200 Original Mega Jukebox Hits: Hot Dogs, Hits & Happy Days (3-1 is Reet Petite, not Sugar Sugar; 6-19 is Sally Was a Good Girl, not Rag Doll)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 17 disponibili)

Elenco tracce

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1CD
#TitoloArtistaValutazioneDurata
1Blueberry Hill
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (nel 1957) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
Master Recorders in Hollywood, Los Angeles, California, Stati Uniti
edit di:
Blueberry Hill (Imperial) di Fats Domino
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 81) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 147)
registrazione cover di:
Blueberry Hill (il 1956-06-27)
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
autore:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Fats Domino4.652:22
2Be Bop a Lula
batteria [drums] :
Dickie Harrell (il 1956-05-04)
chitarra [lead guitar] :
Cliff Gallup (lead guitarist for The Blue Caps) (il 1956-05-04)
chitarra [rhythm guitar] :
Willie Williams (50s rock guitarist) (il 1956-05-04)
contrabbasso [upright bass] :
Jack Neal (il 1956-05-04)
voce:
Gene Vincent (il 1956-05-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (dal 1956 a oggi)
registrata presso:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Stati Uniti (il 1956-05-04)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 9) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 102)
registrazione di:
Be‐Bop‐a‐Lula (il 1956-05-04)
autore:
Bill “Tex” Davis e Gene Vincent
editore:
Lowery Music Co. Inc.
Gene Vincent4.352:37
3Lovers Who Wander
registrazione di:
Lovers Who Wander
autore:
D. DiMucci (US singer-songerwriter, blends doo-wop, pop rock & R&B) e Ernie Maresca
Dion & The Belmonts2:31
4Turn Me Loose
registrazione di:
Turn Me Loose
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation
Fabian2:23
5Ballad of a Teenage Queen
produttore:
Jack Clement
chitarra acustica e voce principale:
Johnny Cash (country music legend) (il 1957-11-12)
chitarra elettrica :
Luther Perkins (il 1957-11-12)
contrabbasso :
Marshall Grant (il 1957-11-12)
voce di accompagnamento:
Bill Abbott (barbershop lead vocalist) (il 1957-11-22), Don Carter (barbershop baritone vocalist) (il 1957-11-22), Lee Holt (il 1957-11-22), Cyd Mosteller (il 1957-11-22), Nita Smith (il 1957-11-22) e Asa Wilkerson (il 1957-11-22)
diritti fonografici (℗) detenuti da:
Sun Entertainment Corporation (company credits only; do not use as release label!) (nel 1958)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1957-11-12, il 1957-11-22)
campionamenti da:
The Fabulous Johnny Cash di Johnny Cash (country music legend)
registrazione di:
Ballad of a Teenage Queen (dal 1957-11-12 al 1957-11-22)
paroliere e compositore:
Jack Clement
Johnny Cash4.52:11
6Mister Sandman
produttore:
Archie Bleyer
esecutore:
The Chordettes
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1957)
registrazione di:
Mr. Sandman
paroliere e compositore:
Pat Ballard
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
The Chordettes4.32:26
7Tossin’ and Turnin’
registrazione di:
Tossin’ and Turnin’
autore:
Ritchie Adams e Malou Rene
editore:
EMI Grove Park Music, Inc. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Bobby Lewis2:26
8Papa Oom Mow Wow
registrazione di:
Papa‐Oom‐Mow‐Mow
compositore:
Al Frazier, John Harris (US baritone singer and songwriter John Harris), Carl White (60s soul vocalist, member of the Rivingtons) e Turner Wilson (1960s doo wop)
The Rivingtons2:27
9Rockin’ PneumoniaHuey “Piano” Smith2:18
10Buona Sera
produttore:
Voyle Gilmore
chitarra :
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1956-04-19)
contrabbasso :
Amato Rodrigues (il 1956-04-19)
pianoforte :
Willie McCumber (il 1956-04-19)
sassofono tenore :
Sam Butera (il 1956-04-19)
tromba :
Louis Prima (il 1956-04-19)
trombone :
James Blount, Jr. (il 1956-04-19)
voce:
Louis Prima (il 1956-04-19)
orchestra:
The Witnesses (il 1956-04-19)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1956)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-04-19)
registrazione di:
Buona sera (il 1956-04-19)
paroliere:
Carl Sigman
compositore:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
versione tradotta di:
Buona sera signorina (italian version for Fred Buscaglione)
Louis Prima43:08
11I Get Around
tecnico:
Chuck Britz
produttore:
Brian Wilson (Beach Boys co‐founder)
basso elettrico [6-string electric bass guitar] :
Glen Campbell (US country singer, guitarist & actor) (il 1964-04-02) e Ray Pohlman (il 1964-04-02)
batteria :
Dennis Wilson (Beach Boys) (il 1964-04-02)
chitarra basso :
Al Jardine (guitarist and singer) (il 1964-04-02)
chitarra elettrica :
Carl Wilson (Beach Boys) (il 1964-04-02)
clavicembalo , organo Hammond [Hammond B3 organ] , pianoforte e voce di accompagnamento e voce principale:
Brian Wilson (Beach Boys co‐founder) (il 1964-04-02)
percussione [rim with thin stick] e timbales [timbales with brush] :
Hal Blaine (U.S. studio drummer and percussionist) (il 1964-04-02)
voce di accompagnamento:
Al Jardine (guitarist and singer) (il 1964-04-02), Carl Wilson (Beach Boys) (il 1964-04-02) e Dennis Wilson (Beach Boys) (il 1964-04-02)
voce di basso e voce principale:
Mike Love (Beach Boys) (il 1964-04-02)
voce principale:
Mike Love (Beach Boys)
arrangiatore:
Brian Wilson (Beach Boys co‐founder)
registrazione di:
I Get Around (il 1964-04-02)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., Sea of Tunes, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Victor Music Arts, Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
sub-editore:
ビクターミュージックアーツ株式会社, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.452:14
12Wake Up Little Susie
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 21) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 311)
registrazione di:
Wake Up Little Susie (nel 1957)
autore:
Boudleaux Bryant e Felice Bryant
editore:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:02
13Teen Beat
registrazione di:
Teen Beat
compositore:
Arthur Egnoian e Sandy Nelson
editore:
Lovolar Music
Sandy Nelson2:24
14Why
diritti fonografici (℗) detenuti da:
Chancellor (dal 1959 a oggi) e Chancellor Records Inc. (nel 1959)
registrazione di:
Why (1959 song)
paroliere:
Robert P. Marcucci
compositore:
Peter de Angelis
editore:
Debmar Publishing Co., Inc.
Frankie Avalon2:38
15Louie Louie
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 3), New York Post: 100 Greatest Covers (2007) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 55), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 156) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 169)
registrazione cover di:
Louie Louie (nel 1963)
paroliere e compositore:
Richard Berry (US singer/songwriter, composed “Louie Louie”)
editore:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Windswept Pacific Music Ltd. e World Wide Music
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Kingsmen3.82:46
16Sherry
produttore:
Bob Crewe
chitarra :
Tommy DeVito
chitarra basso :
Nick Massi
pianoforte e tastiera :
Bob Gaudio
voce:
Bob Gaudio, Tommy DeVito, Nick Massi e Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
arrangiatore voci:
Nick Massi
registrazione di:
Sherry
paroliere e compositore:
Bob Gaudio
The Four Seasons52:32
17Only Love Can Break a Heart
registrazione di:
Only Love Can Break a Heart (nel 1962)
paroliere:
Hal David (nel 1962)
compositore:
Burt Bacharach (nel 1962)
Gene Pitney2:52
18Poetry in Motion
registrazione cover di:
Poetry in Motion
autore:
Mike Anthony (US songwriter) e Paul Kaufman (songwriter)
Johnny Tillotson42:33
19Drinkin’ Wine Spo‐Dee‐O‐Dee
produttore:
Jack Clement e Sam Phillips (founder of Sun Records)
batteria :
Jimmy Van Eaton (il 1957-02-05)
chitarra :
Roland Janes (il 1957-02-05)
pianoforte :
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (il 1957-02-05)
voce:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (il 1957-02-05)
diritti fonografici (℗) detenuti da:
Sun Record Company (nel 1971)
registrazione cover di:
Drinkin’ Wine, Spo‐Dee‐O‐Dee (il 1957-02-05)
autore:
Stick McGhee e J. Mayo ‘Ink’ Williams
Jerry Lee Lewis2:35
20Shout! Shout! (Knock Yourself Out)
registrazione di:
Shout! Shout! (Knock Yourself Out)
paroliere e compositore:
T.F. Bogdany e Ernie Maresca
Ernie Maresca2:13
2CD
#TitoloArtistaValutazioneDurata
1I’m Gonna Knock on Your Door
registrazione cover di:
I’m Gonna Knock on Your Door
autore:
Aaron Schroeder (1950s~1960s US songwriter) e Sid Wayne
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Holly-Hill Music Publishing Co., Rachel’s Own Music e Warner/Chappell Music Ltd. (1996–2019)
Eddie Hodges2:05
2The Boy From New York City
parte di:
The Downloader’s Music Source Book (numero: 137)
registrazione di:
The Boy From New York City
autore:
George Davis (US songwriter - singer, doo-wop era) e John Taylor (songwriter & saxophone player John Isaac Taylor)
editore:
Trio Music Company e フジパシフィックミュージック (Fujipacific Music, Inc.)
The Ad Libs2:59
3Cara Mia
registrazione di:
Cara mia (nel 1965)
autore:
Lee Lange e Tulio Trapani
Jay & the Americans2:33
4The Happy Organ
registrazione di:
The Happy Organ
compositore:
David Clowney, James J. Kriegsmann e Ken Wood (50/60 Rockabilly artist)
editore:
Embassy Music Corporation
Dave "Baby" Cortez1:59
5Little Bitty Pretty One
registrazione di:
Little Bitty Pretty One
paroliere e compositore:
Bobby Day
editore:
Ivan Mogull Music Ltd., Painted Desert Music, シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Bobby Day2:27
6Honeycomb
registrazione cover di:
Honeycomb (nel 1957)
paroliere e compositore:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (nel 1954)
Jimmie Rodgers42:17
7Big Girls Don’t Cry
tecnico:
Gordon Clark (recording engineer)
produttore:
Bob Crewe
chitarra :
Tommy DeVito
chitarra basso :
Nick Massi
pianoforte e tastiera :
Bob Gaudio
voce:
Bob Gaudio, Tommy DeVito, Nick Massi e Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
direttore d'orchestra:
Charles Calello
esecutore:
The Four Seasons (aka Frankie Valli and the Four Seasons)
arrangiatore voci:
Nick Massi
orchestratore:
Charles Calello
copyright (©) per il video detenuto da:
Claridge Music Company (ASCAP) (publisher) (nel 1962)
lavorazione tecnica effettuata presso:
Stea-Phillips in New York, New York, Stati Uniti
registrazione di:
Big Girls Don’t Cry
autore:
Crewe e Gaudio
editore:
BoBoB Music Corp., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Reservoir 416 e Claridge Music (publisher) (nel 1962)
The Four Seasons42:22
8Backstage
registrazione di:
Backstage
autore e compositore:
Fred Anisfield e Willie Denson
Gene Pitney2:36
9Runaway
claviolino [musitron] solista :
Max Crook
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 100) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 466)
registrazione di:
Runaway (il 1961-01-24)
autore:
Max Crook e Del Shannon
editore:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. e Vicki Music
Del Shannon4.42:19
10Palisades Park
produttore:
Bob Crewe e Frank Slay Jr.
registrazione di:
Palisades Park
paroliere e compositore:
Chuck Barris
editore:
MPL Music Publishing Inc.
Freddy Cannon1:52
11Yellow Bird
Arthur Lyman Group2:41
12Red Sails in the Sunset
diritti fonografici (℗) detenuti da:
ABC Records Inc. (nel 1963)
registrazione cover di:
Red Sails in the Sunset
paroliere:
James B. Kennedy (Irish songwriter)
compositore:
Hugh Williams (aka Hugh Williams)
editore:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) e Shapiro, Bernstein & Co., Inc.
Fats Domino2:39
13Hernando’s Hideaway
nacchere solista :
Maria Alba
direttore d'orchestra:
Archie Bleyer
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1954)
registrazione di:
Hernando’s Hideaway (The Pajama Game)
autore:
Richard Adler (musical composer/lyricist) e Jerry Ross (musical composer/lyricist)
editore:
Frank Music Corp. (dal 1954 al 2010), J & J Ross Co. (dal 2011 a oggi) e Lakshmi Puja Music Ltd. (dal 2011 a oggi)
parte di:
The Pajama Game (musical)
registrazione cover di:
Hernando’s Hideaway (The Pajama Game)
autore:
Richard Adler (musical composer/lyricist) e Jerry Ross (musical composer/lyricist)
editore:
Frank Music Corp. (dal 1954 al 2010), J & J Ross Co. (dal 2011 a oggi) e Lakshmi Puja Music Ltd. (dal 2011 a oggi)
parte di:
The Pajama Game (musical)
Archie Bleyer2:34
14I Can Never Go Home Anymore
registrazione di:
I Can Never Go Home Anymore
paroliere e compositore:
George “Shadow” Morton
si basa su:
Hush, Little Baby (lullaby, popularized as "Mockingbird")
The Shangri‐Las3:13
15Party Doll
registrazione di:
Party Doll
paroliere e compositore:
Buddy Knox (US country rocker, of The Rhythm Orchids)
autore:
Dave Alldred, Jimmy Bowen (producer, rockabilly musician and songwriter), Buddy Knox (US country rocker, of The Rhythm Orchids) e Don Lanier
editore:
EMI Longitude Music, Music of Stage Three e Patricia Music Publ. Corp.
Buddy Knox2:12
16Rumble
registrazione di:
Rumble
compositore:
Milton Grant e Link Wray
editore:
Andval Music e Link Wray Music
Link Wray2:19
17Breathless
produttore:
Jack Clement e Sam Phillips (founder of Sun Records)
batteria :
Jimmy Van Eaton (il 1958-01-21)
chitarra :
Roland Janes (il 1958-01-21) e Billy Lee Riley (il 1958-01-21)
chitarra basso :
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (il 1958-01-21)
pianoforte :
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (il 1958-01-21)
voce:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (il 1958-01-21)
diritti fonografici (℗) detenuti da:
Sun Record Company (nel 1958)
registrazione di:
Breathless (il 1958-01-21)
paroliere e compositore:
Otis Blackwell (American pianist, singer and songwriter)
editore:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Home Folks Music (USA) Inc. e Obie Music Inc.
Jerry Lee Lewis42:43
18A Teenager in Love
esecutore:
Dion & The Belmonts
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 7)
registrazione di:
A Teenager in Love (nel 1959)
paroliere:
Doc Pomus
compositore:
Mort Shuman (US singer, pianist & songwriter)
Dion & The Belmonts3.652:36
19The Little Old Lady (From Pasadena)
registrazione di:
The Little Old Lady From Pasadena
autore:
Don Altfeld, Jan Berry e Roger Christian (US radio personality and lyricist)
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Universal Music Careers
sub-editore:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Jan & Dean2:43
20Venus in Blue Jeans
registrazione di:
Venus in Blue Jeans
paroliere:
Howard Greenfield
compositore:
Jack Keller
Jimmy Clanton2:01
3CD
#TitoloArtistaValutazioneDurata
1Reet PetiteJackie Wilson42:44
2Walk Like a Man
The Four Seasons2:17
3School Is Out
registrazione di:
School Is Out
autore:
Gene Barge e Gary Anderson
Gary “U.S.” Bonds2:29
4Raunchy
Bill Justis2:19
5High School Confidential
registrazione di:
High School Confidential
autore:
Ron Hargrave (dal 1958-01 al 1958-01-28) e Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (dal 1958-01 al 1958-01-28)
editore:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Penron Music e Penron Music Publishing
Jerry Lee Lewis2:29
6It’s in His Kiss (The Shoop Shoop Song)
registrazione cover di:
It’s in His Kiss (The Shoop Shoop Song) (nel 1964)
paroliere e compositore:
Rudy Clark (US songwriter)
editore:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. e Trio Music Company
Betty Everett42:11
7Walkin’ After Midnight
voce:
Patsy Cline
diritti fonografici (℗) detenuti da:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1957)
registrazione cover di:
Walkin’ After Midnight
paroliere:
Don Hecht
compositore:
Alan Block e Don Hecht
editore:
Acuff-Rose Music Limited (UK), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing LLC (1995–2020)
Patsy Cline4.62:35
8It Keeps Right On A Hurtin’
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1962)
registrazione di:
It Keeps Right On a‐Hurtin’ (nel 1962)
paroliere e compositore:
Johnny Tillotson (pop and country singer)
editore:
Ridge Music Corp.
Johnny Tillotson2:49
9Earth Angel
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 151)
registrazione di:
Earth Angel (Will You Be Mine) (nel 1954)
autore:
Jesse Belvin, Gaynel Hodge (doo-wop singer and songwriter), Curtis Williams (1950s doo-wop singer, member of The Penguins) e Dootsie Williams (band leader, record producer and record label owne)
editore:
Dootsie Williams Music (publisher) (nel 1986)
parte di:
Back to the Future: the Musical
The Penguins52:58
10Dede Dinah
registrazione di:
Dede Dinah
autore:
Bob Marcucci e Peter de Angelis
editore:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Frankie Avalon2:14
11Guitar Boogie Shuffle
The Virtues2:33
12Runaround Sue
registrazione di:
Runaround Sue
paroliere:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
compositore:
Ernie Maresca
editore:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. e Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion2:36
13Over and Over
registrazione di:
Over and Over
paroliere e compositore:
Robert James Byrd, Sr
editore:
Recordo Music Pub.
Bobby Day2:20
14That Old Black Magic (from the Columbia feature “Senior Prom”)
produttore:
Voyle Gilmore
basso :
Tony Liuzza (il 1958-08-25)
batteria :
Paul Ferrara (il 1958-08-25)
chitarra :
Bobby Roberts (1950-60s guitarist, The Witnesses) (il 1958-08-25)
pianoforte :
Willie McCumber Jr. (il 1958-08-25)
sassofono tenore :
Sam Butera (il 1958-08-25)
tromba :
Louis Prima (il 1958-08-25)
trombone :
Lou Sino (il 1958-08-25)
voce:
Louis Prima (il 1958-08-25) e Keely Smith (il 1958-08-25)
orchestra:
The Witnesses (il 1958-08-25)
registrata presso:
Sahara Theater in Winchester, Nevada, Stati Uniti (il 1958-08-25)
registrazione dal vivo cover di:
That Old Black Magic (il 1958-08-25)
paroliere:
Johnny Mercer (nel 1942)
compositore:
Harold Arlen (nel 1942)
editore:
Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
Louis Prima & Keely Smith42:57
15Jeremiah Peabody’s Poly Unsaturated Quick Dissolving Fast Acting Pleasant Tasting Green and Purple Pills
registrazione di:
Jeremiah Peabody’s Poly Unsaturated Quick Dissolving Fast Acting Pleasant Tasting Green and Purple Pills
paroliere e compositore:
Ray Stevens (US singer‐songwriter & comedian)
Ray Stevens2:24
16Pretend
registrazione cover di:
Pretend (1952 song popularized by Nat King Cole)
paroliere:
Lew Douglas, Frank Lavere e Cliff Parman
compositore:
Dan Belloc, Lew Douglas, Frank Lavere e Cliff Parman
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
Carl Mann2:39
17Will You Love Me Tomorrow
batteria [drums] :
Gary Chester (studio drummer and educator) (nel 1960)
pianoforte :
Paul Griffin (American pianist, session musician) (nel 1960)
timpano :
Carole King (nel 1960)
voce:
Doris Coley (nel 1960), Addie Harris (nel 1960) e Beverly Lee (singer for The Shirelles) (nel 1960)
voce principale:
Shirley Owens (nel 1960)
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd.
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 151)
registrazione di:
Will You Love Me Tomorrow (Carole King song) (nel 1960)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles3.82:43
18You Got What It Takes
registrazione cover di:
You Got What It Takes
autore:
Roquel Davis, Berry Gordy e Gwen Gordy (US songwriter/composer, née Gwendolyn Gordy)
editore:
Universal/MCA Music Publishing Pty Ltd e Fidelity Music (nel 1959)
Marv Johnson2:40
19It Was I
registrazione cover di:
It Was I
paroliere e compositore:
Gary Paxton
Skip & Flip2:17
20Take Good Care of My Baby
registrazione di:
Take Good Care of My Baby
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Warner/Chappell Music Ltd. (1996–2019)
Bobby Vee52:27
4CD
#TitoloArtistaValutazioneDurata
1Sea Cruise
registrazione di:
Sea Cruise
autore:
Huey “Piano” Smith
Frankie Ford32:43
2Tragedy
esecutore:
Thomas Wayne (American singer, best remembered as a one-hit wonder for "Tragedy") (nel 1958-03)
registrazione di:
Tragedy
autore:
Fred Burch e Gerald Nelson (Gerald Hitt Nelson)
editore:
Burlington Music Co., Ltd., Embassy Music Corporation, Wren Music Co., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Thomas Wayne42:11
3I Love How You Love Me
registrazione cover di:
I Love How You Love Me
autore:
Larry Kolber e Barry Mann
editore:
Robert Mellin Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Paris Sisters1:45
4I Fought the Law
diritti fonografici (℗) detenuti da:
Chess (US label) (nel 1957)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 175)
registrazione cover di:
I Fought the Law
paroliere e compositore:
Sonny Curtis
editore:
Acuff-Rose Publications, Inc. (BMI), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Bobby Fuller Four4.352:15
5At My Front Door
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 9)
registrazione di:
At My Front Door (il 1955-04-24)
autore:
Ewart G. Abner, Jr. (record label executive and songwriter) e John C. Moore (songwriter; manager of The El Dorados)
editore:
Tollie Music
The El Dorados2:36
6Bobby’s Girl
registrazione di:
Bobby’s Girl
autore:
Henry Hoffman e Gary Klein (producer, songwriter)
editore:
EMI Blackwood Music Inc.
Marcie Blane2:17
7Ain’t That a Shame
diritti fonografici (℗) detenuti da:
Liberty (a division of UMG Recordings, Inc.) (nel 1958)
registrazione di:
Ain’t That a Shame
autore:
Antoine Domino (Fats Domino) e Dave Bartholomew
editore:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (nel 1955, nel 1983) e United Artists Music Ltd. (dal 1977 a oggi)
Fats Domino2:27
8Way Down Yonder in New Orleans
registrazione cover di:
’Way Down Yonder in New Orleans
paroliere:
Henry Creamer (Lyricist)
compositore:
Turner Layton
editore:
Shapiro, Bernstein & Co., Inc.
Freddy Cannon1:59
9A Town Without Pity
registrazione di:
Town Without Pity
paroliere:
Ned Washington
compositore:
Dimitri Tiomkin
parte di:
The 34th Academy Award for Best Original Song (numero: 2)
Gene Pitney2:54
10You’re Sixteen, You’re Beautiful (and You’re Mine)
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
registrata presso:
United/Western Studios in Hollywood, Los Angeles, California, Stati Uniti (il 1960-09-19)
registrazione di:
You’re Sixteen (il 1960-09-19)
autore:
Bob Sherman (American songwriter) e Dick Sherman
editore:
Viva Music, Inc, Warner/Chappell Music Ltd. (1996–2019) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1960)
Johnny Burnette51:58
11Count Me In
registrazione di:
Count Me In
autore:
Glen D. Hardin
Gary Lewis & the Playboys2:19
12Sixteen CandlesThe Crests3.52:47
13All I Have to Do Is Dream
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 141) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 323)
registrazione di:
All I Have to Do Is Dream (il 1958-03-06)
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Acuff-Rose Publications, Inc. (BMI) (il 1958-04-21)
The Everly Brothers42:20
14Quarter to ThreeGary “U.S.” Bonds2:34
15What’d I Say
registrazione cover di:
What’d I Say
paroliere e compositore:
Ray Charles (soul musician, singer and songwriter)
editore:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Jerry Lee Lewis2:26
16Do You Believe in MagicThe Lovin’ Spoonful42:03
17Happy Together
diritti fonografici (℗) detenuti da:
White Whale (late 60s/early 70s California) (nel 1967)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 257)
registrazione di:
Happy Together (nel 1967)
autore:
Garry Bonner (singer and songwriter) e Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
editore:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) e Trio Music Co., Inc.
parte di:
Freaky Friday (2003)
The Turtles4.42:55
18Candy Girl
tecnico:
Gordon Clark (recording engineer)
produttore:
Bob Crewe
direttore d'orchestra:
Charles Calello
arrangiatore voci:
Nick Massi
orchestratore:
Charles Calello
lavorazione tecnica effettuata presso:
Stea-Phillips in New York, New York, Stati Uniti
registrazione di:
Candy Girl
paroliere e compositore:
Larry Santos
editore:
Gavadima Music e Saturday Music, Inc.
The Four Seasons32:38
19I Wonder Why
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 24)
registrazione di:
I Wonder Why
autore:
Melvin Anderson e Ricardo Weeks
editore:
Schwartz Music
Dion & The Belmonts4.52:21
20Tell Laura I Love HerRicky Valance2:39
5CD
#TitoloArtistaValutazioneDurata
1Red River Rock
registrazione cover di:
Red River Rock
compositore:
Tom King (50s & 60s songwriter), Ira Mack e Fred Mendelsohn
editore:
Burlington Music Co., Ltd. e Mole Hole Music
si basa su:
Red River Valley
Johnny and the Hurricanes2:09
2This Diamond Ring
registrazione di:
This Diamond Ring
paroliere:
Bob Brass (American songwriter, collaborated with Irwin Levine, and also Al Kooper) e Irwin Levine
compositore:
Al Kooper
editore:
Warner/Chappell Music Ltd. (1996–2019)
Gary Lewis & the Playboys2:10
3Help Me Rhonda
tecnico:
Chuck Britz
produttore:
Brian Wilson (Beach Boys co‐founder)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1965-02-24)
chitarra :
Carl Wilson (Beach Boys) (il 1965-02-24)
chitarra basso :
Carol Kaye (il 1965-02-24)
organo Hammond [Hammond B3 organ] e pianoforte [acoustic piano] :
Brian Wilson (Beach Boys co‐founder) (il 1965-02-24)
voce di accompagnamento:
Mike Love (Beach Boys) (il 1965-02-24), Brian Wilson (Beach Boys co‐founder) (il 1965-02-24), Carl Wilson (Beach Boys) (il 1965-02-24) e Dennis Wilson (Beach Boys) (il 1965-02-24)
voce principale:
Al Jardine (guitarist and singer) (il 1965-02-24)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1965-02-24) e Universal Recording Studios (unidentified, possibly a mix of different studios) (il 1965-02-24)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 16)
registrazione di:
Help Me, Rhonda (il 1965-02-24)
paroliere e compositore:
Brian Wilson (Beach Boys co‐founder)
paroliere aggiunto:
Mike Love (Beach Boys)
editore:
Irving Music, Inc. e Rondor Music (London) Ltd.
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys42:47
4Nut RockerB. Bumble & the Stingers32:01
5Hummingbird
registrazione cover di:
Hummingbird
paroliere:
Don Robertson (“Happy Whistler” songwriter)
compositore:
Don Robertson (“Happy Whistler” songwriter) (nel 1955)
Les Paul & Mary Ford2:39
6It Hurts to Be in Love
registrazione di:
It Hurts to Be in Love
paroliere:
Howard Greenfield
compositore:
Helen Miller (US songwriter)
editore:
EMI Music Publishing Australia Pty. Limited (not for release label use!)
Gene Pitney2:34
7Dawn (Go Away)The Four Seasons52:47
8Tell It Like It Is
produttore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Alvin “Red” Tyler (American jazz saxophonist)
registrata presso:
Jazz City Studios in New Orleans, Louisiana, Stati Uniti (nel 1966)
registrazione di:
Tell It Like It Is (nel 1966)
autore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Lee Diamond
editore:
Conrad Music (publisher; do NOT use as release label) e Olrap Publishing Co., Inc.
Aaron Neville4.352:40
9Bongo Rock
Preston Epps2:10
10Donna
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
diritti fonografici (℗) detenuti da:
Del-Fi Records Inc. (nel 1958)
registrazione di:
Donna
paroliere e compositore:
Ritchie Valens
editore:
Aberbach Musikverlag (German publisher) e Carlin Music Corporation
Ritchie Valens4.82:23
11It Must Be Him
registrazione di:
It Must Be Him (English translation)
paroliere e traduttore:
Mack David (American lyricist and songwriter)
compositore:
Gilbert Bécaud
editore:
J. Albert & Son Pty. Ltd.
versione tradotta di:
Seul sur son étoile
Vikki Carr2:49
12Let's Dance
voce principale:
Chris Montez
registrazione di:
Let’s Dance
paroliere e compositore:
Jim Lee (“Let’s Dance” writer/producer)
editore:
Chappell Morris Ltd., DeVorzon Music, Rondell Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chris Montez32:28
13Hats Off to Larry
registrazione di:
Hats Off to Larry
paroliere e compositore:
Del Shannon
Del Shannon1:59
14Tequila
registrazione di:
Tequila
paroliere e compositore:
Daniel Flores (Daniel Flores)
editore:
Longitude Music Co. e Powerforce Music
sub-editore:
EMI Music Publishing France e Universal Music Publishing France (not for release label use!)
The Champs4.32:12
15Young Love
registrata a:
Nashville, Tennessee, Stati Uniti (il 1956-10-30)
voce di accompagnamento:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-10-30)
voce principale:
Sonny James (US country singer and songwriter) (il 1956-10-30)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 40)
registrazione cover di:
Young Love (il 1956-10-30)
autore:
Ric Cartey (US rockabilly singer and songwriter) e Carole Joyner
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Sonny James2:31
16Tuff (Cattywampus)
registrazione di:
Tuff
compositore:
Ace Cannon
editore:
Irving Music (BMI)
Ace Cannon2:44
17Sixteen Tons
batteria [drums] :
Roy Harte (drummer and Pacific Jazz founder) (il 1955-09-20)
chitarra acustica :
Bobby Gibbons (il 1955-09-20)
clarinetto :
Red Mandel (il 1955-09-20)
clarinetto basso :
Darol Rice (il 1955-09-20)
contrabbasso [bass] :
Rolly Bundock (il 1955-09-20)
schiocchi di dita e voce principale:
Tennessee Ernie Ford (il 1955-09-20)
tromba :
Charlie Parlato (il 1955-09-20)
trombone :
George Bruns (il 1955-09-20)
direttore d'orchestra:
Jack Fascinato (il 1955-09-20)
arrangiatore:
Jack Fascinato
diritti fonografici (℗) detenuti da:
Bacci Bros Records (nel 2010) e Lucky Vintage (nel 2014)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1955-09-20)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 12)
registrazione cover di:
Sixteen Tons (il 1955-09-20)
paroliere e compositore:
Merle Travis
arrangiatore:
Paul Brody
editore:
American Music, Inc. e Campbell Connelly & Co. Ltd.
Tennessee Ernie Ford4.652:37
18Bye Bye LoveThe Everly Brothers2:23
19Twist and Shout
registrazione cover di:
Twist and Shout (nel 1962)
autore:
Bert Russell (nel 1961-02) e Phil Medley (nel 1961-02)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
registrazione di:
Twist and Shout
autore:
Bert Russell (nel 1961-02) e Phil Medley (nel 1961-02)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Isley Brothers3.652:30
20Where or When
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 26)
registrazione cover di:
Where or When (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company e Chappell & Co. (nel 1937)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
Dion & The Belmonts2:37
6CD
7CD
8CD
9CD
10CD

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Discogs:https://www.discogs.com/master/272480 [info]