Cantatas, Volume 13

~ Release by J.S. Bach; The Amsterdam Baroque Orchestra & Choir, Ton Koopman (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Cantata "Wie Schön Leuchtet Der Morgenstern" BWV 1: I. Chorus: "Wie Schön Leuchtet Der Morgenstern"
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: I. Coro “Wie schön leuchtet der Morgenstern” (from 2000-11-25 until 2000-12-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach8:00
2Cantata "Wie Schön Leuchtet Der Morgenstern" BWV 1: II. Recitative (Tenor): "Du Wahrer Gottes Und Marien Sohn"
tenor vocals:
Paul Agnew (tenor and conductor) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: II. Recitativo (Tenore) “Du wahrer Gottes und Marien Sohn” (from 2000-11-25 until 2000-12-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach1:02
3Cantata "Wie Schön Leuchtet Der Morgenstern" BWV 1: III. Aria (Soprano): "Erfüllet, Ihr Himmlischen Göttlichen Flammen"
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: III. Aria (Soprano) “Erfüllet, ihr himmlischen göttlichen Flammen” (from 2000-11-25 until 2000-12-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach4:06
4Cantata "Wie Schön Leuchtet Der Morgenstern" BWV 1: IV. Recitative (Bass): "Ein Irdscher Glanz, Ein Leiblich Licht"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: IV. Recitativo (Basso) “Ein irdscher Glanz, ein leiblich Licht” (from 2000-11-25 until 2000-12-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach0:55
5Cantata "Wie Schön Leuchtet Der Morgenstern" BWV 1: V. Aria (Tenor): "Unser Mund Und Ton Der Saiten"
tenor vocals:
Paul Agnew (tenor and conductor) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: V. Aria (Tenore) “Unser Mund und Ton der Saiten” (from 2000-11-25 until 2000-12-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach6:44
6Cantata "Wie Schön Leuchtet Der Morgenstern" BWV 1: VI. Chorale: "Wie Bin Ich Doch So Herzlich Froh"
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: VI. Choral “Wie bin ich doch so herzlich froh” (from 2000-11-25 until 2000-12-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 378)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach1:19
7Cantata "Nun Komm, Der Heiden Heiland" BWV 62: I. Chorus: "Nun Komm, Der Heiden Heiland"
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach4:39
8Cantata "Nun Komm, Der Heiden Heiland" BWV 62: II. Aria (Tenor): "Bewundert, O Menschen, Dies Große Geheimnis"
tenor vocals:
Paul Agnew (tenor and conductor) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": II. Aria (Tenore) "Bewundert, o Menschen" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach7:25
9Cantata "Nun Komm, Der Heiden Heiland" BWV 62: III. Recitative (Bass): "So Geht Aus Gottes Herrlichkeit Und Thron"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": III. Recitativo (Basso) "So geht aus Gottes Herrlichkeit" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:42
10Cantata "Nun Komm, Der Heiden Heiland" BWV 62: IV. Aria (Bass): "Streite, Siege, Starker Held!"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": IV. Aria (Basso) "Streite, siege, starker Held!" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach4:58
11Cantata "Nun Komm, Der Heiden Heiland" BWV 62: V. Recitative (Soprano): "Wir Ehren Diese Herrlichkeit"
alto vocals:
Franziska Gottwald (mezzo-soprano) (from 2000-11-25 until 2000-12-02)
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": V. Recitativo (Duetto: Soprano, Alto) "Wir ehren diese Herrlichkeit" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:48
12Cantata "Nun Komm, Der Heiden Heiland" BWV 62: VI. Chorale: "Lob Sei Gott, Dem Vater, Ton"
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": VI. Choral "Lob sei Gott, dem Vater, g'ton" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 265)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:37
13Cantata "Herr Christ, Der Einge Gottessohn" BWV 96: I. Chorus: "Herr Christ, Der Einge Gottessohn"
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": I. Coro "Herr Christ, der einge Gottessohn" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach4:53
14Cantata "Herr Christ, Der Einge Gottessohn" BWV 96: II. Recitative (Alto): "O Wunderkraft Der Liebe"
alto vocals:
Franziska Gottwald (mezzo-soprano) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": II. Recitativo (Alt) "O Wunderkraft der Liebe" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach1:15
15Cantata "Herr Christ, Der Einge Gottessohn" BWV 96: III. Aria (Tenor): "Ach, Ziehe Die Seele Mit Seilen Der Liebe"
tenor vocals:
Paul Agnew (tenor and conductor) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": III. Aria (Tenor) "Ach, ziehe die Seele mit Seilen der Liebe" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach6:30
16Cantata "Herr Christ, Der Einge Gottessohn" BWV 96:IV. Recitative (Soprano): "Ach, Führe Mich, O Gott, Zum Rechten Wege"
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": IV. Recitativo (Sopran) "Ach, führe mich, o Gott, zum rechten Wege" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach0:46
17Cantata "Herr Christ, Der Einge Gottessohn" BWV 96: VI. Aria (Bass): "Bald Zur Rechten, Bald Zur Linken"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": V. Aria (Bass) "Bald zur Rechten, bald zur Linken" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach2:29
18Cantata "Herr Christ, Der Einge Gottessohn" BWV 96: VII. Chorale: "Ertöt Uns Durch Dein Güte"
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": VI. Choral "Ertöt uns durch dein Güte" (from 2000-11-25 until 2000-12-02)
composer:
Elisabeth Creuziger and Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 128)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach0:53
19Cantata "Nun Komm, Der Heiden Heiland " BWV 62 appendix: Aria (Bass): "Streite, Siege, Starker Held!"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 62 appendix "Nun komm, der Heiden Heiland": IV. Aria (Basso) "Streite, siege, starker Held!" (Alternative version) (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": IV. Aria (Basso) "Streite, siege, starker Held!"
Johann Sebastian Bach5:04
2▼CD
#TitleArtistRatingLength
1Cantata "Aus Tiefer Not Schrei Ich Zu Dir" BWV 38: I. Chorus: "Aus Tiefer Not Schrei Ich Zu Dir"
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir": I. Choral. "Aus tiefer Not schrei ich zu dir" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir"
Johann Sebastian Bach3:37
2Cantata "Aus Tiefer Not Schrei Ich Zu Dir" BWV 38: II. Recitative (Alto): "In Jesu Gnade Wird Allein"
alto vocals:
Franziska Gottwald (mezzo-soprano) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir": II. Recitativo (Alto) "In Jesu Gnade wird allein" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir"
Johann Sebastian Bach0:50
3Cantata "Aus Tiefer Not Schrei Ich Zu Dir" BWV 38: III. Aria (Tenor): "Ich Höre Mitten In Den Leiden"
tenor vocals:
Paul Agnew (tenor and conductor) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir": III. Aria (Tenore) "Ich höre mitten in den Leiden" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir"
Johann Sebastian Bach7:20
4Cantata "Aus Tiefer Not Schrei Ich Zu Dir" BWV 38: IV. Recitative (Soprano): "Ach! Daß Mein Glaube Noch So Schwach"
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir": IV. Recitativo (Soprano) "Ach! Daß mein Glaube" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir"
Johann Sebastian Bach1:23
5Cantata "Aus Tiefer Not Schrei Ich Zu Dir" BWV 38: V. Aria (Terzetto S, A, B): "Wenn Meine Trübsal Als Mit Ketten"
alto vocals:
Franziska Gottwald (mezzo-soprano) (from 2000-11-25 until 2000-12-02)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir": V. Aria (Terzetto: Soprano, Alto, Basso) "Wenn meine Trübsal als mit Ketten" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir"
Johann Sebastian Bach4:05
6Cantata "Aus Tiefer Not Schrei Ich Zu Dir" BWV 38: VI. Choral: "Ob Bei Uns Ist Der Sünden Viel"
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir": VI. Choral "Ob bei uns ist der Sünden viel" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 31)
part of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir"
Johann Sebastian Bach1:20
7Cantata "Wer Nur Den Lieben Gott Läßt Walten" BWV 93: I. Chorus: "Wer Nur Den Lieben Gott Läßt Walten"
alto vocals:
Franziska Gottwald (mezzo-soprano) (from 2000-11-25 until 2000-12-02)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
tenor vocals:
Paul Agnew (tenor and conductor) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": I. Coro (Sopran, Alt, Tenor, Bass) "Wer nur den lieben Gott läßt walten" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach5:14
8Cantata "Wer Nur Den Lieben Gott Läßt Walten" BWV 93: II. Recitative - Chorale (Bass): "Was Helfen Uns Die Schweren Sorgen?"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": II. Recitativo (e Choral) (Bass) "Was helfen uns die schweren Sorgen?" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach1:49
9Cantata "Wer Nur Den Lieben Gott Läßt Walten" BWV 93: III. Aria (Tenor): "Man Halte Nur Ein Wenig Stille"
tenor vocals:
Paul Agnew (tenor and conductor) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": III. Aria (Tenor) "Man halte nur ein wenig stille" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach3:47
10Cantata "Wer Nur Den Lieben Gott Läßt Walten" BWV 93: IV. Aria (Duetto S, A) - Chorale: "Er Kennt Die Rechten Freudenstunden"
alto vocals:
Franziska Gottwald (mezzo-soprano) (from 2000-11-25 until 2000-12-02)
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": IV. Aria (Duetto Sopran, Alt) (con Choral) "Er kennt die rechten Freudenstunden" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach3:24
11Cantata "Wer Nur Den Lieben Gott Läßt Walten" BWV 93: V. Recitative - Chorale (Tenor): "Denk Nicht In Deiner Drangsalshitze"
tenor vocals:
Paul Agnew (tenor and conductor) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": V. Recitativo (e Choral) (Tenor) "Denk nicht in deiner Drangsalshitze" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach2:25
12Cantata "Wer Nur Den Lieben Gott Läßt Walten" BWV 93: VI. Aria (Soprano): "Ich Will Auf Den Herren Schaun"
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": VI. Aria (Sopran) "Ich will auf den Herren schaun" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach2:26
13Cantata "Wer Nur Den Lieben Gott Läßt Walten" BWV 93: VII. Chorale: "Sing, Bet Und Geh Auf Gottes Wegen"
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": VII. Choral "Sing, bet und geh auf Gottes Wegen" (from 2000-11-25 until 2000-12-02)
lyricist:
Georg Neumark (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 369)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach1:01
14Cantata "Allein Zu Dir, Herr Jesu Christ" BWV 33: I. Chorus: "Allein Zu Dir, Herr Jesu Christ"
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": I. Coro "Allein zu dir, Herr Jesu Christ" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ"
Johann Sebastian Bach4:15
15Cantata "Allein Zu Dir, Herr Jesu Christ" BWV 33: II. Recitative (Bass): "Mein Gott Und Richter"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": II. Recitativo (Basso) "Mein Gott und Richter" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ"
Johann Sebastian Bach1:05
16Cantata "Allein Zu Dir, Herr Jesu Christ" BWV 33: III. Aria (Alto): "Wie Furchtsam Wankten Meine Schritte"
alto vocals:
Franziska Gottwald (mezzo-soprano) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": III. Aria (Alto) "Wie furchtsam wankten meine Schritte" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ"
Johann Sebastian Bach9:37
17Cantata "Allein Zu Dir, Herr Jesu Christ" BWV 33: IV. Recitative (Tenor): "Mein Gott, Verwirf Mich Nicht"
tenor vocals:
Paul Agnew (tenor and conductor) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": IV. Recitativo (Tenore) "Mein Gott, verwirf mich nicht" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ"
Johann Sebastian Bach1:08
18Cantata "Allein Zu Dir, Herr Jesu Christ" BWV 33: V. Aria (Duetto T, B): "Gott, Der Du Die Liebe Heißt"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
tenor vocals:
Paul Agnew (tenor and conductor) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": V. Aria (Duetto: Tenore, Basso) "Gott, der du die Liebe heißt" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ"
Johann Sebastian Bach3:36
19Cantata "Allein Zu Dir, Herr Jesu Christ" BWV 33: VI. Chorale: "Ehr Sei Gott In Dem Höchsten Thron"
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": VI. Choral "Ehr sei Gott in dem höchsten Thron" (from 2000-11-25 until 2000-12-02)
lyricist:
Johannes Schneesing (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 16)
part of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ"
Johann Sebastian Bach1:18
3▼CD
#TitleArtistRatingLength
1Cantata "Ich Freue Mich In Dir" BWV 133: I. Chorus: "Ich Freue Mich In Dir"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach3:50
2Cantata "Ich Freue Mich In Dir" BWV 133: II. Aria (Alto): "Getrost! Es Faßt Ein Heilger Leib"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Franziska Gottwald (mezzo-soprano) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": II. Aria (Alt) "Getrost! es faßt ein heilger Leib" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach4:06
3Cantata "Ich Freue Mich In Dir" BWV 133: III. Recitative (Tenor): "Ein Adam Mag Sich Voller Schrecken"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": III. Recitativo (Tenor) "Ein Adam mag sich voller Schrecken" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach0:56
4Cantata "Ich Freue Mich In Dir" BWV 133: IV. Aria (Soprano): "Wie Lieblich Klingt Es In Den Ohren"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": IV. Aria (Sopran) "Wie lieblich klingt es in den Ohren" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach7:27
5Cantata "Ich Freue Mich In Dir" BWV 133: V. Recitative (Bass): "Wohlan! Des Todes Furcht Und Schmerz"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": V. Recitativo (Bass) "Wohlan, des Todes Furcht und Schmerz" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach0:58
6Cantata "Ich Freue Mich In Dir" BWV 133: VI. Chorale: "Wohlan, So Will Ich Mich"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": VI. Choral "Wohlan, so will ich mich" (from 2000-11-25 until 2000-12-02)
lyricist:
Caspar Ziegler (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 181)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach0:59
7Cantata "Das Neugeborne Kindelein" BWV 122: I. Choral: "Das Neugeborne Kindelein"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": I. Coro "Das neugeborne Kindelein" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach3:18
8Cantata "Das Neugeborne Kindelein" BWV 122: II. Aria (Bass): "O Menschen, Die Ihr Täglich Sündigt"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": II. Aria (Bass) "O Menschen, die ihr täglich sündigt" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach4:52
9Cantata "Das Neugeborne Kindelein" BWV 122: III. Recitative (Soprano): "Die Engel, Welche Sich Zuvor"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": III. Recitativo (Sopran) "Die Engel, welche sich zuvor" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach1:20
10Cantata "Das Neugeborne Kindelein" BWV 122: IV. Aria (Terzetto S, A, T): "Ist Gott Versöhnt Und Unser Freund"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Franziska Gottwald (mezzo-soprano) (from 2000-11-25 until 2000-12-02)
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
tenor vocals:
Paul Agnew (tenor and conductor) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": IV. Terzetto (Sopran, Alt, Tenor) con Choral (Coro Alt) "Ist Gott versöhnt" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach2:16
11Cantata "Das Neugeborne Kindelein" BWV 122: V. Recitative (Bass): "Dies Ist Ein Tag"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": V. Recitativo (Bass) "Dies ist ein Tag, den selbst der Herr gemacht" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach1:14
12Cantata "Das Neugeborne Kindelein" BWV 122: VI. Choral: "Es Bringt Das Rechte Jubeljahr"
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": VI. Choral "Es bringt das rechte Jubeljahr" (from 2000-11-25 until 2000-12-02)
lyricist:
Cyriacus Schneegaß
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Breitkopf 389 Choralgesänge (number: 57)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach0:30
13Cantata "Ich hab in Gottes Herz und Sinn" BWV 92: I. Chorale: "Ich hab in Gottes Herz und Sinn"
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": I. Coro "Ich hab in Gottes Herz und Sinn" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach6:32
14Cantata "Ich hab in Gottes Herz und Sinn" BWV 92: II. Recitativo: "Es kann mir fehlen nimmermehr!"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": II. Choral e Recitativo (Bass) "Es kann mir fehlen nimmermehr" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach3:36
15Cantata "Ich hab in Gottes Herz und Sinn" BWV 92: III. Aria: "Seht, seht! wie reißt, wie bricht, wie fällt"
tenor vocals:
Paul Agnew (tenor and conductor) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": III. Aria (Tenor) "Seht, seht! wie reißt, wie bricht, wie fällt" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach2:56
16Cantata "Ich hab in Gottes Herz und Sinn" BWV 92: IV. Choral: "Zudem ist Weisheit und Verstand"
alto vocals:
Clytus Gottwald (composer) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": IV. Choral (Alt) "Zudem ist Weisheit und Verstand" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach3:33
17Cantata "Ich hab in Gottes Herz und Sinn" BWV 92: V. Recitativo: "Wir wollen nun nicht länger zagen"
tenor vocals:
Paul Agnew (tenor and conductor) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": V. Recitativo (Tenor) "Wir wollen nun nicht länger zagen" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach1:15
18Cantata "Ich hab in Gottes Herz und Sinn" BWV 92: VI. Aria: "Das Stürmen von den rauhen Winden"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VI. Aria (Bass) "Das Stürmen von den rauhen Winden" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach4:02
19Cantata "Ich hab in Gottes Herz und Sinn" BWV 92: VII. Recitativo: "Ei nun, mein Gott, so fall ich"
alto vocals:
Clytus Gottwald (composer) (from 2000-11-25 until 2000-12-02)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2000-11-25 until 2000-12-02)
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
tenor vocals:
Paul Agnew (tenor and conductor) (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VII. (Choral e) Recitativo (Bass, Tenor, Alt, Sopran) "Ei nun, mein Gott, so fall ich dir" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach2:25
20Cantata "Ich hab in Gottes Herz und Sinn" BWV 92: VIII. Aria: "Meinem Hirten belieb ich treu"
soprano vocals:
Deborah York (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VIII. Aria (Sopran) "Meinem Hirten bleib ich treu" (from 2000-11-25 until 2000-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach3:50
21Cantata "Ich hab in Gottes Herz und Sinn" BWV 92: IX. Choral: "Soll ich denn auch des Todes Weg"
choir vocals:
Amsterdam Baroque Choir (from 2000-11-25 until 2000-12-02)
orchestra:
Amsterdam Baroque Orchestra (from 2000-11-25 until 2000-12-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2000-11-25 until 2000-12-02)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2000-11-25 until 2000-12-02)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": IX. Choral "Soll ich denn auch des Todes Weg" (from 2000-11-25 until 2000-12-02)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 347)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach1:12

Credits

Release group

part of:Complete Cantatas (Ton Koopmans complete Bach Cantatas for Erato) (number: 13) (order: 12)