Classic Rock: 1974-1975 (disc 1)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼Medium
Nr.TitelKünstlerBewertungLänge
1Once Bitten Twice Shy
assistierende(r) Techniker(in):
Gary Edwards, Pete Henderson (engineer), Jon Kelly (engineer at Air London Studios), Sean Milligan, Mike Sellers (Michael Peter Anthony Sellers; actor, author and the son of actor Peter Sellers) und Mike Stafford
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Ian Hunter (Mott the Hoople) und Mick Ronson (British guitarist)
arranger:
Mick Ronson (British guitarist)
Bearbeitung von:
Once Bitten Twice Shy von Ian Hunter (Mott the Hoople)
recording of:
Once Bitten Twice Shy
Texter und Komponist(in):
Ian Hunter (Mott the Hoople)
publisher:
April (publisher), EMI April Music Inc. und Ian Hunter Music Inc.
Ian Hunter3:53
2Smokin’ in the Boy’s Room
Techniker(in):
Michael Delugg
Produzent(in):
Doug Morris (record executive) und Eric Stevens (producer active in the 1970s)
phonographisches Urheberrecht (℗) von:
Big Tree Records (1970s/80s US) (in 1973) und Warner Music International (trademark of Warner Music International the company) (in 1973)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
recording of:
Smokin’ in the Boys Room
Verfasser(in):
Cub Koda und Michael Lutz
publisher:
Big Leaf Publishing, Lady J Music, Tooney Loons Publishing und Walden Music, Inc.
Brownsville Station52:59
3I Love Rock and Roll
Bass und Sologesang:
Alan Merrill
Gitarre:
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows)
Schlagzeug:
Paul Varley
recording of:
I Love Rock ’n’ Roll
Verfasser(in):
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows) und Alan Merrill
publisher:
Finchley Music Corp.
The Arrows3:05
4Motor Bikin’
Techniker(in):
Douglas Hopkins (engineer)
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recording of:
Motor Bikin’
Texter und Komponist(in):
Chris Spedding
Chris Spedding3.352:37
5My White Bicycle
cover recording of:
My White Bicycle
Verfasser(in):
Ken Burgess und Keith Hopkins
publisher:
Carlin Music Corporation, Getaway Songs Ltd., Intersong Music und Sony Music (global brand, excluding JP, owned by Sony Music Entertainment)
Nazareth3:58
6Dance With the Devil
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
RAK Records Ltd. (in 1973)
recording of:
Dance With the Devil
Komponist(in):
Phil Dennys und Michael Hayes
publisher:
RAK Publishing Ltd.
Cozy Powell23:35
7Feel Like Making Love
recording engineer:
Ron Nevison (in 1974-09)
Produzent(in):
Bad Company (British blues-rock supergroup)
Mix:
Ron Nevison
E-Bass:
Boz Burrell (English musician) (in 1974-09)
Gitarre:
Mick Ralphs (in 1974-09) und Paul Rodgers (in 1974-09)
Keyboard:
Mick Ralphs (in 1974-09)
Klavier und Sologesang:
Paul Rodgers (in 1974-09)
Schlagzeug:
Simon Kirke (in 1974-09)
phonographisches Urheberrecht (℗) von:
Swan Song Inc. (in 1975)
aufgenommen bei:
Clearwell Castle in Gloucestershire, England, Vereinigtes Königreich (in 1974-09)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 78)
recording of:
Feel Like Makin’ Love (in 1974-09)
Verfasser(in):
Mick Ralphs und Paul Rodgers
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Badco Music, Inc. (vom 1974 bis heute)
Bad Company4.255:08
8Bring It on Home to Me / You Send Me
Produzent(in):
Rod Stewart
phonographisches Urheberrecht (℗) von:
Phonogram, Inc. (in 1974)
cover recording of:
Bring It On Home to Me
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Kags Music Corp.
cover recording of:
You Send Me
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
zusätzliche(r) Verfasser(in):
L. C. Cooke
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Rod Stewart3:59
9Saturday Gigs
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recording of:
Saturday Gigs
Texter und Komponist(in):
Ian Hunter (Mott the Hoople)
publisher:
EMI April Music Inc. und Ian Hunter Music Inc.
Mott the Hoople44:20
10Make Me Smile (Come Up and See Me)
Produzent(in):
Steve Harley und Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 18)
recording of:
Make Me Smile (Come Up and See Me)
Texter und Komponist(in):
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:57
11Teenage Lament ’74
recording engineer:
Jack Douglas
Techniker(in):
Jack Douglas und Phil Ramone
Produzent(in):
Jack Douglas und Jack Richardson
Bassgitarre:
Dennis Dunaway (original bass player for Alice Cooper)
Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Schlagzeug:
Neal Smith (former Alice Cooper drummer)
Hintergrundgesang:
Sarah Dash, Nona Hendryx (American vocalist, record producer, songwriter, musician, author and actress), Liza Minnelli, The Pointer Sisters und Ronnie Spector
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975–present)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, The Cooper Mansion in Greenwich, Connecticut, Vereinigte Staaten und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Teenage Lament ’74 von Alice Cooper (the band, active 1964–1974/5)
recording of:
Teenage Lament ’74
Verfasser(in):
Alice Cooper (the singer, active as a solo artist 1975–present) und Neal Smith (former Alice Cooper drummer)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp. und Sony/ATV Songs LLC
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper3.53:54
12High Fly
Techniker(in):
Alan Parsons (of The Alan Parsons Project) (von 1975-11 bis 1975-12)
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
Bass:
Bob Marshall (bassist/songwriter, worked with John Miles)
Gitarre, Keyboard und Synthesizer:
John Miles (UK singer/songwriter/guitarist/keyboardist)
Perkussion:
Barry Black
Sologesang:
John Miles (UK singer/songwriter/guitarist/keyboardist) (von 1975-11 bis 1975-12)
Saiteninstrumente arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1975-11 bis 1975-12)
recording of:
Highfly (von 1975-11 bis 1975-12)
Verfasser(in):
Bob Marshall (bassist/songwriter, worked with John Miles) und John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
RAK Publishing Ltd. und Velvet Music (John Miles)
John Miles43:50
13Ma-Ma-Ma Belle
Produzent(in):
Jeff Lynne
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973, in 2005) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978)
recording of:
Ma Ma Ma Belle
Texter und Komponist(in):
Jeff Lynne
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra33:34
14The Locomotion
cover recording of:
The Loco‐Motion (aka Locomotion)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (vom 1962 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Grand Funk Railroad2:57
15Roll on Down the Highway
recording engineer und Mix:
Mark K. Smith (Canadian engineer)
assistierende(r) Techniker(in):
Buzz Richmond
Techniker(in):
Mark Smith (Canadian engineer)
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
assistierende(r) Mix:
Richard Dashut
Gitarre [fuzz]:
Blair Thornton
Solo-Gitarre:
Randy Bachman (Canadian guitarist, singer & songwriter)
Sologesang:
C.F. “Fred” Turner
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Phonogram, Inc. (in 1975), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1975), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten
mixed at:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
Roll on Down the Highway
Verfasser(in):
Robbie Bachman und C.F. “Fred” Turner
publisher:
Eventide Music (1970s publisher, likely Canadian), Ranbach Music (publisher), Randy Backman Music, Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher) (vom 1975 bis heute)
Bachman–Turner Overdrive4.53:59

Nennungen

Veröffentlichungsgruppe

Teil von:Classic Rock (Time-Life Music) (Nummer: TL559/10) (Reihenfolge: 39)