltd and Easy Money Music (in 1989)
Daryl Braithwaite4:12
4Amazing
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 2001) and EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 2001)
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 2001)
recording of:
Amazing
lyricist and composer:
Alex Lloyd (Australian singer‐songwriter)
publisher:
Rondor Music (Australia) Pty Ltd
Alex Lloyd3.653:21
5Chains
mixer:
Chris Lord‐Alge
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1994), Sony Music Productions (for copyrights use only) (in 1994) and Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1998)
recording of:
Chains
writer:
Tina Arena (in 1993-10), Pam Reswick (American songwriter) (in 1993-10) and Steve Werfel (in 1993-10)
publisher:
Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Orient Pacific Music Pty. Ltd., PolyGram Music Publishing Australia Pty. Ltd., Standard Music Ltd. (publishing company associated with David Platz and Howard S. Richmond), Standard Music Publishing Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tina Arena3:59
6Motor’s Too Fast
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987, in 2002)
recording of:
Motor’s Too Fast
writer:
Simon Hussey (Australian multi-instrumentalist, songwriter-arranger, record producer and audio engineer) and James Reyne
publisher:
EMI Music Publishing (do not use as a release label!), Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
James Reyne34:12
7That’s When I Think of You
producer:
Charles Fisher (Australian producer)
phonographic copyright (℗) by:
Trafalgar Music Pty. Ltd. (in 1988)
recorded at:
Trafalgar Studios in Annandale, Sydney, New South Wales, Australia (in 1988-10)
recording of:
That’s When I Think of You
writer:
Garry Frost and Eric Weideman (Australian singer/songwriter)
publisher:
Orient Pacific Music Pty. Ltd., Origin Music Publishing Pty Ltd and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
192754:13
8You I Know
phonographic copyright (℗) by:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1987)
recording of:
You I Know
writer:
Neil Finn
publisher:
Mushroom Music (Mushroom label’s publishing company)
Jenny Morris4:07
9Tip of My Tongue
assistant recording engineer:
Marc DeSisto
recording engineer:
John Philip Shenale and Rick Will
assistant engineer:
Stoli Jaeger
engineer and mixer:
Rick Will
producer:
Don Gehman
assistant mixer:
Marc DeSisto and Ulrich Wild
bass:
Tommy Sims (r&b, ccm)
drums (drum set):
Yak Sherrit (drummer)
keyboard arranger, percussion arranger and strings arranger:
John Philip Shenale
phonographic copyright (℗) by:
Chrysalis Australia (in 1992), EMI Music Australia (defunct holding company, not for release label use!) (in 1992), EMI Music Australia Pty. Limited (not for release label use!) (in 1992) and EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1992)
recorded at:
Hot Tin Roof in Hollywood, Los Angeles, California, United States (in 1991)
recording of:
Tip of My Tongue
writer:
Diesel (Australian pop rock aka Mark Lizotte) and John Daniel Tate
publisher:
BMG Gold Songs, BMG Rights Management Canada A, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Virgin Music Publishing, EMI Virgin Music Publishing Australia Pty Ltd, Mushroom Music Pty. Ltd., Mushroom Records and Tate Music Group
Diesel34:06
10Touch
phonographic copyright (℗) by:
CBS Productions Pty. Limited (in 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1988) and Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1988)
recorded at:
Rhinoceros Studios in Sydney, New South Wales, Australia (in 1988-07)
recording of:
Touch (in 1988-07)
writer:
Steve Balbi, Stuart Fraser, Kevin Nicol, Justin Stanley and Jon Stevens (Australian/NZ rock singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Peer Music
Noiseworks5:03
11Chained to the Wheel
producer:
Jeff Burstin, Joe Camilleri and Tomie (producer)
bass guitar:
Mick Girasole
drums (drum set):
Peter Luscombe
percussion:
Alex Pertout
vocals:
Joe Camilleri
phonographic copyright (℗) by:
CBS Productions Pty. Limited (in 1988), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1988), Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1988) and Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1988)
recorded at:
Sing Sing Recording Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australia
mixed at:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australia and RBX Studios in Melbourne, Victoria, Australia
recording of:
Chained to the Wheel
lyricist:
Nick Smith (Australian Guitar Player and Songwriter)
writer:
Joe Camilleri
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing, Orient Pacific Music Pty. Ltd. and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Black Sorrows3:54
12Not a Day Goes By
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1992)
recording of:
Not a Day Goes By
writer:
Rick Price (Australian singer and songwriter), Pam Reswick (American songwriter) and Steve Werfel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony Music Publishing (worldwide except Japan, ended 1995) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rick Price4:16
13It’s Only the Beginning
recording of:
It's Only the Beginning
writer:
Deborah Conway and Scott Cutler
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs and Screen Gems
Deborah Conway4:41
14Island Home
recording of:
My Island Home
writer:
Neil Murray (Australian musician, member of Warumpi Band)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Christine Anu33:47
15Even When I’m Sleeping
producer:
Justin Stanley
remixer:
Mick Guzauski
phonographic copyright (℗) by:
Mushroom Records International B.V. (not for release label use! © & ℗ rights use only) (in 1997)
recording of:
Even When I'm Sleeping (Leonardo's Bride song)
writer:
Dean Manning
publisher:
Mushroom Music (Mushroom label’s publishing company)
Leonardo’s Bride3:52
16Not Pretty Enough
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 2001)
recording of:
Not Pretty Enough
lyricist and composer:
Kasey Chambers (Australian country singer‐songwriter)
publisher:
Mushroom Music Pty. Ltd. and Sony/ATV Music Publishing Australia Pty Ltd.
Kasey Chambers3:17
17No Aphrodisiac
producer:
Tim Freedman (Lead singer for The Whitlams) and Rob Taylor (Australian audio producer and engineer)
bass and double bass:
Andy Lewis (Australian bassist)
cello:
Peter Hollo
drums (drum set):
Mike Richards (Australian drummer formerly of The Whitlams)
guitar:
Òscar Briz
piano and background vocals:
Tim Freedman (Lead singer for The Whitlams)
strings:
FourPlay String Quartet
viola:
Chris Emerson (violist) and Tim Hollo
violin:
Lara Goodridge
vocals:
Tim Freedman (Lead singer for The Whitlams)
phonographic copyright (℗) by:
Phantom Records (Australian indie label) (in 1997)
recorded at:
Albert Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australia and Paradise Studios (Sydney) in Sydney, New South Wales, Australia
mixed at:
Albert Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 91) and triple j’s Hottest 100 (Australian annual music listener poll) (number: 1997)
recording of:
No Aphrodisiac (The Whitlams song)
lyricist:
Tim Freedman (Lead singer for The Whitlams), Glenn Dormand (Australian songwriter and musician Glenn Dormand) and Matt Ford (Australian singer/songwriter Matt Ford)
composer:
Tim Freedman (Lead singer for The Whitlams)
publisher:
EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Mushroom Music Pty. Ltd., Mushroom Music Publishing and Phantom Music Pty. Ltd. (Publishing company for Phantom Records (active from 1999-2016)) (from 1997 until 2016-10-24)
The Whitlams34:19
18The Day You Went Away
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1992) and Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1992)
cover recording of:
The Day You Went Away
writer:
Guy Batson and Johnny Male
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Wendy Matthews4:37
19All Out of Love
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Robie Porter
assistant mixer:
Linda Corbin
mixer:
Jim Hilton
bass guitar:
Criston Barker
drums (drum set):
Ralph Cooper (drummer)
guitar [lead guitar]:
David Moyse
guitar [rhythm guitar]:
Graham Russell (Air Supply)
keyboard:
Frank Esler‐Smith and Sam McNally
background vocals:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, Marcy Levy, David Moyse and Graham Russell (Air Supply)
lead vocals:
Russell Hitchcock
vocals:
Graham Russell (Air Supply)
arranger:
Air Supply and Robie Porter
orchestrator:
Frank Esler‐Smith and Robie Porter
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980), Arista Records, LLC (holding company - file NO releases here!) (in 1980), Big Time Phonograph Recording Co. (in 1980), Big Time Phonograph Recording Co. Pty Ltd. (in 1980) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980)
recorded at:
Paradise Studios (Sydney) in Sydney, New South Wales, Australia and Studios 301 (Byron Bay) in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia
mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States
part of:
The Downloader’s Music Source Book (number: 290)
recording of:
All Out of Love
writer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Graham Russell (Air Supply)
publisher:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply4.454:00
4▼CD
#TitleArtistRatingLength
1Locomotion
engineer:
Karen Hewitt, Mark McGuire (UK producer/engineer) and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
producer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
mixer:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographic copyright (℗) by:
Mushroom Records (from 1988 to present), PWL International Ltd. (in 1988) and KDB Pty Limited (in 1997)
cover recording of:
The Loco‐Motion (aka Locomotion)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1962 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Kylie Minogue3.53:12
2Live It Up
engineer:
Thom Panunzio
producer:
Richard Gottehrer (American songwriter and music executive)
phonographic copyright (℗) by:
Syray Pty. Limited (Australian record company copyright holder and distributor) (in 1984), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1986) and Festival Records (Australian) (in 1999)
recorded at:
Rhinoceros Studios in Sydney, New South Wales, Australia
recording of:
Live It Up
lyricist and composer:
Greedy Smith (Australian musician and songwriter with Mental As Anything)
publisher:
Syray Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Mental as Anything3.253:47
3Don’t Call Me Baby
engineer and mixer:
Mark Rachelle
producer:
Madison Avenue (Australian electronic music duo)
lead vocals:
Cheyne Coates
phonographic copyright (℗) by:
Vicious Grooves (in 1999)
engineered at:
Backbeach Recording Co. in Rye, Shire of Mornington Peninsula, Victoria, Australia
samples:
Ma quale idea by Pino D’Angiò (Italo disco artist)
edit of:
Don’t Call Me Baby (original 12” mix) by Madison Avenue (Australian electronic music duo)
recording of:
Don’t Call Me Baby
writer:
Andrew Van Dorsselaer, Giuseppe Chierchia, Cheyne Coates, Jerry Cohen, Gene McFadden, Duane Morrison and John Whitehead
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crisler, Universal Music (plain logo: “Universal Music”) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
is based on:
Ma quale idea
Madison Avenue2.83:48
4Bedroom Eyes
phonographic copyright (℗) by:
Mushroom Records (in 1989)
recording of:
Bedroom Eyes
writer:
Raymond Jones and Sami McKinney
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Kate Ceberano3:54
5Absolutely Everybody
recording engineer:
Adrian Hannan (The Song Store, Melbourne) (lead vocals)
producer:
Axel Breitung
vocals arranger:
Vanessa Amorosi
phonographic copyright (℗) by:
CBK Music (in 1999)
music videos:
Absolutely Everybody by Vanessa Amorosi
recording of:
Absolutely Everybody
writer:
A. Hicks (Adelaide (Australia) based producer, arranger and songwriter) and J. Ingram (Adelaide (Australia) based musician and remixer)
composer:
Mark Holden
publisher:
Mark Holden Songs, Transistor Music Australia and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Vanessa Amorosi33:42
6Buses and Trains
phonographic copyright (℗) by:
BMG Australia Limited (not for release label use!) (in 1998) and Gotham Records (AU label associated with John Farnham) (in 1998)
recording of:
Buses and Trains
writer:
James Roche (engineer)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
Bachelor Girl3:39
7Mouth
other vocals [percussion]:
Jason Catherine
phonographic copyright (℗) by:
BMG Australia (use with caution, be prepared to prove your edit!) (in 1994), Gotham Records (AU label associated with John Farnham) (in 1994) and Gotham Multimedia (in 1995)
recording of:
Mouth
writer:
Merril Bainbridge
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing (do not use as a release label!)
Merril Bainbridge43:25
8Crying in the Chapel
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1989)
recording of:
Crying in the Chapel (Peter Blakeley song)
writer:
Peter Blakeley and Aaron Zigman (American score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal/MCA Music Publishing Pty Ltd, Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Peter Blakeley3:38
9Physical
phonographic copyright (℗) by:
ONJ Productions (Olivia Newton-John) (in 1981)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 11), Cachitos Nochevieja 2022 (number: 97) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 457)
recording of:
Physical
writer:
Steve Kipner and Terry Shaddick
publisher:
EMI April Music Inc., EMI Songs Australia Pty. Ltd. and Floating World Music
Olivia Newton‐John4.353:41
10Stimulation
phonographic copyright (℗) by:
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1986)
recording of:
Stimulation
writer:
Paul Gray (former Wa Wa Nee vocalist/keyboardist)
Wa Wa Nee3:34
11Wanna Be Up
phonographic copyright (℗) by:
Festival Mushroom Records (label has FMR with a little speaker on top) (in 1988) and Mushroom Records (in 1988)
recording of:
Wanna Be Up
writer:
Eve Von Bibra and Brett Goldsmith
publisher:
Mushroom Music Publishing and Universal Music Publishing (use ONLY if no country‐specific information is available)
The Chantoozies3:40
12Addicted to Bass
recording engineer and producer:
Josh Abrahams (Puretone, aka Puretone)
phonographic copyright (℗) by:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1999)
recorded at and mixed at:
Fishtank Recording Studio in Brighton (Brighton, Victoria), Victoria, Australia
recording of:
Addicted to Bass
writer:
Josh Abrahams (Puretone, aka Puretone) and Amiel (Australian pop singer, songwriter & actress)
publisher:
Mushroom Music Publishing
Josh Abrahams & Amiel Daemion3.53:54
13He Don’t Love You
phonographic copyright (℗) by:
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 2000)
recording of:
He Don’t Love You
writer:
Wayne Hector and Steve Mac (British pop producer/songwriter Steve McCutcheon)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Human Nature3:11
14Voodoo Child
phonographic copyright (℗) by:
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 2005)
recording of:
Voodoo Child
writer:
Jamie Appleby (australian? composer), Elvis Costello and Steve Davis (founding member of Rogue Traders)
publisher:
Orient Pacific Music Pty. Ltd. and Universal Music Publishers MGB Australia Pty Ltd
Rogue Traders3.353:31
15Breakaway
phonographic copyright (℗) by:
Mushroom Records (in 1987)
recording of:
Breakaway (Australian Funk/Pop Music)
writer and composer:
Mitchell Bottler and Gary Zekley
publisher:
EMI Music Publishing (do not use as a release label!)
Big Pig3:38
16Everywhere You Go
phonographic copyright (℗) by:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1999)
recording of:
Everywhere You Go
writer:
Tim Watson (Taxiride) and Tim Wild
publisher:
Mushroom Music (Mushroom label’s publishing company)
Taxiride3:33
17Accidentally Kelly Street
recording engineer and producer:
Frente! and Michael Koppelman (Minneapolis producer and engineer)
mixer:
Michael Koppelman (Minneapolis producer and engineer)
phonographic copyright (℗) by:
White Records Pty Ltd (in 1992)
recording of:
Accidently Kelly Street
writer:
Tim O’Connor (AU multi-instrumentalist, member of Frente!)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Frente!43:20
18Sweet About Me
recording of:
Sweet About Me
writer:
Gabriella Cilmi, Nick Coler, Miranda Cooper, Brian Higgins (British producer and song writer), Tim Larcombe and Tim Powell (Songwriter and producer, ex-Xenomania)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner/Chappell Music Australia Pty. Ltd.
Gabriella Cilmi3.553:22
19Lovesong
phonographic copyright (℗) by:
Festival Records (Australian) (in 2003)
recording of:
Lovesong
writer:
Amiel (Australian pop singer, songwriter & actress)
publisher:
Mushroom Music (Mushroom label’s publishing company)
Amiel3:31
20Born to Try
producer:
Ric Wake
lead vocals:
Delta Goodrem
arranger:
Ric Wake
phonographic copyright (℗) by:
Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 2002)
music videos:
Born to Try (ten year anniversary acoustic version) by Delta Goodrem
recording of:
Born to Try
lyricist and composer:
Delta Goodrem and Audius Mtawarira
Delta Goodrem4:11
21These Days
phonographic copyright (℗) by:
V2 Conversion (in 2000)
recording of:
These Days
writer:
Colin Campsie and Phil Thornalley
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Bardot3:13
22Wait
phonographic copyright (℗) by:
Trafalgar Music Pty. Ltd. (in 1989)
recording of:
Wait
writer:
Garry Frost, Gyan (Gyan Evans, Australian musician) and Geoffrey Stapleton
publisher:
Garry Frost Publishing Pty Ltd., Origin Music Publishing Pty Ltd and Universal/MCA Music Publishing Pty Ltd
Gyan3:37
5▶CD

Credits

Release

mastering:John Ruberto (mastering engineer)
compiler:Liam Teer
manufactured by and marketed by:EMI Music Australia Pty. Limited (not for release label use!)
copyrighted (©) by:EMI Music Australia Pty. Limited (not for release label use!) (in 2010)
licensed to:EMI Music Australia Pty. Limited (not for release label use!)
Liberation Music (Australian, big L logo or “Liberation” on one line)
Warner Music Australia (AU subsidiary of Warner Music International since 1988)
mastered at:Crystal Mastering in Melbourne, Victoria, Australia
Discogs:https://www.discogs.com/release/2262150 [info]
ASIN:US: B00354NBR2 [info]

Release group

part of:101 Hits (Australian compilation series) (number: Aussie Hits) (order: 7)