Music of the Millennium 2001

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Bohemian Rhapsody
zusätzliches Sound-Engineering:
Gary Lyons (UK engineer & producer)
leitende(r) Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
zusätzliche(r) Techniker(in):
Kris Fredriksson
leitende(r) Produzent(in):
Brian May (Queen guitarist) und Roger Taylor (Queen drummer)
Produzent(in):
Roy Thomas Baker (producer) und Queen (UK rock group)
Bassgitarre:
John Deacon (von 1975-08-24 bis 1975-09-14)
Gitarre:
Brian May (Queen guitarist) (von 1975-08-24 bis 1975-09-14)
gong, Pauke und Schlagzeug:
Roger Taylor (Queen drummer) (von 1975-08-24 bis 1975-09-14)
Klavier und Sologesang und sonstiger Gesang [operatic vocals]:
Freddie Mercury (von 1975-08-24 bis 1975-09-14)
sonstiger Gesang [operatic vocals]:
Brian May (Queen guitarist) (von 1975-08-24 bis 1975-09-14) und Roger Taylor (Queen drummer) (von 1975-08-24 bis 1975-09-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1975, in 2011)
aufgenommen bei:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Vereinigtes Königreich (von 1975-08-24 bis 1975-09-14)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Bohemian Rhapsody von Queen (UK rock group)
Teil von:
SWR1 Hitparade 2006 (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2013 (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2018 (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2019 (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2020 (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2021 (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2023 (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2010 (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2011 (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2012 (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2014 (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2015 (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2016 (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2017 (Baden-Württemberg) (Nummer: 2), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 3), SWR1 Hitparade 2003 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (Nummer: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 14), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 17), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Spotify: Top Hits of 2019 (Nummer: 65) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 163)
recording of:
Bohemian Rhapsody (von 1975-08-24 bis 1975-09-14)
Texter und Komponist(in):
Freddie Mercury
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen4.45:57
2I Shot the Sheriff
assistierende(r) Techniker(in):
Steve Klein (Engineer)
Techniker(in):
Karl Richardson
Produzent(in):
Tom Dowd
E-Bass [Bass]:
Carl Radle (von 1974-04-18 bis 1974-05-10)
elektronische Orgel:
Dick Sims (von 1974-04-18 bis 1974-05-10)
Gitarre:
Eric Clapton (von 1974-04-18 bis 1974-05-10) und George Terry (guitar player with Clapton in 70's) (von 1974-04-18 bis 1974-05-10)
Klavier:
Albhy Galuten (von 1974-04-18 bis 1974-05-10)
Schlagzeug:
Jamie Oldaker (von 1974-04-18 bis 1974-05-10)
Hintergrundgesang:
Yvonne Elliman (von 1974-04-18 bis 1974-05-10) und George Terry (guitar player with Clapton in 70's) (von 1974-04-18 bis 1974-05-10)
Sologesang:
Eric Clapton (von 1974-04-18 bis 1974-05-10)
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1974) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1974)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (von 1974-04-18 bis 1974-05-10)
cover recording of:
I Shot the Sheriff (von 1974-04-18 bis 1974-05-10)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Cayman Music Inc (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music Ltd. (in 1974)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Eric Clapton44:23
3Ebony and Ivory
Assistent recording engineer:
Mike Stavrou (producer/engineer) (von 1981-02-28 bis 1981-10)
recording engineer:
Geoff Emerick (British recording engineer) (von 1981-02-28 bis 1981-10)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistierende(r) Mix:
Jon Jacobs (UK producer/engineer) (am 1982-01-19)
Mix:
Geoff Emerick (British recording engineer) (am 1982-01-19)
E-Bass, Gitarre, Klavier und Vocoder:
Paul McCartney (The Beatles) (von 1981-02-28 bis 1981-10)
Hybrid-Piano und Schlagzeug:
Stevie Wonder (von 1981-02-28 bis 1981-10)
Perkussion, Synthesizer und Hintergrundgesang und Sologesang:
Paul McCartney (The Beatles) (von 1981-02-28 bis 1981-10) und Stevie Wonder (von 1981-02-28 bis 1981-10)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Paul McCartney (The Beatles)
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1982)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat (am 1981-02-28), Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (am 1981-03-30) und Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich (in 1981-10)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (am 1982-01-19)
recording of:
Ebony and Ivory (von 1981-02-28 bis 1981-10)
Texter und Komponist(in):
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Parodieversion von:
Curdled Milk and Boot Polish
Paul McCartney & Stevie Wonder3.23:43
4Purple Haze
Techniker(in):
Dave Siddle (De Lane Lea) (engineer) (am 1967-01-11) und Eddie Kramer (Olympic) (engineer) (am 1967-02-03)
Produzent(in):
Chas Chandler
E-Bass und Hintergrundgesang:
Noel Redding (von 1967-01-11 bis 1967-02-03)
E-Gitarre und Sologesang:
Jimi Hendrix (von 1967-01-11 bis 1967-02-03)
Schlagzeug:
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (von 1967-01-11 bis 1967-02-03)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1968) und Experience Hendrix, L.L.C. (in 2010)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-01-11) und Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (am 1967-02-03, von 1967-02-03 bis 1967-02-08)
produced at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (am 1967-01-11)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 17) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 250)
recording of:
Purple Haze (von 1967-01-11 bis 1967-02-03)
Texter und Komponist(in):
Jimi Hendrix
publisher:
Bella Godiva Music, Chappell Music (UK), Chappell Musikverlag GmbH, Experience Hendrix, L.L.C., Interworld Music Ltd., Sea-Lark Enterprises, Inc. und Yameta Co. Ltd.
quotes music from:
The Ballad of Jimi Hendrix
Jimi Hendrix4.22:51
51999
recording engineer:
Peggy McCreary (von 1982-07 bis 1982-08)
Produzent(in):
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
Becken, cowbell, drum machine [Linn LM-1], E-Bass, E-Gitarre, elektronisches Schlagzeug / E-Drums [Pearl SY-1 Syncussion], Händeklatschen, Synthesizer [ARP Omni-2], Synthesizer [Oberheim OB-Xa] und Tamburin:
Prince (“The Artist Formerly Known as…”) (von 1982-07 bis 1982-08)
Hintergrundgesang:
Jesse Johnson (original guitarist for The Time) (von 1982-07 bis 1982-08)
Sologesang:
Lisa Coleman (US pianist/keyboardist & composer) (von 1982-07 bis 1982-08), Dez Dickerson (von 1982-07 bis 1982-08), Jill Jones (American singer, songwriter, and actress) (von 1982-07 bis 1982-08) und Prince (“The Artist Formerly Known as…”) (von 1982-07 bis 1982-08)
arranger:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
Bearbeitung von:
1999 (album version) von Prince (“The Artist Formerly Known as…”)
Musikvideos:
1999 von Prince (“The Artist Formerly Known as…”)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 212) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 339)
recording of:
1999 (von 1982-07 bis 1982-08)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Prince43:37
6Jamming
assistierende(r) Techniker(in):
Terry Barham und Guy Bidmead
Techniker(in):
Karl Pitterson
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett, Chris Blackwell (Island Records) und Karl Pitterson
Akustikgitarre:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
Bass:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04)
Gitarre:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04) und Junior Marvin (von 1977-01 bis 1977-04)
Keyboard:
Tyrone Downie (von 1977-01 bis 1977-04)
Perkussion:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04), Carlton Barrett (von 1977-01 bis 1977-04), Tyrone Downie (von 1977-01 bis 1977-04), Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04) und Alvin “Seeco” Patterson (von 1977-01 bis 1977-04)
Schlagzeug:
Carlton Barrett (von 1977-01 bis 1977-04)
Hintergrundgesang:
Tyrone Downie (von 1977-01 bis 1977-04), Marcia Griffiths (reggae singer from Jamaica) (von 1977-01 bis 1977-04), Rita Marley (von 1977-01 bis 1977-04) und Judy Mowatt (von 1977-01 bis 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1977) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1977-03 bis 1977-04)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 177)
recording of:
Jamming (von 1977-01 bis 1977-04)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) und Odnil Music Ltd. (in 1977)
Bob Marley & The Wailers43:32
7Englishman in New York
assistierende(r) Produzent(in):
Ken Blair (British engineer) und Dave O’Donnell
Produzent(in):
Neil Dorfsman und Sting (singer, songwriter & member of The Police)
assistierende(r) Mix:
Mark McKenna (engineer) und Bob Vogt
Mix:
Neil Dorfsman und Hugh Padgham
Sologesang:
Sting (singer, songwriter & member of The Police)
arranger:
Sting (singer, songwriter & member of The Police)
phonographisches Urheberrecht (℗) von:
A&M Records Inc. Los Angeles (in 1987, in 1997)
aufgenommen bei:
Air Studios, Montserrat in Saint Peter, Montserrat
Musikvideos:
Englishman in New York von Sting (singer, songwriter & member of The Police)
recording of:
Englishman in New York
Texter und Verfasser(in):
Gordon Matthew Sumner (singer, songwriter & member of The Police)
publisher:
Magnetic Publishing Ltd. und Songs of Universal, Inc. (BMI)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sting44:28
8Pinball Wizard
recorded in:
England, Vereinigtes Königreich
Techniker(in):
Damon Lyon-Shaw
leitende(r) Produzent(in):
Chris Stamp
Produzent(in):
Kit Lambert
Gitarre:
Pete Townshend (of The Who) (am 1969-02-07)
Sologesang:
Roger Daltrey (am 1969-02-07) und Pete Townshend (of The Who) (am 1969-02-07)
Interpret(in):
The Who
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1969) und Track Records Production (in 1969)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich und Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (am 1969-02-07)
recording of:
Pinball Wizard (am 1969-02-07)
Texter:
Pete Townshend (of The Who)
Komponist(in):
Pete Townshend (of The Who) (in 1969)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Eel Pie Publishing Ltd., Fabulous Music, Ltd. (this is a publisher, not an imprint!) und Towser Tunes, Inc.
The Who4.353:01
9Fly Away
Programmierung:
Lenny Kravitz, Terry Manning (US recording engineer), Matthew Knobel und Eric Rehl
Techniker(in) und Mix:
Terry Manning (US recording engineer)
Produzent(in):
Lenny Kravitz
Bass, Gitarre, Schlagzeug, Hintergrundgesang und Sologesang:
Lenny Kravitz
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1998), Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1998), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Fly Away
Texter und Komponist(in):
Lenny Kravitz
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Miss Bessie Music und Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”)
Lenny Kravitz43:38
10Mrs. Robinson
recording engineer:
Roy Halee (am 1968-02-02)
assistierende(r) Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Produzent(in):
Art Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Gitarre:
Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1968-02-02)
vocals:
Art Garfunkel (am 1968-02-02) und Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 270)
recording of:
Mrs. Robinson (am 1968-02-02)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:04
11That’s the Way Love Goeds
recording engineer:
Steve Hodge (engineer and producer)
Produzent(in):
Janet Jackson und Jimmy Jam & Terry Lewis
Mix:
Dave Rideau (engineer) und Steve Hodge (engineer and producer)
Hintergrundgesang und Sologesang:
Janet Jackson
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1993) und Virgin Records Inc. (in 2018)
Samples:
Impeach the President von The Honey Drippers (70s US funk band, backing band for Roy C. Hammond) und Papa Don’t Take No Mess von James Brown (The Godfather of Soul)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 216)
recording of:
That’s the Way Love Goes
Verfasser(in):
Charles Bobbitt, James Brown (The Godfather of Soul), Janet Jackson, James Harris (James Harris of Jam & Lewis), Terry Lewis (US hip-hop/soul songwriter, producer & label owner), John Starks und Fred Wesley
publisher:
Black Ice Publishing, Dynatone Publishing Co. und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 大洋音楽 (Taiyō Music)
Janet Jackson3.64:26
12Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:00
13Cigarettes & Alcohol
Techniker(in):
Mark Coyle, Anjali Dutt, Dave Scott (UK sound mixer & engineer) und Roy Spong
Produzent(in):
Mark Coyle und Oasis (Noel & Liam Gallagher)
zusätzliche(r) Produzent(in):
Owen Morris
Mix:
Owen Morris
Bassgitarre:
Paul McGuigan (Oasis)
E-Gitarre und Hintergrundgesang:
Noel Gallagher
Gitarre:
Paul Arthurs ("Bonehead", Oasis) und Noel Gallagher
Schlagzeug:
Tony McCarroll
vocals:
Liam Gallagher (English musician, lead singer of Oasis)
Musikvideos:
Cigarettes & Alcohol von Oasis (Noel & Liam Gallagher)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 31)
recording of:
Cigarettes & Alcohol
Texter und Komponist(in):
Noel Gallagher
Oasis3.64:50
14Invisible Touch
assistierende(r) Techniker(in):
Paul Gomersall
Techniker(in):
Hugh Padgham
Produzent(in):
Genesis (English rock band) und Hugh Padgham
Bass und Gitarre:
Mike Rutherford (von 1985-10 bis 1986-02)
Bass-Synthesizer und Keyboard:
Tony Banks (Genesis) (von 1985-10 bis 1986-02)
Perkussion, Schlagzeug und Sologesang:
Phil Collins (of Genesis) (von 1985-10 bis 1986-02)
phonographisches Urheberrecht (℗) von:
Charisma Records Ltd.
aufgenommen bei und mixed at:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich (von 1985-10 bis 1986-02)
recording of:
Invisible Touch (von 1985-10 bis 1986-02)
Texter:
Phil Collins (of Genesis)
Komponist(in):
Tony Banks (Genesis), Phil Collins (of Genesis) und Mike Rutherford
publisher:
Anthony Banks Ltd., Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd. und Philip Collins Ltd.
geschrieben bei:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich
Genesis3.153:28
15Let’s Get It On
Produzent(in):
Marvin Gaye und Ed Townsend
Perkussion:
Emil Richards
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label), Motown Record Corp. (company credits only; do NOT use as release label) (in 1973) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
Remix von:
Let’s Get It On (album version) von Marvin Gaye
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 46)
recording of:
Let’s Get It On
Verfasser(in):
Marvin Gaye und Ed Townsend
publisher:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und Stone Diamond Music Corporation
Marvin Gaye3.54:03
16Up-Tight (Everithing’s Alright)
Produzent(in):
Henry Cosby und William Stevenson (Motown songwriter)
Sologesang:
Stevie Wonder (in 1965)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1965)
recording of:
Uptight (Everything’s Alright) (in 1965)
Texter und Komponist(in):
Henry Cosby, Sylvia Moy und Stevie Wonder
publisher:
EMI April Music Inc., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music und Stone Agate Music
Stevie Wonder4.72:53
17What’s Love Got to Do With It
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith und Billy Livsey
Perkussion:
Simon Morton
Schlagzeug:
Graham Jarvis (UK session drummer)
Hintergrundgesang:
Terry Britten und Tessa Niles
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 160) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 309)
recording of:
What’s Love Got to Do With It
Verfasser(in):
Graham Lyle und Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (von 1984 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
recording of:
What’s Love Got to Do With It (Kygo version)
Verfasser(in):
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) und Graham Lyle
publisher:
Kobalt Music (publisher) (vom 2020 bis heute) und WC Music Corp. (vom 2020 bis heute)
basiert auf:
What’s Love Got to Do With It
Tina Turner4.153:50
18Ben
Produzent(in):
The Corporation (Motown songwriters)
Sologesang:
Michael Jackson (“King of Pop”) (in 1972)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label)
recording of:
Ben (in 1972)
Texter:
Don Black (English lyricist)
Komponist(in):
Walter Scharf
publisher:
Jobette Music (in 1972)
Teil von:
The 45th Academy Award for Best Original Song (Nummer: 2)
Michael Jackson3.852:44
19Return to Innocence
Techniker(in) und Produzent(in):
Michael Cretu (Romanian-born German musician, composer and record producer)
zusätzlich vocals:
Angel X
recording of:
Return to Innocence
Texter und Komponist(in):
Michael Cretu (Romanian-born German musician, composer and record producer)
Enigma4.354:09
20Go West
Programmierung:
Pete Gleadall
Techniker(in):
Pete Gleadall und Bob Kraushaar
Produzent(in):
Brothers in Rhythm
zusätzliche(r) Produzent(in):
Brothers in Rhythm
Mix:
Mike “Spike” Drake und Stephen Hague
Sologesang:
Neil Tennant
remixer:
Brothers in Rhythm und Stephen Hague
phonographisches Urheberrecht (℗) von:
Pet Shop Boys Partnership Ltd. (in 1993)
cover recording of:
Go West
Texter:
Henri Belolo und Victor Willis (member of the Village People)
Komponist(in):
Jacques Morali
publisher:
EMI Music (do not use as release label! this is a music publisher), Leosong Copyright Service Ltd., Scorpio Music (work publisher of "Scorpio Music") und Zomba Management and Publishers Ltd.
Version von:
À l'ouest
Pet Shop Boys4.25:02
2▼CD
Nr.TitelKünstlerBewertungLänge
1Woman
Techniker(in):
Lee DeCarlo
Produzent(in):
Jack Douglas, John Lennon (The Beatles) und Yoko Ono (Japanese‐American musician and artist)
Sologesang:
John Lennon (The Beatles)
phonographisches Urheberrecht (℗) von:
The David Geffen Company (legal rights relating to Geffen Records) (in 1980) und Calderstone Productions Limited (in 2016)
Musikvideos:
Woman von John Lennon (The Beatles)
recording of:
Woman
Texter und Komponist(in):
John Lennon (The Beatles)
publisher:
Geffen/Kaye Music, Lenono Music und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
John Lennon43:34
2Miss You
recording engineer und Mix:
Chris Kimsey
Produzent(in):
The Glimmer Twins (production name for Mick Jagger & Keith Richards)
Bassgitarre und E-Bass [bass guitar]:
Bill Wyman
E-Gitarre und Hintergrundgesang:
Mick Jagger (The Rolling Stones), Keith Richards (Rolling Stones guitarist) und Ron Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Gast-Hybrid-Piano:
Ian “Mac” McLagan
Gast-Mundharmonika [harp]:
Sugar Blue
Gast-Saxophon:
Mel Collins
Schlagzeug:
Charlie Watts (drummer in The Rolling Stones)
Sologesang:
Mick Jagger (The Rolling Stones)
phonographisches Urheberrecht (℗) von:
Promotone B.V. (not for release label use!) (in 2012)
aufgenommen bei:
Pathé Marconi Studios (Boulogne-Billancourt) in Boulogne-Billancourt, Hauts-de-Seine, Île-de-France, Frankreich (von 1977-10 bis 1977-12)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-03 bis 1978-04)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 245) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 496)
recording of:
Miss You
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
The Rolling Stones4.14:49
3Every Breath You Take
Techniker(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und The Police (British rock band)
E-Bass und Sologesang:
Sting (singer, songwriter & member of The Police) (in 1983)
E-Gitarre:
Andy Summers (in 1983)
Schlagzeug:
Stewart Copeland (drummer, percussionist, pianist and composer) (in 1983)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1983) und A&M Records, Inc. (in 1997)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1983) und Le Studio in Morin‐Heights, Québec (Quebec), Kanada (in 1983)
Musikvideos:
Every Breath You Take von The Police (British rock band)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 35), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 84), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 287) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 305)
recording of:
Every Breath You Take (in 1983)
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI) und Virgin Music (Publishers) Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Police4.054:13
4Another Brick in the Wall
Techniker(in):
Brian Christian, Nick Griffiths (engineer), James Guthrie, Rick Hart (engineer), John McClure (recording engineer and record producer) und Patrice Quef
Koproduzent(in):
James Guthrie
Produzent(in):
Bob Ezrin, David Gilmour (Pink Floyd) und Roger Waters
Bassgitarre:
Roger Waters (in 1979)
E-Bass:
Roger Waters
Gitarre:
David Gilmour (Pink Floyd) (in 1979)
Hammond-Orgel und Synthesizer [Prophet-5 synthesizer]:
Richard Wright (Pink Floyd keyboardist) (in 1979)
Orgel und Synthesizer:
Richard Wright (Pink Floyd keyboardist)
Schlagzeug:
Nick Mason (of Pink Floyd) (in 1979)
Chorgesang:
Children of Islington Green School
Sologesang:
David Gilmour (Pink Floyd) (in 1979) und Roger Waters (in 1979)
vocals:
Children of Islington Green School und Richard Wright (Pink Floyd keyboardist) (in 1979)
chorus master:
Noël Davies (UK conductor and leader of Pontarddulais Male Choir)
arranger:
Bob Ezrin und Michael Kamen (American score composer)
phonographisches Urheberrecht (℗) von:
Pink Floyd Music Ltd. (in 1979) und Pink Floyd Music (1987) Ltd. (in 2011)
aufgenommen bei:
Britannia Row Studios (first location, 1975–1995 Islington) in Islington, London (Greater London), England, Vereinigtes Königreich (in 1979), Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979) und Super Bear Studios in Berre-les-Alpes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, Frankreich (in 1979)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979)
recording of:
Another Brick in the Wall, Part 2 (in 1979)
Texter und Komponist(in):
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Chappell Music Ltd., Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd (Artemis BV), Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) und Pink Floyd Music Publishers Inc. (in 1979)
Teil von:
Another Brick in the Wall
Pink Floyd3.83:53
5Goodbye Yellow Brick Road
Techniker(in):
David Hentschel
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray (in 1973-05)
E-Gitarre:
Davey Johnstone (in 1973-05)
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
Schlagzeug:
Nigel Olsson (in 1973-05)
Hintergrundgesang:
Davey Johnstone (in 1973-05), Dee Murray (in 1973-05) und Nigel Olsson (in 1973-05)
Orchestrator(in):
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1973)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich (in 1973-05)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 380)
recording of:
Goodbye Yellow Brick Road (in 1973-05)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.653:14
6Pride (In the Name of Love)
assistierende(r) Techniker(in):
Randy Ezratty (engineer)
Techniker(in) und Produzent(in):
Brian Eno und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
zusätzliche(r) Techniker(in):
Kevin Killen
Sologesang:
Bono (singer of U2)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1984)
Musikvideos:
Pride (In the Name of Love) von U2 (Irish rock band), Pride (In the Name of Love) - sepia version von U2 (Irish rock band) und Pride (In the Name of Love) (Slane Castle version) von U2 (Irish rock band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 38) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 378)
recording of:
Pride (In the Name of Love)
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) und Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
U24.053:49
7Starman
Sound-Engineering:
Dennis MacKay (70s–present UK producer/engineer)
Produzent(in):
David Bowie (English singer‐songwriter) und Ken Scott (UK record producer & engineer)
Akustikgitarre, E-Gitarre, Klavier und Hintergrundgesang:
Mick Ronson (British guitarist) (am 1972-02-04)
Bassgitarre:
Trevor Bolder (British bassist) (am 1972-02-04)
Händeklatschen, zwölfsaitige Gitarre und Sologesang:
David Bowie (English singer‐songwriter) (am 1972-02-04)
Schlagzeug:
Mick Woodmansey (British drummer) (am 1972-02-04)
arranger:
David Bowie (English singer‐songwriter) und Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972), Jones Music (publishers associated with David Bowie) (in 1990) und Mainman S.A. (not for release label use! © & ℗ rights use only) (in 1990)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1972-02-04)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Starman (am 1972-02-04)
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, BMG Rights Management (UK) Limited (not for release label use! see annotation), Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Tintoretto Music
David Bowie4.44:17
8Chiquitita
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Banjo:
Björn Ulvaeus (am 1978-12-13)
Bassgitarre:
Rutger Gunnarsson (am 1978-12-13)
Gitarre:
Björn Ulvaeus (am 1978-12-13) und Lasse Wellander (am 1978-12-13, am 1978-12-14)
Keyboard und Synthesizer:
Benny Andersson (ABBA) (am 1978-12-13)
Schlagzeug:
Ola Brunkert (am 1978-12-13)
Sologesang:
Agnetha Fältskog (am 1978-12-13)
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1979)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1978-12-13, am 1978-12-14)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
Chiquitita (von 1978-12-13 bis 1978-12-14)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
UNICEF Music Project (beendet), Bocu Music Ltd., Music For Unicef und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Mamma Mia! (1999 musical)
ABBA3.455:26
9ABC
Produzent(in):
The Corporation (Motown songwriters)
E-Bass:
Wilton Felder (in 1970-01) und Bob West (US session bassist, producer & songwriter) (in 1970-01)
Gitarre:
Don Peake (in 1970-01), Louis Shelton (in 1970-01) und David T. Walker (in 1970-01)
Keyboard:
Freddie Perren (in 1970-01)
Schlagzeug:
Gene Pello (in 1970-01)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Marlon Jackson (in 1970-01) und Tito Jackson (in 1970-01)
Hintergrundgesang und Sologesang:
Michael Jackson (“King of Pop”) (in 1970-01)
Sologesang:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01) und Tito Jackson (in 1970-01)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1970-01)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 174)
recording of:
ABC (in 1970-01)
Verfasser(in):
Berry Gordy, Fonce Mizell, Freddie Perren und Deke Richards (American songwriter and record producer)
Komponist(in):
Erik Huber (audio engineer, producer, composer)
publisher:
Jobete Music Co., Inc.
sub-publisher:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Teil von:
MJ: The Musical
The Jackson 54.12:57
10I Was Born to Love You
Schlagzeug-Programmierung und Synthesizer-Programmierung:
Mack (German rock producer/engineer Reinhold Mack) und Stephan Wissnet
assistierende(r) Techniker(in):
Stephan Wissnet
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack) und Freddie Mercury
Bassgitarre:
Stephan Wissnet
Gitarre:
Paul Vincent
Klavier und Synthesizer:
Freddie Mercury
Schlagzeug:
Curt Cress
zusätzlich Gitarre, zusätzlich Klavier und zusätzlich Synthesizer:
Fred Mandel
vocals:
Freddie Mercury
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985), Mighty Tape Ltd. (in 2000) und Raincloud Productions Ltd. (in 2016)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland
recording of:
I Was Born to Love You
Texter und Komponist(in):
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Mercury Songs Ltd. (copyright holders, publishing company of Freddie Mercury), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Freddie Mercury3.153:40
11My Love
Assistent recording engineer:
Mark Vigars (engineer) (von 1973-01-25 bis 1973-01-27)
recording engineer:
Richard Lush (von 1973-01-25 bis 1973-01-27)
Produzent(in):
Paul McCartney (The Beatles) (von 1973-01-25 bis 1973-01-27)
Mix:
Richard Lush (am 1973-01-27)
Bassgitarre:
Denny Laine (von 1973-01-25 bis 1973-01-27)
E-Gitarre:
Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (von 1973-01-25 bis 1973-01-27)
Hybrid-Piano und Sologesang:
Paul McCartney (The Beatles) (von 1973-01-25 bis 1973-01-27)
Schlagzeug:
Denny Seiwell (US drummer) (von 1973-01-25 bis 1973-01-27)
Hintergrundgesang:
Denny Laine (von 1973-01-25 bis 1973-01-27) und Linda McCartney (von 1973-01-25 bis 1973-01-27)
Orchestrator(in):
Richard Hewson
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1993, in 2001) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1993, in 2001)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-01-25 bis 1973-01-26)
zusätzlich aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1973-01-27)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1973-01-27)
recording of:
My Love (von 1973-01-25 bis 1973-01-27)
Verfasser(in):
Linda McCartney und Paul McCartney (The Beatles)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Paul McCartney3.94:08
12I’ll Make Love to You
Schlagzeug-Programmierung:
Rayford Griffin
assistierende(r) Techniker(in):
David Betancourt (engineer), Milton Chan (Recording Engineer), Marty Hornburg und Jamie Seyberth
Techniker(in):
Brad Gilderman
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Mix:
Mick Guzauski
Bass:
Reggie Hamilton
Synthesizer:
Babyface (R&B musician Kenny Edmonds)
produced for:
ECAF Productions, Inc.
aufgenommen bei:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Enterprise (aka Enterprise Studios) in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 185)
recording of:
I’ll Make Love to You
Texter und Komponist(in):
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men4.653:58
13Hot Staff
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
recording of:
Hot Stuff
Verfasser(in):
Pete Bellotte (English lyricist and producer), Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer33:51
14Addicted to Love
Techniker(in):
Jason Corsaro (U.S. music engineer, and record producer)
Produzent(in):
Bernard Edwards (American bassist and record producer)
Mix:
Eric "E.T." Thorngren
Bassgitarre:
Bernard Edwards (American bassist and record producer)
Gitarre:
Andy Taylor (of Duran Duran)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC)
Hintergrundgesang:
Benny Diggs und Fonzi Thornton
vocals arranger:
Chaka Khan
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1985) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985)
recording of:
Addicted to Love
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) und WC Music Corp.
Robert Palmer44:26
15Chain Reaction
assistierende(r) Techniker(in):
Scott Glasel und John Haig (engineer)
Techniker(in):
Jack Joseph‐Puig, Karl Richardson und Brian Tench
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
Mix:
Jack Joseph‐Puig
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1985), Maurice Gibb (in 1985) und Robin Gibb (in 1985)
aufgenommen bei:
Middle Ear Studio in Miami Beach, Florida, Vereinigte Staaten
recording of:
Chain Reaction
Komponist(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music Publishing Ltd. und Gibb Brothers Music
Diana Ross4.253:48
16Do You Really Want to Hurt Me
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in) und Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
Gitarre, Hybrid-Piano und Synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
Schlagzeug und Vibraphon:
Jon Moss
Synclavier:
Keith Miller (Synthesiser Pioneer)
Sologesang:
Boy George
zusätzlich vocals:
Helen Terry (UK singer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1982)
Musikvideos:
Do You Really Want to Hurt Me von Culture Club (English pop group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 58)
recording of:
Do You Really Want to Hurt Me
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd.
Culture Club3.954:24
17(Sittin’ on) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
Komponist(in):
Steve Cropper und Otis Redding
arranger:
Oliver Lake
Arrangement von:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:40
18(Get Up I Feel Being a) Sex Machine
Produzent(in):
James Brown (The Godfather of Soul)
Bassgitarre:
Bootsy Collins (US funk musician & songwriter)
Gitarre:
Catfish Collins
Klavier:
James Brown (The Godfather of Soul)
Orgel:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
Schlagzeug:
John Starks
Tenorsaxophon:
Robert McCollough
Trompete:
Clayton Gunnells und Darryl Hassan Jamison
Sologesang:
James Brown (The Godfather of Soul) (am 1970-04-25)
vocals:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
Interpret(in):
The J.B.’s
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1970)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 196) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 326)
recording of:
Get Up (I Feel Like Being Like a) Sex Machine (am 1970-04-25)
Verfasser(in):
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) und Ron Lenhoff
publisher:
Dynatone Publishing Co. und Intersong Music Ltd.
James Brown45:05
19Song 2
Techniker(in):
John Smith (UK producer/engineer)
Produzent(in):
Stephen Street (famous producer, songwriter)
Akustikgitarre:
Damon Albarn und Graham Coxon
Bassgitarre:
Alex James (UK bassist for Blur/Fat Les)
E-Gitarre, Theremin und Hintergrundgesang:
Graham Coxon
Hammond-Orgel, Keyboard, Klavier und Sologesang:
Damon Albarn
Perkussion:
Dave Rowntree
Schlagzeug:
Graham Coxon und Dave Rowntree
Herausgeber:
EMI Music Publishing Ltd. (PRS‐affiliated)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
Musikvideos:
Song 2 (music video) von Blur (UK alternative rock band)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 8), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 15), Indie 88: Top 500 Indie Rock Songs (Nummer: 57) und BILLIONS CLUB
recording of:
Song 2
Texter:
Damon Albarn
Komponist(in):
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) und Dave Rowntree
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Wixen Music UK Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
sub-publisher:
EMI Music Publishing Hong Kong (division of EMI Music Publishing Group Hong Kong Ltd. that existed as early as 2000), FujiPacific Music (S.E. Asia) Ltd., 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch) und 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Blur4.252:01
20Can’t Help Fallin in Love
cover recording of:
Can’t Help Falling in Love
Verfasser(in):
Luigi Creatore, Hugo Peretti und George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (publisher), Luigi Creatore Music (ASCAP) und The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (beendet), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Plaisir d’amour (Romance du chevrier)
recording of:
Can’t Help Falling in Love
Verfasser(in):
Luigi Creatore, Hugo Peretti und George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (publisher), Luigi Creatore Music (ASCAP) und The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (beendet), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Plaisir d’amour (Romance du chevrier)
UB403.253:23

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Veröffentlichung

ASIN:JP: B00005QCG2 [Info]