Nova 1956-1980 : les racines de Nova

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

No proof for release date (Tuesday isntead of monday)

Exactly as on covers except belows, see edit history for questions
1.5 Putting english quotes instead of french ones
1.7 Missing accent on artist name
1.11 Missing some accents and putting english quotes instead of french ones
1.12 Fixing first name
2.6 Missing comma in artist name
3.1 Wrongly credited Rocket 88
3.10 Missing "’" in artist name
4.5 Missing accent on artist name
5.1 Missing dot in artist name
5.2 Replacing " / " with & in artist name
5.9 Missing "e" in firstname of artist
7.6 Missing accent on track name
9.3 Missing hyphen in artist name
9.10 Missing accent on artist name
10.5 Wrong spelling of track
10.9 Missing dot in artist name
11.3 Missing accent in artist name
13.11 Missing s in artist name
16.5 Missing hyphen in artist name
16.6 Missing accent ont rack name
16.7 Fixing track name base don official release
17.2 Missing accent on artist name & track
17.7 Missing accent on artist name
19.7 Missing accent on Adios
19.10 Missing accent on artist name
20.12 Missing accent on artist name
21.2 Missing dot in artist name
23.6 Missing accent on the two artist names
24.9 Not required space in first artist name
25.1 No required accent ona rtist name
25.2 Missing space in Furcoat vs. official release

Annotation last modified on 2020-12-20 01:14 UTC.

Tracklist

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1CD: 1956
#TitleArtistRatingLength
1Rocket 88
baritone saxophone:
Jackie Brenston (on 1951-03-03)
bass guitar:
Jesse Knight (on 1951-03-03)
drums (drum set):
Willie Sims (on 1951-03-03)
guitar:
Willie Kizart (on 1951-03-03)
piano:
Ike Turner (on 1951-03-03)
tenor saxophone:
Raymond Hill (on 1951-03-03)
vocals:
Jackie Brenston (on 1951-03-03)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1991)
recording of:
Rocket “88” (on 1951-03-05)
lyricist and composer:
Jackie Brenston (until 1951-03-03)
writer:
Ike Turner
Ike Turner42:49
2Ina mina dika
vocals:
Asha Bhosle
recording of:
Ina Mina Dika
lyricist:
Asad Bhopali
composer:
C. Ramachandra
Asha Bhosle3:24
3Hound Dog
recorded in:
Los Angeles, California, United States (on 1952-08-13)
recording engineer and mixer:
Joel Moss
assistant engineer:
Tom Hardisty (film score engineer), Brandon Harris (US engineer) and Sue McLean
producer:
Hummie Mann, Johnny Otis and Marc Shaiman (American score composer and lyricist)
editor:
Curtis Roush
double bass [bass]:
Albert Winston (R&B bassist) (on 1952-08-13)
drums (drum set):
Leard Bell (R&B drummer) (on 1952-08-13)
guitar:
Pete Lewis (on 1952-08-13)
piano:
Devonia Williams (US R&B pianist/singer) (on 1952-08-13)
vibraphone [vibes]:
Johnny Otis (on 1952-08-13)
vocals:
Big Mama Thornton (on 1952-08-13)
orchestra:
Johnny Otis & His Orchestra (on 1952-08-13)
conductor:
Artie Kane
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2006)
recording of:
Hound Dog (on 1952-08-13)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
Big Mama Thornton4.652:50
4If I Didn’t Care
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
If I Didn’t Care (on 1939-01-12)
lyricist and composer:
Jack Lawrence (US songwriter)
publisher:
Chappell Music Ltd. and Range Road Music Inc.
Ink Spots3.353:06
5That’s All Right
recorded in:
Chicago, Illinois, United States (on 1946-09-06)
double bass:
Ransom Knowling (on 1946-09-06)
drums (drum set):
Lawrence "Judge" Riley (early blues drummer) (on 1946-09-06)
guitar:
Arthur “Big Boy” Crudup (on 1946-09-06)
vocals:
Arthur “Big Boy” Crudup (on 1946-09-06)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2020/2021)
recording of:
That’s All Right (on 1946-09-06)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
Arthur “Big Boy” Crudup4.52:53
6Na corrente
Jackson do Pandeiro2:36
7Je t’ai dans la peau
vocals:
Édith Piaf
conductor:
Robert Chauvigny (French composer, orchestra leader and conductor)
recording of:
Je t’ai dans la peau (du film "Boum sur Paris") (on 1952-06-28)
lyricist:
René Ducos
composer:
Gilbert Bécaud
Édith Piaf2:49
8Good Rockin’ Tonight
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954, from 1954-09-12 until 1954-09-16)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (from 1954-09-12 until 1954-09-16)
guitar:
Scotty Moore (American guitarist and recording engineer) (in 1954) and Elvis Presley (“The King of Rock and Roll”) (in 1954, from 1954-09-12 until 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1954-09-12 until 1954-09-16)
phonographic copyright (℗) by:
BMG Music (in 1954) and BMG Entertainment (in 1955)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1954, from 1954-09-12 until 1954-09-16)
cover recording of:
Good Rockin’ Tonight (on 1954-09-10)
lyricist and composer:
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. and Wixen Music UK Ltd.
Elvis Presley52:13
9Terry Cloth
Tito Puente4:57
10La suerte de los tontos (Fortune of Fools)
Stan Kenton & His Orchestra4:18
11Mi noche triste
Anibal Troilo “Pichuco” y su Orchestra Tipíca3:23
12Lover Man
recording of:
Lover Man
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Charlie Parker3:20
13Let’s the Good Times Roll
Louis Jordan & His Tympany Five2:47
14Moonlight in Vermont
Betty Carter & Ray Bryant3:24
2CD: 1957
#TitleArtistRatingLength
1Please, Please, Please
recorded in:
Cincinnati, Ohio, United States (on 1956-02-04)
producer:
Ralph Bass
bass:
Clarence Mack (US bassist) (on 1956-02-04)
drums (drum set):
Edison Gore (on 1956-02-04)
guitar:
Nafloyd Scott (on 1956-02-04)
piano:
Lucas "Fats" Gonder (US pianist and organist from Macon, GA) (on 1956-02-04)
tenor saxophone:
Ray Felder (on 1956-02-04) and Wilbert Smith (on 1956-02-04)
background vocals:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) (on 1956-02-04), Nashpendle Knox (on 1956-02-04), Sylvester Keels (member of James Brown & The Famous Flames) (on 1956-02-04) and Johnny Terry (bass vocals, member of James Brown & The Famous Flames) (on 1956-02-04)
lead vocals:
James Brown (The Godfather of Soul) (on 1956-02-04)
performer:
James Brown & The Famous Flames (on 1956-02-04)
phonographic copyright (℗) by:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1956)
recorded at:
King Studios in Cincinnati, Ohio, United States (on 1956-02-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 142)
recording of:
Please, Please, Please (on 1956-02-04)
lyricist and composer:
James Brown (The Godfather of Soul) and Johnny Terry (bass vocals, member of James Brown & The Famous Flames)
publisher:
Intersong Music, Intersong Music Ltd. and Jadar Music Corp.
James Brown2:45
2Les Pantoufles à papaJean Constantin2:33
3Everyday
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-05-29)
celesta:
Vi Petty (on 1957-05-29)
drums (drum set):
Jerry Allison
guitar:
Niki Sullivan and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
percussion [cardboard box percussion]:
Jerry Allison (on 1957-05-29)
background vocals:
Jerry Allison (on 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29) and Niki Sullivan (on 1957-05-29)
lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-29)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 236)
recording of:
Everyday (on 1957-05-27)
writer:
Charles Hardin (Charles Hardin Holley), Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Peer International Corporation (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly4.852:08
4Black Denim Trousers & Motorcycle Boots
The Cheers2:11
5El cumbanchero
recording of:
El cumbanchero
writer:
Rafael Hernández Marín (Puerto Rican songwriter & multi-instrumentalist)
Sabu5:38
6In a Mellow Tone
Lambert, Hendricks & Ross3:30
7Mbube
recording of:
Mbube
lyricist and composer:
Solomon Linda
publisher:
Folkways Music Publishers Inc.
Solomon Linda’s Original Evening Birds2:45
8Short Run
Eddie Cano2:15
9Mr William
recorded in:
Paris, Île-de-France, France
vocals:
Léo Ferré (on 1953-04-10)
conductor:
Jean Faustin (on 1953-04-10)
arranger:
Jean Faustin
recorded at:
Studio Pathé‐Magellan in Paris, Île-de-France, France (on 1953-04-10)
recording of:
Monsieur William (on 1953-04-10)
lyricist:
Jean‐Roger Caussimon
composer:
Léo Ferré
Léo Ferré33:39
10Yaô
Pixinguinha3:09
11Inspiration Blues
T‐Bone Walker2:45
12Amuck
Art Blakey6:47
13Misty
cover recording of:
Misty
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
Sarah Vaughan5:58
14Bag’s Groove
recording of:
Bags’ Groove
composer:
Milt Jackson
Miles Davis9:22
3CD: 1958
#TitleArtistRatingLength
1Blues March
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Jymie Merritt (on 1958-10-30)
drums (drum set):
Art Blakey (on 1958-10-30)
piano:
Bobby Timmons (on 1958-10-30)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1958-10-30)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-10-30)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-10-30)
recording of:
Blues March (on 1958-10-30)
composer:
Benny Golson (American jazz saxophonist and composer)
Art Blakey & The Jazz Messengers46:15
2I’m a Man
recording of:
I’m a Man
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
68 Publishing Ltd., Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Bo Diddley3:06
3Pedido a padre Cicero
Ary Lobo2:57
4Rock Island Line
recording of:
Rock Island Line
lyricist and composer:
Lead Belly
publisher:
Folkways Music Publishers Inc.
part of:
Roud Folk Song Index (number: 15211)
Lonnie Donegan2:27
5Bo mambo
vocals:
Yma Sumac (in 1954)
orchestra:
Billy May and the Rico Mambo Orchestra (in 1954)
recording of:
Bo mambo (in 1954)
composer:
Billy May and Moisés Vivanco
Yma Sumac53:20
6Ya rohi
Oum Kalsoum6:37
7Baho kende
Celia Cruz & La Sonora Matancera2:20
8Blue Skies
vocals:
Dinah Washington (in 1954)
cover recording of:
Blue Skies
lyricist and composer:
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dinah Washington7:51
9Je bois
vocals:
Boris Vian
conductor:
Claude Bolling
recording of:
Je bois (on 1955-06-24)
lyricist:
Boris Vian (in 1955)
composer:
Alain Goraguer (in 1955)
Boris Vian3:30
10Oye mi ritmo
Cuarteto d’Aida con La Orquesta de Chico O’Farrill2:19
11Boulevard of Broken Dreams
Esquivel & His Orchestra3:03
12Vatapà
Anjos do Inferno2:45
4CD: 1959
#TitleArtistRatingLength
1I’m in the Mood for Love
recording engineer:
Tom Dowd (on 1952-02-19)
producer:
Teacho Wiltshire
alto saxophone:
Lem Davis (saxophonist) (on 1952-02-19)
baritone saxophone:
Cecil Payne (on 1952-02-19)
double bass [bass]:
Leonard Gaskin (on 1952-02-19)
drums (drum set):
Teddy Lee (jazz drummer, 1950s) (on 1952-02-19)
piano:
Teacho Wiltshire (on 1952-02-19)
tenor saxophone:
Ray Abrams (on 1952-02-19)
trumpet:
Merrill Stepter (on 1952-02-19)
vocals:
Blossom Dearie (on 1952-02-19) and King Pleasure (on 1952-02-19)
recorded at:
Apex Recording Studios in New York, New York, United States (on 1952-02-19)
recording of:
Moody’s Mood for Love (1952 song, lyrics by Eddie Jefferson) (on 1952-02-19)
lyricist:
Eddie Jefferson
additional composer:
James Moody (jazz saxophonist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Hastings Catalog Inc, EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
is based on:
I’m in the Mood for Love
version of:
Moody’s Mood for Love (1949 jazz instrumental)
King Pleasure3:02
2Kookie’s Mad Pad
Edd Byrnes2:04
3Table ronde
recording of:
Table Ronde
writer:
Le Grand Kalle
Grand Kalle & African Jazz2:59
4Marihuana Boogie
Lalo Guerrero y sus Cinco Lobos2:57
5Tiens, tiens, tiens et na!
Maria Tănase2:25
6War Is Over
John Lee Hooker2:44
7Hana Maui
Arthur Lyman3:56
8Hush Hush
drums (drum set) [drums]:
Earl Phillips (on 1959-08-25)
guitar:
Philip Upchurch (on 1959-08-25), Jimmy Reed (blues musician) (on 1959-08-25) and Eddie Taylor (electric blues guitarist and singer) (on 1959-08-25)
harmonica:
Jimmy Reed (blues musician) (on 1959-08-25)
vocals:
Jimmy Reed (blues musician) (on 1959-08-25)
recording of:
Hush Hush (on 1959-08-25)
lyricist and composer:
Jimmy Reed (blues musician)
Jimmy Reed2:32
9Enlouqueci
Linda Batista2:27
10Wednesday Night Prayer Meeting.Charles Mingus12:08
11Swing Low Sweet Cadillac
recording of:
Swing Low, Sweet Cadillac
composer:
[traditional] (special purpose artist)
arranger:
Dizzy Gillespie
parody version of:
Swing Low, Sweet Chariot
Dizzy Gillespie3:08
5CD: 1960
#TitleArtistRatingLength
1But I Was Cool
Oscar Brown Jr.2:55
2Babaratiri
Benny Moré & Perez Prado2:30
3South American Way
Carmen Miranda2:48
4The Madison Time, Part 1
other vocals [calls]:
Eddie Morrison (radio dj)
recording of:
The Madison Time
writer:
Ray Bryant (US jazz pianist, composer, and arranger) and Eddie Morrison (radio dj)
Ray Bryant & His Combo3:06
5Ooh Poo Pah Doo
recording of:
Ooh Poo Pah Doo
lyricist and composer:
Jessie Hill (US R&B/Louisiana blues singer)
Jessie Hill2:18
6Indépendance cha chaGrand Kalle & African Jazz3:05
7Moanin’
recording engineer:
Tom Dowd (on 1959-02-04)
producer:
Nesuhi Ertegun
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (on 1959-02-04) and Jackie McLean (jazz saxophonist) (on 1959-02-04)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1959-02-04)
double bass:
Charles Mingus (on 1959-02-04)
drums (drum set):
Dannie Richmond (drummer) (on 1959-02-04)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1959-02-04)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1959-02-04)
trombone:
Willie Dennis (on 1959-02-04) and Jimmy Knepper (trombonist) (on 1959-02-04)
double bass arranger:
Charles Mingus
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-02-04)
recording of:
Moanin' (on 1959-02-04)
composer:
Charles Mingus
Charles Mingus8:02
8Boot‐Ta‐La‐Za
Slim & Slam2:45
9Sixteen Tons
acoustic guitar:
Bobby Gibbons (on 1955-09-20)
bass clarinet:
Darol Rice (on 1955-09-20)
clarinet:
Red Mandel (on 1955-09-20)
double bass [bass]:
Rolly Bundock (on 1955-09-20)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1955-09-20)
finger snaps and lead vocals:
Tennessee Ernie Ford (on 1955-09-20)
trombone:
George Bruns (on 1955-09-20)
trumpet:
Charlie Parlato (on 1955-09-20)
conductor:
Jack Fascinato (on 1955-09-20)
arranger:
Jack Fascinato
phonographic copyright (℗) by:
Bacci Bros Records (in 2010) and Lucky Vintage (in 2014)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-09-20)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 12)
cover recording of:
Sixteen Tons (on 1955-09-20)
lyricist and composer:
Merle Travis
arranger:
Paul Brody
publisher:
American Music, Inc. and Campbell Connelly & Co. Ltd.
Tennessee Ernie Ford4.652:37
10Manteca
recording of:
Manteca
composer:
Walter “Gil” Fuller (jazz composer & arranger), Dizzy Gillespie and Chano Pozo
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Twenty-Eighth Street Music
Dizzy Gillespie & Chano Pozo3:07
11Three Hours Past Midnight
producer:
Joe Bihari (in 1955)
baritone saxophone:
Jewell Grant (US saxophonist) (in 1955)
bass:
Ralph Hamilton (US jazz/R&B bassist) (in 1955)
drums (drum set):
Jesse Sailes (in 1955)
guitar:
Johnny “Guitar” Watson (in 1955)
piano:
Willard McDaniel (in 1955)
vocals:
Johnny “Guitar” Watson (in 1955)
recording of:
Three Hours Past Midnight (in 1955)
writer:
Sam Ling and Johnny “Guitar” Watson
Johnny “Guitar” Watson3:27
12Como el macao, candela
Duo los Compadres3:04
13Midnight Special
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (on 1960-04-25)
guitar:
Kenny Burrell (on 1960-04-25)
organ:
Jimmy Smith (US jazz organist) (on 1960-04-25)
tenor saxophone:
Stanley Turrentine (on 1960-04-25)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-04-25)
recording of:
Midnight Special (on 1960-04-25)
composer:
Jimmy Smith (US jazz organist)
Jimmy Smith9:55
6CD: 1961
#TitleArtistRatingLength
1Gopher
vocals:
Yma Sumac (in 1954)
orchestra:
Billy May and the Rico Mambo Orchestra (in 1954)
recording of:
Gopher (in 1954)
composer:
Conrad Gozzo, Billy May and Moisés Vivanco
Yma Sumac52:15
2Ya Ya
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (from 1997 to present)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 22)
recording of:
Ya, Ya (in 1961)
writer:
Lee Dorsey, Morris Levy, Clarence Lewis and Morgan Robinson
publisher:
FROST Music Corp
was commissioned by:
Fury Records (USA label active 50s to 70s)
Lee Dorsey52:26
3SwayRosemary Clooney & Pérez Prado2:38
4Love Hurts
recording of:
Love Hurts (on 1960-07-13)
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Everly Brothers2:19
5Vem ca mulata
recording of:
Vem cá, mulata (tango)
lyricist:
Bastos Tigre (Brazilian lyricist/poet/journalist/humorist) (in 1902)
composer:
Arquimedes de Oliveira (in 1902)
Rogerio Duprat & su Orquestra2:09
6Love for Sale
Barney Kessel Plus Big Band2:31
7Night & Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Helen Merrill3:04
8Johnny Guitar
cover recording of:
Johnny Guitar
lyricist:
Peggy Lee (jazz vocalist)
composer:
Victor Young (American composer, arranger, violinist & conductor)
Peggy Lee2:03
9Something for the Cat
recording of:
Something for Cat (Breakfast at Tiffany’s)
composer:
Henry Mancini (US composer, conductor & arranger)
Henry Mancini & His Orchestra3:09
10I’m Going Upstairs
John Lee Hooker2:54
11Olé
recording engineer:
Phil Ramone (on 1961-05-25)
producer:
Nesuhi Ertegun
double bass:
Art Davis (US jazz double bassist) (on 1961-05-25) and Reggie Workman (on 1961-05-25)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-05-25)
flute:
George Lane (on 1961-05-25)
piano:
McCoy Tyner (jazz pianist) (on 1961-05-25)
soprano saxophone:
John Coltrane (on 1961-05-25)
trumpet:
Freddie Hubbard (on 1961-05-25)
phonographic copyright (℗) by:
Essential Jazz Classics (in 2014)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1961-05-25)
recording of:
Olé (on 1961-05-25)
composer:
John Coltrane
publisher:
Jowcol Music
is based on:
El vito (traditional Andalusian)
John Coltrane18:11
12I Cover the Waterfront
recording of:
I Cover the Waterfront
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music, Inc.
Billie Holiday3:18
7CD: 1962
#TitleArtistRatingLength
1Papa‐Oom‐Mow‐Mow
recording of:
Papa‐Oom‐Mow‐Mow
composer:
Al Frazier, John Harris (US baritone singer and songwriter John Harris), Carl White (60s soul vocalist, member of the Rivingtons) and Turner Wilson (1960s doo wop)
The Rivingtons2:23
2Watermelon Man
recording of:
Watermelon Man (with Lyrics)
lyricist:
Jon Hendricks
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
is based on:
Watermelon Man
version of:
Watermelon Man
Herbie Hancock6:57
3Si tu bois beaucoup
recording of:
Si Tu Bois Beaucoup
writer:
Isaac Pedro
Isaac Pedro & OK Jazz2:46
4Surfin’ Safari
engineer:
Chuck Britz
producer:
Nick Venet and Murry Wilson
lead vocals:
Mike Love (Beach Boys) (in 1962-06, on 1962-06-13)
recording of:
Surfin’ Safari (on 1962-06-13)
writer:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
publisher:
Guild Music Company
The Beach Boys42:05
5Merci bon dieu
Charlie Rouse5:49
6Oye mi guaguancó (Listen to the Guaguanco)
producer:
Johnnie Camacho
alto saxophone:
Allen Fields (on 1956-04-03)
baritone saxophone:
Dave Kurtzer (on 1956-04-03)
bongos:
John Rodriguez (conga player, father of Johnny "Dandy" Rodriguez) (on 1956-04-03)
bongos, güiro and timbales:
Willie Bobo (on 1956-04-03)
congas:
Candido Camero (Cuban conga and bongo player) (on 1956-04-03), Mongo Santamaría (Cuban jazz percussionist) (on 1956-04-03) and Carlos “Patato” Valdés (on 1956-04-03)
double bass:
Bobby Rodriguez (Latin jazz contrabassist) (on 1956-04-03)
piano:
Alvin Gellers (on 1956-04-03)
saxophone:
Eddie Caine (saxophone player, not the rapper) (on 1956-04-03)
tenor saxophone:
Marty Holmes (on 1956-04-03)
timbales and vibraphone:
Tito Puente (on 1956-04-03)
trombone:
Robert Ascher (on 1956-04-03) and Santo Russo (Sonny Russo, trombone) (on 1956-04-03)
trumpet:
Jimmy Frisaura (on 1956-04-03), Frank LoPinto (on 1956-04-03), Gene Repetti (on 1956-04-03) and Sam Scavone (on 1956-04-03)
vocals:
El Viejo Macucho (on 1956-04-03)
Tito Puente3:35
7Lonely Avenue
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
baritone saxophone [baritone sax]:
Emmott Dennis (on 1956-05-16)
bass:
Roosevelt "Whiskey" Sheffield (on 1956-05-16)
drums (drum set):
William Peeples (on 1956-05-16)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1956-05-16)
solo tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1956-05-16)
trumpet:
Joe Bridgewater (on 1956-05-16) and John Hunt (trumpeter) (on 1956-05-16)
background vocals:
The Cookies (50s girl group) (on 1956-05-16)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1956-05-16)
arranger:
Ray Charles (soul musician, singer and songwriter)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-05-16)
recording of:
Lonely Avenue (on 1956-05-16)
lyricist and composer:
Doc Pomus
publisher:
Carlin Music Corporation, Great Moments in Music LLC, Pomus Songs Inc., Progressive Music (publisher), Spirit One Music, Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles32:34
8Fleurette africaine
producer:
Alan Douglas (American record producer)
double bass:
Charles Mingus (on 1962-09-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1962-09-17)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-09-17)
phonographic copyright (℗) by:
United Artists Records, Inc. (not for release label use!)
recorded at:
Sound Makers in New York, New York, United States (on 1962-09-17)
recording of:
Fleurette africaine ("African Flower") (on 1962-09-17)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Sony/ATV Harmony and Tempo Music, Inc. (Duke Ellington’s music publishing company)
Duke Ellington13:34
9Hey Baby!
recording of:
Hey! Baby
writer:
Bruce Channel and Margaret Cobb (singer, writer, publisher)
publisher:
EMI Unart Catalog Inc., Gerig Musikverlag (Musikverlage Hans Gerig KG), Peter Maurice Music Co. Ltd., シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.), CBS Unart Catalog, Inc. (in 1961) and Le Bill Music (in 1961)
Bruce Channel2:18
10Nago nago
Manu Dibango2:53
11I’d Rather Drink Muddy Water
recorded in:
Los Angeles, California, United States (on 1968-09-23)
producer:
David Axelrod (baroque pop composer)
alto saxophone:
Cannonball Adderley (on 1968-09-23)
cornet:
Nat Adderley (on 1968-09-23)
double bass [bass]:
Victor Gaskin (on 1968-09-23)
drums (drum set) [drums]:
Roy McCurdy (jazz drummer for Cannonball Adderly) (on 1968-09-23)
electric piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1968-09-23)
lead vocals:
Lou Rawls (on 1968-09-23)
edit of:
I’d Rather Drink Muddy Water (with intro) by Cannonball Adderley feat. Nancy Wilson (jazz/blues/soul singer) & Lou Rawls
live recording of:
I’d Rather Drink Muddy Water (on 1968-09-23)
lyricist and composer:
Eddie Miller (US country music songwriter)
Lou Rawls3:07
12Love, the Mystery of
Art Blakey & The Afro‐Drum Ensemble9:19
8CD: 1963
#TitleArtistRatingLength
1Bemsha Swing
Max Roach3:09
2Mélocoton
Colette Magny1:40
3Don’t Cha Go Way Mad
cover recording of:
Don’cha Go ’Way Mad
lyricist:
Al Stillman
composer:
Illinois Jacquet and Jimmy Mundy
publisher:
Advanced Music corp., Rytvoc, Inc. (ASCAP) and Warner Bros., Inc. (not for release label use!)
version of:
Black Velvet
Ella Fitzgerald3:18
4I Wish I Had Answered
The Staple Singers2:44
5Mama Ngai Habanera
Grand Kalle & African Jazz2:53
6(Love Is Like a) Heat Wave
recording of:
(Love Is Like a) Heat Wave
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music and Stone Agate Music Division
Martha & the Vandellas2:39
7Tangerine
Stan Getz7:04
8Carioca
Fred Astaire4:28
9Cry Me a River
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
recording of:
Cry Me a River (in 1955-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:55
10Les Nuits d’une demoiselleColette Renard2:27
9CD: 1964
10CD: 1965
11CD: 1966
12CD: 1967
13CD: 1968
14CD: 1969
15CD: 1970
16CD: 1971
17CD: 1972
18CD: 1973
19CD: 1974
20CD: 1975
21CD: 1976
22CD: 1977
23CD: 1978
24CD: 1979
25CD: 1980