The Box Set Series: ’70s Soul

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1When Will I See You Again
recording of:
When Will I See You Again
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees2:36
2Back Stabbers
recording engineer:
Joe Tarsia (engineer) (in 1972)
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1972)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Back Stabbers (in 1972)
Verfasser(in):
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden und John Whitehead
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:05
3Ain’t No Sunshine
recording engineer:
Bill Halverson (in 1971) und Bill Lazarus (in 1971)
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
Akustikgitarre:
Stephen Stills (in 1971)
E-Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
Sologesang:
Bill Withers (in 1971)
Saiteninstrumente arranger:
Booker T. Jones
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
Teil von:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 280) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 309)
recording of:
Ain’t No Sunshine (in 1971)
Texter und Komponist(in):
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Bill Withers4.552:05
4Thank You (Falettinme Be Mice Elf Again)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 402)
recording of:
Thank You (Falettinme Be Mice Elf Agin) (in 1969)
Texter und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
Sly & the Family Stone4.654:49
5T.S.O.P. (The Sound of Philadelphia)
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff) und Bobby Martin (US soul/R&B producer/arranger)
Mix:
Tom Moulton
vocals:
Sheila Ferguson, Valerie Holiday und Fayette Pinkney
arranger:
Bobby Martin (US soul/R&B producer/arranger)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
Remix von:
TSOP (The Sound of Philadelphia) (Ferguson, Holiday, Pinkney) von MFSB (Mother Father Sister Brother) feat. The Three Degrees
recording of:
TSOP (The Sound of Philadelphia) (in 1973)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mighty Three Music, Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
MFSB featuring The Three Degrees5:49
6O‐o‐h Child
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 12) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 392)
recording of:
O‐o‐h Child
Texter und Komponist(in):
Stan Vincent (1960s/70s pop songwriter)
publisher:
Flamingo Music, Kama Sutra Music Inc. (USA branch), Stan Vincent Music, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
The Five Stairsteps3.83:14
7Everybody Plays the Fool
recording of:
Everybody Plays the Fool
Verfasser(in):
J.R. Bailey (singer and songwriter), Rudy Clark (US songwriter) und Ken Williams (songwriter)
publisher:
Trio Music Company, Alley Music Corp. (in 1991) und Trio Music Co., Inc. (in 1991)
The Main Ingredient3:24
8Rock the Boat
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1973)
recording of:
Rock the Boat
Texter und Komponist(in):
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation53:20
9Midnight Train to Georgia
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 74), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 432) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 470)
recording of:
Midnight Train to Georgia
Texter und Komponist(in):
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.54:39
10The Groove Line
recording of:
The Groove Line
Texter und Komponist(in):
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave7:27
11Strawberry Letter 23
Shuggie Otis3:58
12(If You Let Me Make Love to You Then) Why Can’t I Touch You?
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 74)
Ronnie Dyson3:24
2▼CD
Nr.TitelKünstlerBewertungLänge
1Lady Marmalade
Produzent(in):
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 411) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
Labelle3.33:57
2The Love I Lost
Produzent(in):
Gamble & Huff
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1973)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 470)
recording of:
The Love I Lost (in 1973)
Verfasser(in):
Gamble & Huff, Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes6:23
3Shining Star
Techniker(in):
George Massenburg
Koproduzent(in):
Charles Stepney (musician, producer, arranger and songwriter)
Produzent(in):
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire und Charles Stepney (musician, producer, arranger and songwriter)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
Shining Star
Verfasser(in):
Philip Bailey, Lorenzo Dunn und Maurice White (Earth, Wind & Fire)
publisher:
EMI April Music Inc.
Earth, Wind & Fire42:51
4Love Train
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Love Train (in 1972)
Texter und Komponist(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:59
5Love or Let Me Be Lonely
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 63)
recording of:
Love or Let Me Be Lonely
Verfasser(in):
Jerry Peters, Anita Porée und Skip Scarborough
publisher:
Porpete Music (BMI)
The Friends of Distinction3:21
6That Lady (Parts 1 & 2)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 17), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 30), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 346) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 349)
recording of:
That Lady
Verfasser(in):
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. und EMI Songs Ltd.
Version von:
Who’s That Lady
The Isley Brothers45:35
7Kiss and Say Goodbye
Instrumente:
MFSB (Mother Father Sister Brother)
Hintergrundgesang:
Carla Benson, Evette Benton, Barbara Ingram und The Manhattans (New Jersey vocal group, notable for “Kiss and Say Goodbye”)
Sologesang [singing voice on 1st lead]:
Gerald Alston
Sprecher [spoken voice on 2nd lead]:
Winfred Lovett (Lovett Winfred Lorenzo)
recording of:
Kiss and Say Goodbye
Texter und Komponist(in):
Winfred Lovett (Lovett Winfred Lorenzo)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. und EMI Songs Ltd.
The Manhattans3.54:27
8Family Affair
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 138)
recording of:
Family Affair
Texter und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.353:06
9Best of My Love
Produzent(in):
Al McKay
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 334)
recording of:
Best of My Love
Verfasser(in):
Al McKay und Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:41
10Ain’t No Stoppin’ Us Now
Produzent(in):
Jerry Cohen, Gene McFadden und John Whitehead
arranger:
Jack Faith
recording of:
Ain’t No Stoppin’ Us Now
Verfasser(in):
Jerry Cohen, Gene McFadden und John Whitehead
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
McFadden & Whitehead7:02
11Cherchez la femme / Se si bon
recording of:
Cherchez la femme
Verfasser(in):
Stony Browder Jr. und August Darnell (singer, songwriter)
Dr. Buzzard’s Original Savannah Band55:48
12Betcha by Golly Wow
Interpret(in):
Phyllis Hyman
cover recording of:
Betcha by Golly, Wow (fka “Keep Growing Strong”)
Verfasser(in):
Thom Bell (keyboards, songwriter, producer) und Linda Creed
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Norman Connors featuring Phillis Hyman3:46
3▼CD
Nr.TitelKünstlerBewertungLänge
1You’ll Never Find Another Love Like Mine
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976)
recording of:
You’ll Never Find Another Love Like Mine
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lou Rawls4:26
2Didn’t I (Blow Your Mind This Time)
vocals:
The Delfonics (in 1969-11)
Orchester:
The Thom Bell Orchestra (in 1969-11)
mixed at:
Longwear Plating in Long Island, New York, Vereinigte Staaten (in 1969-11)
recording of:
Didn’t I (Blow Your Mind This Time) (in 1969-11)
Verfasser(in):
Thom Bell (keyboards, songwriter, producer) (in 1969) und William Hart (of The Delfonics) (in 1969)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Delfonics4.353:22
3Standing in the Safety Zone
Bobby Womack & Brotherhood5:14
4Don’t Leave Me This Way
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3.56:04
5Use Me
Techniker(in):
Bob Hughes (engineer) und Phil Sheer
Produzent(in):
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) und Bill Withers
Akustikgitarre:
Benorce Blackmon (guitarist, producer, writer)
Clavinet und Wurlitzer Electric Piano:
Ray Jackson (trombonist, pianist and arranger)
E-Bass:
Melvin Dunlap
Perkussion und Schlagzeug:
James Gadson (American drummer)
Sologesang:
Bill Withers
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
aufgenommen bei:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Use Me
Texter und Komponist(in):
Bill Withers
publisher:
Interior Music Corp. (in 1972)
Bill Withers4.33:43
6Boogie Nights
recording engineer und Mix:
James Guthrie
assistierende(r) Techniker(in):
Nigel Adams, Peter Silver und Greg Walsh (producer and engineer)
Produzent(in):
Barry Blue (singer, producer, and songwriter)
Bassgitarre:
Mario Mantese
Gitarre:
Eric Johns
Keyboard:
Rod Temperton
Perkussion:
Ernest (Bilbo) Berger und Johnnie Wilder, Jr. (US vocalist for Heatwave)
Schlagzeug:
Ernest (Bilbo) Berger
Hintergrundgesang:
Johnnie Wilder, Jr. (US vocalist for Heatwave)
Sologesang:
Keith Wilder
conductor:
John Cameron (British composer, arranger and conductor)
Orchestrator(in):
John Cameron (British composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
GTO Records Ltd. (holding company - file no releases here!) (in 1976)
produced for:
Indigo (production imprint used by Barry Blue)
aufgenommen bei:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Boogie Nights
Texter und Komponist(in):
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music, Tincabell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave55:04
7Me and Mrs. Jones
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Billy Paul (American soul singer) (in 1972)
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1972)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Me and Mrs. Jones (in 1972)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:46
8Shame
recording of:
Shame
Verfasser(in):
Reuben Cross und John H. Fitch, Jr.
publisher:
Dunbar Music, Inc. und Mills & Mills Music
Evelyn “Champagne” King4:37
9That’s the Way of the World
Techniker(in):
George Massenburg
Koproduzent(in):
Charles Stepney (musician, producer, arranger and songwriter)
Produzent(in):
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire und Charles Stepney (musician, producer, arranger and songwriter)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 329)
recording of:
That’s the Way of the World
Verfasser(in):
Charles Stepney (musician, producer, arranger and songwriter), Maurice White (Earth, Wind & Fire) und Verdine White
publisher:
Embassy Music Corporation und EMI April Music Inc.
Earth, Wind & Fire3.255:45
10Jack and Jill
Raydio4:34
11Dream Merchant
cover recording of:
Mr. Dream Merchant
Verfasser(in):
Jerry Ross (Philadelphia soul composer/producer) und Larry Weiss (American singer-songwriter)
The New Birth4:25
4▼CD
Nr.TitelKünstlerBewertungLänge
1Close the Door
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
recording of:
Close the Door
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teddy Pendergrass5:26
2Dazz
assistierende(r) Techniker(in):
Phil Benton
Techniker(in):
Johnny Duncan (producer)
Produzent(in):
Brick (US soul funk disco quintet), Johnny Duncan (producer), Jim Healy und Robert E. Lee
Saiteninstrumente:
David Arenz, Larry LeMaster (cellist), Heidi Nitchie (violist), Benjamin Picone, Patricio Salvatierra (Strings) und Willard Shull
Orchester:
Atlanta Symphony Players
Saiteninstrumente arranger:
Skip Lane
produced for:
Brickhouse Productions (music production company in the mid 1970s)
aufgenommen bei:
The Sound Pit in Atlanta, Georgia, Vereinigte Staaten, Trolley Tracks in College Park, Georgia, Vereinigte Staaten und Webb IV Recording Studio in Atlanta, Georgia, Vereinigte Staaten
recording of:
Dazz
Verfasser(in):
Reginald J. Hargis (funk guitarist, bass player and singer), Eddie Irons und Ray Ransom
publisher:
BMG Gold Songs, H&R Lastrada Music und Silver Cloud Music LLC
Teil von:
10 Things I Hate About You
Brick45:37
3You Little Trustmaker
recording of:
You Little Trustmaker
Texter und Komponist(in):
Christopher Mark Jackson (funk/soul songwriter, active in the ’60s and ’70s)
The Tymes2:48
4I’ll Always Love My Mama
Produzent(in):
Gamble-Huff
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1973)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
recording of:
I’ll Always Love My Mama (in 1973)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden und John Whitehead
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Intruders6:38
5Lean on Me
Produzent(in):
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) und Bill Withers
E-Bass:
Melvin Dunlap (in 1972)
E-Gitarre:
Benorce Blackmon (guitarist, producer, writer) (in 1972)
Klavier und Sologesang:
Bill Withers (in 1972)
Perkussion und Schlagzeug:
James Gadson (American drummer) (in 1972)
Wurlitzer Electric Piano:
Ray Jackson (trombonist, pianist and arranger) (in 1972)
Saiteninstrumente arranger:
Ray Jackson (trombonist, pianist and arranger)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1972), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 236)
recording of:
Lean on Me (in 1972)
Texter und Komponist(in):
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers4.254:17
6Shining Star
recording of:
Shining Star
Verfasser(in):
Leo Graham Jr. (producer / composer / lyricist) und Paul Richmond (producer - songwriter - bassist)
The Manhattans54:41
7Always and Forever
recording engineer und Mix:
James Guthrie
assistierende(r) Techniker(in):
Nigel Adams, Peter Silver und Greg Walsh (producer and engineer)
Produzent(in):
Barry Blue (singer, producer, and songwriter)
Bassgitarre:
Mario Mantese
Gitarre:
Eric Johns
Keyboard:
Rod Temperton
Perkussion:
Ernest (Bilbo) Berger und Johnnie Wilder, Jr. (US vocalist for Heatwave)
Schlagzeug:
Ernest (Bilbo) Berger
Hintergrundgesang und Sologesang:
Johnnie Wilder, Jr. (US vocalist for Heatwave)
conductor:
John Cameron (British composer, arranger and conductor)
Orchestrator(in):
John Cameron (British composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
GTO Records Ltd. (holding company - file no releases here!) (in 1976)
produced for:
Indigo (production imprint used by Barry Blue)
aufgenommen bei:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Always and Forever
Texter und Komponist(in):
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.356:15
8Stand!
Bassgitarre:
Larry Graham (US bassist & singer) (am 1969-02-27)
Gitarre:
Freddie Stone (am 1969-02-27)
Gitarre und Keyboard:
Sly Stone (am 1969-02-27)
Keyboard:
Rose Stone (am 1969-02-27)
Saxophon:
Jerry Martini (am 1969-02-27)
Schlagzeug:
Greg Errico (am 1969-02-27)
Trompete:
Cynthia Robinson (am 1969-02-27)
vocals:
Larry Graham (US bassist & singer) (am 1969-02-27), Jerry Martini (am 1969-02-27), Freddie Stone (am 1969-02-27), Rose Stone (am 1969-02-27) und Sly Stone (am 1969-02-27)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 241)
recording of:
Stand! (am 1969-02-27)
Texter und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone3.53:08
9Got to Be Real
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
Bearbeitung von:
Got to Be Real (LP / 12" version) von Cheryl Lynn (1970s disco singer)
recording of:
Got to Be Real
Verfasser(in):
Cheryl Lynn (1970s disco singer), David Foster (Canadian music producer, arranger and composer) und David Paich
publisher:
Butterfly Gong Music, Hudmar Publishing Co. Inc. und On Board Music (publisher)
Cheryl Lynn4.53:45
10You Are My Starship
recording of:
You Are My Starship
Texter und Komponist(in):
Michael Henderson (US jazz/funk bassist)
Norman Connors featuring Michael Henderson4:31
11I’ve Got to Use My Imagination
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 9)
recording of:
I’ve Got to Use My Imagination
Verfasser(in):
Gerry Goffin und Barry Goldberg (blues rock keyboardist and producer)
Gladys Knight & the Pips3.83:30
12Lady Love
recording of:
Lady Love
Verfasser(in):
Yvonne Gray (Songwriter) und Sherman Marshall
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lou Rawls4:02