Top of the Pops: 1975–1979

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Pop Music
registrazione di:
Pop Muzik
paroliere e compositore:
Robin Scott
editore:
BMG Music Publishing Ltd., Pop Muzik Limited e Union Square Music Publishing Ltd.
M3.53:19
2Love Is the Drug
produttore:
Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1975), Virgin EG Records Ltd. (nel 1975) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1975, nel 1999)
registrazione di:
Love Is the Drug
paroliere:
Bryan Ferry
compositore:
Andy Mackay (of Roxy Music)
editore:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs e E.G. Music Ltd. (publisher) (nel 1975)
Roxy Music4.24:11
3A Glass of Champagne
tecnico:
Jeffrey Lesser e Al Scott (Oysterband, engineer, song writer)
produttore:
Georg Kajanus, Jeffrey Lesser e Al Scott (Oysterband, engineer, song writer)
produttore associato:
Rupert Holmes
tecnico di missaggio:
Jeffrey Lesser
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1975)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1975-10)
registrazione di:
Glass of Champagne (nel 1975-10)
paroliere e compositore:
Georg Kajanus
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner/Chappell Music Ltd. (1996–2019)
Sailor52:36
4Mamma Mia
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
batteria :
Roger Palm (il 1975-03-12)
chitarra e chitarra aggiunto:
Janne Schaffer (il 1975-03-16)
chitarra basso :
Mike Watson (English‐Swedish rock musician) (il 1975-03-12)
chitarra elettrica :
Finn Sjöberg (il 1975-03-12)
marimba :
Benny Andersson (ABBA) (nel 1975-03)
oboe :
Lars-Erik Rönn (il 1975-03-15)
viola :
Nils Heie (il 1975-03-15) e Håkan Roos (Swedish violist) (il 1975-03-15)
violino :
Anders Dahl (Swedish media artist creates artworks and experimental sound) (il 1975-03-15), Inge Lindstedt (il 1975-03-15), Gunnar Michols (Swedish violinist) (il 1975-03-15), Sixten Strömvall (Swedish violinist) (il 1975-03-15), Harry Teike (il 1975-03-15) e Krzysztof Zdrzalka (Swedish violinist) (il 1975-03-15)
violoncello :
Kjell Bjurling (Swedish cellist) (il 1975-03-15) e Olle Gustafsson (cellist) (il 1975-03-15)
voce principale:
Agnetha Fältskog (il 1975-03-12) e Frida (Swedish singer and member of ABBA) (il 1975-03-12)
arrangiatore violoncello, viola e violino :
Sven-Olof Walldoff
arrangiatore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music AB (nel 1975) e Polar Music International AB (nel 2001, nel 2014)
registrata presso:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Svezia (il 1975-03-12, il 1975-03-15, il 1975-03-16)
mixata presso:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Svezia
registrazione di:
Mamma Mia (dal 1975-03-12 al 1975-03-16)
scritta a:
Lidingö municipality, Stockholms län (Stockholm county), Svezia
autore:
Stig Anderson (Stikkan), Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Polar Music AB (conclusa), Union Songs AB (publisher) (conclusa), EMI Grove Park Music, Inc., Universal–Songs of PolyGram International, Inc. e Universal/Union Songs Musikförlag AB
parte di:
Mamma Mia! (1999 musical)
registrazione di:
Mamma Mia (Spanish version)
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
traduttore:
Buddy McCluskey (translator) e Mary McCluskey (translator)
versione tradotta di:
Mamma Mia
ABBA3.83:32
5Video Killed the Radio Star
produttore:
The Buggles
chitarra elettrica e voce principale:
Trevor Horn (nel 1979)
tastiera :
Geoff Downes (English keyboardist) (nel 1979)
cori:
Debi Doss (photographer and singer, Kinks) (nel 1979) e Linda Jardim (nel 1979)
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1979)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 40)
registrazione di:
Video Killed the Radio Star
autore:
Geoff Downes (English keyboardist), Trevor Horn e Bruce Woolley
editore:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.953:18
6Cool for Cats
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1979)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 81)
registrazione di:
Cool for Cats
paroliere:
Chris Difford
compositore:
Glenn Tilbrook
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Squeeze3.53:13
7Hong Kong Garden
video musicali:
Hong Kong Garden di Siouxsie & the Banshees
registrazione di:
Hong Kong Garden
autore:
John McKay (UK guitarist & singer-songwriter), Kenny Morris (Siouxsie and the Banshees' drummer), Steven Severin e Siouxsie Sioux (Susan Janet Ballion)
Siouxsie and the Banshees4.752:54
8No More Heroes
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
No More Heroes
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music Ltd.
The Stranglers52:57
9Get in the Swing
produttore:
Tony Visconti
registrazione di:
Get in the Swing
paroliere e compositore:
Ron Mael
Sparks4:08
10Is She Really Going Out With Him?
tecnico:
Rod Hewison
produttore:
David Kershenbaum
batteria :
David Houghton (nel 1978-08)
chitarra :
Gary Sanford (nel 1978-08)
chitarra basso :
Graham Maby (nel 1978-08)
voce principale:
Joe Jackson (English musician) (nel 1978-08)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1979)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 438)
registrazione di:
Is She Really Going Out With Him? (nel 1978-08)
paroliere e compositore:
Joe Jackson (English musician)
editore:
Kobalt Music (publisher) e Pokazuka Limited
Joe Jackson4.43:35
11Bye Bye Baby
tecnico:
Barry Hammond e Peter Tattersall
produttore:
Phil Wainman
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1974)
registrazione cover di:
Bye, Bye, Baby (Baby Goodbye) (nel 1974)
autore:
Bob Crewe e Bob Gaudio
editore:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. e Seasons’ Four Music Inc.
registrazione di:
Bye, Bye, Baby (Baby Goodbye)
autore:
Bob Crewe e Bob Gaudio
editore:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. e Seasons’ Four Music Inc.
Bay City Rollers4.52:49
12Rockin’ All Over the World
assistente tecnico:
Kevin Whyte
tecnico:
John Eden (producer), Barry Hammond e Simon Sullivan
produttore:
Status Quo (UK boogie rock band) e Pip Williams (producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1977), Mercury Records Ltd. (London) (for copyrights use only) (nel 1977), Mercury Records Ltd. (UK) (nel 1977), Phonogram Ltd. (not for release label use!) (nel 1977), Phonogram Ltd. (London) (company name, NOT a label!) (nel 1977, nel 1988) e Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1992)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito (il 1992-08-30), Studio Bohus in Kungälv Municipality (Kungälv municipality), Västra Götaland (Västra Götaland county), Svezia (il 1992-08-30) e Sutton Park in Birmingham, West Midlands, England, Regno Unito (il 1992-08-30)
mixata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
video musicali:
Rockin All Over the World di Status Quo (UK boogie rock band)
registrazione cover di:
Rockin’ All Over the World (il 1992-08-30)
paroliere e compositore:
John Fogerty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Wenaha Music, Wenaha Music Company e Intersong Ltd. (publisher) (nel 1977)
Status Quo43:37
13The Boys Are Back in Town
assistente tecnico di registrazione:
Neil Hornby
tecnico:
Will Reid-Dick
produttore:
John Alcock (producer)
batteria :
Brian Downey (Thin Lizzy drummer)
chitarra :
Scott Gorham (Thin Lizzy guitarist) e Brian Robertson (Thin Lizzy & Motörhead)
chitarra acustica e chitarra basso e voce principale:
Phil Lynott
voce:
Brian Robertson (Thin Lizzy & Motörhead)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 272) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 499)
registrazione di:
The Boys Are Back in Town
paroliere e compositore:
Phil Lynott
editore:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e PolyGram Music Publishing (nel 1989)
Thin Lizzy4.14:30
14Love
registrazione cover di:
Love Hurts
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. e Acuff-Rose Publications, Inc. (BMI) (il 1960-08-30)
sub-editore:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Jim Capaldi3:30
15Oh Boy
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
RAK Records Ltd. (nel 1975)
registrazione cover di:
Oh, Boy!
autore:
Norman Petty, Bill Tilghman (songwriter) e Sonny West (American songwriter and musician Joseph “Sonny” West)
editore:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) e Wren Music Co.
Mud22:53
16Pearl’s a Singer
registrazione cover di:
Pearl’s a Singer
autore:
Ralph Dino, Jerry Leiber, John Sembello e Mike Stoller
editore:
Sony/ATV Songs LLC
Elkie Brooks43:40
17Rivers of Babylon
produttore:
Frank Farian
voce di accompagnamento e voce principale:
Marcia Barrett, Frank Farian e Liz Mitchell
diritti fonografici (℗) detenuti da:
Hansa (nel 1978)
registrazione cover di:
Rivers of Babylon (Boney M. version)
paroliere:
Brent Dowe e Trevor McNaughton
compositore:
Brent Dowe, Frank Farian, Trevor McNaughton e George Reyam
editore:
Blue Mountain Music e FAR Music (publisher for Frank Farian)
si basa su:
Rivers of Babylon
Boney M.44:16
18In dulci jubilo
tecnico:
Phil Newell (engineer and producer) e Mike Oldfield
produttore:
Mike Oldfield
chitarra acustica, chitarra elettrica e sintetizzatore :
Mike Oldfield (dal 1974-11 al 1975-10)
tamburo rullante :
William Murray (dal 1974-11 al 1975-10)
arrangiatore:
Mike Oldfield
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1975) e Mercury Records Ltd. (not for release label use!) (nel 2010)
registrata presso:
The Beacon (Mike Oldfield home studio) in Herefordshire, England, Regno Unito (nel 1974-11) e The Manor in Oxfordshire, England, Regno Unito (nel 1975-10)
registrazione di:
In dulci jubilo (Mike Oldfield version) (dal 1974-11 al 1975-10)
arrangiatore:
Mike Oldfield
editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), EMI Virgin Music Ltd. (do not use this as a release label!), Oldfield Music Ltd., Stage Three Music (Catalogues) Ltd. e フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
In dulci jubilo (macaronic of English and Latin)
Mike Oldfield42:50
19I’m Not in Love
tecnico di registrazione:
10cc (nel 1974)
tecnico e tecnico di missaggio:
Eric Stewart
produttore:
10cc
basso e chitarra :
Graham Gouldman (nel 1974)
effetti [musical effects] , pianoforte elettrico e voce principale:
Eric Stewart (nel 1974)
moog :
Kevin (nel 1974)
pianoforte :
Lol (nel 1974)
synclavier [control desk] :
Graham Gouldman (nel 1974), Kevin (nel 1974), Lol (nel 1974) e Eric Stewart (nel 1974)
altra voce [whisper vocals]:
Kathy Redfern (nel 1974)
voce di accompagnamento:
Graham Gouldman (nel 1974), Kevin (nel 1974) e Lol (nel 1974)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1975), Mercury Records Ltd. (London) (for copyrights use only) (nel 1975), Phonogram, Inc. (nel 1975), Phonogram Ltd. (not for release label use!) (nel 1979) e Mercury Records Ltd. (not for release label use!) (nel 1996)
registrata da:
Phonogram Ltd. (London) (company name, NOT a label!)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito (nel 1974)
video musicali:
I’m Not in Love di 10cc
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 319)
registrazione di:
I’m Not in Love (nel 1974)
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, nel 1975), Schubert Music Publishing, St. Anne's Music e St. Anne’s Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
10cc3.856:04
20Wuthering Heights
produttore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrazione di:
Wuthering Heights
editore:
Kate Bush (dal 1978 a oggi)
paroliere e compositore:
Kate Bush (il 1977-03-05)
editore:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated) (dal 1978 a oggi)
Kate Bush3:27
2▼CD
#TitoloArtistaValutazioneDurata
1Ladies Night
produttore:
Eumir Deodato e Kool & the Gang
registrazione di:
Ladies’ Night
autore:
Cliff Adams, Chris Alberts, Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Jon Faddis, Adam Ippolito, Robert Spike Mickens e Claydes Smith
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kool & the Gang4.153:29
2I Feel Love
registrazione di:
I Feel Love
paroliere:
Pete Bellotte (English lyricist and producer)
compositore:
Pete Bellotte (English lyricist and producer), Giorgio Moroder e Donna Summer (soul/disco diva)
arrangiatore:
Thor Baldursson
editore:
Budde Music Inc. (US publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rick’s Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music e Warner Chappell (Warner/Chappell Music, Inc.)
Donna Summer43:47
3Got to Give It Up
produttore:
Art Stewart
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1967)
registrazione di:
Got to Give It Up
paroliere e compositore:
Marvin Gaye
editore:
Jobete Music (UK) Ltd. e Jobete Music Publishing
Marvin Gaye3.44:04
4Heart of Glass
assistente tecnico:
Grey Russell
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke
chitarra :
Frank Infante e Chris Stein
chitarra basso :
Nigel Harrison
tastiera :
Jimmy Destri
voce principale:
Deborah Harry
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (nel 1978), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978) e Chrysalis Records, Inc. (not for release label use!) (nel 1978)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1978-06)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie4.34:12
5Rapper’s Delight
registrazione di:
Rapper’s Delight (il 1979-08-02)
autore:
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson e Nile Rodgers
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
si basa su:
Good Times
The Sugarhill Gang3.63:56
6Now That We’ve Found Love
registrazione cover di:
Now That We Found Love
paroliere:
Heavy D. (US rapper)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Blue Mountain Music Ltd, Mighty Three Music 301 /373, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Third World7:40
7Uptown Top Ranking
Althea & Donna3:12
8The Hustle
registrazione di:
The Hustle
paroliere e compositore:
Van McCoy
editore:
Van McCoy Music, Warner Bros. Music Co. Ltd. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Van McCoy & The Soul City Symphony54:04
9You’re More Than a Number in My Little Red Book
registrazione di:
You’re More Than a Number in My Little Red Book
compositore:
Roger Greenaway e Tony Macaulay
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e PolyGram Music Publishing Ltd.
The Drifters3:16
10I Will Survive
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1978)
registrazione di:
I Will Survive
autore:
Dino Fekaris e Freddie Perren
editore:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor7:57
11I’m in the Mood for Dancing
registrazione di:
I’m in the Mood for Dancing
autore:
Ben Findon (songwriter and producer), Mike Myers (UK producer/songwriter) e Bob Puzey
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Songs of Windswept Pacific
The Nolans4.53:19
12December 1963 (Oh, What a Night)
tecnico di registrazione:
Steve Maslow
produttore:
Bob Gaudio
tecnico di missaggio:
Val Garay
basso :
Don Ciccone
batteria :
Gerry Polci
chitarra :
John Paiva
pianoforte :
Bob Gaudio
tastiera :
Bob Gaudio e Lee Shapiro
voce:
Bob Gaudio, Don Ciccone, Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons), Gerry Polci e John Paiva
arrangiatore archi e arrangiatore ottoni [horns] :
Lee Shapiro
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 64)
registrazione di:
December, 1963 (Oh, What a Night)
paroliere:
Bob Gaudio e Judy Parker
compositore:
Bob Gaudio
editore:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. e Seasons Music Co.
Frankie Valli and The Four Seasons3.853:21
13See the Trouble With Me
tecnico:
Frank Kejmar (engineer)
produttore:
Barry White
arrangiatore:
Gene Page (conductor, composer, arranger and record producer) e Barry White
registrazione di:
You See the Trouble With Me
autore:
Ray Parker Jr. e Barry White
editore:
Little A Music, My Baby’s Music Company, Sa‐Vette Music Co., Unichappell Music, Inc. e World Song Publishing Inc.
Barry White4.53:28
14Your Kiss Is Sweet
registrazione di:
Your Kiss Is Sweet
autore:
Syreeta (US singer‐songwriter active 1970s–80s) e Stevie Wonder
Syreeta3:52
15My Simple Heart
voce:
Sheila Ferguson, Valerie Holiday e Helen Scott
registrazione di:
My Simple Heart
autore:
Dominic Bugatti e Frank Musker
editore:
Notting Hill Music (UK) Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Three Degrees44:27
16Love to Love You Baby
produttore:
Pete Bellotte (English lyricist and producer)
registrazione di:
Love to Love You Baby (nel 1975)
autore:
Pete Bellotte (English lyricist and producer), Giorgio Moroder e Donna Summer (soul/disco diva)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sweet Summer Night Music, Warner Chappell e WB Music Corp. (1929–2019)
Donna Summer43:22
17The Eton Rifles
tecnico:
Vic Coppersmith‐Heaven e Alan Douglas (Scottish born engineer)
produttore:
Vic Coppersmith‐Heaven e The Jam (late 70s/early 80s UK punk/mod revival band)
arrangiatore:
Vic Coppersmith‐Heaven e The Jam (late 70s/early 80s UK punk/mod revival band)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (il 1979-08-15)
registrazione di:
The Eton Rifles (il 1979-08-15)
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
BMG Music Publishing Ltd. e Stylist Music Ltd.
The Jam54:00
18I Don’t Like Mondays
produttore:
Phil Wainman
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979)
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
video musicali:
I Don’t Like Mondays di The Boomtown Rats
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 66)
registrazione di:
I Don’t Like Mondays
paroliere e compositore:
Johnnie Fingers e Bob Geldof
editore:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. e Zomba Music Publishing Ltd.
The Boomtown Rats44:16
195.7.0.5.
produttore:
Robert John “Mutt” Lange (Robert John Lange)
registrazione di:
5.7.0.5.
paroliere:
Lol Mason
compositore:
Steve Broughton (drummer, with Edgar Broughton Band & Mike Oldfield)
City Boy53:16
3▼CD
#TitoloArtistaValutazioneDurata
1Love Hangover
registrazione di:
Love Hangover
autore:
Marilyn McLeod (soul/jazz singer and songwriter) e Pam Sawyer (British‐born American lyricist and songwriter)
editore:
Jobete Music (appears also as: Jobete Msc.) e Jobete Music Co., Inc.
Diana Ross47:50
2You Sexy Thing
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975) e CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1984)
registrazione di:
You Sexy Thing (nel 1975)
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. e RAK Publishing Ltd
Hot Chocolate3.854:01
3Hold Back the Night
registrazione di:
Hold Back the Night
autore:
Ron Baker (record producer, bassist, arranger and songwriter), Allan Felder e Norman Harris (American Philly Soul guitarist, producer, and songwriter)
editore:
Carlin Music Corporation, Golden Fleece Music, Mured Music Co. e Reservoir 416
versione di:
Scrub Board
Graham Parker & The Rumour3:07
4Let’s Stick Together
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist) e Jon Walls
tecnico:
Steve Nye (producer, engineer and pianist) e John Punter
produttore:
Bryan Ferry e Chris Thomas (UK record producer / remixer)
armonica (a bocca) e tastiera :
Bryan Ferry (dal 1973 al 1976)
basso :
John Wetton (dal 1973 al 1976)
batteria :
Paul Thompson (Roxy Music drummer) (dal 1973 al 1976)
chitarra :
Chris Spedding (dal 1973 al 1976)
percussione :
Morris Pert (dal 1973 al 1976)
sassofono soprano :
Mel Collins (dal 1973 al 1976)
sassofono tenore :
Chris Mercer (British saxophonist) (dal 1973 al 1976)
sintetizzatore e violino :
Eddie Jobson (dal 1973 al 1976)
tromba :
Martin Drover (dal 1973 al 1976)
cori:
Vicki Brown (English pop, rock & contemporary classical singer) (dal 1973 al 1976), Doreen Chanter (dal 1973 al 1976), Helen Chappelle (dal 1973 al 1976), Jackie Sullivan (vocals & songwriter) (dal 1973 al 1976), Martha Walker (Vocalist) (dal 1973 al 1976) e Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (dal 1973 al 1976)
voce:
Bryan Ferry (dal 1973 al 1976)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1976), Virgin EG Records Ltd. (nel 1976) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1976, nel 1999)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito e Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (dal 1973 al 1976)
registrazione cover di:
Let’s Stick Together (dal 1973 al 1976)
paroliere e compositore:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
editore:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. e SBK/U Catalog (nel 1969)
Bryan Ferry3.353:01
5Heaven Must Be Missing an Angel
registrazione di:
Heaven Must Be Missing an Angel
autore:
Freddie Perren e Keni St. Lewis
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares3.656:34
6Can’t Give You Anything but My Love
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1975)
registrazione di:
I Can’t Give You Anything (But My Love)
autore:
Luigi Creatore, Hugo Peretti e George David Weiss
editore:
Abilene Music Inc. e Music Sales Corporation (American copyright holder in both popular and classical music)
The Stylistics23:12
7If I Can’t Have You
registrazione di:
If I Can’t Have You
scritta a:
Francia
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (nel 1978) e Unichappell Music (nel 1978)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Yvonne Elliman4:00
8Midnight Train to Georgia
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 74), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 432) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 470)
registrazione di:
Midnight Train to Georgia
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.54:38
9If You Leave Me Now
tecnico di registrazione:
Armin Steiner (dal 1976-03 al 1976-04: archi)
assistente tecnico:
Tom Likes
tecnico:
Wayne Tarnowski
produttore:
James William Guercio
basso e chitarra acustica :
James William Guercio (dal 1976-03 al 1976-04)
voce principale:
Peter Cetera (dal 1976-03 al 1976-04)
arrangiatore archi e arrangiatore corno francese :
Jimmie Haskell
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Rhino Entertainment Company (not for release label use!) (nel 1976, nel 2002), Warner Strategic Marketing Inc. (nel 1976) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1976)
registrata presso:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti, Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti (archi) e Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
mixata presso:
Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
registrazione di:
If You Leave Me Now (dal 1976-03 al 1976-04)
paroliere:
Peter Cetera
compositore:
Peter Cetera (nel 1976)
editore:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music e Spirit Music Publishing Ltd.
Chicago4.23:54
10After the Love Has Gone
produttore:
Maurice White (Earth, Wind & Fire)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1979)
campionamenti da:
I Am di Earth, Wind & Fire (nel 1979)
registrazione di:
After the Love Has Gone
autore:
Bill Champlin, David Foster (Canadian music producer, arranger and composer) e Jay Graydon
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music (BMI), Irving Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Ninth Music e Noted for the Record
sub-editore:
Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Earth, Wind & Fire3.154:25
11Three Times a Lady
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1976)
registrazione di:
Three Times a Lady
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
Commodores36:39
12Lovin’ You
tecnico di mastering:
Kent Duncan
tecnico:
Malcolm Cecil e Robert Margouleff
tecnico aggiunto:
Gary Olazabal
chitarra :
Michael Sembello
chitarra basso :
Reggie McBride
congas :
Rocki Dzidzornu
grancassa, piatti, armonica (a bocca), membranofono e pianoforte :
El Toro Negro
membranofono :
Ollie E. Brown (US drummer, session musician & record producer)
voce di accompagnamento:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) e Yvonne Wright
voce principale:
Minnie Riperton
arrangiatore:
Wonderlove (Stevie Wonder alias used to do work outside of Motown)
registrazione di:
Lovin’ You
autore:
Minnie Riperton e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
editore:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-editore:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton23:49
13A Little Bit More
esecutore:
Ray Sawyer
registrazione cover di:
A Little Bit More
paroliere e compositore:
Bobby Gosh (pianist, songwriter, and producer)
editore:
Bygosh Music Corp., Intersong Music Ltd., Sunbury Music Ltd., Warner Chappell e Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Dr. Hook3:14
14Forever and Ever
registrazione di:
Forever and Ever (1973 song)
paroliere:
Alec R. Costandinos
compositore:
Στέλιος Βλαβιανός
Demis Roussos53:39
15Don’t Cry for Me Argentina
produttore:
Andrew Lloyd Webber (English composer and impresario of musical theatre) e Tim Rice
voce:
Julie Covington (nel 1976)
esecutore:
Julie Covington
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 56)
registrazione di:
Don’t Cry for Me Argentina (Evita) (nel 1976)
paroliere:
Tim Rice
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) e Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
parte di:
Evita (Andrew Lloyd Webber musical)
Julie Covington35:26
16Lucille
produttore:
Larry Butler (US country music producer, songwriter & pianist)
voce principale:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1976), United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1976) e Liberty Records, Inc. (nel 1977)
registrazione di:
Lucille
autore:
Roger Bowling e Hal Bynum
editore:
ATV Music Corp., Sony/ATV Music Publishing Australia Pty Ltd., Andite Invasion (publisher) (nel 1976) e Brougham Hall Music Co., Inc. (publisher) (nel 1976)
Kenny Rogers33:41
17Rhinestone Cowboy
diritti fonografici (℗) detenuti da:
Nashville Records (country label, used to be under Starday Records in Nashville, TN, today under Capitol Records, Inc.) (nel 1975) e Capitol Records Nashville (nel 2003)
registrazione di:
Rhinestone Cowboy (il 1975-02-24)
paroliere e compositore:
Larry Weiss (American singer-songwriter)
editore:
House of Weiss Music Co, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
Glen Campbell43:15
18Stand by Your Man
produttore:
Billy Sherrill (US songwriter/producer/arranger)
voce principale:
Tammy Wynette (nel 1968)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 473)
registrazione di:
Stand by Your Man (nel 1968)
autore:
Billy Sherrill (US songwriter/producer/arranger) e Tammy Wynette
editore:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. e EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette3.82:47

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ASIN:UK: B01H8TTMC2 [info]

Gruppo di pubblicazioni

parte di:Top of the Pops (UMC) (numero: 3) (ordine: 3)