Blue Box 2: The Finest in Jazz Vocalists

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Tupelo Honey
recording engineer:
Jamie Staub
assistierende(r) Techniker(in):
Peter Beekerman, Dinji Brown, Bil Emmons, Joe Hogan, Fred Kevorkian und Julio Peralta
Produzent(in):
Craig Street
Mix:
Danny Kopelson
Editing:
Fred Kevorkian
Gitarre:
Brandon Ross (von 1993-03 bis 1993-07)
kleine Trommel / Snare:
Lance Carter (von 1993-03 bis 1993-07)
Kontrabass:
Lonnie Plaxico (von 1993-03 bis 1993-07)
Mandocello und Geige / Violine:
Charles Burnham (violinist) (von 1993-03 bis 1993-07)
Perkussion:
Kevin Johnson (jazz drummer) (von 1993-03 bis 1993-07)
Sologesang:
Cassandra Wilson (von 1993-03 bis 1993-07)
arranger:
Brandon Ross
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
aufgenommen bei:
Greene St. Recording in SoHo, New York, New York, Vereinigte Staaten (von 1993-03 bis 1993-07)
edited at:
Sear Sound in New York, New York, Vereinigte Staaten
cover recording of:
Tupelo Honey (von 1993-03 bis 1993-07)
Texter und Komponist(in):
Van Morrison
publisher:
Caledonia Soul Music, Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America
Cassandra Wilson5:43
2Until I Met You
cover recording of:
Until I Met You (Corner Pocket)
Texter:
Don Wolf (songwriter / composer)
Komponist(in):
Don Wolf (songwriter / composer) und Freddie Green
publisher:
EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Count Basie & Sarah Vaughan3:12
3I’ve Just Seen a Face
recording of:
I’ve Just Seen a Face
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bob Belden & Holly Cole3:58
4Medley: On Green Dolphin Street / How Am I to Know / Just Friends / I Cried for You / Seems Like Old Times / You Stepped Out of a Dream
Ella Fitzgerald7:00
5The Lady Is a Tramp
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
Tony Bennett2:32
6Top Forty
Mose Allison4:25
7It Don’t Mean a Thing (If It Ain’t Got That Swing)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong & Duke Ellington4:03
8St. James Infirmary
Lou Rawls4:47
9Why Don’t You Do Right (Get Me Some Money Too)
vocals:
Peggy Lee (jazz vocalist) (am 1947-11-19)
conductor:
Dave Barbour (am 1947-11-19)
cover recording of:
Why Don’t You Do Right? (am 1947-11-19)
Texter und Komponist(in):
Kansas Joe McCoy
publisher:
Edwin Morris Music und Morley Music Co
Version von:
Weed Smoker’s Dream
recording of:
Why Don’t You Do Right?
Texter und Komponist(in):
Kansas Joe McCoy
publisher:
Edwin Morris Music und Morley Music Co
Version von:
Weed Smoker’s Dream
Peggy Lee42:31
10Detour Ahead
Dianne Reeves6:47
11Time Was When
Hadda Brooks2:52
12Ballad of a Sad Young Man
Kurt Elling6:23
13Beware My Heart
Betty Carter5:10
14You’re Nobody ’til Somebody Loves You
cover recording of:
You’re Nobody Till Somebody Loves You
Verfasser(in):
James Cavanaugh, Russ Morgan (Big Band orchestra leader) und Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dinah Washington2:50
15Winter Moon
recording of:
Winter Moon
Texter:
Harold Adamson
Komponist(in):
Hoagy Carmichael
Hoagy Carmichael4:12
2▼CD
Nr.TitelKünstlerBewertungLänge
1I Fall in Love Too Easily
recording of:
I Fall in Love Too Easily
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. und Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
Chet Baker3:22
2Don’t Ever Go Away
Klavier:
Eliane Elias (in 1989-12)
Kontrabass [bass]:
Eddie Gomez (jazz double bassist) (in 1989-12)
Perkussion:
Naná Vasconcelos (in 1989-12)
Schlagzeug:
Jack DeJohnette (in 1989-12)
arranger:
Eliane Elias (in 1989-12)
instrumental recording of:
Por causa de você (in 1989-12)
Texter:
Dolores Duran
Komponist(in):
Antônio Carlos Jobim
cover recording of:
Por causa de você
Texter:
Dolores Duran
Komponist(in):
Antônio Carlos Jobim
Eliane Elias3:03
3This Could Be the Start of Something Big
Produzent(in):
Tom Morgan (Bluegrass bass player)
Bass:
Joe Mondragon
Klavier:
Jimmy Rowles
Schlagzeug:
Mel Lewis (American jazz drummer)
Tenorsaxophon:
Bill Holman und Richie Kamuca
Trompete:
Conte Candoli und Pete Candoli
vocals:
Mark Murphy (US jazz singer)
conductor:
Bill Holman
arranger:
Bill Holman
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1958-12-01 bis 1958-12-15)
recording of:
This Could Be the Start of Something Big
Texter:
Steve Allen (US actor, musician & comedian)
Komponist(in):
Steve Allen (US actor, musician & comedian) (in 1956)
publisher:
Meadowlane Music, Inc.
Mark Murphy3:43
4My Heart Belongs to Daddy
Produzent(in):
Richard Bock (record producer)
Gitarre:
Joe Pass (jazz guitarist) (am 1965-07-12)
Holzblasinstrumente:
Bud Shank (am 1965-07-12)
Instrumente:
The Bud Shank Quintet (am 1965-07-12)
Klavier:
Russ Freeman (pianist) (am 1965-07-12)
Kontrabass:
Monty Budwig (am 1965-07-12)
membranophone und Schlagzeug:
Colin Bailey (drummer) (am 1965-07-12)
vocals:
Julie London (am 1965-07-12)
arranger:
Russ Freeman (pianist)
aufgenommen bei:
Pacific Jazz Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-07-12)
cover recording of:
My Heart Belongs to Daddy (am 1965-07-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
Julie London2:44
5Il n’y a Plus D’Apres
The Jazz Passengers and Deborah Harry5:32
6Every Day I Had the Blues
Joe Williams4:46
7Just a Gigolo / I Ain’t Got Nobody
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1956-04-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber Jr. (am 1956-04-19)
Posaune:
Jimmy 'Little Red' Blount (am 1956-04-19) und Lou Sineaux (am 1956-04-19)
Schlagzeug:
Bobby Morris (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
vocals:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (am 1956-04-19)
Texter:
Julius Brammer und Roger Graham
Komponist(in):
Leonello Casucci und Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
Übersetzer:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America und Wiener Bohème Verlag GmbH
Medley von:
Just a Gigolo (English version)
Medley von:
I Ain’t Got Nobody
Louis Prima44:46
8Country Girl
Javon Jackson & Cassandra Wilson6:56
9Ain’t That a Kick in the Head
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor)
recording of:
Ain’t That a Kick in the Head (am 1960-05-10)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Maraville Music Corp.
Dean Martin4.52:28
10Dat Dere
Sheila Jordan2:46
11Just for a Thrill
recording of:
Just for a Thrill
Texter:
Don Raye
Komponist(in):
Lil Hardin Armstrong
arranger:
Vance Thompson
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Universal Music Corp. (USA, affiliated with ASCAP)
Peggy Lee3:46
12Nothing Has Ever Felt Like This
Rachelle Ferrell6:24
13The Nearness of You
Johnny Hartman6:59
14Now You Has Jazz
recording of:
Now You Has Jazz (High Society musical romantic comedy film)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
Teil von:
High Society (1956 film)
Bing Crosby & Louis Armstrong4:21
15Children Go Where I Send Thee
aufgenommen bei:
The Village Gate in Greenwich Village, New York, New York, Vereinigte Staaten (in 1961-04)
live cover recording of:
Children Go Where I Send Thee (in 1961-04)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 133)
Nina Simone7:49
3▼CD
Nr.TitelKünstlerBewertungLänge
1Blue Bossa
Bobby McFerrin & Chick Corea6:21
2Pavane
Judi Silvano3:54
3One for My Baby (and One for the Road)
Johnny Mercer3:10
4You’d Be So Nice to Come Home To
Techniker(in):
John Kraus (1950s US engineer)
Produzent(in):
Si Waronker
Gitarre:
Al Viola (am 1960-03-04)
Klavier:
Jimmy Rowles (am 1960-03-04)
Kontrabass:
Don Bagley (am 1960-03-04)
Schlagzeug:
Earl Palmer (am 1960-03-04)
Trompete:
Bob Flanigan (am 1960-03-04)
Vibraphon:
Emil Richards (am 1960-03-04)
vocals:
Julie London (am 1960-03-04)
Orchester:
The Jimmy Rowles Orchestra (am 1960-03-04)
aufgenommen bei:
Julie London’s living room (am 1960-03-04)
cover recording of:
You’d Be So Nice to Come Home To (am 1960-03-04)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Julie London42:16
5How Sweet It Is (to Be Loved by You)
Bass:
Richard Davis (American jazz bassist) (in 1966-09)
Flügelhorn:
Thad Jones (American jazz trumpeter) (in 1966-09)
Gitarre:
Sam Herman (guitar, jazz) (in 1966-09)
Klavier:
“Sir” Roland Hanna (jazz pianist) (in 1966-09)
Posaune:
Bob Brookmeyer (in 1966-09), Garnett Brown (in 1966-09), Cliff Heather (in 1966-09) und Tom McIntosh (in 1966-09)
Saxophon:
Pepper Adams (baritone saxophonist) (in 1966-09), Eddie Daniels (US jazz/classical saxophonist, clarinetist & flutist) (in 1966-09), Jerry Dodgion (in 1966-09), Joe Farrell (in 1966-09) und Jerome Richardson (in 1966-09)
Schlagzeug:
Mel Lewis (American jazz drummer) (in 1966-09)
Trompete:
Bill Berry (Jazz trumpeter, cornetist and big band leader) (in 1966-09), Jimmy Nottingham (in 1966-09), Richard Williams (Richard Gene Williams, jazz trumpeter) (in 1966-09) und Snooky Young (in 1966-09)
vocals:
Joe Williams (US jazz vocalist) (in 1966-09)
aufgenommen bei:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Vereinigte Staaten (in 1966-09)
cover recording of:
How Sweet It Is (to Be Loved by You) (in 1966-09)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Joe Williams & The Thad Jones & Mel Lewis Orchestra2:33
6Something Cool
Produzent(in):
Lee Gillette
alto saxophone:
Bud Shank (am 1953-08-14)
baritone saxophone:
Chuck Gentry (am 1953-08-14)
Bassposaune:
George Roberts (american bass trombone) (am 1953-08-14)
flute und Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-08-14)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1953-08-14)
Posaune:
Milt Bernhart (am 1953-08-14), Herbie Harper (am 1953-08-14) und Tommy Pederson (am 1953-08-14)
Trompete:
Maynard Ferguson (am 1953-08-14), Conrad Gozzo (am 1953-08-14) und Shorty Rogers (trumpet) (am 1953-08-14)
vocals:
June Christy (am 1953-08-14)
conductor:
Pete Rugolo (am 1953-08-14)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-08-14)
recording of:
Something Cool (am 1953-08-14)
Texter und Komponist(in):
Billy Barnes (composer and lyricist)
June Christy44:22
7With Plenty of Money and You
Produzent(in):
Teddy Reig
alto saxophone:
Marshall Royal (in 1959-01) und Frank Wess (in 1959-01)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (in 1959-01)
Gitarre:
Freddie Green (in 1959-01)
Klavier:
Count Basie (pianist) (in 1959-01) und Ralph Sharon (in 1959-01)
Kontrabass:
Eddie Jones (US jazz double bassist) (in 1959-01)
Posaune:
Henry Coker (jazz trombonist) (in 1959-01), Al Grey (trombone) (in 1959-01) und Benny Powell (jazz trombonist) (in 1959-01)
Schlagzeug:
Sonny Payne (in 1959-01)
Tenorsaxophon:
Frank Foster (saxophonist) (in 1959-01) und Billy Mitchell (US jazz saxophonist) (in 1959-01)
Trompete:
Wendell Culley (jazz trumpeter) (in 1959-01), Thad Jones (American jazz trumpeter) (in 1959-01), Joe Newman (US jazz trumpeter) (in 1959-01) und Snooky Young (in 1959-01)
vocals:
Tony Bennett (US jazz/standards vocalist) (in 1959-01)
Interpret(in):
Tony Bennett (US jazz/standards vocalist) (in 1959-01) und Count Basie and His Orchestra (in 1959-01)
arranger:
Ralph Sharon
cover recording of:
With Plenty of Money and You (in 1959-01)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
Teil von:
42nd Street (full musical)
Count Basie and Tony Bennett1:35
8Girl Talk
Betty Carter5:49
9Time of the Season
Kurt Elling & Cassandra Wilson5:52
10Baltimore Oriole
Sheila Jordan2:35
11The Nearness of You / Misty
Dianne Reeves3:18
12But Not for Me
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (vom 1954 bis heute, vom 2004 bis heute)
recording of:
But Not for Me (am 1954-02-15)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Chet Baker3:06
13Hum Drum Blues
Javon Jackson & Holly Cole5:40
14Jelly Jelly
cover recording of:
Jelly, Jelly
Verfasser(in):
Billy Eckstine und Earl Hines (jazz pianist and bandleader)
Billy Eckstine3:12
4▼CD
Nr.TitelKünstlerBewertungLänge
1When Doves Cry
Produzent(in):
Bob Belden
Bass:
Richard Patterson (Chicago bass player) (von 1993-05-05 bis 1993-09-27)
Klavier:
Bob Belden (von 1993-05-05 bis 1993-09-27)
Schlagzeug:
Ricky Wellman (von 1993-05-05 bis 1993-09-27)
Sopransaxophon:
Greg Osby (American jazz saxophonist) (von 1993-05-05 bis 1993-09-27)
Synthesizer:
Adam Holzman (American keyboardist, composer and producer) (von 1993-05-05 bis 1993-09-27)
Gast vocals:
Cassandra Wilson
Hintergrundgesang:
Loris Diran (von 1993-05-05 bis 1993-09-27) und Cassandra Wilson (von 1993-05-05 bis 1993-09-27)
vocals:
Cassandra Wilson (von 1993-05-05 bis 1993-09-27)
conductor:
Bob Belden (von 1993-05-05 bis 1993-09-27)
arranger:
Bob Belden
aufgenommen bei:
DK Studios in New York, New York, Vereinigte Staaten (von 1993-05-05 bis 1993-09-27)
cover recording of:
When Doves Cry (von 1993-05-05 bis 1993-09-27)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions und Controversy Music
Cassandra Wilson5:42
2Maybe
Lena Horne2:48
3Detour Ahead
recording of:
Detour Ahead
Komponist(in):
Lou Carter (in 1947), Herb Ellis (jazz guitarist) (in 1947) und Johnny Frigo (US jazz musician) (in 1947)
publisher:
Woodrow Music
Billie Holiday3:05
4My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Chet Baker2:21
5Lonesome Cup of Coffee
Abbey Lincoln2:41
6I Feel Pretty
Annie Ross & Gerry Mulligan3:37
7Miss Otis Regrets
Carmen McRae6:00
8Friends
Bobby McFerrin4:29
9Guess Who I Saw Today
cover recording of:
Guess Who I Saw Today
Texter:
Elisse Boyd (in 1952)
Komponist(in):
Murray Grand (in 1952)
publisher:
Sony/ATV Tunes LLC (ASCAP)
Nancy Wilson3:29
10Stompin’ at the Savoy
Mel Tormé2:36
11Ev’ry Time We Say Goodbye
Bass:
George Duvivier (am 1961-07-18)
Gitarre:
Mundell Lowe (am 1961-07-18)
vocals:
Sarah Vaughan (am 1961-07-18)
aufgenommen bei:
RKO-Pathé Studios in New York, New York, Vereinigte Staaten (am 1961-07-18)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (am 1961-07-18)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sarah Vaughan2:28
12(I Loves You) Porgy
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone34:05
13The Look of Love
flute:
Scott Robinson (US jazz saxophonist)
Klavier:
David Kikoski
Kontrabass:
Lars Danielsson (Swedish jazz bassist, composer and producer)
Schlagzeug und Perkussion:
Terri Lyne Carrington
Hintergrundgesang und Sologesang:
Cæcilie Norby (Danish jazz and rock singer)
cover recording of:
The Look of Love
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 40th Academy Award for Best Original Song (Nummer: 2)
Cæcilie Norby3:04
14Stormy Weather
Lou Rawls3:05
15Sing, Sing, Sing
Produzent(in):
Voyle Gilmore
Bass:
Tony Liuzza (am 1958-08-25)
Gitarre:
Bobby Roberts (1950-60s guitarist, The Witnesses) (am 1958-08-25)
Klavier:
Willie McCumber Jr. (am 1958-08-25)
Posaune:
Lou Sino (am 1958-08-25)
Schlagzeug:
Paul Ferrara (am 1958-08-25)
Tenorsaxophon:
Sam Butera (am 1958-08-25)
Trompete:
Louis Prima (am 1958-08-25)
vocals:
Louis Prima (am 1958-08-25)
Orchester:
The Witnesses (am 1958-08-25)
aufgenommen bei:
Sahara Theater in Winchester, Nevada, Vereinigte Staaten (am 1958-08-25)
live recording of:
Sing, Sing, Sing (With a Swing) (am 1958-08-25)
Texter und Komponist(in):
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (beendet) und EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Louis Prima4:07

Nennungen