This Time I’m Swingin’!

~ Release by Dean Martin with orchestra conducted by Nelson Riddle (see all versions of this release, 5 available)

Tracklist

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1▼Hybrid SACD (CD layer)
#TitleRatingLength
1I Can’t Believe That You’re in Love With Me
cover recording of:
I Can’t Believe That You’re in Love With Me
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
2:27
2True Love
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
cover recording of:
True Love (High Society) (in 1960)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
part of:
The 29th Academy Award for Best Original Song (number: 2)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
2:33
3You’re Nobody ’Til Somebody Loves You
producer:
Lee Gillette
bass:
Joe Comfort (on 1960-05-10)
cello:
Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-05-10)
drums (drum set):
Alvin Stoller (on 1960-05-10)
guitar:
Al Hendrickson (on 1960-05-10)
piano:
Bill Miller (pianist) (on 1960-05-10)
saxophone:
Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
trombone:
Russell Brown (Swing trombonist) (on 1960-05-10), Dick Noel (trombone) (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
trumpet:
Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (trumpeter) (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
viola:
Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
violin:
Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (American violinist and strings conductor) (on 1960-05-10)
vocals:
Dean Martin (American singer/actor) (on 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (on 1960-05-10)
conductor:
Nelson Riddle (on 1960-05-10)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-05-10)
cover recording of:
You’re Nobody Till Somebody Loves You (on 1960-05-10)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, volume I)
4.352:14
4On the Street Where You Live
conductor:
Nelson Riddle
cover recording of:
On the Street Where You Live (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
3:41
5Imagination
cover recording of:
Imagination
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
3:14
6Until the Real Thing Comes Along
bass:
Joe Comfort (on 1960-05-10)
cello:
Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-05-10)
drums (drum set):
Alvin Stoller (on 1960-05-10)
guitar:
Al Hendrickson (on 1960-05-10)
piano:
Bill Miller (pianist) (on 1960-05-10)
saxophone:
Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
trombone:
Russell Brown (Swing trombonist) (on 1960-05-10), Dick Noel (trombone) (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
trumpet:
Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (trumpeter) (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
viola:
Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
violin:
Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (American violinist and strings conductor) (on 1960-05-10)
vocals:
Dean Martin (American singer/actor) (on 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (on 1960-05-10)
conductor:
Nelson Riddle (on 1960-05-10)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-05-10)
cover recording of:
Until the Real Thing Comes Along (on 1960-05-10)
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
3:04
7Please Don’t Talk About Me When I’m Gone
bass:
Joe Comfort (on 1960-05-10)
cello:
Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-05-10)
drums (drum set):
Alvin Stoller (on 1960-05-10)
guitar:
Al Hendrickson (on 1960-05-10)
piano:
Bill Miller (pianist) (on 1960-05-10)
saxophone:
Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
trombone:
Russell Brown (Swing trombonist) (on 1960-05-10), Dick Noel (trombone) (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
trumpet:
Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (trumpeter) (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
viola:
Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
violin:
Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (American violinist and strings conductor) (on 1960-05-10)
vocals:
Dean Martin (American singer/actor) (on 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (on 1960-05-10)
conductor:
Nelson Riddle (on 1960-05-10)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-05-10)
cover recording of:
Please Don’t Talk About Me When I’m Gone (on 1960-05-10)
lyricist:
Sidney Clare
composer:
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Remick Music Corp.
2:24
8I’ve Grown Accustomed to Her Face
cover recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
2:43
9Someday (You’ll Want Me to Want You)
cover recording of:
Someday (You’ll Want Me to Want You)
lyricist and composer:
Jimmie Hodges (Songwriter, composer, author, producer and publisher) (in 1944)
publisher:
Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., Songs of Universal, Inc. (BMI) and Main Street Songs, Inc. (on 1944-12-29)
2:21
10Mean to Me
bass:
Joe Comfort (on 1960-05-10)
cello:
Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-05-10)
drums (drum set):
Alvin Stoller (on 1960-05-10)
guitar:
Al Hendrickson (on 1960-05-10)
piano:
Bill Miller (pianist) (on 1960-05-10)
saxophone:
Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
trombone:
Russell Brown (Swing trombonist) (on 1960-05-10), Dick Noel (trombone) (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
trumpet:
Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (trumpeter) (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
viola:
Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
violin:
Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (American violinist and strings conductor) (on 1960-05-10)
vocals:
Dean Martin (American singer/actor) (on 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (on 1960-05-10)
conductor:
Nelson Riddle (on 1960-05-10)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-05-10)
cover recording of:
Mean to Me (on 1960-05-10)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
2:10
11Heaven Can Wait
cover recording of:
Heaven Can Wait
writer:
Eddie DeLange and Jimmy Van Heusen
2:29
12Just in Time
producer:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Just in Time (Bells Are Ringing) (on 1960-05-17)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
2:11
13Ain’t That a Kick in the Head
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor)
recording of:
Ain’t That a Kick in the Head (on 1960-05-10)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp.
4.52:25
2▼Hybrid SACD (SACD layer, 2 channels)
#TitleRatingLength
1I Can’t Believe That You’re in Love With Me
cover recording of:
I Can’t Believe That You’re in Love With Me
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
2:27
2True Love
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
cover recording of:
True Love (High Society) (in 1960)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
part of:
The 29th Academy Award for Best Original Song (number: 2)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
2:33
3You’re Nobody ’Til Somebody Loves You
producer:
Lee Gillette
bass:
Joe Comfort (on 1960-05-10)
cello:
Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-05-10)
drums (drum set):
Alvin Stoller (on 1960-05-10)
guitar:
Al Hendrickson (on 1960-05-10)
piano:
Bill Miller (pianist) (on 1960-05-10)
saxophone:
Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
trombone:
Russell Brown (Swing trombonist) (on 1960-05-10), Dick Noel (trombone) (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
trumpet:
Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (trumpeter) (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
viola:
Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
violin:
Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (American violinist and strings conductor) (on 1960-05-10)
vocals:
Dean Martin (American singer/actor) (on 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (on 1960-05-10)
conductor:
Nelson Riddle (on 1960-05-10)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-05-10)
cover recording of:
You’re Nobody Till Somebody Loves You (on 1960-05-10)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, volume I)
4.352:14
4On the Street Where You Live
conductor:
Nelson Riddle
cover recording of:
On the Street Where You Live (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
3:41
5Imagination
cover recording of:
Imagination
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
3:14
6Until the Real Thing Comes Along
bass:
Joe Comfort (on 1960-05-10)
cello:
Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-05-10)
drums (drum set):
Alvin Stoller (on 1960-05-10)
guitar:
Al Hendrickson (on 1960-05-10)
piano:
Bill Miller (pianist) (on 1960-05-10)
saxophone:
Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
trombone:
Russell Brown (Swing trombonist) (on 1960-05-10), Dick Noel (trombone) (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
trumpet:
Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (trumpeter) (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
viola:
Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
violin:
Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (American violinist and strings conductor) (on 1960-05-10)
vocals:
Dean Martin (American singer/actor) (on 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (on 1960-05-10)
conductor:
Nelson Riddle (on 1960-05-10)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-05-10)
cover recording of:
Until the Real Thing Comes Along (on 1960-05-10)
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
3:04
7Please Don’t Talk About Me When I’m Gone
bass:
Joe Comfort (on 1960-05-10)
cello:
Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-05-10)
drums (drum set):
Alvin Stoller (on 1960-05-10)
guitar:
Al Hendrickson (on 1960-05-10)
piano:
Bill Miller (pianist) (on 1960-05-10)
saxophone:
Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
trombone:
Russell Brown (Swing trombonist) (on 1960-05-10), Dick Noel (trombone) (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
trumpet:
Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (trumpeter) (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
viola:
Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
violin:
Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (American violinist and strings conductor) (on 1960-05-10)
vocals:
Dean Martin (American singer/actor) (on 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (on 1960-05-10)
conductor:
Nelson Riddle (on 1960-05-10)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-05-10)
cover recording of:
Please Don’t Talk About Me When I’m Gone (on 1960-05-10)
lyricist:
Sidney Clare
composer:
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Remick Music Corp.
2:24
8I’ve Grown Accustomed to Her Face
cover recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
2:43
9Someday (You’ll Want Me to Want You)
cover recording of:
Someday (You’ll Want Me to Want You)
lyricist and composer:
Jimmie Hodges (Songwriter, composer, author, producer and publisher) (in 1944)
publisher:
Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., Songs of Universal, Inc. (BMI) and Main Street Songs, Inc. (on 1944-12-29)
2:21
10Mean to Me
bass:
Joe Comfort (on 1960-05-10)
cello:
Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-05-10)
drums (drum set):
Alvin Stoller (on 1960-05-10)
guitar:
Al Hendrickson (on 1960-05-10)
piano:
Bill Miller (pianist) (on 1960-05-10)
saxophone:
Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
trombone:
Russell Brown (Swing trombonist) (on 1960-05-10), Dick Noel (trombone) (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
trumpet:
Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (trumpeter) (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
viola:
Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
violin:
Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (American violinist and strings conductor) (on 1960-05-10)
vocals:
Dean Martin (American singer/actor) (on 1960-05-10)
orchestra:
Nelson Riddle and His Orchestra (on 1960-05-10)
conductor:
Nelson Riddle (on 1960-05-10)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1960-05-10)
cover recording of:
Mean to Me (on 1960-05-10)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
2:10
11Heaven Can Wait
cover recording of:
Heaven Can Wait
writer:
Eddie DeLange and Jimmy Van Heusen
2:29
12Just in Time
producer:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Just in Time (Bells Are Ringing) (on 1960-05-17)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
2:11
13Ain’t That a Kick in the Head
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor)
recording of:
Ain’t That a Kick in the Head (on 1960-05-10)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp.
4.52:25