Now That’s What I Call Reggae Party

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1It Wasn’t Me
recording engineer und Mix:
Shaun Pizzonia
Produzent(in):
Shaun Pizzonia und Sting International
Blechblasinstrumente:
Kevin Bachelor und Jerry Johnson (saxophonist with roots reggae band Steel Pulse)
Geige / Violine:
Gwen Laster
Gitarre:
R. Zapata
Keyboard:
Nigel Staff
membranophone und Perkussion [drums]:
Shaun Pizzonia
Hintergrundgesang:
Brian & Tony Gold und Shaun Pizzonia
Sologesang:
Ricardo Ducent und Shaggy (Orville Richard Burrell, dancehall and reggae singer)
vocals und Interpret(in):
Ricardo “Rik Rok” Ducent
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
aufgenommen bei und mixed at:
Ranch Recording Studio in New York, Vereinigte Staaten
Musikvideos:
It Wasn't Me von Shaggy (Orville Richard Burrell, dancehall and reggae singer) featuring Ricardo “RikRok” Ducent
Teil von:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 273)
recording of:
It Wasn’t Me
Verfasser(in):
Brian Thompson, Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia und Ricardo Ducent
publisher:
Livingsting Music
basiert auf:
Smile Happy
Shaggy feat. Ricardo “Rik Rok” Ducent3.55?:??
2Red Red Wine
Produzent(in):
Ray “Pablo” Falconer und UB40
arranger:
UB40
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) und DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
Texter und Komponist(in):
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) und Bang Records (Bert Berns label) (in 1968)
UB403.8?:??
3Cheerleader
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 11)
recording of:
Cheerleader
Verfasser(in):
Mark Bradford (member of Ray), Mark Bradford (songwriter, Cheerleader), Clifton Dillon, Ryan Dillon, Omar Samuel Pasley ("Cheerleader", Jamaican reggae/pop artist Omar Samuel Pasley) und Sly Dunbar
Teil von:
Matuschkes Lieblinge 2015
Omi?:??
4The Tide Is High
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gast-Perkussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) und Emil Richards (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Hintergrundgesang:
Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) und Frank Infante (in 1980)
Sologesang:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) und Chrysalis Records, Inc. (not for release label use!) (in 1980)
aufgenommen bei:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
cover recording of:
The Tide Is High (in 1980)
Verfasser(in):
John Holt (in 1967)
zusätzliche(r) Verfasser(in):
Howard Barrett (in 1967) und Tyrone Evans (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
Blondie4.45?:??
5Our Day Will Come
recording engineer:
Gleyder “Gee” Disla (in 2002-05) und Gary Noble (in 2002-05)
assistierende(r) Techniker(in):
Shomari “Sho” Dillon und Neil Dyer (of Screen 3)
Produzent(in):
Salaam Remi
assistierende(r) Mix:
Ben Baptie und Xavier Stephenson (engineer)
Mix:
Gary Noble
flute, Gitarre und Horn:
Vincent Henry (in 2002-05)
Rhodes Piano, Bassgitarre, Schlagzeug, Gitarre, Orgel und Klavier:
Salaam Remi (in 2002-05)
Schlagzeug:
Troy Auxilly-Wilson (in 2002-05)
Trompete:
Bruce Purse (brass) (in 2002-05)
Hintergrundgesang:
Heshima Thompson (in 2002-05) und Zalon Thompson (in 2002-05)
Horn arranger:
Vincent Henry
arranger:
Salaam Remi
Hintergrundgesang arranger:
Heshima Thompson und Zalon Thompson
phonographisches Urheberrecht (℗) von:
Universal Island Records (not for release label use; a division of Universal Music Operations Limited) (in 2011)
aufgenommen bei:
Creative Space in Miami, Florida, Vereinigte Staaten (in 2002-05) und Instrument Zoo in Miami, Florida, Vereinigte Staaten (in 2002-05)
cover recording of:
Our Day Will Come (in 2002-05)
Texter:
Bob Hilliard
Komponist(in):
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Francis, Day & Hunter, Leeds Music Corp., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Amy Winehouse2.75?:??
6No Woman, No Cry
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
cover recording of:
No Woman, No Cry
Texter und Komponist(in):
Vincent Ford
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Global Musikverlag (Global Musik GmbH & Co. KG), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) und Global (publisher) (in 1976)
Fugees?:??
7Show Me
recording engineer:
Ari Levine
zusätzliche(r) Techniker(in):
Charles Moniz
Produzent(in):
Dwayne "Supa Dups" Chin-Quee (reggae dancehall) und The Smeezingtons
Mix:
Manny Marroquin
vocals:
Bruno Mars (US singer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2012) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2012)
produced for:
Black Chiney Music, Inc.
mixed at:
Larrabee Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten
engineered at:
Levcon Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Show Me
Verfasser(in):
Mitchum Chin, Dwayne Chin-Quee (reggae dancehall), Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine und Peter Hernandez (Bruno Mars, US singer)
publisher:
Black Chiney Music (ASCAP), EMI Music Publishing Ltd. (PRS‐affiliated), Mars Force Music, Roc Nation Music und Sony/ATV Tunes LLC (ASCAP)
Bruno Mars3?:??
8RudeMAGIC!4.35?:??
9Wake Me Up (Reggae mix)Avicii?:??
10Antenna
recording of:
Antenna
Texter und Komponist(in):
Nana Abiona
Fuse ODG2?:??
11Tease Me
Chaka Demus & Pliers?:??
12Don’t Turn Around
cover recording of:
Don’t Turn Around
Texter und Komponist(in):
Albert Hammond und Diane Warren (US songwriter)
publisher:
Albert Hammond Music, BMG Music, Edition Sunset Publishing, EMI Music (do not use as release label! this is a music publisher), Empire Music Ltd., Intersong Music Ltd., Realsongs und Warner Chappell
Aswad2.5?:??
13Wild World
phonographisches Urheberrecht (℗) von:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1988)
cover recording of:
Wild World
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Sony Tunes, Inc. (beendet), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (vom 1970 bis heute) und Irving Music, Inc. (vom 1970 bis heute)
Maxi Priest3.5?:??
14Baby, I Love Your Way
recording engineer und Produzent(in):
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
Programmierung:
Aaron Zigman (American score composer)
zusätzliche Programmierung:
Erik Hansen
leitende(r) Produzent(in):
Jeff Aldrich (A&R)
assistierende(r) Mix:
Dave Betancourt (engineer)
Mix:
Tom Lord Alge
Akustikgitarre:
John Goux
Bassgitarre:
Abraham Laboriel
flute und Tenorsaxophon:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Gitarre [“Duane Eddy” guitar]:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
Gitarre [skank guitar]:
Tony Chin
Keyboard:
Aaron Zigman (American score composer)
Perkussion:
Steve Forman (US percussionist)
Posaune:
Bill Reichenbach (jazz trombonist)
Schlagzeug:
Abraham Laboriel Jr. und John Robinson (session drummer)
Solo-alto saxophone:
Warren Hill
Trompete:
Jerry Hey
Hintergrundgesang:
James McWhinney
Hintergrundgesang und Sologesang:
Quino (of Big Mountain)
arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter) und Aaron Zigman (American score composer)
phonographisches Urheberrecht (℗) von:
Giant Records ("a division of Warner Music Sweden AB", not for release label use! use “Giant”) (in 1994)
mixed at:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
cover recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Big Mountain?:??
15LDN
Techniker(in):
Darren Lewis, Iyiola Babalola (drum n bass producer Iyiola Babalola) und Mike Pelanconi
Produzent(in):
Darren Lewis, Future Cut und Iyiola Babalola (drum n bass producer Iyiola Babalola)
assistierende(r) Mix:
Dan Porter
Mix:
Future Cut und Mike Pelanconi
Bassgitarre:
Clive Hunte
Gitarre:
Paul Farr
Keyboard:
Darren Lewis, John Ellis (UK session bassist/keyboardist/vocalist/producer) und Iyiola Babalola (drum n bass producer Iyiola Babalola)
Posaune:
Trevor Edwards
Saxophon:
Michael Rose (Saxophonist)
Trompete:
Eddie Thornton
Sologesang:
Lily Allen
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
mixed at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Samples:
Reggae Meringue von Tommy McCook
recording of:
LDN
Verfasser(in):
Lily Allen, Darren Lewis, Iyiola Babalola (drum n bass producer Iyiola Babalola) und Duke Reid (Jamaican producer and label owner)
Lily Allen3.95?:??
16Uptown Top Ranking
Althea & Donna?:??
17Pass the Dutchie
Produzent(in):
Peter Collins (producer)
Bassgitarre:
Patrick
Gitarre:
Kelvin
Keyboard:
Michael (Keyboard player for Musical Youth)
Schlagzeug:
Junior
vocals:
Dennis
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 25)
cover recording of:
Pass the Kouchie
Verfasser(in):
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) und Fitzroy “Bunny” Simpson
Teil von:
My Kind of People
Musical Youth4?:??
18Boom Shack-A-LakApache Indian?:??
19King of the Dancehall
Produzent(in):
Tony Kelly (reggae producer)
recording of:
King of the Dancehall
Verfasser(in):
Anthony Moses Davis (Jamaican dancehall artist), Maurice Gregory (reggae artist) und Tony Kelly (reggae producer)
Beenie Man3.5?:??
20Mr. Loverman
Gast vocals und Gast-Interpret(in):
Chevelle Franklyn
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
recording of:
Mr. Loverman
Verfasser(in):
Mikey Bennett, Hopeton Lindo und Shabba Ranks
publisher:
Greensleeves Publishing Ltd.
Shabba Ranks feat. Chevelle Franklyn2.5?:??
21I Got You Babe
Produzent(in):
Ray “Pablo” Falconer und UB40
Gast vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Interpret(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und UB40
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 2000)
produced at:
The Abattoir in Birmingham, West Midlands, England, Vereinigtes Königreich
cover recording of:
I Got You Babe
Texter und Komponist(in):
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) und Warner/Chappell Music Ltd. (1996–2019)
UB40 feat. Chrissie Hynde2.75?:??
22Dreadlock Holiday
Techniker(in):
Keith Bessey, Eric Stewart und Tony Spath
Produzent(in):
Graham Gouldman und Eric Stewart
Mix:
Eric Stewart
Agogô, Conga, cowbell, Marimba, Timbales und triangle:
Paul Burgess (UK rock drummer)
Bassgitarre, cabasa und Hintergrundgesang und Sologesang:
Graham Gouldman
E-Gitarre:
Rick Fenn und Graham Gouldman
Hybrid-Piano und Maracas / Rumba-Rasseln:
Eric Stewart
Orgel:
Rick Fenn und Eric Stewart
Schlagzeug und Tamburin:
Stuart Tosh
Synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
Hintergrundgesang:
Rick Fenn, Eric Stewart und Stuart Tosh
arranger:
10cc
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1978) und Phonogram Ltd. (not for release label use!) (in 1978)
aufgenommen bei und mixed at:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich
Musikvideos:
Dreadlock Holiday von 10cc
recording of:
Dreadlock Holiday
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. und St. Anne’s Music Ltd.
10cc4.65?:??
2CD
Nr.TitelKünstlerBewertungLänge
1(I Can’t Help) Falling in Love With You
cover recording of:
Can’t Help Falling in Love
Verfasser(in):
Luigi Creatore, Hugo Peretti und George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (publisher), Luigi Creatore Music (ASCAP) und The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (beendet), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Plaisir d’amour (Romance du chevrier)
recording of:
Can’t Help Falling in Love
Verfasser(in):
Luigi Creatore, Hugo Peretti und George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (publisher), Luigi Creatore Music (ASCAP) und The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (beendet), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Plaisir d’amour (Romance du chevrier)
UB403.25?:??
2In the Summertime
recording engineer:
Dr. Marshall Harris (engineer) und Sting Int'l
sonstige Unterstützung:
Dennis Donald (Aufgabe: track layed by), George Miller (Aufgabe: track layed by), Robert Livingston (Jamaican reggae and dancehall producer) (Aufgabe: track layed by) und Paul Crosdale (Aufgabe: track layed by)
Produzent(in):
Robert Livingston (Jamaican reggae and dancehall producer) und Shaun "Sting Int'l" Pizzonia
Mix:
Lynford "Fatta" Marshall
zusätzliche(r) Interpret(in):
Rayvon
produced for:
Big Yard Production
aufgenommen bei:
H.C.&F. Recording Studio (defunct) in Freeport, Hempstead, New York, Vereinigte Staaten (sonstiger Gesang [vocals]) und Music Works Recording Studio (fka Music Works Recording Studio, Music Works Studio, Music Works. aka Anchor Music Works, Anchor Recording Studio) in Kingston (Kingston Parish), Jamaika
mixed at:
Mixing Lab Recording Studio in Kingston (Kingston Parish), Jamaika
cover recording of:
In the Summertime
Texter und Komponist(in):
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Shaggy feat. Rayvon3.05?:??
3You Don’t Love Me (No, No, No)
recording of:
You Don’t Love Me (No, No, No)
Verfasser(in):
Willie Cobbs, Clement “Coxsone” Dodd, Ellas McDaniel (American singer, guitarist, songwriter and music producer) und Dawn Penn
Version von:
You Don’t Love Me
Dawn Penn?:??
4Turn Me On
recording of:
Turn Me On (Lyttle original)
Texter:
Daron Jones, Michael Keith (US r&b artist, in 112), Kevin Lyttle, Marvin Scandrick (US R&B artist Marvin Scandrick, of group 112), Quinnes Parker, Raeon Primus und Courtney Sills
Komponist(in):
Arnold Hennings, Daron Jones, Kevin Lyttle und Raeon Primus
publisher:
Courtney Sills Publishing Designee und Sony/ATV Music Publishing
Kevin Lyttle4.15?:??
5It Must Be Love
cover recording of:
It Must Be Love
Texter und Komponist(in):
Labi Siffre
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Madness4?:??
6Twist and Shout
Interpret(in):
Jack Radics und The Taxi Gang
cover recording of:
Twist and Shout
Verfasser(in):
Bert Russell (in 1961-02) und Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Chaka Demus & Pliers feat. The Taxi Gang1.65?:??
7Message to You Rudy
Produzent(in):
Elvis Costello
Gast-Posaune:
Rico Rodriguez (Jamaican trombonist)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 132)
cover recording of:
A Message to You, Rudy
Texter und Komponist(in):
Dandy Livingstone
recording of:
A Message to You, Rudy
Texter und Komponist(in):
Dandy Livingstone
The Specials4?:??
8Hands Off She’s Mine
Produzent(in):
Bob Sargeant
recording of:
Hands Off... She's Mine
Verfasser(in):
Andy Cox (of The Beat), Everett Morton, Roger Charlery, David Steele (UK musician, member of The Beat and Fine Young Cannibals) und Dave Wakeling
The Beat4?:??
9Now That We’ve Found Love
cover recording of:
Now That We Found Love
Texter:
Heavy D. (US rapper)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Blue Mountain Music Ltd, Mighty Three Music 301 /373, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Third World?:??
10Get Up Stand Up
Peter Tosh?:??
11My Jamaican Guy
Grace Jones feat. Bounty Killer?:??
12Sun Is Shining
remixer:
Funkstar De Luxe (in 1999)
phonographisches Urheberrecht (℗) von:
Trojan Recordings Ltd. (in 1999)
Musikvideos:
Sun Is Shining von Bob Marley (Jamaican reggae artist) vs. Funkstar De Luxe
recording of:
Sun Is Shining (original version)
Texter und Komponist(in):
Lee “Scratch” Perry (aka The Upsetter)
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Bob Marley Music und Bronjo Music
Bob Marley vs Funkstar De Luxe3.65?:??
13On My Radio
recording of:
On My Radio
Texter und Komponist(in):
Neol Davies (British musician and founder of The Selecter)
publisher:
Fairwood Music Ltd.
The Selecter4.2?:??
14Shine
Produzent(in):
Aswad (British reggae group), The Beatmasters (British producer trio) und Carlton “Bubblers” Ogilvie
remixer:
Beatmasters (British producer trio)
recording of:
Shine
Verfasser(in):
Joe Cang, Brinsley Forde, Angus Gaye und Dennis Anthony Robinson
Aswad3?:??
15Ku Klux Klan
Steel Pulse?:??
16Here Comes the Hotstepper
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1994) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994)
Samples:
Heartbeat (club version) von Taana Gardner und Land of 1000 Dances von Cannibal & the Headhunters
recording of:
Here Comes the Hotstepper
Verfasser(in):
Ini Kamoze, Chris Kenner und Salaam Remi
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), EMI (EMI Records, or EMI Music only if there is no other imprint), Longitude Music, Pine Publishing, Rondor Music (London) Ltd. und Salaam Remi Music
Ini Kamoze3.15?:??
17Sweat (A La La La La long)
Produzent(in):
Bernard “Touter” Harvey (Jamaican keyboard player and engineer), Ian Lewis (Inner Circle) und Roger Lewis (founder and member of Inner Circle)
zusätzliche(r) Produzent(in):
Per Adebratt und Tommy Ekman
remixer:
Per Adebratt und Tommy Ekman
arranger:
Bernard “Touter” Harvey (Jamaican keyboard player and engineer), Ian Lewis (Inner Circle) und Roger Lewis (founder and member of Inner Circle)
recording of:
Sweat (A La La La La Long)
Texter und Komponist(in):
Ian Lewis (Inner Circle) und Roger Lewis (founder and member of Inner Circle)
Inner Circle3.35?:??
18Sweets for My Sweet
cover recording of:
Sweets for My Sweet
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Pomus Songs Inc. und Trio Music Company
C.J. Lewis?:??
19Compliments on Your Kiss
Red Dragon?:??
20Good Thing Going (We’ve Got a Good Thing Going)
Sugar Minott?:??
21Shy Guy
recording of:
Shy Guy
Verfasser(in):
Kingsley Gardner, Diana King (Jamaican-American singer-songwriter) und Andy Marvel
publisher:
Diana King Music, Kinsley Gardner Nation of Soul Music, W'nR Music und World of Andy Music
Diana King?:??
22Hurt So Good
recording of:
It Hurts So Good
Texter und Komponist(in):
Phillip Mitchell
Susan Cadogan?:??
3CD
Nr.TitelKünstlerBewertungLänge
1Oh Carolina
cover recording of:
Oh Carolina
Texter und Komponist(in):
John Folkes
Shaggy2.3?:??
2My Boy Lollipop
Produzent(in):
Chris Blackwell (Island Records)
cover recording of:
My Boy Lollipop
Verfasser(in):
Morris Levy, Johnny Roberts (US songwriter, "My Boy Lollipop") und Robert Spencer (English lutenist, guitarist & musicologist)
recording of:
My Boy Lollipop
Verfasser(in):
Morris Levy, Johnny Roberts (US songwriter, "My Boy Lollipop") und Robert Spencer (English lutenist, guitarist & musicologist)
Millie Small4.65?:??
3Israelites
Produzent(in):
Leslie Kong
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recording of:
Israelites
Verfasser(in):
Desmond Dacres und Leslie Kong
publisher:
Ackee Music Inc., Gambi Music, Twenty Nine Black Music (BMI) und Sparta Music (publisher) (in 1978)
Desmond Dekker & the Aces4?:??
4Young, Gifted and Black
Produzent(in):
Harry Johnson
cover recording of:
To Be Young, Gifted and Black
Texter:
Weldon Irvine
Komponist(in):
Nina Simone
Bob & Marcia?:??
5I’m in the Mood for Ska
Lord Tanamo?:??
6Harder They Come
Produzent(in):
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
Herausgeber:
Island Music (Island Music Ltd.)
recording of:
The Harder They Come
Texter und Komponist(in):
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
publisher:
Ackee Music Inc., Island Music Ltd., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc. und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Jimmy Cliff4?:??
7Let Your Yeah Be Yeah
recording of:
Let Your Yeah Be Yeah
Texter und Komponist(in):
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
publisher:
Irving Music (BMI), Island Music (Island Music Ltd.), Universal–Songs of PolyGram International, Inc. und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Pioneers?:??
8Double Barrel
Produzent(in):
Winston Riley
Bass:
Robert “Robbie” Shakespeare
Gitarre:
Ranchie McLean
Keyboard:
Ansel Collins (JM reggae keyboardist & producer)
membranophone:
Lowell “Sly” Dunbar
Sologesang:
Dave Barker (reggae artist)
Interpret(in):
Techniques All Stars
recording of:
Double Barrel
Texter und Komponist(in):
Dave Barker (reggae artist), Ansel Collins (JM reggae keyboardist & producer) und Winston Riley
Dave & Ansel Collins5?:??
9Return of Django
recording of:
Return to Django
Komponist(in):
Lee “Scratch” Perry (aka The Upsetter)
publisher:
B & C Music Publishing
The Upsetters?:??
10Liquidator
Harry J. All Stars?:??
11Montego Bay
recording of:
Montego Bay
Verfasser(in):
Jeff Barry und Bobby Bloom (US singer-songwriter)
publisher:
Cheezburger Music Co., EMI Unart Catalog Inc. und United Artists (publisher)
Bobby Bloom5?:??
1254-46 Was My Number
recording of:
54‐46 (That’s My Number)
Texter und Komponist(in):
Toots Hibbert
Toots & The Maytals?:??
13Love of the Common PeopleNicky Thomas?:??
14Black and White
Greyhound?:??
15Suzanne Beware of the Devil
Dandy Livingstone?:??
16Baby Come Back
Produzent(in):
Stoker (production/remixing)
Gast-Interpret(in):
Ali Campbell (UB40’s former vocalist) und Robin Campbell
cover recording of:
Baby, Come Back
Texter und Komponist(in):
Eddy Grant
publisher:
Kassner Music Ltd.
Pato Banton feat. Ali & Robin Campbell2.65?:??
17Night Nurse
assistierende(r) Produzent(in):
Errol “Flabba” Holt
Produzent(in):
Gregory Isaacs
Interpret(in):
Roots Radics
recording of:
Night Nurse
Verfasser(in):
Gregory Isaacs und Sylvester Weise
publisher:
Charisma Music Publishing Ltd
Gregory Isaacs?:??
18Police & Thieves
recording of:
Police and Thieves
Verfasser(in):
Junior Murvin und Lee “Scratch” Perry (aka The Upsetter)
Junior Murvin?:??
19Don’t Worry Be Happy
phonographisches Urheberrecht (℗) von:
EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
Musikvideos:
Don't Worry Be Happy von Bobby McFerrin
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 31)
recording of:
Don’t Worry, Be Happy
Texter und Komponist(in):
Bobby McFerrin
Verfasser(in):
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Probnoblem Music
Bobby McFerrin4?:??
20You Can Get It If You Really Want
recording of:
You Can Get It If You Really Want
Texter und Komponist(in):
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
publisher:
Island Music Ltd. und Polygram Music
Desmond Dekker?:??
21Wonderful World, Beautiful People
recording of:
Wonderful World, Beautiful People
Texter und Komponist(in):
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
Jimmy Cliff5?:??
22Help Me Make It Through the NightJohn Holt?:??
23Everything I Own
cover recording of:
Everything I Own
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. und Sony/ATV Music Publishing (UK) Ltd.
Ken Boothe2?:??
24Silly Games
recording of:
Silly Games
Texter und Komponist(in):
Dennis Bovell (reggae guitarist, bass player and record producer)
Janet Kay?:??
25I Can See Clearly Now
Produzent(in):
Johnny Nash (US reggae/pop singer-songwriter)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1972) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1972)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 165)
recording of:
I Can See Clearly Now (in 1972)
Texter und Komponist(in):
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Nash4.15?:??

Nennungen

Veröffentlichungsgruppe

Teil von:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (Reihenfolge: 63)