X3 - Never Too Much / Give Me the Reason / Power of Love

~ Veröffentlichung von Luther Vandross (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
1▼CD: Never Too Much
Nr.TitelBewertungLänge
1Never Too Much
recording engineer und Mix:
Michael H. Brauer (engineer)
assistierende(r) Techniker(in):
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) und Don Wershba (engineer)
Techniker(in):
Carl Beatty (engineer)
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Luther Vandross
Bass:
Marcus Miller (jazz musician)
Conga:
Bashiri Johnson
Gitarre:
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
Horn [horns] und Saiteninstrumente:
Paul Riser
Keyboard [keyboards]:
Nat Adderley, Jr.
Perkussion:
Crusher Bennett
Schlagzeug:
Buddy Williams (drummer)
Hintergrundgesang [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis und Sybil Thomas
Hintergrundgesang [male backup vocals] und Sologesang:
Luther Vandross
arranger:
Nat Adderley, Jr. und Paul Riser
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
Musikvideos:
Never Too Much von Luther Vandross
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 468) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 466)
recording of:
Never Too Much
Texter und Komponist(in):
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. und Uncle Ronnie’s Music Company Inc.
3.9?:??
2Sugar and Spice (I Found Me a Girl)
recording of:
Sugar and Spice (I Found Me a Girl)
Verfasser(in):
Luther Vandross
publisher:
CBS Songs Ltd. und Uncle Ronnie’s Music Company Inc.
?:??
3Don't You Know That?
recording engineer und Mix:
Michael H. Brauer (engineer)
assistierende(r) Techniker(in):
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) und Don Wershba (engineer)
Techniker(in):
Carl Beatty (engineer)
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Luther Vandross
arranger:
Nat Adderley, Jr. und Paul Riser
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
recording of:
Don't You Know That?
Verfasser(in):
Luther Vandross
publisher:
CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc. und Uncle Ronnie’s Music Company Inc.
?:??
4I've Been Working
recording engineer und Mix:
Michael H. Brauer (engineer)
assistierende(r) Techniker(in):
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) und Don Wershba (engineer)
Techniker(in):
Carl Beatty (engineer)
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Luther Vandross
vocals arranger:
Luther Vandross
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
recording of:
I’ve Been Working
Verfasser(in):
Luther Vandross
publisher:
CBS Songs Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
?:??
5She's a Super Lady
recording engineer und Mix:
Michael H. Brauer (engineer)
assistierende(r) Techniker(in):
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) und Don Wershba (engineer)
Techniker(in):
Carl Beatty (engineer)
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Luther Vandross
arranger:
Paul Riser
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981, in 1985) und CBS, Inc. (US broadcasting company; file no releases here!) (in 1981)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
recording of:
She’s a Super Lady
Texter und Komponist(in):
Luther Vandross
publisher:
CBS Songs Ltd. und SBK Songs Ltd.
?:??
6You Stopped Loving Me
recording engineer und Mix:
Michael H. Brauer (engineer)
assistierende(r) Techniker(in):
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) und Don Wershba (engineer)
Techniker(in):
Carl Beatty (engineer)
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Luther Vandross
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
recording of:
You Stopped Loving Me
Verfasser(in):
Luther Vandross
publisher:
CBS Songs Ltd. und Uncle Ronnie’s Music Company Inc.
?:??
7A House Is Not a Home
recording engineer und Mix:
Michael H. Brauer (engineer)
assistierende(r) Techniker(in):
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) und Don Wershba (engineer)
Techniker(in):
Carl Beatty (engineer)
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Luther Vandross
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981, in 1986), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981, in 1989)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
cover recording of:
A House Is Not a Home
Texter:
Hal David (in 1964)
Komponist(in):
Burt Bacharach (in 1964)
publisher:
Diplomat Music (beendet), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (beendet), Famous Chappell, Famous Music (UK) Ltd. und Sony/ATV Harmony
?:??
2▼CD: Give Me the Reason
Nr.TitelBewertungLänge
1Stop to Love
Techniker(in) und Mix:
Ray Bardani
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Luther Vandross
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986, in 1987) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
Stop to Love
Texter und Komponist(in):
Nat Adderley, Jr. und Luther Vandross
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd., SBK Songs (publisher), April Music Inc. (in 1986), Dillard Music (in 1986) und Uncle Ronnie's Music Co. Inc. (in 1986)
?:??
2See Me
Techniker(in) und Mix:
Ray Bardani
leitende(r) Produzent(in):
Larkin Arnold
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
See Me
Verfasser(in):
Marcus Miller (jazz musician) und Luther Vandross
publisher:
CBS Songs Ltd., MCA Music Ltd., SBK Songs (publisher), April Music Inc. (in 1986), Sunset Burgundy, Inc. (in 1986) und Uncle Ronnie's Music Co. Inc. (in 1986)
?:??
3I Gave It Up (When I Fell in Love)
Techniker(in) und Mix:
Ray Bardani
leitende(r) Produzent(in):
Larkin Arnold
Solo-Saxophon:
Kirk Whalum
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1986) und CBS, Inc. (US broadcasting company; file no releases here!) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
I Gave It Up (When I Fell in Love)
Verfasser(in):
Marcus Miller (jazz musician) und Luther Vandross
publisher:
MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd., April Music Inc. (in 1986), Sunset Burgundy, Inc. (in 1986) und Uncle Ronnie's Music Co. Inc. (in 1986)
?:??
4So Amazing
recording engineer, Techniker(in) und Mix:
Ray Bardani
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Horn arranger und Saiteninstrumente arranger:
Nat Adderley, Jr. und Paul Riser
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
So Amazing
Texter und Komponist(in):
Luther Vandross
publisher:
EMI April Music Inc., SBK Songs (publisher), Uncle Ronnie’s Music, April Music Inc. (in 1986) und Uncle Ronnie's Music Co. Inc. (in 1986)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
3.5?:??
5Give Me the Reason
recording engineer, Techniker(in) und Mix:
Ray Bardani
Synthesizer-Programmierung:
Wayne Warnecke
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
aufgenommen bei:
Minot Sound in White Plains, New York, Vereinigte Staaten
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
Give Me the Reason
Verfasser(in):
Nat Adderley und Luther Vandross
publisher:
April Music Inc. (, in 1986), CBS Songs, CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dillard Music (, in 1986), EMI April Music Inc., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd., SBK Songs (publisher) und Uncle Ronnie's Music Co. Inc. (in 1986)
4?:??
6There's Nothing Better Than Love
recording engineer, Techniker(in) und Mix:
Ray Bardani
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Gast vocals:
Gregory Hines
Interpret(in):
Gregory Hines
arranger:
Nat Adderley, Jr. und John “Skip” Anderson (funk/soul producer and songwriter)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986, in 1987) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
There’s Nothing Better Than Love
Verfasser(in):
John Anderson (funk/soul producer and songwriter) und Luther Vandross
publisher:
Eaton Music Limited, EMI April Music Inc., JVA Publishing Co., SBK Songs Ltd., The 2 P(i)eters, April Music Inc. (in 1986), JVA Music (in 1986) und Uncle Ronnie's Music Co. Inc. (in 1986)
?:??
7I Really Didn't Mean It
recording of:
I Really Didn’t Mean It
Verfasser(in):
Marcus Miller (jazz musician) und Luther Vandross
publisher:
MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), SBK Songs (publisher), SBK Songs Ltd., April Music Inc. (in 1986), Sunset Burgundy Music (in 1986) und Uncle Ronnie's Music Co. Inc. (in 1986)
5?:??
8Because It's Really Love
Techniker(in) und Mix:
Ray Bardani
leitende(r) Produzent(in):
Larkin Arnold
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
Because It’s Really Love
Texter und Komponist(in):
Luther Vandross
publisher:
April Music Inc. (in 1986) und Uncle Ronnie's Music Co. Inc. (in 1986)
?:??
9Anyone Who Had a Heart
recording engineer, Techniker(in) und Mix:
Ray Bardani
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Solo-Saxophon:
Kirk Whalum
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
cover recording of:
Anyone Who Had a Heart
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Carlin Music Corp., WB Music Corp. (1929–2019), Blue Seas Music, Inc. (in 1963), JAC Music Co., Inc. (in 1963) und U.S. Songs, Inc. (in 1963)
?:??
3▼CD: Power of Love
Nr.TitelBewertungLänge
1She Doesn't Mind
Synthesizer-Programmierung:
Jason Miles (jazz producer/keyboardist), Marcus Miller (jazz musician) und Reed Vertelney
Techniker(in) und Mix:
Ray Bardani
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Keyboard:
Marcus Miller (jazz musician)
Hintergrundgesang:
Tawatha Agee, Lisa Fischer (American vocalist), Cissy Houston, Darlene Love, Paulette McWilliams, Fonzi Thornton und Brenda White‐King
arranger:
Marcus Miller (jazz musician) und Reed Vertelney
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
She Doesn’t Mind
Verfasser(in):
Luther Vandross und Reed Vertelney
publisher:
EMI April Music Inc. (in 1991), EMI Blackwood Music Inc. (in 1991), Reed Vertelney Music (in 1991) und Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
2Power of Love/Love Power
Synthesizer-Programmierung:
Jason Miles (jazz producer/keyboardist) und Marcus Miller (jazz musician)
Techniker(in) und Mix:
Ray Bardani
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Bassgitarre und Keyboard:
Marcus Miller (jazz musician)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Klavier:
Nat Adderley, Jr.
Windspiel:
Paulinho DaCosta (Brazilian percussionist)
Hintergrundgesang:
Tawatha Agee, Lisa Fischer (American vocalist), Cissy Houston, Genobia Jeter, Pat Joyner, Darlene Love, Paulette McWilliams, Marcus Miller (jazz musician), Kevin Owens, Tamira C. Sanders, Fonzi Thornton und Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Power of Love / Love Power
Verfasser(in):
Marcus Miller (jazz musician), Luther Vandross und Teddy Vann
Medley von:
Love Power
Medley von:
Power of Love
4?:??
3I'm Gonna Start Today
Synthesizer-Programmierung:
Jason Miles (jazz producer/keyboardist) und Marcus Miller (jazz musician)
Techniker(in) und Mix:
Ray Bardani
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Bassgitarre und Keyboard:
Marcus Miller (jazz musician)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Hintergrundgesang:
Tawatha Agee, Cissy Houston, Paulette McWilliams und Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I’m Gonna Start Today
Verfasser(in):
Marcus Miller (jazz musician) und Luther Vandross
publisher:
EMI April Music Inc. (in 1991), Thriller Miller Music (in 1991) und Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
4The Rush
Synthesizer-Programmierung:
Jason Miles (jazz producer/keyboardist) und Marcus Miller (jazz musician)
Techniker(in) und Mix:
Ray Bardani
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Bassgitarre und Keyboard:
Marcus Miller (jazz musician)
arranger:
Marcus Miller (jazz musician)
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Rush
Verfasser(in):
Marcus Miller (jazz musician) und Luther Vandross
publisher:
EMI April Music Inc. (in 1991), Thriller Miller Music (in 1991) und Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
5I Want the Night to Stay
recording engineer, Techniker(in) und Mix:
Ray Bardani
Programmierung:
Jason Miles (jazz producer/keyboardist)
Synthesizer-Programmierung:
Nat Adderley, Jr.
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Keyboard:
Nat Adderley, Jr.
Perkussion:
Paulinho DaCosta (Brazilian percussionist)
Hintergrundgesang:
Tawatha Agee, Cindy Mizelle, Fonzi Thornton und Brenda White‐King
Saiteninstrumente arranger:
Nat Adderley, Jr.
arranger:
Nat Adderley, Jr.
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I Want the Night to Stay
Verfasser(in):
Nat Adderley, Jr. und Luther Vandross
publisher:
Dillard Music (in 1991), EMI April Music Inc. (in 1991) und Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
6Don't Want to Be a Fool
recording engineer, Techniker(in) und Mix:
Ray Bardani
Synthesizer-Programmierung:
Jason Miles (jazz producer/keyboardist) und Marcus Miller (jazz musician)
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Bassgitarre und Keyboard:
Marcus Miller (jazz musician)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion:
Paulinho DaCosta (Brazilian percussionist)
Hintergrundgesang:
Tawatha Agee, Cissy Houston, Paulette McWilliams, Cindy Mizelle und Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Want to Be a Fool
Verfasser(in):
Marcus Miller (jazz musician) und Luther Vandross
publisher:
EMI April Music Inc. (in 1991), Thriller Miller Music (in 1991) und Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
7I Can Tell You That
Synthesizer-Programmierung:
Hubert Eaves III und Jason Miles (jazz producer/keyboardist)
Techniker(in) und Mix:
Ray Bardani
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Keyboard:
Hubert Eaves III
zusätzlich Keyboard:
Marcus Miller (jazz musician)
Hintergrundgesang:
Tawatha Agee, Cissy Houston, Paulette McWilliams und Brenda White‐King
arranger:
Hubert Eaves III
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I Can Tell You That
Verfasser(in):
Hubert Eaves III und Luther Vandross
publisher:
EMI April Music Inc. (in 1991), EMI Blackwood Music Inc. (in 1991), Huemar Music, Inc. (in 1991) und Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
8Sometimes It's Only Love
Synthesizer-Programmierung:
John “Skip” Anderson (funk/soul producer and songwriter), Jason Miles (jazz producer/keyboardist) und Marcus Miller (jazz musician)
Techniker(in) und Mix:
Ray Bardani
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Keyboard:
John “Skip” Anderson (funk/soul producer and songwriter)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
zusätzlich Keyboard:
Marcus Miller (jazz musician)
arranger:
John “Skip” Anderson (funk/soul producer and songwriter)
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Sometimes It’s Only Love
Verfasser(in):
John “Skip” Anderson (funk/soul producer and songwriter) und Luther Vandross
publisher:
EMI April Music Inc. (in 1991), JVA Publishing Co. (in 1991) und Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
9Emotional Love
Synthesizer-Programmierung:
Hubert Eaves III und Jason Miles (jazz producer/keyboardist)
Techniker(in) und Mix:
Ray Bardani
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Keyboard:
Hubert Eaves III
zusätzlich Keyboard:
Marcus Miller (jazz musician)
Hintergrundgesang:
Michelle Cobbs, Genobia Jeter, Darlene Love, Paulette McWilliams und Brenda White‐King
arranger:
Hubert Eaves III
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Emotional Love
Verfasser(in):
Hubert Eaves III und Luther Vandross
publisher:
EMI April Music Inc. (in 1991), EMI Blackwood Music Inc. (in 1991), Huemar Music, Inc. (in 1991) und Uncle Ronnie's Music Co. Inc. (in 1991)
?:??
10I (Who Have Nothing)
Synthesizer-Programmierung:
Nat Adderley, Jr. und Jason Miles (jazz producer/keyboardist)
Techniker(in) und Mix:
Ray Bardani
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Bassgitarre:
Marcus Miller (jazz musician)
Keyboard:
Nat Adderley, Jr.
Perkussion:
Paulinho DaCosta (Brazilian percussionist)
Solo-Saxophon:
Kirk Whalum
Gast vocals:
Martha Wash
Saiteninstrumente arranger:
Nat Adderley, Jr.
arranger:
Nat Adderley, Jr.
vocals arranger:
Luther Vandross
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
I (Who Have Nothing)
Texter:
Jerry Leiber und Mike Stoller
Verfasser(in):
Mogol (Italian lyricist)
Komponist(in):
Carlo Donida
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Orange Sky Music Ltd., Shapiro Bernstein & Co. Ltd., Sony/ATV Songs LLC, Cotillion Music Inc. (BMI) (in 1961, in 1963), Milky Way Publishing Co., Inc. (in 1961, in 1963), Trio Music Co., Inc. (in 1961, in 1963), Walden Music (publisher) (in 1979) und Yellow Dog Music (in 1979)
übersetzte Version von:
Uno dei tanti
?:??

Nennungen

Veröffentlichung

Teil von:X3 (Reihenfolge: 3)
Discogs:https://www.discogs.com/release/3221170 [Info]

Veröffentlichungsgruppe

enthält:Give Me the Reason
Never Too Much
Power of Love