Fantasia 2000

~ Release by Chicago Symphony Orchestra ,James Levine (see all versions of this release, 5 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Symphony no. 5
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
assistant mixer:
Asif Ali
editor:
Kenneth Hahn
orchestra:
Chicago Symphony Orchestra
conductor:
James Levine (US conductor and pianist)
recorded at:
Medinah Temple in Chicago, Illinois, United States
mixed at:
Enterprise Studios (aka Enterprise Studios) in Burbank, California, United States
edited at:
Sync Sound in New York, New York, United States
partial recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven2:55
2Pines of Rome
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
assistant mixer:
Asif Ali
editor:
Kenneth Hahn
orchestra:
Chicago Symphony Orchestra
conductor:
James Levine (US conductor and pianist)
recorded at:
Medinah Temple in Chicago, Illinois, United States
mixed at:
Enterprise Studios (aka Enterprise Studios) in Burbank, California, United States
edited at:
Sync Sound in New York, New York, United States
partial recording of:
Pini di Roma, P 141 (Pines of Rome)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Ottorino Respighi Catalog by Potito Pedarra (number: P. 141)
Ottorino Respighi3.110:14
3Rhapsody in Blue
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
assistant mixer:
Asif Ali
editor:
Kenneth Hahn
piano:
Ralph Grierson (Pianist, keyboardist and composer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
James Levine (US conductor and pianist)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Enterprise Studios (aka Enterprise Studios) in Burbank, California, United States
edited at:
Sync Sound in New York, New York, United States
recording of:
Rhapsody in Blue (standard 1942 orchestration)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Classic 100: Feel Good (2024) (number: 5)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin512:35
4Piano Concerto no. 2, op. 102: Allegro
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
assistant mixer:
Asif Ali
editor:
Kenneth Hahn
piano:
Yefim Bronfman (pianist)
orchestra:
Chicago Symphony Orchestra
conductor:
James Levine (US conductor and pianist)
recorded at:
Medinah Temple in Chicago, Illinois, United States
mixed at:
Enterprise Studios (aka Enterprise Studios) in Burbank, California, United States
edited at:
Sync Sound in New York, New York, United States
recording of:
Piano Concerto no. 2 in F major, op. 102: I. Allegro
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1957)
part of:
Piano Concerto no. 2 in F major, op. 102
Dmitri Shostakovich7:27
5Carnival of the Animals: Finale
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
assistant mixer:
Asif Ali
editor:
Kenneth Hahn
piano:
Gail Niwa (pianist) and Philip L. Sabransky
orchestra:
Chicago Symphony Orchestra
conductor:
James Levine (US conductor and pianist)
arranger:
Bruce Coughlin
recorded at:
Medinah Temple in Chicago, Illinois, United States
mixed at:
Enterprise Studios (aka Enterprise Studios) in Burbank, California, United States
edited at:
Sync Sound in New York, New York, United States
recording of:
Le Carnaval des animaux : XIV. Finale (The Carnival of the Animals: XIV. Finale, full ensemble)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3.11:58
6The Sorcerer's Apprentice
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
assistant mixer:
Asif Ali
editor:
Kenneth Hahn
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
James Levine (US conductor and pianist)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Enterprise Studios (aka Enterprise Studios) in Burbank, California, United States
edited at:
Sync Sound in New York, New York, United States
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
Paul Dukas2.459:37
7Pomp and Circumstance: Marches #1, 2, 3, & 4
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
assistant mixer:
Asif Ali
editor:
Kenneth Hahn
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Chicago Symphony Orchestra
conductor:
James Levine (US conductor and pianist)
arranger:
Peter Schickele (American composer)
recorded at:
Medinah Temple in Chicago, Illinois, United States
mixed at:
Enterprise Studios (aka Enterprise Studios) in Burbank, California, United States
edited at:
Sync Sound in New York, New York, United States
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 2 in A minor
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
composer:
Edward Elgar (composer) (in 1901)
part of:
Pomp and Circumstance Military Marches, op. 39
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 3 in C minor
composer:
Edward Elgar (composer) (in 1904)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1905-03-08)
part of:
Pomp and Circumstance Military Marches, op. 39
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major
composer:
Edward Elgar (composer) (in 1907)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1907-08-24)
part of:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar1.856:22
8Firebird Suite (1919 version)
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
assistant mixer:
Asif Ali
editor:
Kenneth Hahn
orchestra:
Chicago Symphony Orchestra
conductor:
James Levine (US conductor and pianist)
recorded at:
Medinah Temple in Chicago, Illinois, United States
mixed at:
Enterprise Studios (aka Enterprise Studios) in Burbank, California, United States
edited at:
Sync Sound in New York, New York, United States
partial recording of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
is based on:
L’Oiseau de feu (The Firebird)
Igor Stravinsky1.859:13