Classic Love Songs

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

| |
1CD
#TitoloArtistaValutazioneDurata
1(I Can’t Help) Falling in Love With You
registrazione cover di:
Can’t Help Falling in Love
autore:
Luigi Creatore, Hugo Peretti e George David Weiss
editore:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (publisher), Luigi Creatore Music (ASCAP) e The Manor Music Co. Ltd.
sub-editore:
日音 (NICHION INC.) (conclusa), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Plaisir d’amour (Romance du chevrier)
registrazione di:
Can’t Help Falling in Love
autore:
Luigi Creatore, Hugo Peretti e George David Weiss
editore:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (publisher), Luigi Creatore Music (ASCAP) e The Manor Music Co. Ltd.
sub-editore:
日音 (NICHION INC.) (conclusa), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Plaisir d’amour (Romance du chevrier)
UB403.25?:??
2Come Away With Me
registrazione di:
Come Away With Me
paroliere e compositore:
Norah Jones
Norah Jones?:??
3Your Song
tecnico:
Robin Geoffrey Cable
produttore:
Gus Dudgeon
batteria :
Barry Morgan (English drummer)
chitarra :
Colin Green
chitarra a 12 corde :
Clive Hicks
chitarra acustica :
Frank Clark (Guitar/bassist)
chitarra basso :
Dave Richmond
pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
direttore d'orchestra:
Paul Buckmaster
arrangiatore:
Paul Buckmaster
diritti fonografici (℗) detenuti da:
This Record Co. Ltd. (copyright holder)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 54), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 136) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 202)
registrazione di:
Your Song
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (conclusa), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.75?:??
4You Are So Beautiful
registrazione di:
You Are So Beautiful
autore:
Bruce Fisher e Billy Preston
editore:
Almo Music Corporation (USA, affiliated with ASCAP) e Preston Songs (ASCAP)
sub-editore:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker?:??
5Endless Love
tecnico di registrazione:
Reggie Dozier
produttore:
Lionel Richie
tecnico di missaggio:
Guy Costa
esecutore ospite aggiunto:
Diana Ross
arrangiatore:
Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1981)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 20)
registrazione di:
Endless Love
paroliere e compositore:
Lionel Richie
editore:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) e Warner/Chappell North America
parte di:
The 54th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1981 nominee)
Lionel Richie3.5?:??
6The Glory of Love
registrazione di:
The Glory of Love
paroliere e compositore:
Billy Hill (US songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Otis Redding1?:??
7Almaz
registrazione di:
Almaz
orchestratore:
Wil Malone
autore:
Randy Crawford (US jazz/R&B singer Veronica Crawford)
Randy Crawford?:??
8Got to Be There
produttore:
Hal Davis
voce principale:
Michael Jackson (“King of Pop”) (dal 1970-06 al 1970-07)
arrangiatore:
Dave Blumberg
registrazione di:
Got to Be There (dal 1971-06 al 1971-07)
paroliere e compositore:
Elliot Willensky
arrangiatore voci:
Willie Hutch
Michael Jackson3?:??
9Goodbye My LoverJames Blunt5?:??
10Just the Two of Us
produttore:
Ralph MacDonald e Grover Washington, Jr.
basso elettrico :
Marcus Miller (jazz musician) (dal 1980-06 al 1980-07)
batteria :
Steve Gadd (drummer) (dal 1980-06 al 1980-07)
chitarra elettrica :
Eric Gale (dal 1980-06 al 1980-07)
percussione :
Ralph MacDonald (dal 1980-06 al 1980-07)
piano Rhodes :
Richard Tee (dal 1980-06 al 1980-07)
sassofono :
Grover Washington, Jr. (dal 1980-06 al 1980-07)
voce principale:
Bill Withers (dal 1980-06 al 1980-07)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1980), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1980) e Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1980)
edit di:
Just the Two of Us (original studio mix) di Bill Withers & Grover Washington, Jr.
registrazione di:
Just the Two of Us (Bill Withers song) (dal 1980-06 al 1980-07)
autore:
Ralph MacDonald, William Salter (songwriter, bassist, producer) e Bill Withers
editore:
Antisia Music Inc. e Bleunig Music
Bill Withers & Grover Washington, Jr.2.65?:??
11Don’t Let Go (Love)
En Vogue?:??
12Everywhere
programmazione:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987)
produttore:
Lindsey Buckingham (guitarist, singer, songwriter and producer) e Richard Dashut
basso elettrico :
John McVie (nel 1987)
batteria e percussione :
Mick Fleetwood (nel 1987)
campionatore [Fairlight CMI] e chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987)
tastiera :
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987) e Christine McVie (nel 1987)
voce di accompagnamento:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (nel 1987), Christine McVie (nel 1987) e Stevie Nicks (nel 1987)
voce principale:
Christine McVie (nel 1987)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1987) e Warner Music International (trademark of Warner Music International the company) (nel 1988)
registrazione di:
Everywhere (nel 1987)
paroliere e compositore:
Christine McVie
editore:
Bright Music Ltd. (publisher)
Fleetwood Mac4?:??
13Waiting for a Girl Like You
registrazione di:
Waiting for a Girl Like You
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), Evansongs Ltd. (publisher) (nel 1981), Somerset Songs Publishing Inc. (nel 1981) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner?:??
14Don’t You (Forget About Me)
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Jez Coad
esecutore:
Simple Minds (Scottish rock band) (il 1984-07-10)
diritti fonografici (℗) detenuti da:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 25) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 340)
registrazione di:
Don’t You (Forget About Me) (il 1984-07-10)
autore:
Keith Forsey (drummer, producer and songwriter) e Steve Schiff
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. e Universal Music (plain logo: “Universal Music”)
Simple Minds4.25?:??
15In Your Eyes
tecnico di registrazione e programmazione:
Martin Harrington, Ash Howes (British mixer, writer and musician) e Alvin Sweeney
produttore:
Julian Gallagher (songwriter, producer) e Richard “Biff” Stannard
tecnico di missaggio:
Ash Howes (British mixer, writer and musician)
chitarra :
Martin Harrington
chitarra basso :
Steve Lewinson
tastiera :
Julian Gallagher (songwriter, producer)
voce di accompagnamento:
Kylie Minogue e Richard “Biff” Stannard
voce principale:
Kylie Minogue
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2001)
mixata presso:
Biffco Studios (Dublin) in Dublin, County Dublin, Leinster, Irlanda
registrazione di:
In Your Eyes
autore:
Julian Gallagher (songwriter, producer), Ash Howes (British mixer, writer and musician), Kylie Minogue e Richard “Biff” Stannard
editore:
Biffco Music, EMI Music Publishing (do not use as a release label!), Mushroom Music International e Sony Music Publishing (1995–2020)
Kylie Minogue3.9?:??
16Thieves Like Us
registrazione di:
Thieves Like Us
autore:
Arthur Baker (American record producer and DJ), Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Shakin’ Baker Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e WB Music Corp. (1929–2019)
New Order?:??
17Spoons
diritti fonografici (℗) detenuti da:
Black Butter Records (nel 2013)
supporto a vario titolo:
Warner Music UK Ltd. (not for release label use!) (incarico: under exclusive licence to)
registrazione di:
Spoons
autore:
Piers Aggett, Amir Amor, Kesi Dryden e Uzoechi Osisioma Emenike
Rudimental feat. MNEK & Syron2.5?:??
18Retrograde
tecnico, produttore e tecnico di missaggio:
James Blake (English singer and producer)
strumenti e voce:
James Blake (English singer and producer)
video musicali:
Retrograde di James Blake (English singer and producer)
versioni a cappella:
Retrograde di The Beelzebubs (Tufts University all-male a cappella group)
parte di:
Stereogum: The 200 Best Songs of the 2010s (numero: 67)
registrazione di:
Retrograde
compositore:
James Blake (English singer and producer)
James Blake3.5?:??
2CD
#TitoloArtistaValutazioneDurata
1I’m in Love
tecnico:
Phil Ramone
produttore:
Aretha Franklin, Arif Mardin e Jerry Wexler
tecnico di missaggio:
Arif Mardin
basso :
Stanley Clarke (il 1973-04-10)
batteria :
Rick Marotta (US drummer/percussionist) (il 1973-04-10)
chitarra :
Cornell Dupree (il 1973-04-10) e David Spinozza (il 1973-04-10)
percussione :
Ralph MacDonald (il 1973-04-10)
pianoforte :
Donny Hathaway (il 1973-04-10)
voce di accompagnamento:
Judy Clay (American soul and gospel singer) (il 1973-04-10), Gwen Guthrie (US singer, songwriter & pianist) (il 1973-04-10), Cissy Houston (il 1973-04-10) e Deidre Tuck (il 1973-04-10)
voce principale:
Aretha Franklin (il 1973-04-10)
arrangiatore:
William Eaton (US producer & arranger)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1974)
registrata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti (il 1973-04-10)
registrazione cover di:
I’m in Love (il 1973-04-10)
paroliere e compositore:
Bobby Womack
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Pronto Music (publisher) e Tracebob Music Co.
Aretha Franklin?:??
2You’re the First, the Last, My EverythingBarry White4.45?:??
3Just Kissed My Baby
The Meters?:??
4Teardrops
registrazione di:
Teardrops
autore:
Cecil Womack e Linda Womack
editore:
Zomba Music Publishing Ltd. e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1988)
Womack & Womack?:??
5Lovefool
tecnico e produttore:
Tore Johansson
batteria e percussione :
Bengt Lagerberg
chitarra :
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
chitarra basso :
Magnus Sveningsson
tastiera :
Lars-Olof Johansson
voce di accompagnamento:
Magnus Sveningsson e Peter Svensson (guitarist, composer, producer; member of The Cardigans)
voce principale:
Nina Persson
diritti fonografici (℗) detenuti da:
Stockholm Records e Universal Music AB (Swedish subsidiary of Universal Music Group)
lavorazione tecnica effettuata presso:
Tambourine Studios in Malmö, Skåne (Skåne county), Svezia
prodotta presso:
Tambourine Studios in Malmö, Skåne (Skåne county), Svezia
video musicali:
Lovefool di The Cardigans (Swedish rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 242)
registrazione di:
Lovefool
paroliere:
Nina Persson e Peter Svensson (guitarist, composer, producer; member of The Cardigans)
compositore:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
editore:
Stockholm Songs e Universal–Songs of PolyGram International, Inc.
The Cardigans3.65?:??
6River Deep, Mountain High
Ike & Tina Turner3:27
7Ain’t No Mountain High Enough
registrazione di:
Ain’t No Mountain High Enough
autore:
Nickolas Ashford e Valerie Simpson
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) e Jobete Music Co., Inc.
sub-editore:
EMI Songs Australia Pty. Ltd. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye & Tammi Terrell?:??
8How Sweet It Is (to Be Loved by You)
tecnico di missaggio:
Suha Gur
basso :
James Jamerson
chitarra :
Willie Woods (US guitarist & songwriter)
membranofono :
James Graves
sassofono :
Junior Walker
tastiera :
Vic Thomas (keyboard)
registrazione cover di:
How Sweet It Is (to Be Loved by You)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Jr. Walker & the All Stars4?:??
9For Once in My Life
produttore:
Henry Cosby
voce principale:
Stevie Wonder (nel 1967)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1968)
registrazione cover di:
For Once in My Life (nel 1967)
paroliere:
Ronald Miller (Motown songwriter Ronald Norman Miller)
compositore:
Orlando Murden
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Stevie Wonder4.1?:??
10I’ll Be ThereThe Jackson 55?:??
11Penny Lover
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1983)
registrazione di:
Penny Lover
paroliere:
Brenda Harvey–Richie e Lionel Richie
compositore:
Lionel Richie
editore:
Brockman Music
Lionel Richie4?:??
12The Look of Love
registrazione cover di:
The Look of Love (il 1967-01-29)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Colgems Music Corp., Colgems-EMI Music Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 40th Academy Award for Best Original Song (numero: 2)
registrazione di:
The Look of Love
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Colgems Music Corp., Colgems-EMI Music Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 40th Academy Award for Best Original Song (numero: 2)
Dusty Springfield5?:??
13Night NurseGregory Isaacs?:??
14Stars
tecnico e tecnico di missaggio:
Daren Klein (American sound/mixing engineer)
co-produttore:
Mick Hucknall (lead singer of Simply Red)
produttore:
Stewart Levine (record producer and saxophonist)
registrazione di:
Stars
paroliere e compositore:
Mick Hucknall (lead singer of Simply Red)
Simply Red3?:??
15Both Sides Now
Judy Collins?:??
16The Right Thing to Do
registrazione di:
The Right Thing to Do
paroliere e compositore:
Carly Simon
editore:
C’Est Music e Universal Music Corporation (USA, affiliated with ASCAP)
Carly Simon?:??
17Crimson and Clover
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968)
registrazione di:
Crimson and Clover
autore:
Tommy James (American musician, singer, songwriter and record producer) e Pete Lucia Jr.
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), Planetary Nom (publisher) e Big Seven Music Corp. (nel 1987)
Tommy James & the Shondells?:??
3CD
#TitoloArtistaValutazioneDurata
1If You Leave Me Now
tecnico di registrazione:
Armin Steiner (dal 1976-03 al 1976-04: archi)
assistente tecnico:
Tom Likes
tecnico:
Wayne Tarnowski
produttore:
James William Guercio
basso e chitarra acustica :
James William Guercio (dal 1976-03 al 1976-04)
voce principale:
Peter Cetera (dal 1976-03 al 1976-04)
arrangiatore archi e arrangiatore corno francese :
Jimmie Haskell
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Rhino Entertainment Company (not for release label use!) (nel 1976, nel 2002), Warner Strategic Marketing Inc. (nel 1976) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1976)
registrata presso:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti, Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti (archi) e Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
mixata presso:
Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
registrazione di:
If You Leave Me Now (dal 1976-03 al 1976-04)
paroliere:
Peter Cetera
compositore:
Peter Cetera (nel 1976)
editore:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music e Spirit Music Publishing Ltd.
Chicago4.2?:??
2God Only Knows
registrazione di:
God Only Knows
paroliere:
Tony Asher (US lyricist, worked on Pet Sounds)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
The Beach Boys?:??
3Too Much Time
tecnico:
Donn Landee
produttore:
Ted Templeman
armonica (a bocca) :
Don van Vliet
basso :
Roy Estrada
batteria e percussione :
Art Tripp
chitarra :
Bill Harkleroad (Bill Harkleroad), Mark Boston (Mark Boston) e Russ Titelman
percussione aggiunto:
Milt Holland
voce:
Don van Vliet
voce di accompagnamento:
The Blackberries (1970s female vocal trio)
arrangiatore corno :
Jerry Jumonville
registrata presso:
Amigo Studios in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Too Much Time
paroliere e compositore:
Don van Vliet
editore:
Green Bump Music, Inc
Captain Beefheart & His Magic Band?:??
4Listen to This
tecnico di registrazione:
Alan Winstanley (English record producer)
produttore:
Billy Adams (guitar/banjo (Dexys Midnight Runners)), Helen O'Hara, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
tecnico di missaggio:
Pete Schwier (producer, mixing and recording engineer)
batteria :
Crusher Green
chitarra :
Billy Adams (guitar/banjo (Dexys Midnight Runners))
sassofono :
Nicky Gatfield
violino :
Helen O'Hara
voce principale:
Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
registrazione di:
Listen to This
autore:
Billy Adams (guitar/banjo (Dexys Midnight Runners)) e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
EMI Music Publishing (Holland) BV
Dexys Midnight Runners?:??
5Headstart for Happiness
produttore:
Paul Weller (English singer‐songwriter and musician) e Peter Wilson (UK Producer)
chitarra [guitars] :
Paul Weller (English singer‐songwriter and musician) (dal 1983-10 al 1984-01)
ottoni [brass sound] e pianoforte :
Mick Talbot (dal 1983-10 al 1984-01)
sassofono :
Hillary Seabrook (dal 1983-10 al 1984-01)
tromba :
Barbara Snow (dal 1983-10 al 1984-01)
voce:
Dee C. Lee (dal 1983-10 al 1984-01), Mick Talbot (dal 1983-10 al 1984-01) e Paul Weller (English singer‐songwriter and musician) (dal 1983-10 al 1984-01)
registrata in aggiunta presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (dal 1983-10 al 1984-01)
registrata presso:
Solid Bond Studio in London (Greater London), England, Regno Unito (dal 1983-10 al 1984-01)
registrazione di:
Headstart for Happiness (dal 1983-10 al 1984-01)
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
The Style Council5?:??
6It’s Only Natural
registrazione di:
It’s Only Natural
paroliere e compositore:
Neil Finn e Tim Finn
Crowded House?:??
7I Want Your Love
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1978)
registrazione di:
I Want Your Love
paroliere e compositore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony/ATV Songs LLC e Warner Chappell Music Ltd. (no slash; used 1988–1996) (nel 1989)
Chic?:??
8The Glow of LoveChange?:??
9She Makes My Day
registrazione di:
She Makes My Day
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Island Music Ltd.
Robert Palmer?:??
10Sweet Thing
tecnico:
Brooks Arthur
produttore:
Lewis Merenstein
batteria :
Connie Kay (il 1968-10-15)
chitarra acustica e voce principale:
Van Morrison (il 1968-10-15)
chitarra classica :
Jay Berliner (il 1968-10-15)
contrabbasso :
Richard Davis (American jazz bassist) (il 1968-10-15)
flauto :
John Payne (Saxophone/Clarinet) (il 1968-10-15)
triangolo :
Warren Smith (jazz percussionist) (il 1968-10-15)
arrangiatore archi :
Larry Fallon (il 1968-10-15)
diritti fonografici (℗) detenuti da:
Exile Productions Ltd. (not for Label Release) (nel 1968)
registrazione di:
Sweet Thing (il 1968-10-15)
paroliere e compositore:
Van Morrison
editore:
Caledonia Productions, Inc. (Caledonia Soul Music Division), Chappell Music (UK), Van-Jan Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
Van Morrison3.55?:??
11Thinking of You
registrazione di:
Thinking of You
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner/Chappell North America
Sister Sledge?:??
12I Want You
voce:
Marvin Gaye
registrazione di:
I Want You
paroliere:
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
compositore:
Arthur “T‐Boy” Ross e Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Jobete Music Co., Inc., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Marvin Gaye3?:??
13Feel Like Makin’ Love
Bad Company?:??
14Fly for You
registrazione di:
I’ll Fly for You
paroliere e compositore:
Gary Kemp
Spandau Ballet?:??
15Inside My Love
tecnico di registrazione:
Gary Starr
tecnico:
Rik Pekkonen
produttore:
Stewart Levine (record producer and saxophonist), Minnie Riperton e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
archi :
Sid Sharp
arpa :
Dorothy Ashby
basso :
Eddie Brown (Bassist)
chitarra :
Larry Carlton, Dean Parks (American session guitarist) e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
corno e sassofono :
Jim Horn (saxophonist, hornist, flutist and oboist)
membranofono e percussione :
Jim Gordon (US drummer with Derek and the Dominos)
sassofono :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
tastiera :
Joe Sample
voce principale:
Minnie Riperton
direttore d'orchestra:
Larry Carlton
arrangiatore:
Larry Carlton
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1975)
registrazione di:
Inside My Love
autore:
Minnie Riperton, Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) e Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
editore:
Dickiebird Music Publising Co
Minnie Riperton?:??
16Rainy Night in Georgia
registrazione cover di:
Rainy Night in Georgia
paroliere e compositore:
Tony Joe White
editore:
Combine Music Corp. e EMI Songs Limited
Brook Benton feat. Cold Grits?:??
17Wild Is the Wind
produttore:
Hal Mooney
armonica (a bocca) :
Al Schackman
batteria :
Bobby Hamilton (percussionist, keyboards, vocals)
chitarra e flauto :
Rudy Stevenson
contrabbasso e percussione :
Lisle Atkinson
pianoforte :
Nina Simone
voce:
Nina Simone
arrangiatore:
Nina Simone
registrazione cover di:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (il 1964-03-21)
paroliere:
Ned Washington
compositore:
Dimitri Tiomkin
editore:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (nel 1957, nel 1985), Catharine Hinen Music (nel 1957, nel 1985), Chappell & Co., Inc. (USA) (nel 1957), Largo Music Inc. (nel 1957, nel 1985) e Patti Washington Music (nel 1957, nel 1985)
parte di:
The 30th Academy Award for Best Original Song (numero: 2)
Nina Simone3.65?:??
18Wishing on a Star
edit di:
Wishing on a Star di Rose Royce
registrazione di:
Wishing on a Star
paroliere e compositore:
Billie Calvin (Billie Rae Calvin)
editore:
Warner/Chappell North America
Rose Royce4?:??
19The Man With the Child in His Eyes
tecnico:
Jon Kelly (engineer at Air London Studios)
produttore:
Andrew Powell (known for contributions to Alan Parsons Project)
produttore esecutivo:
David Gilmour (Pink Floyd)
pianoforte , voce di accompagnamento e voce principale:
Kate Bush (nel 1975-06)
arrangiatore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977, nel 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1977, nel 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (nel 1977, nel 1978) e EMI France (nel 1995)
registrata presso:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (dal 1977-07 al 1977-08)
registrazione di:
The Man With the Child in His Eyes (nel 1975-06)
editore:
Kate Bush (dal 1978 a oggi)
paroliere e compositore:
Kate Bush
arrangiatore:
Stefan Lievestro (Dutch jazz bassist)
eseguita per la prima volta presso:
Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
editore:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) (, dal 1978 a oggi) e Kate Bush Music Ltd.
Kate Bush3.65?:??
20May You Never
registrazione di:
May You Never
paroliere e compositore:
Iain David McGeachy (British singer‐songwriter and guitarist)
editore:
Intersong Music Ltd. e Intersong U.S.A. (publisher)
John Martyn2:43

Accreditamenti