Home and Cozy

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Comethru
Programmierung und Produzent(in):
Jeremy Zucker
Mix:
Andrew Maury
Gitarre:
Jeremy Zucker
recording of:
comethru
Verfasser(in):
Daniel Rakow und Jeremy Zucker
Jeremy Zucker3.653:02
2No Judgement
Techniker(in):
Jeff 'Da Badass' Gunnell
assistierende(r) Mix:
Michael Freeman (US engineer, works with Mark Stent)
Mix:
Mark “Spike” Stent (producer, engineer)
zusätzliche(r) assistierende(r) Mix:
Matt Wolach
Gitarre:
Julian Bunetta, Niall Horan und Nate Mercereau (US guitarist and songwriter)
Keyboard:
Julian Bunetta
Perkussion:
Aaron Sterling
Schlagzeug:
Julian Bunetta und Aaron Sterling
Hintergrundgesang:
Julian Bunetta und Niall Horan
phonographisches Urheberrecht (℗) von:
Neon Haze Music Ltd. (in 2020)
mixed at:
The Mixsuite in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
No Judgement
Verfasser(in):
Julian Bunetta, Niall Horan, Alexander Izquierdo, Tobias Jesso Jr. und John Ryan (American pop singer/producer a/k/a “John the Blind”)
publisher:
AIX Music Publishing (vom 2020 bis heute), BMG Gold Songs (vom 2020 bis heute), DonWyan Music (vom 2020 bis heute), Downtown DMP Songs (vom 2020 bis heute), Dragon Bunny Music (BMI) (vom 2020 bis heute), Music of Big Family (vom 2020 bis heute) und Songs of Universal, Inc. (BMI) (vom 2020 bis heute)
Niall Horan22:56
3Nobody's Love
recording of:
Nobody’s Love
Verfasser(in):
Brandon Hamlin (US producer), Jordan Johnson (member of The Monsters and the Strangerz), Stefan Johnson (songwriter and producer), Jacob Kasher (American songwriter, producer), Adam Levine (Maroon 5’s lead vocalist), Kareen Lomax, Nija Charles (US singer, songwriter and producer Nija Charles), Ryan Ogren und Michael Pollack (songwriter)
publisher:
1916 Publishing, BMG Platinum Songs US, Circa 242, Concord Copyrights (BMI), Hipgnosis SFH I Limited, Hot Ham Music (BMI), Jerry the Dog Music (BMI affiliated), Naji Publishing, Prescription Songs, Rap Kingpin Music, Songs by Amnija (BMI-affiliated), Songs of BBMG Publishing, Songs of Universal, Inc. (BMI), Songs With a Pure Tone, Sudgee 2 Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), What Key Do You Want It in Music und Where da Kasz At
Maroon 52.83:31
4Rare
assistierende(r) Techniker(in):
Jeremy Tomlinson
Techniker(in):
Sir Nolan, Benjamin Rice (American producer), Bart Schoudel und Simon Sayss (US rapper & producer)
Produzent(in):
Sir Nolan, Sir Nolan (Sologesang [vocal]), Simon Says (songwriter & producer, Simon Rosen) und Simon Says (songwriter & producer, Simon Rosen) (Sologesang [vocal])
assistierende(r) Mix:
Miles Comaskey
Mix:
Tony Maserati (engineer / mixer)
Gitarre [guitars]:
Jake Faun (UK born multi-instrumentalist)
Instrumente:
Sir Nolan und Simon Says (songwriter & producer, Simon Rosen)
Hintergrundgesang:
Selena Gomez und Madison Love
Sologesang:
Selena Gomez
vocals:
Selena Gomez
aufgenommen bei:
Home Away from Home Studios in Encino, California (Kalifornien), Vereinigte Staaten
mixed at:
Mirrorball Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Rare
Verfasser(in):
Brett McLaughlin (Brett McLaughlin, Los Angeles electronic producer), Selena Gomez, Madison Love, Nolan Lambroza und Simon Rosen (songwriter & producer, Simon Rosen)
publisher:
Artist Publishing Group West, Bob Ochoa’s Homemade Salsa (ASCAP affiliated), EMI April Music Inc., Kobalt Songs Music Publishing (USA, ASCAP affiliated), LIVEMADLOVE, SMG Tunes, Universal Music Corp. (USA, affiliated with ASCAP), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und WC Music Corp.
Selena Gomez3.253:41
5ILYSB
Gitarre und Keyboard:
Paul Klein (member of LANY)
Schlagzeug:
Jake Goss (drummer for LANY)
phonographisches Urheberrecht (℗) von:
Side Street Entertainment LLC (in 2017)
recording of:
ILYSB
Texter und Komponist(in):
Oskar Engström, Jake Goss (drummer for LANY), Paul Klein (member of LANY) und Charles Leslie Priest (former member of LANY)
publisher:
Kobalt Music Publishing Ltd. (UK) und Kobalt Music Services America Inc.
LANY2.853:31
6Ready
Schlagzeug-Programmierung:
Midi Jones und Jon Levine
Techniker(in):
Darwin Derequito
Produzent(in):
Midi Jones und Jon Levine
Bassgitarre und Gitarre:
Midi Jones und Jon Levine
Hintergrundgesang:
Olivia Aita
vocals:
Alessia Cara
recording of:
Ready
Verfasser(in):
Alessia Cara und Jon Levine
Alessia Cara32:59
7Trampoline
Produzent(in):
Grant Eadie, Alex Mendoza und SHAED
phonographisches Urheberrecht (℗) von:
Photo Finish Records (in 2019)
Remix von:
Trampoline von SHAED
recording of:
Trampoline
Verfasser(in):
Spencer Ernst, Chelsea Lee (SHAED), Maxwell Ernst (SHAED), Alex Mendoza und ZAYN (British singer)
SHAED3.9?:??
8Memories
Assistent recording engineer:
Bo Bodnar
Programmierung:
The Monsters & Strangerz
Techniker(in):
Noah “Mailbox” Passovoy
Produzent(in):
Adam Levine (Maroon 5’s lead vocalist) und The Monsters & Strangerz
zusätzliche(r) Produzent(in):
Noah “Mailbox” Passovoy und Gian Stone
Mix:
Serban Ghenea
Bass:
Mickey Madden
Gitarre:
Jesse Carmichael und James Valentine (Maroon 5)
Keyboard:
Jesse Carmichael, Sam Farrar, PJ Morton und Michael Pollack (songwriter)
Perkussion und Schlagzeug:
Matthew “Matt” Flynn (Maroon 5 drummer)
Hintergrundgesang:
Michael Pollack (songwriter)
phonographisches Urheberrecht (℗) von:
Interscope Records (222 Records) (not an imprint, use only for holding) (in 2019)
Teil von:
Billboard Year-End Hot 100 singles of 2020 (Nummer: 8)
recording of:
Memories
Verfasser(in):
Vincent Ford, Jacob Kasher Hindlin (American songwriter, producer), Jordan Johnson (member of The Monsters and the Strangerz), Stefan Johnson (songwriter and producer), Jonathan Bellion, Adam Levine (Maroon 5’s lead vocalist) und Michael Pollack (songwriter)
publisher:
1916 Publishing, Art in the Fodder Music, Blackwell Fuller Music Publishing LLC, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Platinum Songs US, Fifty Six Hope Road Music Limited, Kobalt Music Copyrights SARL, Prescription Songs, R8D Music Publishing, Rap Kingpin Music, Songs of a Beautiful Mind, Songs of BBMG Publishing, Songs of Universal, Inc. (BMI), Songs With a Pure Tone, Sudgee 2 Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und What Key Do You Want It in Music
basiert auf:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Maroon 53.23:09
9Lost in Japan
Programmierung:
Teddy Geiger und Nate Mercereau (US guitarist and songwriter)
A&R-Management:
Ziggy Chareton (artist & repertoire support), David Massey (Production music composer), James Petronio (artist & repertoire support) und Gabrielle Rosen
assistierende(r) Techniker(in):
Kaushlesh “Garry” Purohit
Techniker(in):
Ryan Shanahan und George Seara
zusätzliche(r) Techniker(in):
George Seara
Produzent(in):
Teddy Geiger und Shawn Mendes
zusätzliche(r) Produzent(in):
Louis Bell (American producer, engineer, and songwriter), Nate Mercereau (US guitarist and songwriter) und Zedd (Russian‐German producer)
assistierende(r) Mix:
Harry Burr
Mix:
Andrew Maury
Bass, Keyboard und Klavier:
Nate Mercereau (US guitarist and songwriter)
Gitarre:
Teddy Geiger, Scott Harris (Shawn Mendes collaborator), Shawn Mendes und Nate Mercereau (US guitarist and songwriter)
Perkussion:
Teddy Geiger und Nate Mercereau (US guitarist and songwriter)
Schlagzeug:
Teddy Geiger
zusätzlich Perkussion:
Andrew Gertler
Hintergrundgesang:
Teddy Geiger und Shawn Mendes
Sologesang:
Shawn Mendes
remixer:
Zedd (Russian‐German producer)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2018)
aufgenommen bei:
Geejam Hotel Recording Studios in Port Antonio, Portland (Portland Parish), Jamaika und Woodshed Recording Studios (Malibu) in Malibu, California (Kalifornien), Vereinigte Staaten
mixed at:
Douglass Recording in Brooklyn, New York, New York, Vereinigte Staaten
recording of:
Lost in Japan
Verfasser(in):
Teddy Geiger, Scott Harris (Shawn Mendes collaborator), Shawn Mendes und Nate Mercereau (US guitarist and songwriter)
Shawn Mendes3.253:21
10Company
Techniker(in):
Chris “Tek” O’Ryan
Koproduzent(in):
Poo Bear (US producer, singer & songwriter; Jason Boyd)
Produzent(in):
Axident, Big Taste (NZ/US producer/songwriter/multi-instrumentalist) und Gladius James (New Zealand producer/songwriter based in Los Angeles)
Mix:
Henrique Andrade und Brandon Harding
Bassgitarre:
Leroy Clampitt (NZ/US producer/songwriter/multi-instrumentalist)
Gitarre:
James Wong (New Zealand producer/songwriter based in Los Angeles)
Perkussion:
Andreas Schuller (synthesizer)
recording of:
Company
Verfasser(in):
Andreas Schüller, Justin Bieber, James Abrahart (trance singer, songwriter, producer & arranger James Abrahart), Leroy Clampitt (NZ/US producer/songwriter/multi-instrumentalist), Poo Bear (US producer, singer & songwriter; Jason Boyd), Thomas Troelsen und James Wong (New Zealand producer/songwriter based in Los Angeles)
publisher:
Fried Rice and Chicken Noodle Music, Honua Songs, Jayded Ink Publishing, These Are Pulse Songs (BMI) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Justin Bieber4.43:28
11Scars to Your Beautiful
Assistent recording engineer:
Todd Bergman
recording engineer:
Oak (known as “Oak of the Knightwritaz”)
sonstige Unterstützung:
Tanisha Broadwater und Donnie Meadows
drum machine-Programmierung:
Pop Wansel
Programmierung:
Sebastian Kole, Oak (known as “Oak of the Knightwritaz”) und Pop Wansel
assistierende(r) Produzent(in):
Kevin “Batos” Guardado
Produzent(in):
@Oakwud (known as “Oak of the Knightwritaz”), @Pop Wansel und Sebastian Kole
assistierende(r) Mix:
Daniela Rivera (engineer)
Mix:
Phil Tan (Malaysian-American audio engineer)
Keyboard:
Sebastian Kole und Oak (known as “Oak of the Knightwritaz”)
phonographisches Urheberrecht (℗) von:
Def Jam Recordings (US) (in 2016)
aufgenommen bei:
Glenwood Place Studios in Burbank, California (Kalifornien), Vereinigte Staaten (in 2015)
mixed at:
Ninja Beat Club (Phil Tan's studio) in Atlanta, Georgia, Vereinigte Staaten (in 2015)
Teil von:
Canada’s Drag Race Lip Sync Performances (season 1) (Nummer: 6), Billboard Year-End Hot 100 singles of 2017 (Nummer: 30), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 44) und BILLIONS CLUB
recording of:
Scars to Your Beautiful
Verfasser(in):
Alessia Caracciolo, Andrew Wansel, Coleridge Tillman und Warren Felder (known as “Oak of the Knightwritaz”)
Alessia Cara3.853:50
12Hold Me While You Wait
Produzent(in):
Nick Atkinson (member of Rooster), Edd Holloway (producer and songwriter) und TMS (UK songwriting/production team)
Mix:
Spike Stent (producer, engineer)
Teil von:
Spotify: Top Hits of 2019 (Nummer: 28)
recording of:
Hold Me While You Wait
Verfasser(in):
Lewis Capaldi (singer-songwriter), Jamie N Commons und Jamie Hartman (pop songwriter and producer)
publisher:
BMG Music Publishing (UK) Ltd., Reservoir (publisher) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Lewis Capaldi33:26
13Light On
drum machine-Programmierung:
Kid Harpoon
Techniker(in):
Julian Burg, John Hanes (audio engineer, mixer) (Aufgabe: engineered for mix), Greg Kurstin und Alex Pasco
Produzent(in):
Kid Harpoon und Greg Kurstin
zusätzliche(r) Produzent(in):
Maggie Rogers
Mix:
Serban Ghenea
Akustikgitarre, Bassgitarre und E-Gitarre:
Kid Harpoon
Bass, Gitarre, Keyboard und Schlagzeug:
Greg Kurstin
Klavier:
Kid Harpoon und Greg Kurstin
Perkussion:
Maggie Rogers
vocals:
Maggie Rogers
Teil von:
Spotify: Top Hits of 2019 (Nummer: 26)
recording of:
Light On
Verfasser(in):
Maggie Rogers und Tom Hull
Maggie Rogers43:54
14Let Me Go
Gitarre:
Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
Keyboard:
Alesso
Perkussion:
Alesso und Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
phonographisches Urheberrecht (℗) von:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2017)
recording of:
Let Me Go
Verfasser(in):
Alessandro Lindblad, Alexandra Tamposi (American songwriter and backing vocalist), Andrew Wotman (producer, guitarist, singer, Earthlings, California Breed), Jamie Lidderdale und Brian Lee (Korean American songwriter)
Hailee Steinfeld, Alesso & Florida Georgia Line2.52:55
15Somebody to Love
Techniker(in):
Rich Rich (engineer) und Tyler Spry (music producer and songwriter)
zusätzliche(r) Techniker(in):
Carter Jahn und Doug Sarrett
Produzent(in):
Andrew DeRoberts, Brent Kutzle, John Nathaniel (singer-songwriter, arranger, producer, mixer), Tyler Spry (music producer and songwriter) und Ryan Tedder (American singer, songwriter, and producer)
zusätzliche(r) Produzent(in):
John Nathaniel (singer-songwriter, arranger, producer, mixer) und Tyler Spry (music producer and songwriter)
Mix:
John Nathaniel (singer-songwriter, arranger, producer, mixer) und Joe Zook (engineer)
Geige / Violine:
DAVID DAVIDSON (violinist)
Gitarre:
Andrew DeRoberts und Tyler Spry (music producer and songwriter)
Hintergrundgesang:
John Nathaniel (singer-songwriter, arranger, producer, mixer)
Saiteninstrumente arranger:
Brandon Collins
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2019) und Mosley Music (in 2019)
recording of:
Somebody to Love
Verfasser(in):
Ester Dean, Andrew DeRoberts, Kevin Fisher (songwriter), Jintae Ko, Brent Kutzle, Shane McAnally, JT Roach, Ryan Tedder (American singer, songwriter, and producer) und Andrew Wells (pop songwriter/record producer)
OneRepublic23:01
16Be Alright
drum machine-Programmierung:
Edd Holloway (producer and songwriter)
Techniker(in):
Edd Holloway (producer and songwriter)
Produzent(in):
Nick Atkinson (member of Rooster) und Edd Holloway (producer and songwriter)
zusätzliche(r) Produzent(in):
Dylan Nash
Mix:
Mark “Spike” Stent (producer, engineer)
Akustikgitarre, E-Gitarre, Klavier und Sologesang:
Dean Lewis (singer‐songwriter)
Keyboard:
Edd Holloway (producer and songwriter)
Hintergrundgesang:
Nick Atkinson (member of Rooster) und Dean Lewis (singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 2018)
Teil von:
Billboard Year-End Hot 100 singles of 2019 (Nummer: 54)
recording of:
Be Alright
Verfasser(in):
Jon Hume (Australian-born New Zealand singer-songwriter, guitarist and, record producer) und Dean Lewis (singer‐songwriter)
Dean Lewis3.653:16
17September Song
recording of:
September Song
Verfasser(in):
Benjamin Hudson McIldowie, JP Cooper und Jon Cobbe Hume (Australian-born New Zealand singer-songwriter, guitarist and, record producer)
JP Cooper33:40
18All You Need to Know
recording of:
All You Need to Know
Gryffin, SLANDER & Calle Lehmann43:58
19What Do You Mean?
Koproduzent(in):
Justin Bieber
Produzent(in):
MdL
Teil von:
Billboard Year-End Hot 100 singles of 2016 (Nummer: 31) und Billboard Year-End Hot 100 singles of 2015 (Nummer: 33)
recording of:
What Do You Mean?
Verfasser(in):
Bear Pooh (US producer, singer & songwriter; Jason Boyd), Justin Bieber und Mason Levy
publisher:
Artist Publishing Group West, Bieber Time Publishing, Hitco South, Mason Levy Productions, Poo B Z Publishing, Inc. und Universal Music Corp. (USA, affiliated with ASCAP)
Justin Bieber43:29
20Starving
Hailee Steinfeld3:02
21Happier
A&R-Management:
Jeremy Vuernick
Produzent(in):
Steve Mac (British pop producer/songwriter Steve McCutcheon) und Marshmello
assistierende(r) Mix:
Scott Desmarais und Robin Florent
Mix:
Chris Galland und Manny Marroquin
vocals:
Bastille (British indie pop band)
Interpret(in):
Bastille (British indie pop band), Steve Mac (British pop producer/songwriter Steve McCutcheon) und Marshmello
phonographisches Urheberrecht (℗) von:
Joytime Collective (in 2018)
Teil von:
Billboard Year-End Hot 100 singles of 2019 (Nummer: 6) und Billboard Year-End Hot 100 singles of 2018 (Nummer: 80)
recording of:
Happier
Verfasser(in):
Steve Mac (British pop producer/songwriter Steve McCutcheon), Marshmello und Dan Smith (member of UK band Bastille)
Marshmello3.253:34
22Sixteen
Produzent(in):
Fred (UK producer, songwriter, multi-instrumentalist and DJ) und Mike Wise
recording of:
Sixteen
Verfasser(in):
Frederick Gibson (UK producer, songwriter, multi-instrumentalist and DJ), Ellie Goulding, Joseph Kearns (British record producer, writer and engineer) und Rachel Keen (English singer)
publisher:
KMR II GT Publishing Ltd., Promised Land Music Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Ellie Goulding33:21
23Somewhere Only We Know
Keane3:56
24Stay
Teil von:
Billboard Year-End Hot 100 singles of 2017 (Nummer: 17) und Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2018)
recording of:
Stay
Verfasser(in):
Sarah Aarons, Anton Zaslavski (Russian‐German producer), Alessia Cara, Anders Frøen (Mood Melodies), Jonnali Parmenius und Lotus IV
Zedd & Alessia Cara3.553:30
25Hands to Myself
Assistent recording engineer:
Juan Carlos Torrado
recording engineer:
Mattman & Robin (Swedish songwriting and production duo)
Programmierung:
Max Martin (Swedish record producer) und Mattman & Robin (Swedish songwriting and production duo)
Produzent(in):
Max Martin (Swedish record producer) (Sologesang [vocal]), Mattman & Robin (Swedish songwriting and production duo) und Mattman & Robin (Swedish songwriting and production duo) (Sologesang [vocal])
Mix:
Serban Ghenea
zusätzliche(r) Mix:
John Hanes (audio engineer, mixer)
Bass, Gitarre, Klavier und Schlagzeug [drums]:
Mattman & Robin (Swedish songwriting and production duo)
Perkussion und Synthesizer [synth]:
Max Martin (Swedish record producer) und Mattman & Robin (Swedish songwriting and production duo)
Hintergrundgesang:
Julia Michaels
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2015)
aufgenommen bei:
Interscope Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten, Maratone Studios in Stockholm, Stockholms län (Stockholm county), Schweden und Wolf Cousins Studios in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
Hands to Myself (music video) von Selena Gomez
Teil von:
Billboard Year-End Hot 100 singles of 2016 (Nummer: 56)
recording of:
Hands to Myself
Verfasser(in):
Robin Fredriksson (of Mattman & Robin), Selena Gomez, Mattias Larsson (of Mattman & Robin), Max Martin (Swedish record producer), Julia Michaels und Justin Tranter (singer and songwriter)
publisher:
Justin’s School for Girls, Ma-Jay Publishing, MXM Music AB, SMG Tunes, Thanks for the Songs Richard, Universal Music Corp. (USA, affiliated with ASCAP), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Scandinavia AB und Wolf Cousins
Selena Gomez3.23:21
26Royals
Techniker(in), Produzent(in) und Mix:
Joel Little
Instrumente:
Joel Little
Sologesang:
Ella Yelich O’Connor (Lorde, New Zealand singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Universal Music New Zealand (in 2013) und Universal Music New Zealand Limited (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 2013)
aufgenommen bei:
Golden Age in Auckland, Auckland (Region Auckland), North Island, Neuseeland
Musikvideos:
Royals von Lorde (New Zealand singer‐songwriter) und Royals von Lorde (New Zealand singer‐songwriter)
Teil von:
Grammy Award: Best Pop Solo Performance nominees (Nummer: 2014 winner), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 11), Billboard Year-End Hot 100 singles of 2013 (Nummer: 15), Billboard Year-End Hot 100 singles of 2014 (Nummer: 20), Stereogum: The 200 Best Songs of the 2010s (Nummer: 23), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 30), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 35), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 77), Indie 88: Top 500 Indie Rock Songs (Nummer: 98), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 111) und Pitchfork: The 200 Best Songs of the 2010s (Nummer: 129)
recording of:
Royals
Verfasser(in):
Ella Yelich O’Connor (Lorde, New Zealand singer‐songwriter) und Joel Little
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc. und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), イーエムアイ音楽出版 (EMI Music Publishing Japan) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
Matuschkes Lieblinge 2013 und APRA Silver Scroll Awards Winners (Nummer: 2013)
Lorde3.83:10
27Hurt Somebody
Produzent(in):
Sam de Jong und Joel Little
recording of:
Hurt Somebody
Verfasser(in):
Scott Harris (Shawn Mendes collaborator) und Noah Kahan
Noah Kahan2.52:49
28Close to Me
Assistent recording engineer:
Cory Brice und Jeremy Lertola
recording engineer:
Diplo (DJ and music producer), Sam Holland (sound engineer), Randy Lanphear (Sologesang [Swae Lee vocals]) und Swae Lee (Sologesang [Swae Lee vocals])
Programmierung:
Alvaro (Jasper Helderman, electro house producer/DJ from Almere, the Netherlands), Bas van Daalen, Diplo (DJ and music producer) und ILYA (Swedish/Iranian songwriter, producer, and singer)
Techniker(in):
John Hanes (audio engineer, mixer)
Produzent(in):
Diplo (DJ and music producer), ILYA (Swedish/Iranian songwriter, producer, and singer) und ILYA (Swedish/Iranian songwriter, producer, and singer) (Sologesang)
zusätzliche(r) Produzent(in):
Alvaro (Jasper Helderman, electro house producer/DJ from Almere, the Netherlands) und Bas van Daalen
assistierende(r) Mix:
Josef “JoPnda” Gomez (Sologesang [Swae Lee vocals]) und Randy Lanphear (Sologesang [Swae Lee vocals])
Mix:
Serban Ghenea
Bassgitarre, Keyboard, Perkussion und Schlagzeug:
ILYA (Swedish/Iranian songwriter, producer, and singer)
Gitarre:
ILYA (Swedish/Iranian songwriter, producer, and singer) und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Gast vocals:
Swae Lee
Hintergrundgesang:
ILYA (Swedish/Iranian songwriter, producer, and singer) und Savan Kotecha
vocals:
Ellie Goulding
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2018)
produced for:
Wolf Cousins Productions
aufgenommen bei:
MXM Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten, SremmLife Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten und Wolf Cousins Studios in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2019 (Nummer: 58)
recording of:
Close to Me
Verfasser(in):
Ellie Goulding, Ilya Salmanzadeh (Swedish/Iranian songwriter, producer, and singer), Khalif Brown, Savan Kotecha, Peter Svensson (guitarist, composer, producer; member of The Cardigans) und Thomas Wesley Pentz (aka Diplo)
publisher:
EarDrummers Music Publishing LLC, Global, I Like Turtles, KMR Music Royalties II, SCS, Warner Chappell Music Scan (STIM), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Wolf Cousins
Ellie Goulding3.53:03
29Issues
Programmierung und Produzent(in):
benny blanco (producer Benjamin Levin) und StarGate (Norwegian production/songwriting team)
Techniker(in):
Dave Schwerkolt und Chris Sclafani
Mix:
Mark “Spike” Stent (producer, engineer)
vocals und Interpret(in):
Julia Michaels
phonographisches Urheberrecht (℗) von:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.)
Teil von:
Billboard Year-End Hot 100 singles of 2017 (Nummer: 29)
recording of:
Issues
Verfasser(in) und Komponist(in):
benny blanco (producer Benjamin Levin), Mikkel Storleer Eriksen, Tor Erik Hermansen, Justin Drew Tranter (singer and songwriter) und Julia Michaels
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Justin’s School for Girls, Thanks for the Songs Richard und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Julia Michaels3.052:56
30Slow Hands
recording engineer und Produzent(in):
Julian Bunetta
zusätzlich recording engineer:
Julian Bunetta und Eric Greedy
Programmierung:
AfterHrs (American production duo), Dave Emery (engineer) und Mark “Spike” Stent (producer, engineer)
zusätzliche(r) Produzent(in):
AfterHrs (American production duo) und Mark “Spike” Stent (producer, engineer)
assistierende(r) Mix:
Michael Freeman (US engineer, works with Mark Stent)
Mix:
Mark “Spike” Stent (producer, engineer)
Gitarre:
Mark Goldenberg, Niall Horan und John Ryan (American pop singer/producer a/k/a “John the Blind”)
Keyboard [keyboards]:
Dave Emery (engineer)
Orgel:
Tommy King (keyboardist/songwriter/engineer)
Synthesizer:
AfterHrs (American production duo)
Hintergrundgesang:
Julian Bunetta
vocals:
Niall Horan
phonographisches Urheberrecht (℗) von:
Neon Haze Music Ltd. (in 2017)
produced for:
Family Affairs Productions
aufgenommen bei:
Enemy Dojo in Calabasas, California (Kalifornien), Vereinigte Staaten und Sarm Music Village in Ladbroke Grove, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Wendy House Productions in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Mixsuite in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2017 (Nummer: 32)
recording of:
Slow Hands
Verfasser(in):
Julian Bunetta, Niall Horan, Alexander Izquierdo, Tobias Jesso Jr., Ruth-Anne Cunningham (Irish singer-songwriter) und John Ryan (American pop singer/producer a/k/a “John the Blind”)
publisher:
AIX Music Publishing, BMG Gold Songs, BMG Platinum Songs, Bob Erotik Music, Dragon Bunny Music (BMI), Family Affair Songbook, Music of Big Deal, NJH Publishing Ltd., Songs of Universal, Inc. (BMI), The Family Songbook und These Are Songs of Pulse (ASCAP)
Niall Horan2.93:08

Nennungen