I don't like classical music, but I really like this!

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Copyright: This Compilation ℗ 2008 Sony Music Entertainment

Annotation last modified on 2026-03-28 19:47 UTC.

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Thus Spake Zarathustra
recording engineer:
Leslie Chase (on 1954-03-08)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Chicago Symphony Orchestra (on 1954-03-08)
conductor:
Fritz Reiner (conductor) (on 1954-03-08)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1954-03-08)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (on 1954-03-08)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:31
2Carmina Burana: O Fortuna
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
choir vocals:
London Symphony Chorus (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
chorus master:
Richard Cooke (chorus master/conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:47
3The Valkyrie: Ride of the Valkyries
orchestra:
Orchester der Tiroler Festspiele
conductor:
Gustav Kuhn (Austrian conductor, stage director)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:16
4Mandolin Concerto: Allegro
mandolin and oboe:
Nigel Woodhouse (mandolist and guitarist)
orchestra:
London Musici
conductor:
Mark Stephenson (conductor/producer)
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi2:42
5Requiem: Dies Irae
recording engineer:
Peter Jütte (from 1991-03-12 until 1991-03-15)
producer:
Wolfram Graul (Conductor, engineer, producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1991-03-12 until 1991-03-15)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1991-03-12 until 1991-03-15)
conductor:
Sir Colin Davis (English conductor) (from 1991-03-12 until 1991-03-15)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1991-03-12 until 1991-03-15)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir) (from 1991-03-12 until 1991-03-15)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart1:45
6Jazz Suite no. 2: Waltz no. 2
orchestra:
Radio-Sinfonie-Orchester Frankfurt (Frankfurt Radio Symphony)
conductor and performer:
Dmitri Kitaenko (Dmitri Kitayenko, Soviet, Russian conductor b. 1940)
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
part of:
Suite for Variety Orchestra
Dmitri Shostakovich3:51
7Hungarian Dance no. 1
orchestra:
George Enescu Philharmonic, Bucharest (George Enescu Philharmonic Orchestra)
conductor:
Christian Mandael (Romanian pianist & conductor)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 1 in G minor: Allegro molto (Brahms orchestration)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto
part of:
Hungarian Dances for orchestra, WoO 1, Book 1
Johannes Brahms3:12
8Invitation to the Castle: Tango
clarinet:
Paul Meyer (clarinetist and conductor)
piano:
Éric Le Sage (French pianist)
violin:
Kolja Blacher (violinist)
recording of:
L'Invitation au Château : Tango
composer:
Francis Poulenc (French composer and pianist)
part of:
L'Invitation au château, FP 138
partial recording of:
L'Invitation au château, FP 138
composer:
Francis Poulenc (French composer and pianist)
part of:
Francis Poulenc’s works (FP) (number: FP 138)
Francis Poulenc1:46
9Gitanerias
orchestra:
Morton Gould and His Orchestra and Morton Gould's Symphonic Band
conductor:
Morton Gould (American composer and conductor)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1955-09-29 until 1955-10-11)
recording of:
Andalucía (Suite española): IV. Gitanerías
composer:
Ernesto Lecuona
part of:
Andalucía (Suite española) (for solo piano)
Ernesto Lecuona1:46
10Requiem: Dies Irae (extract)
choir vocals:
Chicago Symphony Chorus
orchestra:
Chicago Symphony Chorus and Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
partial recording of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi2:00
11Gayaneh: Sabre Dance
recording engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
orchestra:
Boston Pops
conductor:
Arthur Fiedler (conductor)
performer:
Boston Pops Orchestra
recording of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1942)
part of:
Gayaneh: Act III, Scene VII (Expiation)
recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1942)
arrangement of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Aram Khachaturian2:22
12The Moldau (extract)
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Gustav Kuhn (Austrian conductor, stage director)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana2:55
13Lakmé: Flower Duet
mezzo-soprano vocals and mezzo-soprano vocals [Mallika]:
Ruby Philogene (mezzo-soprano)
soprano vocals and soprano vocals [Lakmé]:
Janice Watson (soprano)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Carl Davis (conductor and composer)
partial recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes1:30
14Canon
orchestra:
Baroque Chamber Orchestra (The Baroque Chamber Orchestra)
conductor:
Ettore Stratta (conductor, producer)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel4:45
15La Traviata: Gypsy Chorus
choir vocals:
Coro della RCA Italiana (in 1967)
orchestra:
RCA Italiana Opera Orchestra (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1967)
conductor:
Georges Prêtre (French conductor) (in 1967)
recording of:
La traviata: Atto II, scena 2. “Noi siamo zingarelle” (Zingare, Flora, Marchese, Coro) (in 1967)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:53
16Masquerade: Waltz
recording engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
orchestra:
RCA Victor Symphony Orchestra (on 1958-10-30)
conductor:
Kirill Kondrashin (conductor) (on 1958-10-30)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1958-10-30)
recording of:
Masquerade Suite, op. 48a: I. Waltz (on 1958-10-30)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1944)
part of:
Masquerade Suite, op. 48a
Aram Khachaturian4:28
17The Magic Flute: “Der Hölle Rache” (Queen of the Night Aria)
producer:
Niels Høirup (in 1970)
soprano vocals, soprano vocals [Die Königin der Nacht] and soprano vocals [Königin der Nacht]:
Sỳlvia Geszty (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1970)
conductor:
Otmar Suitner (conductor) (in 1970)
phonographic copyright (℗) by:
BMG Music (in 1971)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:47
18The Flight of the Bumblebee
recording engineer:
K. E. Wilkinson (engineer) (from 1968-04-04 until 1968-04-05)
producer:
Peter Dellheim (producer for RCA)
orchestra:
London Symphony Orchestra (from 1968-04-04 until 1968-04-05)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1968-04-04 until 1968-04-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-04-04 until 1968-04-05)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan) (from 1968-04-04 until 1968-04-05)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
Nikolaï Rimski-Korsakov1:23
19The Barber of Seville: “Una voce poco fa” (extract)
soprano vocals and soprano vocals [Rosina]:
Roberta Peters (soprano)
orchestra:
Metropolitan Opera Orchestra
conductor:
Erich Leinsdorf (conductor)
partial recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:51
20Pavane
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Pavane, op. 50 (catch-all for arrangements and unknown versions)
composer:
Gabriel Fauré (French composer)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré4:05
21Carnival of the Animals: Aquarium
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:24
22Madama Butterfly: Atto II. “Un bel dì, vedremo”
soprano vocals and soprano vocals [Butterfly]:
Leontyne Price (soprano)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Edward Downes (conductor)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:20
23Cavalleria rusticana: Intermezzo
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978)
conductor:
James Levine (US conductor and pianist) (in 1978)
performer:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
phonographic copyright (℗) by:
BMG Entertainment (in 1979)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978)
recording of:
Cavalleria rusticana: Intermezzo (in 1978)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni4:05
24Gymnopédie no. 1
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
recording of:
Première Gymnopédie: Lent et douloureux (catch-all for arrangements)
composer:
Erik Satie (French composer)
publisher:
Das Maschine GMBH, Hanseatic Musikverlag GmbH & Co. KG (2001–2017) and Londek Edition
arrangement of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
Erik Satie3:41
2▼Digital Media
#TitleArtistRatingLength
1The Four Seasons: Summer: Presto
violin:
Vladimir Spivakov (Russian violinist/conductor)
orchestra and performer:
Moscow Virtuosi
conductor:
Vladimir Spivakov (Russian violinist/conductor)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:39
2La traviata: “Libiamo” (Brindisi)
choir vocals:
Coro della RCA Italiana and Fujiwara Opera Chorus
soprano vocals:
Lucia Aliberti (soprano) and Montserrat Caballé (soprano)
tenor vocals:
Carlo Bergonzi (tenor) and Peter Dvorský (tenor)
vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) and Tokyo Philharmonic Orchestra
conductor:
Roberto Paternostro (Austrian conductor) and Georges Prêtre (French conductor)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:03
3Carmen: Overture
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1963)
conductor:
Herbert von Karajan (conductor) (in 1963)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1963)
recording of:
Carmen : Prélude (in 1963)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet3:25
4The Nutcracker: Act 2. Dance of the Mirlitons
engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1989-05)
producer:
Michael Woolcock (producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1989-05)
conductor:
Marc Ermler (Mark Ermler, conductor) (in 1989-05)
phonographic copyright (℗) by:
Conifer Records Ltd. (not for release label use!) (in 1989)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1989-05)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds) (in 1989-05)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Pyotr Ilyich Tchaikovsky2:34
5Nabucco: “Va, pensiero” (Chorus of the Hebrew Slaves)
choir vocals:
Robert Shaw Chorale
vocals:
Renato Cellini (conductor)
orchestra:
RCA Victor Orchestra
conductor:
Renato Cellini (conductor) and Robert Shaw (conductor)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (from 1972 to present)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:53
6Coppélia: Acte I. Valse lente
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Mark Ermler (conductor)
recording of:
Coppélia : Tableau I, no. 1b. Valse (Valse lente)
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes0:57
7Air on the G String
orchestra:
Festival Strings Lucerne
conductor:
Rudolf Baumgartner (conductor)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:12
8Requiem: Lacrimosa
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart3:15
9Clair de lune
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
Suite bergamasque : III. Clair de lune (catch-all for arrangements)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
arrangement of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy4:29
10Rhapsody on a Theme of Paganini: Variation XVIII : Andante cantabile
piano:
Leonard Pennario (pianist / composer)
orchestra:
Boston Pops
conductor:
Arthur Fiedler (conductor)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Sergei Rachmaninoff2:38
11Tales of Hoffmann: Barcarolle
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach3:34
12William Tell: Overture
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
partial recording of:
Guillaume Tell : Ouverture (William Tell: Overture)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
recording of:
William Tell Overture: Finale, March of the Swiss Soldiers (allegro vivace) (Lone Ranger theme)
composer:
Gioachino Rossini (composer)
part of:
Guillaume Tell : Ouverture (William Tell: Overture)
Gioachino Rossini3:04
13Il Trovatore: Anvil Chorus
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:51
14Romeo and Juliet: Montague and Capulets
assistant engineer:
Geoff Miles (editor and engineer) (in 1993-11) and Emma Stocker (in 1993-11)
producer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
editor:
Marian Freeman
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1993-11)
conductor:
Mark Ermler (conductor) (in 1993-11)
balance engineer:
Andrew Hallifax (in 1993-11) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1993-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-11)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (in 1993-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: I. Montagues and Capulets
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Sergei Prokofiev5:44
15Brandenburg Concerto no. 3: Allegro
orchestra:
Festival Strings Lucerne
conductor:
Rudolf Baumgartner (conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach4:48
16Swan Lake: Act III. Final Scene
assistant engineer:
Andrew Hallifax
producer:
Michael Woolcock (producer) (in 1989-04)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1989-04, from 1989-04 until 1989-05)
conductor:
Mark Ermler (conductor) (in 1989-04, from 1989-04 until 1989-05)
balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
phonographic copyright (℗) by:
Conifer Records Ltd. (not for release label use!) (in 1989)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1989-04, from 1989-04 until 1989-05)
recording of:
Swan Lake, op. 20: Act IV, no. 29: Scene finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso (in 1989-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act IV
Pyotr Ilyich Tchaikovsky5:12
17Rigoletto: “Scorrendo uniti”
choir vocals:
Coro della RCA Italiana
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra)
conductor:
Sir Georg Solti (conductor)
partial recording of:
Rigoletto: Atto II. “Duca, duca! … Ebben? … Scorrendo uniti” (Borsa, Marullo, Ceprano, Duca, Coro)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
recording of:
Rigoletto: Atto II. “Duca, duca! … Ebben? … Scorrendo uniti” (Borsa, Marullo, Ceprano, Duca, Coro)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Giuseppe Verdi1:45
18The Four Seasons: Winter: Allegro non molto
orchestra:
Moscow Virtuosi
conductor:
Vladimir Spivakov (Russian violinist/conductor)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:29
19L’Arlésienne: Suite no. 2: Farandole
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet2:51
20Orchestral Suite no. 2: Minuet and Badinerie
flute:
James Galway (flautist)
orchestra:
Solistes de Zagreb (Zagreb Soloists)
conductor:
James Galway (flautist)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
Johann Sebastian Bach2:40
21Gnossienne no. 1
piano:
William Masselos (pianist)
recording of:
Gnossienne no. 1
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie2:45