Crystal Comments

~ Veröffentlichung von Bud Shank / Bill Mays / Alan Broadbent (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

112"-Vinyl
Nr.TitelBewertungLänge
A1Scrapple From the Apple
recording engineer:
Hank Cicalo (in 1979-10)
Produzent(in):
Bud Shank
flute:
Bud Shank (in 1979-10)
Klavier:
Alan Broadbent (in 1979-10)
Rhodes Piano:
Bill Mays (in 1979-10)
remixer:
Phil Edwards (recording engineer)
phonographisches Urheberrecht (℗) von:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
aufgenommen bei:
Crimson Sound in Santa Monica, California (Kalifornien), Vereinigte Staaten (in 1979-10)
remixed at:
The Music Annex in Menlo Park, California (Kalifornien), Vereinigte Staaten
cover recording of:
Scrapple From the Apple (in 1979-10)
Komponist(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Übersetzer:
Harrie Geelen
Teil von:
The Real Book (compilation of jazz standards, volume I)
5:57
A2How Are Things in Glocca Morra
recording engineer:
Hank Cicalo (in 1979-10)
Produzent(in):
Bud Shank
flute:
Bud Shank (in 1979-10)
Klavier:
Bill Mays (in 1979-10)
Rhodes Piano:
Alan Broadbent (in 1979-10)
remixer:
Phil Edwards (recording engineer)
phonographisches Urheberrecht (℗) von:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
aufgenommen bei:
Crimson Sound in Santa Monica, California (Kalifornien), Vereinigte Staaten (in 1979-10)
remixed at:
The Music Annex in Menlo Park, California (Kalifornien), Vereinigte Staaten
recording of:
How Are Things in Glocca Morra? (from "Finian's Rainbow") (in 1979-10)
Texter:
Yip Harburg
Komponist(in):
Burton Lane
publisher:
Chappell & Co., Inc. (USA) und Glocca Morra Music Corp.
Teil von:
Finian’s Rainbow (1947 Broadway musical)
6:51
A3I'll Take Romance
recording engineer:
Hank Cicalo (in 1979-10)
Produzent(in):
Bud Shank
flute:
Bud Shank (in 1979-10)
Klavier:
Alan Broadbent (in 1979-10)
Rhodes Piano:
Bill Mays (in 1979-10)
remixer:
Phil Edwards (recording engineer)
phonographisches Urheberrecht (℗) von:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
aufgenommen bei:
Crimson Sound in Santa Monica, California (Kalifornien), Vereinigte Staaten (in 1979-10)
remixed at:
The Music Annex in Menlo Park, California (Kalifornien), Vereinigte Staaten
recording of:
I’ll Take Romance (in 1979-10)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Ben Oakland
5:46
B1Solar
recording engineer:
Hank Cicalo (in 1979-10)
Produzent(in):
Bud Shank
flute:
Bud Shank (in 1979-10)
Rhodes Piano:
Bill Mays (in 1979-10)
remixer:
Phil Edwards (recording engineer)
Klavier [Fender Rhodes Piano]] arranger:
Alan Broadbent
phonographisches Urheberrecht (℗) von:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
aufgenommen bei:
Crimson Sound in Santa Monica, California (Kalifornien), Vereinigte Staaten (in 1979-10)
remixed at:
The Music Annex in Menlo Park, California (Kalifornien), Vereinigte Staaten
cover recording of:
Solar (in 1979-10)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Prestige Music Co. (US, affiliated with BMI)
6:39
B2Body and Soul
recording engineer:
Hank Cicalo (in 1979-10)
Produzent(in):
Bud Shank
flute:
Bud Shank (in 1979-10)
Klavier:
Alan Broadbent (in 1979-10)
Rhodes Piano:
Bill Mays (in 1979-10)
remixer:
Phil Edwards (recording engineer)
phonographisches Urheberrecht (℗) von:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
aufgenommen bei:
Crimson Sound in Santa Monica, California (Kalifornien), Vereinigte Staaten (in 1979-10)
remixed at:
The Music Annex in Menlo Park, California (Kalifornien), Vereinigte Staaten
recording of:
Body and Soul (in 1979-10)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
7:11
B3On Green Dolphin Street
recording engineer:
Hank Cicalo (in 1979-10)
Produzent(in):
Bud Shank
flute:
Bud Shank (in 1979-10)
Klavier:
Alan Broadbent (in 1979-10)
Rhodes Piano:
Bill Mays (in 1979-10)
remixer:
Phil Edwards (recording engineer)
phonographisches Urheberrecht (℗) von:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
aufgenommen bei:
Crimson Sound in Santa Monica, California (Kalifornien), Vereinigte Staaten (in 1979-10)
remixed at:
The Music Annex in Menlo Park, California (Kalifornien), Vereinigte Staaten
recording of:
On Green Dolphin Street (in 1979-10)
Texter:
Ned Washington (in 1947)
Komponist(in):
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. und Patti Washington Music
8:45

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