The Wurst of P.D.Q. Bach

~ Veröffentlichung von P.D.Q. Bach, Professor Peter Schickele (alle Versionen dieser Veröffentlichung ansehen, 6 vorhanden)

Titelliste

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112"-Vinyl
Nr.TitelBewertungLänge
A1Concerto for Horn and Hardart, S. 27
Produzent(in):
Stephen Schmidt (engineer)
Solo-percussion idiophone [hardart]:
Peter Schickele (American composer) (am 1965-04-24)
Solo-Waldhorn:
Ralph Froelich (am 1965-04-24)
Orchester:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (am 1965-04-24)
conductor:
Jorge Mester (conductor) (am 1965-04-24)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1965-04-24)
Kompilation von:
Introduction von Peter Schickele (American composer), Concerto for Horn and Hardart, S. 27: Allegro von Ralph Froelich, Professor Schickele (American composer), Chamber Orchestra (An Evening with P.D.Q. Bach, 1965), Jorge Mester (conductor), Concerto for Horn and Hardart, S. 27: Tema con variazione von Ralph Froelich, Professor Schickele (American composer), Chamber Orchestra (An Evening with P.D.Q. Bach, 1965), Jorge Mester (conductor) und Concerto for Horn and Hardart, S. 27: Menuetto con panna e zucchero von Ralph Froelich, Professor Schickele (American composer), Chamber Orchestra (An Evening with P.D.Q. Bach, 1965), Jorge Mester (conductor)
live recording of:
Concerto for Horn and Hardart, S. 27 (am 1965-04-24)
Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
publisher:
Theodore Presser Co.
Teil von:
Schickele ("S." numbers for compositions of P.D.Q. Bach) (Nummer: 27)
15:44
A2Cantata, Iphigenia in Brooklyn, S. 53162
Produzent(in):
Stephen Schmidt (engineer)
Solo-Cembalo:
Leonid Hambro (pianist) (am 1965-04-24)
Solo-Jug [wine bottle]:
Peter Schickele (American composer) (am 1965-04-24)
Solo-Trompete [trumpet mouthpiece]:
Seymour Platt (am 1965-04-24)
Solo Countertenorgesang [bargain counter‐tenor]:
John Ferrante (tenor) (am 1965-04-24)
Orchester:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (am 1965-04-24)
conductor:
Jorge Mester (conductor) (am 1965-04-24)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1965-04-24)
Kompilation von:
Introduction von Peter Schickele (American composer), Cantata: Iphigenia in Brooklyn, S. 53162: Aria von John Ferrante (tenor), Leonid Hambro (pianist), Seymour Platt, Professor Schickele (American composer), Chamber Orchestra (An Evening with P.D.Q. Bach, 1965), Jorge Mester (conductor), Cantata: Iphigenia in Brooklyn, S. 53162: Recitative von John Ferrante (tenor), Leonid Hambro (pianist), Seymour Platt, Professor Schickele (American composer), Chamber Orchestra (An Evening with P.D.Q. Bach, 1965), Jorge Mester (conductor), Cantata: Iphigenia in Brooklyn, S. 53162: Ground von John Ferrante (tenor), Leonid Hambro (pianist), Seymour Platt, Professor Schickele (American composer), Chamber Orchestra (An Evening with P.D.Q. Bach, 1965), Jorge Mester (conductor), Cantata: Iphigenia in Brooklyn, S. 53162: Recitative von John Ferrante (tenor), Leonid Hambro (pianist), Seymour Platt, Professor Schickele (American composer), Chamber Orchestra (An Evening with P.D.Q. Bach, 1965), Jorge Mester (conductor) und Cantata: Iphigenia in Brooklyn, S. 53162: Aria von John Ferrante (tenor), Leonid Hambro (pianist), Seymour Platt, Professor Schickele (American composer), Chamber Orchestra (An Evening with P.D.Q. Bach, 1965), Jorge Mester (conductor)
live recording of:
Cantata: Iphigenia in Brooklyn (am 1965-04-24)
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
publisher:
Theodore Presser Co.
Teil von:
Schickele ("S." numbers for compositions of P.D.Q. Bach) (Nummer: 53162)
10:26
B1New Horizons in Music Appreciation — Beethoven’s Fifth Symphony
Sprecher [commentator]:
Robert Dennis und Peter Schickele (American composer)
8:48
B2Schleptet in E‐flat major, S. 07:48
B3What’s My Melodic Line?
Orchester:
I Virtuosi di Hoople
conductor:
Peter Schickele (American composer)
5:15
B4Madrigal, “My bonnie lass she smelleth” from “The Triumphs of Thusnelda” S. 1601
Chorgesang:
Amateur Musica Antiqua of Hoople (choral ensemble, name is fictitious)
recording of:
Two Madrigals from The Triumphs of Thusnelda, S. 1601: 2. “My bonnie lass she smelleth”
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Parodieversion von:
Balletts to Five Voices: My bonnie lass she smileth
Teil von:
Two Madrigals from The Triumphs of Thusnelda, S. 1601
2:35
212"-Vinyl
Nr.TitelBewertungLänge
C1“Unbegun” Symphony
zusätzliches Orchester:
The Royal P.D.Q. Bach Festival Orchestra
conductor:
Jorge Mester (conductor)
recording of:
“Unbegun” Symphony: Andante—Allegro
Komponist(in):
Peter Schickele (American composer)
Medley von:
Sinfonie Nr. 2 D-Dur, op. 73: I. Allegro non troppo
Medley von:
Beautiful Dreamer
Medley von:
Ta-Ra-Ra-Boom-De-Ay (original English version)
Medley von:
Guillaume Tell : Ouverture (Wilhelm Tell: Ouvertüre)
Medley von:
Camptown Races
Medley von:
Irish Suite: III. The Rakes of Mallow
Medley von:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
Medley von:
Le nozze di Figaro: Sinfonia
Medley von:
Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro (Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": IV. Molto allegro)
Medley von:
Onward, Christian Soldiers
Medley von:
Руслан и Людмила: Увертюра (Ruslan and Lyudmila: Overture)
Medley von:
Joy to the World (Christmas carol)
Medley von:
Symphony no. 9 in C major, D. 944 “The Great”: I. Andante – Allegro ma non troppo
Medley von:
Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace (Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": I. Allegro vivace)
Medley von:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Medley von:
Anchors Aweigh
Medley von:
Symphony no. 6 in B minor, op. 74 “Pathétique” (Symphonie Nr. 6 h-Moll, Op. 74 "Pathétique")
Medley von:
You Are My Sunshine
Medley von:
The Year 1812, Festival Overture in E-flat major, op. 49
Medley von:
Sinfonie Nr. 1 c-Moll, op. 68: IV. Adagio – Allegro non troppo, ma con brio
Medley von:
Lohengrin, WWV 75
Medley von:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Medley von:
Marche slave in B-flat minor, op. 31 (Slawischer Marsch b-Moll, Op. 31)
Medley von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": IV. Allegro con fuoco)
Medley von:
Боже, Царя храни! (God Save the Tsar!)
Medley von:
Study no. 2 in C major: Allegro moderato
Medley von:
The Mikado: Act II, no. 16 “Miya sama” (Chorus)
Teil von:
“Unbegun” Symphony
7:00
C2Half‐Act Opera “The Stoned Guest” (highlights)
Bass-Gesang [Il Commendatoreador, basso blotto]:
Prof. Schickele (American composer)
Countertenorgesang [Don Octave, bargain counter tenor]:
John Ferrante (tenor)
Mezzosoprangesang [Donna Ribalda, mezzanine soprano]:
Marlene Kleinman (aka Marlena Kleinman Malas)
Soprangesang [Carmen Ghia, off‐coloratura]:
Lorna Haywood (soprano)
Sprecher [Milton Host]:
Will Jordan (character actor and comedian)
Sprecher [Paul Henry Lung]:
Bill Macy
Orchester:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach)
conductor:
John Nelson (American conductor)
Kompilation von:
Introduction von Will Jordan (character actor and comedian), The Stoned Guest, Part 1: Overture von The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 1: Aria: “Now is the season” von Lorna Haywood (soprano), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 1: Trio: “I’m sure I’d be” von Lorna Haywood (soprano), Marlene Kleinman (aka Marlena Kleinman Malas), John Ferrante (tenor), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), Intermission Feature: Opera Whiz von Peter Schickele (American composer), Plot Synopsis von Will Jordan (character actor and comedian) und The Stoned Guest, Part 2: Finale: “O saviour” von Marlene Kleinman (aka Marlena Kleinman Malas), Lorna Haywood (soprano), John Ferrante (tenor), Bernice (fictional Bernese Mountain Dog cast in P.D.Q. Bach’s “The Stoned Guest”), Prof. Peter Schickele (American composer), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor)
teilweise recording of:
The Stoned Guest
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
publisher:
Theodore Presser Co.
Teil von:
Schickele ("S." numbers for compositions of P.D.Q. Bach) (Nummer: 86 proof)
20:20
D1Fugue in C minor (Fuga vulgaris) for Calliope Four Hands, from the Toot Suite, S. 3.142:46
D2Oratorio “The Seasonings”, S. ½ tsp.
Chorgesang:
The Okay Chorale (probably fictitious, associated with P.D.Q. Bach/Peter Schickele recordings) (in 1966-12)
Solo Bass-Gesang:
William Woolf (in 1966-12)
Solo Hochgesang:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1966-12)
Solo Soprangesang:
Lorna Haywood (soprano) (in 1966-12)
Solo Tenor-Gesang:
John Ferrante (tenor) (in 1966-12)
Orchester:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
conductor:
Jorge Mester (conductor) (in 1966-12)
chorus master:
John Nelson (American conductor) (in 1966-12)
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1966-12)
Kompilation von:
Introduction von Peter Schickele (American composer), Oratorio: “The Seasonings”, S. ½ tsp.: Chorus: “Tarragon of virtue is full” von The Okay Chorale (probably fictitious, associated with P.D.Q. Bach/Peter Schickele recordings), John Nelson (American conductor), The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor), Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “And there were in the same country” von John Ferrante (tenor), William Woolf, The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor), Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Bide thy thyme” von Lorna Haywood (soprano), Marlena Kleinman (aka Marlena Kleinman Malas), John Ferrante (tenor), The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor), Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then asked he” von Lorna Haywood (soprano), Marlena Kleinman (aka Marlena Kleinman Malas), John Ferrante (tenor), William Woolf, The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor), Oratorio: “The Seasonings”, S. ½ tsp.: Chorale: “By the leeks of Babylon / There we sat down, yea, we wept” von The Okay Chorale (probably fictitious, associated with P.D.Q. Bach/Peter Schickele recordings), John Nelson (American conductor), The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor), Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then she gave in” von John Ferrante (tenor), The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor), Oratorio: “The Seasonings”, S. ½ tsp.: Aria: “Open sesame seeds” von William Woolf, The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor), Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “So saying” von Lorna Haywood (soprano), Marlena Kleinman (aka Marlena Kleinman Malas), John Ferrante (tenor), William Woolf, The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor), Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Summer is a cumin seed” von Lorna Haywood (soprano), Marlena Kleinman (aka Marlena Kleinman Malas), The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor) und Oratorio: “The Seasonings”, S. ½ tsp.: Chorus with Soloists: “To curry favor, favor curry” von The Okay Chorale (probably fictitious, associated with P.D.Q. Bach/Peter Schickele recordings), John Nelson (American conductor), The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor)
Bearbeitung von:
Oratorio: The Seasonings (S. ½ tsp.) von Lorna Haywood (soprano), Marlena Kleinman (aka Marlena Kleinman Malas), John Ferrante (tenor), William Woolf, The Okay Chorale (probably fictitious, associated with P.D.Q. Bach/Peter Schickele recordings), John Nelson (American conductor), The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor)
live teilweise recording of:
Oratorio: “The Seasonings” (in 1966-12)
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
publisher:
Theodore Presser Co.
Teil von:
Schickele ("S." numbers for compositions of P.D.Q. Bach) (Nummer: ½ tsp.)
22:15

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von:Vanguard Recording Society, Inc. (not for release label use, for company relationships use only) (in 1971)
bestellen:http://www.schickele.com/shoppe/pdqrec/wurst.htm [Info] (beendet)

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/475265 [Info]
Wikidata:Q7776374 [Info]