Klassisen musiikin kauneimmat

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Note that the cover art for disc 9 (Grieg) of this set is incorrect: tracks 8 and 9 are reversed.

Anmerkung zuletzt geändert am 2013-04-17 23:30 UTC.

Titelliste

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1▼CD: Tšaikovski: Mestariteokset
Nr.TitelKünstlerBewertungLänge
1Pianokonsertto nro 1 b-molli, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito
Klavier:
Ida Černecká (pianist) und Peter Toperczer (Slavic pianist)
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Slovak Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Anton Nanut (conductor), Bystrík Režucha (conductor) und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1874-11 bis 1875-02)
Teil von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский20:17
2Pianokonsertto nro 1 b-molli, Op. 23: II. Andantino semplice - Prestissimo
Klavier:
Ida Černecká (pianist) und Peter Toperczer (Slavic pianist)
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Slovak Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Anton Nanut (conductor), Bystrík Režucha (conductor) und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1888 version, most often performed)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1874-11 bis 1875-02)
Teil von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1879 version, rarely performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский7:08
3Pianokonsertto nro 1 b-molli, Op. 23: III. Allegro con fuoco
Klavier:
Ida Černecká (pianist) und Peter Toperczer (Slavic pianist)
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Slovak Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Anton Nanut (conductor), Bystrík Režucha (conductor) und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1888 version, most often performed)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1874-11 bis 1875-02)
Teil von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1879 version, rarely performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский6:59
4Pähkinänsärkijä-sarja, Op. 71a: I. Miniatyyrialkusoitto
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Gerhard Bosse (as used for an Alfred Scholz release - NOT the real artist), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (bis 1892)
Teil von:
The Nutcracker (suite from the ballet), op. 71a
Пётр Ильич Чайковский3:17
5Pähkinänsärkijä-sarja, Op. 71a: II. Marssi
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (der Nussknacker, op. 71: Marsch, March)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Щелкунчик, op. 71: Действие I (Der Nussknacker, op. 71: Akt 1, The Nutcracker, op. 71: Act 1)
Пётр Ильич Чайковский2:47
6Pähkinänsärkijä-sarja, Op. 71a: III. Makeishaltijattaren tanssi
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Пётр Ильич Чайковский2:09
7Pähkinänsärkijä-sarja, Op. 71a: IV. Venäläinen tanssi - Trepak
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:15
8Pähkinänsärkijä-sarja, Op. 71a: V. Arabialainen tanssi
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский3:40
9Pähkinänsärkijä-sarja, Op. 71a: VI. Kiinalainen tanssi
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:25
10Pähkinänsärkijä-sarja, Op. 71a: VII. Ruokopillien tanssi
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Пётр Ильич Чайковский2:40
11Pähkinänsärkijä-sarja, Op. 71a: VIII. Kukkaisvalssi
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) und Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский7:10
12Joutsenlampi orkesterisarja baletista, Op. 20: I. Johdanto sekä Kohtaus
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) und Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Schwanensee / Swan Lake, Ballett / Ballet: 1. Szene
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1876)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский3:14
13Joutsenlampi orkesterisarja baletista, Op. 20: II. Valssi
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) und Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
Komponist(in):
Pyotr Ilyich Tchaikovsky (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1876)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский7:43
14Joutsenlampi orkesterisarja baletista, Op. 20: III. Joutsenten tanssi
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) und Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
Komponist(in):
Pyotr Ilyich Tchaikovsky (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1876)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1876)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский1:37
2▼CD: Mozart: Loistelias perintö
Nr.TitelKünstlerBewertungLänge
1Sinfonia nro 41 C-duuri, KV 551 "Jupiter-sinfonia": I. Allegro vivace
Orchester:
Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym)
conductor:
Richard Edlinger (conductor and composer)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace (Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": I. Allegro vivace)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-08-10)
Teil von:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart10:18
2Sinfonia nro 41 C-duuri, KV 551 "Jupiter-sinfonia": II. Andante cantabile
Orchester:
Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym)
conductor:
Richard Edlinger (conductor and composer)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: II. Andante cantabile (Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": II. Andante cantabile)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-08-10)
Teil von:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart11:38
3Sinfonia nro 41 C-duuri, KV 551 "Jupiter-sinfonia": III. Menuetti ja trio - Allegro
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym)
conductor:
Richard Edlinger (conductor and composer) und Alfred Scholz
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio (Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": III. Minuetto. Allegretto)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-08-10)
Teil von:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart4:51
4Sinfonia nro 41 C-duuri, KV 551 "Jupiter-sinfonia": IV. Molto allegro
Orchester:
Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym)
conductor:
Richard Edlinger (conductor and composer)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro (Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": IV. Molto allegro)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-08-10)
Teil von:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart8:36
5Serenadi nro 13 G-duuri, KV 525 "Pieni yösoitto": I. Allegro
Sound-Engineering:
Bernhard Mahne (Classical music producer) (von 1986-04-22 bis 1986-04-24) und Lutz Wildner (von 1986-04-22 bis 1986-04-24)
Orchester:
Camerata Academica (Austrian chamber orchestra), Camerata Academica Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra), Mainz Chamber Orchestra (Mainzer Kammerorchester), Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym), The Northstar Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) und Camerata Labacensis (Slovenian chamber orchestra) (von 1986-04-22 bis 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz und Alexander von Pitamic (Alfred Scholz pseudonym) (von 1986-04-22 bis 1986-04-24)
aufgenommen bei:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slowenien (von 1986-04-22 bis 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade Nr. 13 für Streicher G-Dur, KV 525 "Eine kleine Nachtmusik": I. Allegro) (von 1986-04-22 bis 1986-04-24)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:31
6Serenadi nro 13 G-duuri, KV 525 "Pieni yösoitto": II. Romanssi - Andante
Sound-Engineering:
Bernhard Mahne (Classical music producer) (von 1986-04-22 bis 1986-04-24) und Lutz Wildner (von 1986-04-22 bis 1986-04-24)
Orchester:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra (Mainzer Kammerorchester), Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) und Camerata Labacensis (Slovenian chamber orchestra) (von 1986-04-22 bis 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Libor Pešek (conductor), Alfred Scholz und Alexander von Pitamic (Alfred Scholz pseudonym) (von 1986-04-22 bis 1986-04-24)
aufgenommen bei:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slowenien (von 1986-04-22 bis 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (von 1986-04-22 bis 1986-04-24)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:45
7Serenadi nro 13 G-duuri, KV 525 "Pieni yösoitto": III. Menuetti ja trio - Allegretto
Sound-Engineering:
Bernhard Mahne (Classical music producer) (von 1986-04-22 bis 1986-04-24) und Lutz Wildner (von 1986-04-22 bis 1986-04-24)
Orchester:
Camerata Academia Salzburg (Austrian chamber orchestra), Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra (Mainzer Kammerorchester), Philharmonic Orchestra London (Alfred Scholz pseudonym) und Camerata Labacensis (Slovenian chamber orchestra) (von 1986-04-22 bis 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz und Alexander von Pitamic (Alfred Scholz pseudonym) (von 1986-04-22 bis 1986-04-24)
aufgenommen bei:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slowenien (von 1986-04-22 bis 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (von 1986-04-22 bis 1986-04-24)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:19
8Serenadi nro 13 G-duuri, KV 525 "Pieni yösoitto": IV. Rondo - Allegro
Sound-Engineering:
Bernhard Mahne (Classical music producer) (von 1986-04-22 bis 1986-04-24) und Lutz Wildner (von 1986-04-22 bis 1986-04-24)
Orchester:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Academica of Salzburg (Austrian chamber orchestra), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra (Mainzer Kammerorchester), Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) und Camerata Labacensis (Slovenian chamber orchestra) (von 1986-04-22 bis 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz und Alexander von Pitamic (Alfred Scholz pseudonym) (von 1986-04-22 bis 1986-04-24)
aufgenommen bei:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slowenien (von 1986-04-22 bis 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (von 1986-04-22 bis 1986-04-24)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:27
9Käyrätorvikonsertto nro 2 Es-duuri, KV 417: I. Allegro maestoso
Waldhorn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym)
Orchester:
Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym) und Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) und Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: I. Allegro
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Concerto for Horn no. 2 in E-flat major, K. 417
Wolfgang Amadeus Mozart6:46
10Käyrätorvikonsertto nro 2 Es-duuri, KV 417: II. Andante
Waldhorn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym)
Orchester:
Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym) und Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) und Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: II. Andante
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Concerto for Horn no. 2 in E-flat major, K. 417
Wolfgang Amadeus Mozart3:16
11Käyrätorvikonsertto nro 2 Es-duuri, KV 417: III. Rondo - Allegro
Horn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym) und K. Sreter (an Alfred Scholz pseudonym)
Waldhorn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym)
Orchester:
Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym) und Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) und Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
Interpret(in):
Kamil Streter (an Alfred Scholz pseudonym)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Concerto for Horn no. 2 in E-flat major, K. 417
Wolfgang Amadeus Mozart4:01
3▼CD: Chopin: Pianoteoksia
Nr.TitelKünstlerBewertungLänge
1Etydi c-molli, Op. 10 nro 12 "Vallankumousetydi"
Klavier:
Silvia Čápová (pianist), Vitalij Margulis und Marián Pivka (pianist)
Solo-Klavier:
Marián Pivka (pianist)
recording of:
Étude in C minor, op. 10 no. 12 “Revolutionary”: Allegro con fuoco
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1831)
Teil von:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 25) und Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 67)
Teil von:
Études, op. 10
Frédéric Chopin2:47
2Fantasia-impromptu cis-molli, Op. 66
Klavier:
Peter Schmalfuss (pianist)
recording of:
Fantaisie‐impromptu in C‐sharp minor, op. 66
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1834)
Teil von:
Classic 100: Piano (2004) (Nummer: 13), Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 46), Chopin National Edition: WN Catalogue (Nummer: WN 46), Works of Fryderyk Chopin by opus number (Nummer: op. 66) und Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 87)
Frédéric Chopin5:15
3Preludi G-duuri, Op. 28 nro 3
Klavier:
Ida Černecká (pianist)
recording of:
Prélude no. 3 in G major, op. 28: Vivace
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
Teil von:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 107) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 168)
Teil von:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:01
4Preludi e-molli, Op. 28 nro 4
Klavier:
Marián Pivka (pianist)
recording of:
Prélude no. 4 in E minor, op. 28: Largo
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
Teil von:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 123) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 169)
Teil von:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:08
5Preludi A-duuri, Op. 28 nro 7
Klavier:
Ida Černecká (pianist)
recording of:
Prélude no. 7 in A major, op. 28: Andantino
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
Teil von:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 100) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 172)
Teil von:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:58
6Preludi Des-duuri, Op. 28 nro 15 "Sadepisarapreludi"
Klavier:
Silvia Čápová (pianist), Christiane Mathé (pianist) und Rudolf Winterstein (pianist)
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1836 bis 1839)
Teil von:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 107) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 180)
Teil von:
24 Préludes pour le piano, op. 28
Frédéric Chopin5:35
7Minuuttivalssi, Op. 64 nro 1
Klavier:
Silvia Čápová (pianist)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” (Walzer Nr. 6 Des-Dur "Minutenwalter", op. 64 Nr.1, BI. 164 Nr. 1)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1846 bis 1847)
Teil von:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 212)
Teil von:
Waltzes, op. 64
Frédéric Chopin1:51
8Valssi nro 1 Es-duuri, Op. 18
Klavier:
Peter Schmalfuss (pianist)
recording of:
Waltz no. 1 in E‐flat major, op. 18 “Grande Valse brillante” (Walzer Nr. 1 Es-Dur "Grande valse brillante", op. 18 BI. 62)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1833)
gewidmet:
Laura Harsford
Teil von:
Works of Fryderyk Chopin by opus number (Nummer: op. 18), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 62) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 207)
Frédéric Chopin5:12
9Valssi nro 7 cis-molli, Op. 64 nro 2
Klavier:
Dubravka Tomšič (pianist)
recording of:
Waltz no. 7 in C‐sharp minor, op. 64 no. 2
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1846 bis 1847)
Teil von:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 213)
Teil von:
Waltzes, op. 64
Frédéric Chopin3:26
10Valssi nro 9 As-duuri, Op. 69 nro 1
Klavier:
Silvia Čápová (pianist)
recording of:
Waltz no. 9 in A‐flat major, op. 69 no. 1
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1829 bis 1835)
Teil von:
Chopin National Edition: WN Catalogue (Nummer: WN 47), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 95) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 215)
Teil von:
Waltzes, op. 69
Frédéric Chopin4:16
11Valssi nro 14 e-molli, Op. posth.
Klavier:
Dubravka Tomšič (pianist)
recording of:
Waltz no. 14 in E minor, B. 56, KK IVa/15
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
Teil von:
Chopin National Edition: WN Catalogue (Nummer: WN 29) und Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 56)
Frédéric Chopin2:48
12Nokturno Es-duuri, Op. 9 nro 2
Klavier:
Peter Schmalfuss (pianist)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1830 bis 1832)
Teil von:
Classic 100: Piano (2025) (Nummer: 3), Classic 100: Piano (2004) (Nummer: 18) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 109)
Teil von:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin24:40
13Noktorno F-duuri, Op. 15 nro 1
Klavier:
Peter Schmalfuss (pianist)
recording of:
Les Sylphides: II. Nocturne in F major, op. 15 no. 1 (orch. by Douglas)
Orchestrator(in):
Roy Douglas (British composer, pianist) (in 1936)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
Version von:
Nocturne no. 4 in F major, op. 15 no. 1: Andante cantabile
Teil von:
Les Sylphides (orch. by Douglas)
recording of:
Nocturne no. 4 in F major, op. 15 no. 1: Andante cantabile (beendet)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
Teil von:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 55) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 111)
enthalten in:
ヘタリア
Teil von:
Nocturnes, op. 15
Frédéric Chopin4:05
14Nokturno Fis-duuri, Op. 15 nro 2
Klavier:
Peter Schmalfuss (pianist)
recording of:
Nocturne no. 5 in F‐sharp major, op. 15 no. 2: Larghetto (beendet)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1830 bis 1832)
Teil von:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 55) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 112)
Teil von:
Nocturnes, op. 15
Frédéric Chopin3:24
15Nokturno g-molli, Op. 15 nro 3
Klavier:
Peter Schmalfuss (pianist)
recording of:
Nocturne no. 6 in G minor, op. 15 no. 3: Lento (beendet)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
Teil von:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 79) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 113)
Teil von:
Nocturnes, op. 15
Frédéric Chopin4:56
16Nokturno Des-duuri, Op. 27 nro 2
Klavier:
Vitalij Margulis und Peter Schmalfuss (pianist)
recording of:
Nocturne no. 8 in D‐flat major, op. 27 no. 2: Lento sostenuto (beendet)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
Teil von:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 96) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 115)
Teil von:
Nocturnes, op. 27
Frédéric Chopin5:33
17Balladi g-molli, Op. 23
Klavier:
Ida Černecká (pianist)
recording of:
Ballade no. 1 in G minor, op. 23
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1831 bis 1835)
gewidmet:
Nathaniel von Stockhausen (Hanover ambassador to France)
Teil von:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 2), Classic 100: Piano (2004) (Nummer: 20), Works of Fryderyk Chopin by opus number (Nummer: op. 23) und Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 66)
Teil von:
Ballades (Chopin’s Four Ballades)
Frédéric Chopin8:54
4▼CD: Beethoven: Suuret sinfoniat
Nr.TitelKünstlerBewertungLänge
1Sinfonia nro 5 c-molli, Op. 67 "Kohtalonsinfonia": I. Allegro con brio
Orchester:
Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) und Radio-Sinfonieorchester Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor) und Anton Nanut (Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Komponist(in):
Ludwig van Beethoven (German composer) (von 1804 bis 1808)
Teil von:
Symphony no. 5 in C minor, op. 67 (Symphonie Nr. 5 in C-dur, Op. 67)
Ludwig van Beethoven47:24
2Sinfonia nro 5 c-molli, Op. 67 "Kohtalonsinfonia": II. Andante con moto
Orchester:
Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) und Radio-Sinfonieorchester Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor) und Anton Nanut (Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto
Komponist(in):
Ludwig van Beethoven (German composer) (von 1804 bis 1808)
Teil von:
Symphony no. 5 in C minor, op. 67 (Symphonie Nr. 5 in C-dur, Op. 67)
Ludwig van Beethoven411:03
3Sinfonia nro 5 c-molli, Op. 67 "Kohtalonsinfonia": III. Allegro
Orchester:
Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) und Radio-Sinfonieorchester Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor) und Anton Nanut (Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
Komponist(in):
Ludwig van Beethoven (German composer) (von 1804 bis 1808)
Teil von:
Symphony no. 5 in C minor, op. 67 (Symphonie Nr. 5 in C-dur, Op. 67)
Ludwig van Beethoven45:21
4Sinfonia nro 5 c-molli, Op. 67 "Kohtalonsinfonia": IV. Allegro
Orchester:
Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) und Radio-Sinfonieorchester Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor) und Anton Nanut (Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro
Komponist(in):
Ludwig van Beethoven (German composer) (von 1804 bis 1808)
Teil von:
Symphony no. 5 in C minor, op. 67 (Symphonie Nr. 5 in C-dur, Op. 67)
Ludwig van Beethoven48:57
5Sinfonia nro 6 F-duuri, Op. 68 "Pastoraalisinfonia": I. Allegro ma non troppo "Iloisten tuntemusten herääminen maaseudulle saavuttaessa"
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), Münchner Philharmoniker (Munich Philharmonic Orchestra), Munich Symphony Orchestra (an Alfred Scholz pseudonym, not the former Symphonie‐Orchester Graunke), Philharmonia Slavonica (Alfred Scholz pseudonym), Slowakische Philharmonie und Süddeutsche Philharmonica (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Hans Swarowski (conductor, used as Alfred Scholz pseudonym), Bystrík Režucha (conductor), Alfred Scholz und Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphonie Nr. 6 F-Dur, Op. 68 "Sinfonia pastorale": I. "Erwachen heiterer Empfindungen bei der Ankunft auf dem Land". Allegro ma non troppo)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1808)
Teil von:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven10:35
6Sinfonia nro 6 F-duuri, Op. 68 "Pastoraalisinfonia": II. Andante molto mosso "Näkymä purolla"
Orchester:
Münchner Philharmoniker (Munich Philharmonic Orchestra) und Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie‐Orchester Graunke)
conductor:
Hans Swarowski (conductor, used as Alfred Scholz pseudonym) und Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (Symphonie No. 6 F-Dur, Op. 68 "Pastorale": II. Andante molto mosso "Szene am Bach")
Komponist(in):
Ludwig van Beethoven (German composer) (in 1808)
Teil von:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven13:22
7Sinfonia nro 6 F-duuri, Op. 68 "Pastoraalisinfonia": III. Allegro "Maalaisihmisten lystikäs yhdessäolo"
Orchester:
Münchner Philharmoniker (Munich Philharmonic Orchestra) und Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie‐Orchester Graunke)
conductor:
Hans Swarowski (conductor, used as Alfred Scholz pseudonym) und Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk”
Komponist(in):
Ludwig van Beethoven (German composer) (in 1808)
Teil von:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven2:53
8Sinfonia nro 6 F-duuri, Op. 68 "Pastoraalisinfonia": IV. Allegro "Ukkosmyrsky"
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), Münchner Philharmoniker (Munich Philharmonic Orchestra), Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie‐Orchester Graunke), Philharmonia Slavonica (Alfred Scholz pseudonym) und Slowakische Philharmonie
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Hans Swarowski (conductor, used as Alfred Scholz pseudonym), Bystrík Režucha (conductor) und Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm”
Komponist(in):
Ludwig van Beethoven (German composer) (in 1808)
Teil von:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven3:51
9Sinfonia nro 6 F-duuri, Op. 68 "Pastoraalisinfonia": V. Allegretto "Paimenlaulu; iloiset ja kiitolliset tunteet myrskyn jälkeen"
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), Münchner Philharmoniker (Munich Philharmonic Orchestra), Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie‐Orchester Graunke) und Slovenská filharmónia (Slowakische Philharmonie)
conductor:
Hans Swarowski (conductor, used as Alfred Scholz pseudonym), Bystrík Režucha (conductor), Alfred Scholz und Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Sinfonie Nr. 6 in F-Dur, Op. 68 "Pastorale": V. "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm" Allegretto)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1808)
Teil von:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven10:34
5▼CD: Vivaldi: Barokin parhaita
Nr.TitelKünstlerBewertungLänge
1Konsertto nro 1 E-duuri, Op. 8/RV 269 "Kevät": I. Allegro
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), I Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti), Musici di San Marco (an Alfred Scholz pseudonym), I Solisti Napoli (probably a pseudonym of Alfred Sholtz), Salzburger Kammerorchester (Salzburg Chamber Orchestra), Slovak Chamber Orchestra und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Alexander von Pitamic (Alfred Scholz pseudonym) und Bohdan Warchal (violinist, conductor)
teilweise recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (Nummer: F. I/22) und Ryom-Verzeichnis (Nummer: RV 269)
Teil von:
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
Teil von:
Le quattro stagioni (Die vier Jahreszeiten, “The Four Seasons”)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi13:34
2Konsertto nro 1 E-duuri, Op. 8/RV 269 "Kevät": II. Largo e pianissimo sempre
Instrumente:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym) und Slovak Chamber Orchestra
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Bohdan Warchal (violinist, conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:53
3Konsertto nro 1 E-duuri, Op. 8/RV 269 "Kevät": III. Maalaistanssi: Allegro
Instrumente:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym) und Slovak Chamber Orchestra
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Bohdan Warchal (violinist, conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi4:30
4Konsertto nro 2 g-molli, Op. 8/RV 315 "Kesä": I. Allegro non molto
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym), Nova Filarmonia Portuguesa und Slovak Chamber Orchestra
conductor:
Álvaro Cassuto (Portuguese composer and conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Bohdan Warchal (violinist, conductor)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi5:56
5Konsertto nro 2 g-molli, Op. 8/RV 315 "Kesä": II. Adagio - Presto
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym), Salzburger Kammerorchester (Salzburg Chamber Orchestra) und Slovak Chamber Orchestra
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) und Bohdan Warchal (violinist, conductor)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:25
6Konsertto nro 2 g-molli, Op. 8/RV 315 "Kesä": III. Presto
Geige / Violine:
Werner Riessmann (violin player)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) und Slovak Chamber Orchestra
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Bohdan Warchal (violinist, conductor)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi3:06
7Konsertto nro 3 F-duuri, Op. 8/RV 293 "Syksy": I. Allegro
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym) und Slovak Chamber Orchestra
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Bohdan Warchal (violinist, conductor)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi5:29
8Konsertto nro 3 F-duuri, Op. 8/RV 293 "Syksy": II. Adagio
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym) und Slovak Chamber Orchestra
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Bohdan Warchal (violinist, conductor)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:17
9Konsertto nro 3 F-duuri, Op. 8/RV 293 "Syksy": III. Allegro
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), I Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti), Musici di San Marco (an Alfred Scholz pseudonym), I Solisti Napoli (probably a pseudonym of Alfred Sholtz), Salzburger Kammerorchester (Salzburg Chamber Orchestra), Slovak Chamber Orchestra und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Alexander von Pitamic (Alfred Scholz pseudonym) und Bohdan Warchal (violinist, conductor)
teilweise recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (Nummer: F. I/22) und Ryom-Verzeichnis (Nummer: RV 269)
Teil von:
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
Teil von:
Le quattro stagioni (Die vier Jahreszeiten, “The Four Seasons”)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi13:34
10Konsertto nro 4 f-molli, Op. 8/RV 297 "Talvi": I. Allegro non molto
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym) und Slovak Chamber Orchestra
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Bohdan Warchal (violinist, conductor)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:45
11Konsertto nro 4 f-molli, Op. 8/RV 297 "Talvi": II. Largo
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym) und Slovak Chamber Orchestra
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Luigi Varese (an Alfred Scholz pseudonym) und Bohdan Warchal (violinist, conductor)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi12:21
12Konsertto nro 4 f-molli, Op. 8/RV 297 "Talvi": III. Allegro
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym) und Slovak Chamber Orchestra
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Bohdan Warchal (violinist, conductor)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:56
13Sinfonia C-duuri: I. Allegro molto
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) und I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Anton Nanut (Alfred Scholz pseudonym)
recording of:
Sinfonia in C major, RV 116: I. Allegro
Komponist(in):
[anonymous] (special purpose artist)
vorher zugeschrieben zu:
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Sinfonia in C major, RV 116
Antonio Vivaldi5:17
14Sinfonia C-duuri: II. Larghetto
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) und I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Anton Nanut (conductor)
recording of:
Sinfonia in C major, RV 116: II. Andante
Komponist(in):
[anonymous] (special purpose artist)
vorher zugeschrieben zu:
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Sinfonia in C major, RV 116
Antonio Vivaldi3:11
15Sinfonia C-duuri: III. Allegro
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) und I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Anton Nanut (conductor)
recording of:
Sinfonia in C major, RV 116: III. Allegro
Komponist(in):
[anonymous] (special purpose artist)
vorher zugeschrieben zu:
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Sinfonia in C major, RV 116
Antonio Vivaldi1:39
16Konsertto A-duuri: I. Allegro molto
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym) und I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Anton Nanut (conductor)
recording of:
Concerto for Strings in A major, RV 158 "Concerto ripieno": I. Allegro molto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Strings in A major, RV 158 "Concerto ripieno"
Antonio Vivaldi2:46
17Konsertto A-duuri: II. Andante
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym) und I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Anton Nanut (conductor)
recording of:
Concerto for Strings in A major, RV 158 "Concerto ripieno": II. Andante molto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Strings in A major, RV 158 "Concerto ripieno"
Antonio Vivaldi2:47
18Konsertto A-duuri: III. Allegro
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym) und I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Anton Nanut (conductor)
recording of:
Concerto for Strings in A major, RV 158 "Concerto ripieno": III. Allegro
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Strings in A major, RV 158 "Concerto ripieno"
Antonio Vivaldi3:08
6▼CD: Händel: Kuninkaallista musiikkia
Nr.TitelKünstlerBewertungLänge
1Vesimusiiki-sarja nro 1 F-duuri, HWV 348: I. Alkusoitto
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (Nürnberger Symphoniker, the real orchestra) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) und Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: I. Overture. Largo - Allegro
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel3:15
2Vesimusiiki-sarja nro 1 F-duuri, HWV 348: II. Adagio e staccato
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (Nürnberger Symphoniker, the real orchestra), Radio Symphony Orchestra (SWR Sinfonieorchester Baden‐Baden und Freiburg) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Hanns Reinartz (professor and conductor at Würzburg), Rolf Reinhardt (German conductor 1927-2006) und Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: II. Adagio e staccato
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel2:25
3Vesimusiiki-sarja nro 1 F-duuri, HWV 348: III. Allegro
Orchester:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym) und Hanns Reinartz (professor and conductor at Würzburg)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IIIa. [Allegro] (no tempo marking)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo
Georg Friedrich Händel2:30
4Vesimusiiki-sarja nro 1 F-duuri, HWV 348: IV. Andante
Orchester:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IIIb. Andante
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo
Georg Friedrich Händel2:28
5Vesimusiiki-sarja nro 1 F-duuri, HWV 348: V. Allegro
Orchester:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IIIc. Allegro da capo
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo
Georg Friedrich Händel2:32
6Vesimusiiki-sarja nro 1 F-duuri, HWV 348: VI. A tempo di minuetto
Orchester:
Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (Nürnberger Symphoniker, the real orchestra) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Hanns Reinartz (professor and conductor at Würzburg) und Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IV. Minuet (no tempo marking)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel4:06
7Vesimusiiki-sarja nro 1 F-duuri, HWV 348: VII. Air
Orchester:
Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (Nürnberger Symphoniker, the real orchestra) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Hanns Reinartz (professor and conductor at Würzburg) und Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel4:15
8Vesimusiiki-sarja nro 1 F-duuri, HWV 348: VIII. Menuetti
Orchester:
Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (Nürnberger Symphoniker, the real orchestra) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Hanns Reinartz (professor and conductor at Würzburg) und Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VI. Minuet
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel2:08
9Vesimusiiki-sarja nro 1 F-duuri, HWV 348: IX. Bourrëe
Orchester:
Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (Nürnberger Symphoniker, the real orchestra) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Hanns Reinartz (professor and conductor at Würzburg) und Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VII. Bourrée. Presto
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel2:20
10Vesimusiiki-sarja nro 1 F-duuri, HWV 348: X. Hornpipe
Orchester:
Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (Nürnberger Symphoniker, the real orchestra) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Hanns Reinartz (professor and conductor at Würzburg) und Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: VIII. Hornpipe
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel2:12
11Vesimusiiki-sarja nro 1 F-duuri, HWV 348: XI. Allegro moderato
Orchester:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IIIa. [Allegro] (no tempo marking)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IX. [Allegro moderato] (no tempo marking, sometimes marked Andante)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel4:25
12Vesimusiiki-sarja nro 2 D-duuri, HWV 349: I. Andante
Orchester:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 11. Allegro (Wassermusik Suite Nr. 2 D-Dur, HWV 349: I. Allegro)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 2 in D major, HWV 349 (Wassermusik Suite Nr. 2 D-Dur, HWV 349)
Georg Friedrich Händel1:48
13Vesimusiiki-sarja nro 2 D-duuri, HWV 349: II. Allegro: alla Hornpipe
Orchester:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (Wassermusik Suite Nr. 2 D-Dur, HWV 349: II. Alla Hornpipe)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 2 in D major, HWV 349 (Wassermusik Suite Nr. 2 D-Dur, HWV 349)
Georg Friedrich Händel5:17
14Vesimusiiki-sarja nro 2 D-duuri, HWV 349: III. Coro
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym), Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (Alfred Scholz pseudonym) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Luigi Varese (an Alfred Scholz pseudonym) und Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Suite no. 2 in D-major ex "Water Music": Coro
Komponist(in):
George Frideric Handel (German‐British baroque composer)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 13. Minuet (Wassermusik Suite Nr. 2 D-Dur, HWV 349: III. Minuet)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 2 in D major, HWV 349 (Wassermusik Suite Nr. 2 D-Dur, HWV 349)
Georg Friedrich Händel1:25
15Vesimusiiki-sarja nro 2 D-duuri, HWV 349: IV. Loure
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym) und Luigi Varese (an Alfred Scholz pseudonym)
recording of:
Suite no. 2 in D-major ex "Water Music": Loure
Komponist(in):
George Frideric Handel (German‐British baroque composer)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 14. Lentement (Wassermusik Suite Nr. 2 D-Dur, HWV 349: IV. Lentement)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 2 in D major, HWV 349 (Wassermusik Suite Nr. 2 D-Dur, HWV 349)
Georg Friedrich Händel2:00
16Vesimusiiki-sarja nro 2 D-duuri, HWV 349: V. Bourrëe
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym) und Luigi Varese (an Alfred Scholz pseudonym)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 15. Bourrée (Wassermusik Suite Nr. 2 D-Dur, HWV 349: V. Bourrée)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 2 in D major, HWV 349 (Wassermusik Suite Nr. 2 D-Dur, HWV 349)
Georg Friedrich Händel1:31
17Ilotulitusmusiiki D-duuri, HWV 351: I. Alkusoitto
Orchester:
Philharmonia Slavonica (Alfred Scholz pseudonym) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) und Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Music for the Royal Fireworks, HWV 351: I. Ouverture
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1749)
Teil von:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel9:32
18Ilotulitusmusiiki D-duuri, HWV 351: II. Bourrëe
Orchester:
Philharmonia Slavonica (Alfred Scholz pseudonym) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) und Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Music for the Royal Fireworks, HWV 351: II. Bourrée
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1749)
Teil von:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel1:15
19Ilotulitusmusiiki D-duuri, HWV 351: III. La Paix
Orchester:
Philharmonia Slavonica (Alfred Scholz pseudonym) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) und Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Music for the Royal Fireworks, HWV 351: III. La Paix: Largo alla siciliana
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1749)
Teil von:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel3:39
20Ilotulitusmusiiki D-duuri, HWV 351: IV. Menuetti I
Orchester:
Philharmonia Slavonica (Alfred Scholz pseudonym) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) und Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Music for the Royal Fireworks, HWV 351: Va. Menuet I
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1749)
Teil von:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
Georg Friedrich Händel0:59
21Ilotulitusmusiiki D-duuri, HWV 351: V. Menuetti II
Orchester:
Philharmonia Slavonica (Alfred Scholz pseudonym) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) und Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Music for the Royal Fireworks, HWV 351: Vb. Menuet II
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1749)
Teil von:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
Georg Friedrich Händel1:18
22Ilotulitusmusiiki D-duuri, HWV 351: VI. La Rëjouissance
Orchester:
Philharmonia Slavonica (Alfred Scholz pseudonym) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) und Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1749)
Teil von:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel2:14
7▼CD: Schubert: Haaveilumusiikkia
Nr.TitelKünstlerBewertungLänge
1Sinfonia nro 7 h-molli, D 759 "Keskeneräinen-sinfonia": I. Allegro moderato
Orchester:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato
Komponist(in):
Franz Schubert (composer) (in 1822)
Teil von:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert13:42
2Sinfonia nro 7 h-molli, D 759 "Keskeneräinen-sinfonia": II. Andante con moto
Orchester:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto
Komponist(in):
Franz Schubert (composer) (in 1822)
Teil von:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert10:24
3Kvintetto A-duuri, D 667 "Forellikvintetto": I. Allegro vivace
Klavier:
Hugo Steurer (classical pianist)
Saiteninstrumente:
Quintetto Caspar da Salo (string quartet, Alfred Scholz related)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: I. Allegro vivace
Komponist(in):
Franz Schubert (composer) (in 1819)
Teil von:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert12:32
4Kvintetto A-duuri, D 667 "Forellikvintetto": II. Andante
Klavier:
Hugo Steurer (classical pianist)
Saiteninstrumente:
Quintetto Caspar da Salo (string quartet, Alfred Scholz related)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: II. Andante
Komponist(in):
Franz Schubert (composer) (in 1819)
Teil von:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert7:00
5Kvintetto A-duuri, D 667 "Forellikvintetto": III. Scherzo: Presto
Klavier:
Hugo Steurer (classical pianist)
Saiteninstrumente:
Quintetto Caspar da Salo (string quartet, Alfred Scholz related)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: III. Scherzo. Presto
Komponist(in):
Franz Schubert (composer) (in 1819)
Teil von:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert4:05
6Kvintetto A-duuri, D 667 "Forellikvintetto": IV. Thema con variazioni: Andantino - Allegretto
Instrumente:
Wiener Klavierquintett
Klavier:
Hugo Steurer (classical pianist)
Saiteninstrumente:
Quintetto Caspar da Salo (string quartet, Alfred Scholz related)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto (Klavierquintett A-Dur "Forellenquintett", op. 114, D. 667: IV. Thema mit Variationen: Andantino)
Komponist(in):
Franz Schubert (composer) (in 1819)
publisher:
G. Henle Verlag
Teil von:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert7:35
7Kvintetto A-duuri, D 667 "Forellikvintetto": V. Finale: Allegro giusto
Instrumente:
Caspar da Salo Quartet (string quartet, Alfred Scholz related)
Klavier:
Hugo Steurer (classical pianist)
Saiteninstrumente:
Quintetto Caspar da Salo (string quartet, Alfred Scholz related)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: V. Finale. Allegro giusto
Komponist(in):
Franz Schubert (composer) (in 1819)
Teil von:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert6:32
8▶CD: J. Strauss: Valssikunigas
9▶CD: Grieg: Norjan kaikuja
10▶CD: J.S. Bach: Barokin huipennus
11▶CD: Debussy: Runollisia sävelkuvia
12▶CD: Mendelssohn: Klassista eleganssia