| # | Title | Artist | Rating | Length |
|---|
| 1 | The Merchant of Grooves | 3rd Bass | | 1:38 |
| 2 | Derelicts of Dialect- engineer:
- Chris Shaw and Mike Teelucksingh
- producer:
- 3rd Bass and Prince Paul
- mixer:
- Mike Teelucksingh
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1990, in 1991) and Def Jam Recordings (in 2015)
- recorded at:
- Calliope Productions in New York, New York, United States and Greene St. Recording in SoHo, New York, New York, United States
- samples:
- Bubble Gum by The 9th Creation, Hog Callin’ Blues by Charles Mingus and Rule of Mind by The 9th Creation
- recording of:
- Derelict of Dialect
- writer:
- H.D. Anadon, J.D. Burrise, Jr., M. Berrin , P. Huston and P. Nash
- publisher:
- Ana Ross Publishing Co., ATV Music, Def Jam Music, Music Corporation of America, Inc. , Prinse Paul Music and Rhyming Is Fundamental Music
| 3rd Bass | | 4:11 |
| 3 | Ace in the Hole | 3rd Bass feat. KMD | | 3:40 |
| 4 | French Toast | 3rd Bass | | 0:49 |
| 5 | Portrait of the Artist as a Hood | 3rd Bass | | 4:30 |
| 6 | Pop Goes the Weasel- engineer:
- John Gamble
- producer:
- 3rd Bass and SD50 Stimulated Dummies
- mixer:
- John Gamble
- instruments:
- Suga Pop
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1990, in 1991) and Def Jam Recordings (in 2015)
- recorded at:
- Chung King Studios in New York, New York, United States
- samples:
- Damn Right I Am Somebody by Fred Wesley & The JB’s, Eminence Front by The Who, Sledgehammer by Peter Gabriel and You Haven’t Done Nothin’ by Stevie Wonder
- recording of:
- Pop Goes the Weasel
- writer:
- D. Ross, G. Bauchamp , H. Fuqua, J. Dajani, J. Gamble , M. Berrin , P. Gabriel , P. Nash and S. Wonder
- publisher:
- Black Bull Music, Clyde Pearl Music, Def Jam Music, Jobete Music Co., Inc., Rhyming Is Fundamental Music and Unichappell Music, Inc.
| 3rd Bass | | 3:55 |
| 7 | Sea Vessel Soliloquy | 3rd Bass | | 0:40 |
| 8 | Daddy Rich in the Land of 1210- engineer:
- Kevin Reynolds
- producer:
- DJ Richie Rich
- percussion:
- Sam Sever
- turntable:
- DJ Richie Rich
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1990, in 1991)
- recorded at:
- Chung King Studios in New York, New York, United States
- samples:
- Daddy Rich by Rose Royce, Get Out of My Life Woman by Solomon Burke and I’d Rather Be Blind by Freddie King
- recording of:
- Daddy Rich in the Land of 1210
- writer:
- C. Hodges , D. Carter , M. Berrin , O.V. Wright, P. Nash and R. Lawson
- publisher:
- Def Jam Music, Irving Music, Inc. and Rhyming Is Fundamental Music
| 3rd Bass | | 3:12 |
| 9 | Word to the Third | 3rd Bass | | 5:03 |
| 10 | Herbalz in Your Mouth- engineer:
- Chris Shaw and Mike Teelucksingh
- co-producer:
- 3rd Bass
- producer:
- Prince Paul
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1990, in 1991) and Def Jam Recordings (in 2015)
- recorded at:
- Calliope Productions in New York, New York, United States and Greene St. Recording in SoHo, New York, New York, United States
- samples:
- Funky Me by Timmy Thomas
- recording of:
- Herbalz in Your Mouth
- writer:
- B. Dylan , M. Berrin , P. Huston and P. Nash
- publisher:
- Def Jam Music, Dwarf Music, Prinse Paul Music and Rhyming Is Fundamental Music
| 3rd Bass | | 4:20 |
| 11 | Al’z A‐B‐Cee’z | 3rd Bass | | 1:51 |
| 12 | No Master Plan No Master Race | 3rd Bass | | 4:48 |
| 13 | Come In | 3rd Bass | | 3:08 |
| 14 | No Static at All- engineer:
- Chris Shaw and Mike Teelucksingh
- producer:
- 3rd Bass and Prince Paul
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1990, in 1991) and Def Jam Recordings (in 2015)
- recorded at:
- Calliope Productions in New York, New York, United States and Greene St. Recording in SoHo, New York, New York, United States
- samples:
- Chicken Lickin’ by Funk Inc.
- recording of:
- No Static at All
- writer:
- M. Berrin , P. Huston , P. Nash and T. McCall
- publisher:
- Def Jam Music, Prinse Paul Music , Rhyming Is Fundamental Music and Su-Ma Publishing Co., Inc.
| 3rd Bass | | 3:45 |
| 15 | Eye Jammie | 3rd Bass | | 1:06 |
| 16 | Microphone Techniques- engineer:
- Kevin Reynolds
- producer:
- 3rd Bass and Sam Sever
- guest other vocals [rap]:
- Nice & Smooth
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1990, in 1991)
- recorded at:
- Chung King Studios in New York, New York, United States
- samples:
- All Because by Al Green
- recording of:
- Microphone Techniques
- writer:
- A. Green , D. Barnes, G. Mays, M. Berrin , P. Nash and S. Citrin
- publisher:
- Al Green Music Inc. , Def Jam Music, Irving Music, Inc., Nice And Smooth Publishing, Rhyming Is Fundamental Music and Sam I Am Songs
| 3rd Bass feat. Nice & Smooth | | 5:00 |
| 17 | Problem Child | 3rd Bass | | 4:30 |
| 18 | 3 Strikes 5000 | 3rd Bass | | 4:04 |
| 19 | Kick Em in the Grill | 3rd Bass feat. Chubb Rock | | 2:37 |
| 20 | Green Eggs and Swine | 3rd Bass | | 4:45 |
| 21 | Derelicts of Dialect (S.D.50 remix) | 3rd Bass | | 4:13 |
| 22 | Pop Goes the Weasel (radio edit)- mixer:
- John Gamble
- recording of:
- Pop Goes the Weasel
- writer:
- D. Ross, G. Bauchamp , H. Fuqua, J. Dajani, J. Gamble , M. Berrin , P. Gabriel , P. Nash and S. Wonder
- publisher:
- Black Bull Music, Clyde Pearl Music, Def Jam Music, Jobete Music Co., Inc., Rhyming Is Fundamental Music and Unichappell Music, Inc.
| 3rd Bass | | 3:48 |
| 23 | M.C. Disagree and the Re‐Animator | 3rd Bass | | 0:49 |