Remembering the 40s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Mono recordings

Anmerkung zuletzt geändert am 2014-03-05 18:53 UTC.

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1▼Kassette: 1940 / 1941 – 1942
Nr.TitelKünstlerBewertungLänge
A1In the Quarter Master’s Stores
recording of:
In the Quartermaster's Stores (1930s song)
Verfasser(in):
Desmond Cox und Elton Box
Al Harvey & Bob Harvey3:20
A2Bless ’em All
recording of:
Bless ’em All (1917 song)
Verfasser(in):
Fred Godfrey (early 20th century songwriter)
Teil von:
Roud Folk Song Index (Nummer: 8402)
Bertha Wilmott3:08
A3When You Wish Upon a Star
Stimme/Gesang:
Ray Eberle (big band vocalist)
conductor:
Glenn Miller (jazz band leader)
cover recording of:
When You Wish Upon a Star (Pinocchio, 1940 film)
Texter:
Ned Washington
Komponist(in):
Leigh Harline
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Chappell Music Ltd.
Teil von:
The 13th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1940 winner)
Medley von:
Little Wooden Head (Pinocchio, 1940 film, music cue)
Medley von:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
Medley von:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
Teil von:
Celebrate the Future Hand in Hand
Teil von:
Pinocchio (1940 Disney film soundtrack)
Ray Eberle & The Glenn Miller Orchestra2:53
A4San Antonio Rose
alto saxophone:
Matty Matlock (am 1940-12-16) und Arthur Rando (am 1940-12-16)
Gitarre:
Nappy Lamare (am 1940-12-16)
Klarinette:
Hank D'Amico (am 1940-12-16)
Klavier:
Jess Stacy (am 1940-12-16)
Kontrabass:
Bob Haggart (am 1940-12-16)
Kornett:
Muggsy Spanier (am 1940-12-16)
Posaune:
Elmer Smithers (am 1940-12-16)
Schlagzeug:
Ray Bauduc (am 1940-12-16)
Tenorsaxophon:
Eddie Miller (US jazz saxophonist) (am 1940-12-16) und Gil Rodin (am 1940-12-16)
Trompete:
Max Herman (am 1940-12-16) und Al King (Big Band-era trumpeter) (am 1940-12-16)
vocals:
Bing Crosby (am 1940-12-16)
conductor:
Bob Crosby (am 1940-12-16)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
cover recording of:
San Antonio Rose (am 1940-12-16)
Texter und Komponist(in):
Bob Wills (Texan Western swing musician, songwriter, and bandleader)
publisher:
Bourne Co. (not for release label use, this is a music publisher) (vom 1940-06-05 bis heute) und Irving Berlin Inc. (am 1940-06-05)
Bing Crosby & Bob Crosby and His Orchestra3:17
A5Run Rabbit Run
recording of:
Run Rabbit Run
Texter:
Ralph Butler und Noel Gay
Komponist(in):
Noel Gay
publisher:
Campbell Connelly & Co. Ltd. und Noel Gay Music Co. Ltd.
Flanagan and Allen2:46
A6Frenesi
cover recording of:
Frenesí
Texter und Komponist(in):
Alberto Domínguez
recording of:
Frenesí
Texter und Komponist(in):
Alberto Domínguez
Artie Shaw and His Orchestra3:08
A7There’s a Boy Coming Home on Leave
recording of:
There's a Boy Coming Home on Leave
Verfasser(in):
Jimmy Kennedy (Irish songwriter) (in 1940)
Bebe Daniels and Ben Lyon2:47
A8We’re Gonna Hang Out the Washing on the Siegfried Line
recording of:
We’re Going to Hang out the Washing on the Siegfried Line
Texter:
Jimmy Kennedy (Irish songwriter)
Komponist(in):
Michael Carr (songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd. und Peter Maurice Music Co. Ltd.
Flanagan and Allen2:44
A9Pennsylvania 6-5000
recording of:
Pennsylvania 6‒5000 (PEnnsylvania 6‒5000)
Texter:
Carl Sigman
Komponist(in):
Jerry Gray (US big band arranger and conductor)
geschrieben bei:
Hotel Pennsylvania in New York, New York, Vereinigte Staaten (in 1940)
The Glenn Miller Orchestra3:21
A10It’s a Lovely Day Tomorrow
recording of:
It’s a Lovely Day Tomorrow
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Inc. und Irving Berlin Music Company
Jack Payne & His Orchestra3:12
A11I’ll Never Smile Again
recording of:
I’ll Never Smile Again
Texter und Komponist(in):
Ruth Lowe
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Pickwick Music (publisher), Universal Music Corp. (USA, affiliated with ASCAP) und Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frank Sinatra, The Pied Pipers & Tommy Dorsey & His Orchestra3:13
A12Beat Me Daddy, Eight to the Bar
recording of:
Beat Me Daddy, Eight to the Bar (1940 song)
Verfasser(in):
Hughie Prince, Don Raye und Eleanore Sheehy
Ray McKinley & Will Bradley and His Orchestra52:35
A13Trade Winds
recording of:
Trade Winds (1940s song)
Verfasser(in):
Cliff Friend (US composer, lyricist & pianist) und Charles Tobias (Tin Pan Alley songwriter)
publisher:
Ched Music Corp. und Warner Bros. Music (publisher; do NOT use as release label)
Bing Crosby & Dick McIntire & His Harmony Hawaiians3:17
A14A Nightingale Sang in Berkeley Square
cover recording of:
A Nightingale Sang in Berkeley Square
Texter:
Eric Maschwitz (Holt Marvell)
Komponist(in):
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. und Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Elsie Carlisle3:08
A15Roll Out the Barrel
cover recording of:
Beer Barrel Polka
Komponist(in):
Jaromír Vejvoda (in 1927)
arranger:
Eduard Ingriš (von 1927 bis 1934)
Übersetzer:
Lew Brown (in 1939) und Wladimir A. Timm (Wladimir Timm) (in 1939)
Teil von:
Roud Folk Song Index (Nummer: 25648)
übersetzte Version von:
Škoda lásky (Schade um die Liebe, see also "Rosamunde" and "Beer Barrel Polka")
The Rex Massed Bands And Chorus2:43
A16We’ll Meet Again
recording of:
We’ll Meet Again
Texter:
Hugh Charles
Komponist(in):
Hugh Charles und Ross Parker
publisher:
Dash Music Co. Ltd., Music Sales Corporation (American copyright holder in both popular and classical music), World Music Co. und World Music, Inc.
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Vera Lynn3:26
B1American Patrol
conductor:
Billy May
aufgenommen bei:
Shrine Auditorium in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-04-17)
live recording of:
American Patrol (swing version) (in 1954-04)
Komponist(in):
F. W. Meacham (in 1885)
arranger:
Jerry Gray (US big band arranger and conductor) (in 1942)
publisher:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
Arrangement von:
American Patrol
recording of:
American Patrol (swing version)
Komponist(in):
F. W. Meacham (in 1885)
arranger:
Jerry Gray (US big band arranger and conductor) (in 1942)
publisher:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
Arrangement von:
American Patrol
The Glenn Miller Orchestra3:37
B2A Pair of Silver Wings
recording of:
A Pair of Silver Wings (1942 song)
Texter:
Eric Maschwitz (Holt Marvell)
Komponist(in):
Michael Carr (songwriter)
Anne Shelton3:10
B3The Hut‐Sut Song
recording of:
The Hut-Sut Song (1941 song)
Verfasser(in):
Leo Killion (songwriter), Ted McMichael (songwriter, actor) und Jack Owens (singer/songwriter "The Cruising Crooner")
Freddy Martin and His Orchestra2:45
B4Do I Worry?
recording of:
Do I Worry? (1940s song)
Verfasser(in):
Stanley Cowan (composer, songwriter) und Bobby Worth (American songwriter)
publisher:
Melody Lane Publications Inc.
The Ink Spots2:40
B5When They Sound the Last All‐Clear
recording of:
When They Sound the Last “All Clear”
Texter:
Harold Elton Box und Desmond Cox
Komponist(in):
Hugh Charles
Donald Peers2:50
B6Silent Night
Chorgesang:
Max Terr’s Mixed Chorus (am 1942-06-08)
Sologesang:
Bing Crosby (am 1942-06-08)
Orchester:
John Scott Trotter and his Orchestra (am 1942-06-08)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1942-06-08)
recording of:
Silent Night (Christmas carol, English translation) (am 1942-06-08)
Texter:
Josef Mohr (composer/author) (in 1816)
Komponist(in):
Franz Xaver Gruber (composer/author) (in 1818)
Übersetzer:
John Freeman Young (in 1859)
Teil von:
Roud Folk Song Index (Nummer: 27088)
übersetzte Version von:
Stille Nacht, heilige Nacht
Bing Crosby, The Max Terr Choir & John Scott Trotter and His Orchestra52:41
B7The White Cliffs of Dover
Sologesang:
Vera Lynn (am 1942-03-20)
vocals:
Vera Lynn
Orchester:
Jay Wilbur and His Band (am 1942-03-20)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1942)
recording of:
(There’ll Be Bluebirds Over) The White Cliffs of Dover (am 1942-03-20)
Texter:
Nat Burton (US songwriter)
Komponist(in):
Walter Kent
publisher:
Shapiro, Bernstein & Co., Inc. und Walter Kent Music Co.
Vera Lynn3:17
B8Yours
recording of:
Yours (1931 version of "Quiéreme mucho")
Texter und Übersetzer:
Albert Gamse und Jack Sherr
Komponist(in):
Gonzalo Roig
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Peter Maurice Music Co. Ltd.
basiert auf:
Quiéreme mucho
Helen O’Connell, Bob Eberly & Jimmy Dorsey & His Orchestra3:18
B9Lili Marlene
recording of:
Lili Marlene (English lyrics by Tommie Connor)
Texter:
Hans Leip (von 1915-04-03 bis 1937)
Komponist(in):
Norbert Schultze (in 1937)
Übersetzer:
Tommie Connor (English songwriter)
publisher:
Peter Maurice Music Co. Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
übersetzte Version von:
Lili Marleen (Lied eines jungen Wachtpostens, original German version)
Lale Andersen2:52
B10Chatanooga Choo‐Choo
recording of:
Chattanooga Choo Choo
Texter:
Mack Gordon (in 1941)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1941)
publisher:
EMI Feist Catalog Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
Tex Beneke, Marion Hutton, The Modernaires & The Glenn Miller Orchestra3:31
B11Praise the Lord and Pass the Ammunition
recording of:
Praise the Lord and Pass the Ammunition (am 1942-07-31)
Texter und Komponist(in):
Frank Loesser
Kay Kyser & His Orchestra2:36
B12Down Forget‐Me‐Not Lane
recording of:
Down Forget-Me-Not Lane (1940s song)
Verfasser(in) und Komponist(in):
Charlie Chester (British comedian and TV/radio presenter), Reg Morgan (songwriter) und Horatio Nicholls (nom de guerre of Lawrence Wright)
Flanagan and Allen2:42
B13Rose O’Day
Orchester:
Jack Miller & His Orchestra
recording of:
Rose O'Day (1941 song)
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist) und Charles Tobias (Tin Pan Alley songwriter)
Kate Smith2:59
B14Paper Doll
vocals:
Donald Mills (am 1942-02-18), Harry Mills (am 1942-02-18), Herbert Mills (am 1942-02-18) und John Mills, Sr. (am 1942-02-18)
recording of:
Paper Doll (am 1942-02-18)
Texter und Komponist(in):
Johnny S. Black (in 1915)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
The Mills Brothers2:39
B15I, Yi Yi Yi Yi (I Like You Very Much)
recording of:
I, yi, yi, yi, yi
Verfasser(in):
Mack Gordon und Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp.
Teil von:
That Night in Rio (musical film, 1941)
Carmen Miranda2:16
B16Room Five Hundred and Four
instrumental recording of:
Room Five Hundred and Four
Texter:
Eric Maschwitz (Holt Marvell)
Komponist(in):
George Posford (English Composer)
Billy Mayerl2:43
2▼Kassette: 1943 – 1944 / 1944 – 1945
Nr.TitelKünstlerBewertungLänge
C1Holiday for Strings
recording of:
Holiday for Strings
Texter:
Sammy Gallop
Komponist(in):
David Rose (songwriter, pianist and orchestra leader)
David Rose & His Orchestra2:28
C2Coming in on a Wing and a Prayer
Interpret(in):
Anne Shelton
recording of:
Comin’ In on a Wing and a Prayer
Texter:
Harold Adamson
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Robbins Music Corp. (in 1943)
Anne Shelton & Ambrose and His Orchestra2:46
C3People Will Say We’re in Love
recording of:
People Will Say We’re in Love
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company und Williamson Music, Inc.
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Alfred Drake & Joan Roberts3:12
C4Sailor, Who Are You Dreaming of Tonight?
recording of:
Sailor, Who Are You Dreaming of Tonight? (1944 song)
Verfasser(in):
Ralph Butler, Stanley J. Damerell und Tolchard Evans
Alan Breeze & Billy Cotton & His Band2:46
C5After You’ve Gone
instrumental recording of:
After You’ve Gone
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
Benny Goodman3:16
C6Besame Mucho
recording of:
Bésame mucho (English lyric version by Sunny Skylar)
Komponist(in):
Consuelo Velázquez
Übersetzer:
Sunny Skylar
publisher:
Latin American Music, Peer International Corporation (BMI) und Promotora Hispano Americana De Musica S.A.
übersetzte Version von:
Bésame mucho (Kiss Me Much, Bésame, bésame mucho como si fuera esta noche la última vez)
Kitty Kallen, Bob Eberly & Jimmy Dorsey & His Orchestra3:02
C7The Homecoming Waltz
recording of:
The Homecoming Waltz (1940s song)
Verfasser(in):
Reginald Connelly, Bob Musel (American journalist, lyricist) und Ray Sonin (songwriter)
Donald Peers2:56
C8Jingle Bells
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-09-27)
Sologesang:
The Andrews Sisters (am 1943-09-27) und Bing Crosby (am 1943-09-27)
Orchester:
Vic Schoen and His Orchestra (am 1943-09-27)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1945)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1943-09-27)
cover recording of:
Jingle Bells (am 1943-09-27)
Texter und Komponist(in):
James Lord Pierpont (in 1850)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
komponiert bei und Liedtexte geschrieben bei:
Simpson Tavern in Medford, Massachusetts, Vereinigte Staaten (in 1850)
Bing Crosby & The Andrews Sisters32:38
C9I’m Going to Get Lit Up
recording of:
I’m Gonna Get Lit Up
Orchestrator(in):
J.A.C. Redford
Verfasser(in):
Hubert Gregg (in 1943)
Komponist(in):
Thomas Newman (American score composer)
Alan Breeze & Billy Cotton & His Band3:04
C10Pistol‐Packin’ Mama
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-09-27)
vocals:
The Andrews Sisters (am 1943-09-27) und Bing Crosby (am 1943-09-27)
Orchester:
Vic Schoen and His Orchestra (am 1943-09-27)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
cover recording of:
Pistol Packin’ Mama (am 1943-09-27)
publisher:
Albert Poindexter (am 1942-02-16)
Texter und Komponist(in):
Al Dexter
publisher:
Universal–Songs of PolyGram International, Inc.
Bing Crosby & The Andrews Sisters3.353:02
C11Into Each Life Some Rain Must Fall
vocals:
Ella Fitzgerald (American jazz singer) (am 1944-08-30)
cover recording of:
Into Each Life Some Rain Must Fall (am 1944-08-30)
Texter:
Allan Roberts (songwriter)
Komponist(in):
Doris Fisher
Ella Fitzgerald & The Ink Spots3:13
C12You’ll Never Know
cover recording of:
You’ll Never Know
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (beendet), EMI Blackwood Music Inc. und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
ワーナー・チャペル音楽出版 (Warner/Chappell Music Japan), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1943 winner)
Dick Haymes & The Song Spinners2:46
C13Begin the Beguine
cover recording of:
Begin the Beguine
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
Eddie Heywood and His Orchestra3:18
C14Is You Is or Is You Ain’t My Baby?
alto saxophone und Tenorsaxophon:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1943-10-04)
Klavier:
Arnold Thomas (am 1943-10-04)
Kontrabass:
Jesse ‘Po’ Simpkins (am 1943-10-04)
Schlagzeug:
Shadow Wilson (am 1943-10-04)
Trompete:
Eddie Roane (am 1943-10-04)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1943-10-04)
recording of:
Is You Is or Is You Ain’t My Baby? (am 1943-10-04)
Verfasser(in):
Bill Austin (in 1944) und Louis Jordan (US jazz, blues and r&b musician and songwriter) (in 1944)
publisher:
Universal‐MCA Music Publishing (US)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Louis Jordan and His Tympany Five52:44
C15Swingin’ on a Star
recording of:
Swinging on a Star
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
Komponist(in):
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Inc. und Music Sales Corporation (American copyright holder in both popular and classical music)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1944 winner)
Bing Crosby2:33
C16Skyliner
recording of:
Skyliner
Komponist(in):
Charlie Barnet (saxophonist, bandleader)
publisher:
Atlantic Music (BMI)
Charlie Barnet and His Orchestra3:06
D1On the Sunny Side of the Street
cover recording of:
On the Sunny Side of the Street
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
Tommy Dorsey & His Orchestra3:16
D2Bless You (For Being an Angel)
recording of:
Bless You (For Being an Angel) (1939 song)
Verfasser(in):
Don Baker (songwriter) und Eddie Lane (American songwriter)
The Ink Spots2:54
D3The Trolley Song
vocals:
Judy Garland (am 1944-04-21)
Orchester:
The Georgie Stoll Orchestra (am 1944-04-21)
conductor:
Georgie Stoll (am 1944-04-21)
recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (am 1944-04-21)
Texter:
Ralph Blane
Komponist(in):
Hugh Martin
publisher:
EMI Feist Catalog Inc., EMI United Partnership Ltd. und United Partnership Ltd.
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Meet Me in St. Louis (1944 musical film soundtrack)
Judy Garland52:53
D4Sentimental Journey
recording of:
Sentimental Journey
Texter:
Bud Green (in 1944)
Komponist(in):
Les Brown (American big band & jazz musician) (in 1944) und Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc. und Morley Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Doris Day & Les Brown and His Orchestra3:17
D5Don’t Fence Me In
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-07-25) und Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-07-25)
Sologesang:
The Andrews Sisters (am 1944-07-25) und Bing Crosby (am 1944-07-25)
Orchester:
Vic Schoen and His Orchestra (am 1944-07-25)
conductor:
Vic Schoen (am 1944-07-25)
recording of:
Don’t Fence Me In (am 1944-07-25)
Texter:
Robert Fletcher (US poet) (in 1934) und Cole Porter (composer) (in 1934)
Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
Bing Crosby & The Andrews Sisters3.53:08
D6There Goes That Song Again
recording of:
There Goes That Song Again (1944 song from “Carolina Blues”, J. Styne/S. Cahn)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
Adelaide Hall3:07
D7You Always Hurt the One You Love
recording of:
You Always Hurt the One You Love
Texter:
Allan Roberts (songwriter)
Komponist(in):
Doris Fisher
publisher:
Doris Fisher Music Corp.
The Mills Brothers3:25
D8We’ll Gather Lilacs
recording of:
We’ll Gather Lilacs (Perchance to Dream)
Texter und Komponist(in):
Ivor Novello (in 1945)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Perchance to Dream
Olive Gilbert & Muriel Barron4:37
D9Ac‐cent‐tchu‐ate the Positive (Mister in‐Between)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-12-08)
vocals:
The Andrews Sisters (am 1944-12-08) und Bing Crosby (am 1944-12-08)
Orchester:
Vic Schoen’s Orchestra (am 1944-12-08)
conductor:
Vic Schoen (am 1944-12-08)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
Ac‐cent‐tchu‐ate the Positive (am 1944-12-08)
Texter:
Johnny Mercer (in 1944)
Komponist(in):
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
Bing Crosby & The Andrews Sisters42:44
D10It Might as Well Be Spring
recording of:
It Might as Well Be Spring (State Fair)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
Dick Haymes3:08
D11Money Is the Root of All Evil
recording of:
Money Is the Root of All Evil (Take It Away, Take It Away, Take It Away)
Verfasser(in):
Alex Kramer (in 1945) und Joan Whitney (in 1945)
The Andrews Sisters2:41
D12Till the End of Time
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1945)
Orchester:
Russ Case and His Orchestra
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1945)
recording of:
Till the End of Time (am 1945-07-03)
Texter:
Buddy Kaye (in 1945)
Komponist(in):
Ted Mossman (in 1945)
basiert auf:
Polonaise in A‐flat major, op. 53 “Heroique”
Perry Como3:10
D13Roll Me Over
recording of:
Roll Me Over (1944 song)
Texter und Komponist(in):
Des O’Connor (English singer, lyricist)
Primo Scala and His Accordian Band3:00
D14There, I’ve Said It Again
cover recording of:
There I’ve Said it Again
Verfasser(in):
Redd Evans und David Mann (American songwriter)
publisher:
Campbell Connelly und Music Sales Corporation (American copyright holder in both popular and classical music)
Vaughn Monroe & The Norton Sisters3:06
D15I Can’t Begin to Tell You
recording of:
I Can’t Begin to Tell You
Texter:
Mack Gordon
Komponist(in):
James V. Monaco
publisher:
WC Music Corp.
Teil von:
The 19th Academy Award for Best Original Song (Nummer: 2)
Bing Crosby & Carmen Cavallaro2:54
D16Opus One
recording of:
Opus One (1943 song)
Texter:
Sidney Reginald Garris
Komponist(in):
Sy Oliver
publisher:
Embassy Music Corp. (am 1943-06-23)
Teil von:
New York, New York (1977 musical film soundtrack)
Tommy Dorsey & His Orchestra2:58
3▼Kassette: 1946 / 1947
Nr.TitelKünstlerBewertungLänge
E1(Give Me) Five Minutes More
recording of:
Five Minutes More
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Melrose Music Corp.
The Squadronaires3:08
E2Let It Snow, Let It Snow, Let It Snow
cover recording of:
Let It Snow! Let It Snow! Let It Snow!
Texter:
Sammy Cahn (in 1945-07)
Komponist(in):
Jule Styne (in 1945-07)
publisher:
Cahn Music Company, Chappell & Co., Chappell/Morris Ltd., Cherry Lane Music Ltd., Imagen Music, J. Albert & Son Pty. Ltd., Producers Music Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und WB Music Corp. (1929–2019)
Lew Stone & His Nova Tones2:48
E3The Old Lamp Lighter
cover recording of:
The Old Lamp Lighter (1946 song)
Texter:
Charles Tobias (Tin Pan Alley songwriter)
Komponist(in):
Nat Simon
Sammy Kaye & His Orchestra & Billy Williams Choir3:09
E4South America, Take It Away
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
vocals:
The Andrews Sisters (am 1946-05-11) und Bing Crosby (am 1946-05-11)
Orchester:
Vic Schoen’s Orchestra und Vic Schoen and His Orchestra (am 1946-05-11)
conductor:
Vic Schoen
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
South America, Take It Away (am 1946-05-11)
Texter und Komponist(in):
Harold Rome
Teil von:
Call Me Mister (1946 revue)
Bing Crosby, The Andrews Sisters & Vic Schoen and His Orchestra3:10
E5Glow‐Worm
recording of:
The Glow Worm (original 1905 translation)
Komponist(in):
Paul Lincke
Übersetzer:
Lilla Cayley Robinson
übersetzte Version von:
Lysistrata: „Glühwürmchen, Glühwürmchen flimm're” (Glühwürmchen-Idyll)
Spike Jones and His City Slickers3:12
E6I’m Always Chasing Rainbows
cover recording of:
I’m Always Chasing Rainbows
Texter:
Joseph McCarthy (lyricist, 1885–1943)
Komponist(in):
Harry Carroll und Fryderyk Chopin (Frédéric Chopin, composer)
publisher:
Burton Avenue Songs, EMI Robbins Catalog Inc. (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und リトルスター・コピーライトマネージメント (Little Star Copyright Management)
Version von:
Fantaisie‐impromptu in C‐sharp minor, op. 66
Teil von:
Irene (the musical)
Perry Como3:11
E7Anniversary Song
recording of:
Anniversary Song
Komponist(in):
Iosif Ivanovici (in 1880), Saul Chaplin (in 1946) und Al Jolson (in 1946)
Version von:
Valurile Dunării (Donauwellen)
Anne Shelton3:15
E8McNamara’s Band
recording of:
McNamara’s Band (1945 song)
Texter:
John J Stamford (songwriter) und The Jesters (Irish group from the '40s) (in 1945)
Komponist(in):
Shamus O'Connor (songwriter)
Revision von:
MacNamara’s Band
Bing Crosby, The Jesters & Bob Haggart and His Orchestra2:48
E9Ole Buttermilk Sky
recording of:
Ole Buttermilk Sky (1946 song)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Hoagy Carmichael
Teil von:
The 19th Academy Award for Best Original Song (Nummer: 2)
Hoagy Carmichael2:18
E10They Say It’s Wonderful (From Annie Get Your Gun)
Orchester:
Russ Case and His Orchestra
cover recording of:
They Say It’s Wonderful (from “Annie Get Your Gun”)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Co. und Irving Berlin Music Corp.
Teil von:
Annie Get Your Gun
Perry Como2:37
E11Humoresque
recording of:
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements)
Komponist(in):
Antonín Dvořák (composer) (in 1894)
Arrangement von:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
Guy Lombardo & His Royal Canadians2:29
E12Let Bygones Be Bygones
recording of:
Let Bygones Be Bygones (1933 song)
Texter und Komponist(in):
Joseph Gilbert (songwriter)
Issy Bonn2:43
E13To Each His Own
cover recording of:
To Each His Own
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
The Ink Spots3:10
E14The Coffee Song
cover recording of:
The Coffee Song (1946 song)
Texter:
Bob Hilliard
Komponist(in):
Dick Miles (songwriter, composer)
publisher:
Cromwell Music, Inc.
Edmundo Ros2:36
E15Prisoner of Love
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (am 1945-12-18)
Orchester:
Russ Case and His Orchestra (am 1945-12-18)
cover recording of:
Prisoner of Love (am 1945-12-18)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Russ Columbo (American singer, songwriter, violinist and actor) und Clarence Gaskill
publisher:
Colgems-EMI Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Music Sales Corporation (American copyright holder in both popular and classical music)
recording of:
Prisoner of Love (am 1945-12-18)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Russ Columbo (American singer, songwriter, violinist and actor) und Clarence Gaskill
publisher:
Colgems-EMI Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Music Sales Corporation (American copyright holder in both popular and classical music)
Perry Como43:30
E16Cement Mixer (Pu‐Ti Put‐Ti)
recording of:
Cement Mixer
Komponist(in):
Slim Gaillard
The Squadronaires2:37
F1Confess
cover recording of:
Confess (1947 song)
Verfasser(in):
Bennie Benjamin und George David Weiss
Doris Day & Buddy Clark3:00
F2Open the Door, Richard
cover recording of:
Open the Door, Richard (1946 song)
Texter:
Dan Howell und John Mason ("Spider Bruce", vaudeville comedian)
Komponist(in):
Jack McVea
Louis Jordan and His Tympany Five3:06
F3Ballerina (dance, Ballerina, dance)
recording of:
Ballerina
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
Komponist(in):
Carl Sigman
Vaughn Monroe & His Orchestra3:29
F4I’ll Make Up for Everything
recording of:
I’ll Make Up for Everything (1948 song)
Texter und Komponist(in):
Ross Parker
publisher:
Peter Maurice Music Co. Ltd.
Vera Lynn3:16
F5The Shoemaker’s Serenade
recording of:
The Shoemaker's Serenade (1947 song)
Verfasser(in):
Eddie Lisbona und Joe Lubin
Johnny Denis and His Ranchmen3:22
F6I’ll Hold You in My Heart
recording of:
I’ll Hold You in My Heart (’Till I Can Hold You in My Arms) (am 1947-05-18)
Texter und Komponist(in):
Eddy Arnold, Hal Horton (songwriter) und Tommy Dilbeck
publisher:
Adams, Vee & Abbott, Inc. (am 1947-05-15)
Eddy Arnold & His Tennessee Plowboys42:44
F7Hear My Song, Violetta
recording of:
Hear My Song, Violetta (1937 song, version of "Hör' mein Lied, Violetta")
Texter und Übersetzer:
Harry S Pepper (songwriter)
Komponist(in):
Othmar Klose, Rudolf Lukesch und Giuseppe Verdi (Italian opera composer)
publisher:
Chappell & Co., Inc. (USA)
basiert auf:
Hör mein Lied, Violetta
Mantovani3:05
F8Chi‐Baba, Chi‐Baba (My Bambino Go to Sleep)
Hintergrundgesang:
The Satisfiers (in 1947)
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (am 1947-04-10)
Orchester:
Lloyd Shaffer and His Orchestra (in 1947)
recording of:
Chi-Baba, Chi-Baba (My Bambino Go to Sleep)
Verfasser(in):
Mack David (American lyricist and songwriter), Al Hoffman und Jerry Livingston (songwriter)
Perry Como2:59
F9Fiddle‐Faddle
recording of:
Fiddle‐Faddle (1947 instrumental)
Komponist(in):
Leroy Anderson (bis 1947-01-01)
Kingsway Symphony Orchestra3:12
F10My Love Is Only for You
recording of:
My Love Is Only for You (1946 song)
Texter:
Clarkson Rose (comedian / songwriter)
Komponist(in):
Conrad Leonard
Primo Scala and His Accordian Band3:21
F11Easter Parade
cover recording of:
Easter Parade (from “Easter Parade”)
Texter und Komponist(in):
Irving Berlin (in 1933)
Teil von:
Easter Parade (full musical)
Guy Lombardo & His Royal Canadians2:43
F12The Stars Will Remember You
recording of:
The Stars Will Remember (1946 song)
Verfasser(in):
Don Pelosi und Leo Towers (songwriter)
Scotty McHarg3:08
F13I Wish I Didn’t Love You So
cover recording of:
I Wish I Didn’t Love You So (The Perils of Pauline)
Texter und Komponist(in):
Frank Loesser
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Sony/ATV Harmony
Teil von:
The 20th Academy Award for Best Original Song (Nummer: 2)
Dick Haymes2:53
F14Alexander’s Ragtime Band
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1947-03-25 bis 1947-03-26)
Sologesang:
Bing Crosby (von 1947-03-25 bis 1947-03-26) und Al Jolson (von 1947-03-25 bis 1947-03-26)
Orchester:
Morris Stoloff and His Orchestra (von 1947-03-25 bis 1947-03-26)
conductor:
Morris Stoloff (von 1947-03-25 bis 1947-03-26)
Teil von:
V Disc (by matrix number) (Nummer: J 452 (2))
cover recording of:
Alexander’s Ragtime Band (am 1947-03-31)
Texter und Komponist(in):
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
Bing Crosby, Al Jolson & Morris Stoloff & His Orchestra3:03
F15May I Call You Sweetheart?
recording of:
May I Call You Sweetheart? (1947 song)
Verfasser(in):
Jack Denby (songwriter), Lewis Ilda (songwriter) und Muriel Watson (songwriter)
Issy Bonn2:57
F16The Darktown Poker Club
recording of:
The Darktown Poker Club (1913 song)
Texter:
Jean Havez (songwriter)
Komponist(in):
Will Vodery (songwriter) und Bert Williams
Phil Harris3:13
4▶Kassette: 1948 / 1949

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