The War: A Ken Burns Film

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD: The War, A Ken Burns Film, The Soundtrack
Nr.TitelKünstlerBewertungLänge
1American Anthem
Techniker(in):
Tom Schick (in 2005-12)
Produzent(in):
Lee Alexander (US bassist, songwriter & producer)
Klavier:
Norah Jones (in 2005-12)
vocals:
Norah Jones (in 2005-12)
engineered at:
The Coop in New York, New York, Vereinigte Staaten (in 2005-12)
recording of:
American Anthem
Texter und Komponist(in):
Gene Scheer
Norah Jones5:08
2Walton, The Death of Falstaff
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1989-08)
Chorgesang:
London Philharmonic Choir
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1989-08)
conductor:
Leonard Slatkin (conductor) (, in 1989-08)
recording of:
Passacaglia: Death of Falstaff (catch-all for unknown arrangement)
Komponist(in):
William Walton (British composer and conductor)
basiert auf:
Henry V
Leonard Slatkin & London Philharmonic Orchestra3:38
3The Wang Wang Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1942-03-10)
E-Gitarre:
Tommy Morgan (Big band era guitarist) (am 1942-03-10)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1942-03-10)
Klavier:
Mel Powell (American composer and jazz pianist) (am 1942-03-10)
Kontrabass [bass]:
Sid Weiss (am 1942-03-10)
Posaune:
Lou McGarity (am 1942-03-10)
Schlagzeug [drums]:
Ralph Collier (drums, percussion) (am 1942-03-10)
recording of:
Wang Wang Blues (am 1942-03-10)
Texter:
Leo Wood (American songwriter & lyricist; 1882—1929)
Komponist(in):
Henry Busse, Buster Johnson (American jazz musician) und Gus Mueller
The Benny Goodman Sextet2:52
4Movin’ Back
Techniker(in):
James Nichols (am 2005-06-08)
Produzent(in):
Ken Burns (US documentary filmmaker) und Delfeayo Marsalis (US jazz trombonist)
Gitarre:
Doug Wamble (am 2005-06-08)
Klavier:
Bill Charlap (am 2005-06-08)
Kontrabass [bass]:
Carlos Henriquez (am 2005-06-08)
Schlagzeug [drums]:
Ali Jackson (Detroit jazz drummer, born 1976) (am 2005-06-08)
engineered at:
Right Track Studio in Manhattan, New York, New York, Vereinigte Staaten (am 2005-06-08)
Wynton Marsalis2:47
5How Long Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1938-11-09)
Gitarre:
Freddie Green (am 1938-11-09)
Klavier:
Count Basie (pianist) (am 1938-11-09)
Kontrabass:
Walter Page (am 1938-11-09)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1938-11-09)
instrumental recording of:
How Long, How Long Blues (am 1938-11-09)
Texter und Komponist(in):
Leroy Carr
publisher:
Compact Music und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Count Basie2:58
6In the Nick of Time
Geige / Violine:
Joshua Bell (violinist) (am 1998-08-29)
Gitarre:
Mike Marshall (US mandolinist & multi-instrumentalist) (am 1998-08-29)
Kontrabass [bass]:
Edgar Meyer (contemporary bassist and composer) (am 1998-08-29)
Mandoline:
Sam Bush (bluegrass fiddler/mandolinist) (am 1998-08-29)
aufgenommen bei:
Purchase College in Purchase, Harrison, New York, Vereinigte Staaten (am 1998-08-29)
recording of:
In the Nick of Time
Komponist(in):
Edgar Meyer (contemporary bassist and composer)
Edgar Meyer, Joshua Bell, Sam Bush & Mike Marshall6:13
7It's Been a Long, Long Time
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1945)
Gitarre:
Les Paul (in 1945)
vocals:
Bing Crosby (in 1945)
recording of:
It’s Been a Long, Long Time (in 1945)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell/Morris Ltd.
Bing Crosby & Les Paul3:00
8America My Home
Techniker(in):
James Nichols (am 2005-06-08)
Produzent(in):
Ken Burns (US documentary filmmaker) und Delfeayo Marsalis (US jazz trombonist)
Cello:
Amanda Forsyth (cellist) (am 2005-06-08)
Klavier:
Bill Charlap (am 2005-06-08)
engineered at:
Right Track Studio in Manhattan, New York, New York, Vereinigte Staaten (am 2005-06-08)
Wynton Marsalis2:18
9If I Could Be With You (One Hour Tonight)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-03-30)
alto saxophone:
Benny Carter (am 1945-03-30)
Gitarre:
Oscar Moore (am 1945-03-30)
Klarinette:
Buster Bailey (clarinetist) (am 1945-03-30)
Klavier:
Nat King Cole (am 1945-03-30)
Kontrabass [bass]:
John Kirby (jazz bass/trombone/tuba player) (am 1945-03-30)
Schlagzeug [drums]:
Max Roach (20th century US jazz drummer & composer) (am 1945-03-30)
Tenorsaxophon:
Coleman Hawkins (am 1945-03-30)
Trompete:
Bill Coleman (US jazz trumpeter) (am 1945-03-30)
vocals:
Kay Starr (am 1945-03-30)
recording of:
If I Could Be With You (One Hour Tonight) (am 1945-03-30)
Texter:
Henry Creamer (Lyricist) (in 1926)
Komponist(in):
James P. Johnson (in 1926)
Kay Starr, accompanied by The Capitol International Jazzmen2:48
10Blue as the Turquoise Night of Neyshabur
Bratsche / Viola [viola 1]:
Nick Cords (violist)
Bratsche / Viola [viola 2]:
Leo Suzuki
Cello:
Edward Arron (cellist)
Geige / Violine [violin 1]:
Colin Jacobsen (viola)
Geige / Violine [violin 2]:
Todd Reynolds (American violinist, composer & conductor)
Kamancheh [kemancheh]:
Kayhan Kalhor
Kontrabass [bass]:
Edgar Meyer (contemporary bassist and composer)
Nay (auch Ney oder Nai):
Siamak Jahangiri
santur:
Siamak Aghaei
Solo-Cello:
Yo‐Yo Ma (cellist)
tabla:
Sandeep Das (Indian Tabla player and composer)
teilweise recording of:
Blue as the Turquoise Night of Neyshabur
Komponist(in):
Kayhan Kalhor
Yo‐Yo Ma & The Silk Road Ensemble4:28
11Until I’m in Your Arms Again
Techniker(in):
James Nichols (am 2005-12-23)
Produzent(in):
Ken Burns (US documentary filmmaker) und Delfeayo Marsalis (US jazz trombonist)
Geige / Violine:
Mark O’Connor (US bluegrass, country and classical fiddler/composer) (am 2005-12-23)
Gitarre:
Doug Wamble (am 2005-12-23)
Klavier:
Bill Charlap (am 2005-12-23)
Kontrabass [bass]:
Carlos Henriquez (am 2005-12-23)
Saxophon:
Victor Goines (am 2005-12-23)
Schlagzeug [drums]:
Ali Jackson (Detroit jazz drummer, born 1976) (am 2005-12-23)
Trompete:
Wynton Marsalis (am 2005-12-23)
engineered at:
Right Track Studio in Manhattan, New York, New York, Vereinigte Staaten (am 2005-12-23)
recording of:
Until I’m in Your Arms Again
Komponist(in):
Wynton Marsalis
Wynton Marsalis2:42
12Variations for the Healing of Arinushka
recorded in:
Tallinn, Harjumaa (Kreis Harju), Estland (in 1993)
Klavier:
Kalle Randalu (pianist) (in 1993)
recording of:
Variationen zur Gesundung von Arinuschka (Variations for the Healing of Arinushka) (in 1993)
Komponist(in):
Arvo Pärt (Estonian composer) (in 1977)
publisher:
Universal Edition AG (Wien) (publisher; do NOT use as release label)
sub-publisher:
ショット・ミュージック 株式会社 Dept. 3 (Schott Music Corporation Dept. 3)
Kalle Randalu5:10
13Basie Boogie
recorded in:
New York, New York, Vereinigte Staaten (am 1941-07-02)
alto saxophone:
Earl Warren (am 1941-07-02) und Tab Smith (am 1941-07-02)
baritone saxophone:
Jack Washington (am 1941-07-02)
Gitarre:
Freddie Green (am 1941-07-02)
Klavier:
Count Basie (pianist) (am 1941-07-02)
Kontrabass [bass]:
Walter Page (am 1941-07-02)
Posaune:
Ed Cuffee (am 1941-07-02), Eli Robinson (trombonist) (am 1941-07-02) und Robert Scott (jazz trombonist) (am 1941-07-02)
Schlagzeug [drums]:
Jo Jones (US jazz drummer) (am 1941-07-02)
Sopransaxophon:
Tab Smith (am 1941-07-02)
Tenorsaxophon:
Don Byas (am 1941-07-02) und Buddy Tate (US jazz saxophonist & clarinetist) (am 1941-07-02)
Trompete:
Buck Clayton (am 1941-07-02), Harry Edison (am 1941-07-02), Al Killian (am 1941-07-02) und Ed Lewis (jazz trumpeter) (am 1941-07-02)
recording of:
Basie Boogie (am 1941-07-02)
Komponist(in):
Count Basie (pianist) und Milton Ebbins
publisher:
WB Music Corp. (1929–2019)
Count Basie & His Orchestra2:24
14Solitude
alto saxophone:
Harry Carney, Otto Hardwick und Johnny Hodges
baritone saxophone:
Harry Carney
bass saxophone:
Otto Hardwick
Gitarre:
Fred Guy
Klarinette:
Barney Bigard, Harry Carney, Otto Hardwick und Johnny Hodges
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader)
Kontrabass [bass]:
Wellman Braud
Posaune:
Lawrence Brown (jazz trombonist) und Joe Nanton
Schlagzeug [drums]:
Sonny Greer
Sopransaxophon:
Johnny Hodges
Tenorsaxophon:
Barney Bigard
Trompete:
Arthur Whetsel und Cootie Williams
Ventilposaune:
Juan Tizol
recording of:
(In My) Solitude
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
Duke Ellington & His Orchestra3:15
15Concerto for Clarinet, Strings, Harp and Piano
recorded in:
New York, New York, Vereinigte Staaten (am 1963-02-20)
Harfe:
Laura Newell (harpist) (am 1963-02-20)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1963-02-20)
Klavier:
Abba Bogin (am 1963-02-20)
Orchester:
Columbia Symphony Orchestra (am 1963-02-20)
conductor:
Aaron Copland (composer) (am 1963-02-20)
teilweise recording of:
Clarinet Concerto (am 1963-02-20)
Komponist(in):
Aaron Copland (composer) (von 1947 bis 1949)
was commissioned by:
Benny Goodman (clarinetist and bandleader) (in 1947)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
Version von:
Concerto for Clarinet and String Orchestra (with Harp and Piano) (Original version)
Benny Goodman7:45
16If You Can’t Smile and Say Yes
recorded in:
New York, New York, Vereinigte Staaten (am 1945-02-27)
Gitarre:
Oscar Moore (am 1945-02-27)
Klavier:
Nat King Cole (am 1945-02-27)
Kontrabass [bass]:
Johnny Miller (part of the Nat King Cole Trio) (am 1945-02-27)
vocals:
Nat King Cole (am 1945-02-27)
recording of:
If You Can’t Smile and Say Yes (am 1945-02-27)
Verfasser(in):
Louis Jordan (US jazz, blues and r&b musician and songwriter) und Timmie Rogers
The Nat King Cole Trio2:34
17American Anthem
Techniker(in):
James Nichols (am 2005-12-23)
Produzent(in):
Ken Burns (US documentary filmmaker) und Delfeayo Marsalis (US jazz trombonist)
Cello:
Amanda Forsyth (cellist) (am 2005-12-23)
Klavier:
Bill Charlap (am 2005-12-23)
engineered at:
Right Track Studio in Manhattan, New York, New York, Vereinigte Staaten (am 2005-12-23)
instrumental recording of:
American Anthem
Texter und Komponist(in):
Gene Scheer
Amanda Forsyth & Bill Charlap1:43
2▼CD: Sentimental Journey, Hits from the Second World War
Nr.TitelKünstlerBewertungLänge
1We'll Meet Again
recorded in:
New York, New York, Vereinigte Staaten
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1942-03-12)
Klavier:
Mel Powell (American composer and jazz pianist) (am 1942-03-12)
Tenorsaxophon:
Vido Musso (am 1942-03-12)
vocals:
Peggy Lee (jazz vocalist) (am 1942-03-12)
Orchester:
Benny Goodman and His Orchestra (am 1942-03-12)
cover recording of:
We’ll Meet Again (am 1942-03-12)
Texter:
Hugh Charles
Komponist(in):
Hugh Charles und Ross Parker
publisher:
Dash Music Co. Ltd., Music Sales Corporation (American copyright holder in both popular and classical music), World Music Co. und World Music, Inc.
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Benny Goodman and His Orchestra3:19
2Dancing in the Dark
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1941-01-23)
Klarinette:
Artie Shaw (am 1941-01-23)
Orchester:
Artie Shaw and His Orchestra (am 1941-01-23)
recording of:
Dancing in the Dark (am 1941-01-23)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
Artie Shaw and His Orchestra3:04
3Little Brown Jug
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-10)
Posaune:
Glenn Miller (jazz band leader) (am 1939-04-10)
Tenorsaxophon:
Tex Beneke (am 1939-04-10)
Trompete:
Dale McMickle (am 1939-04-10)
Orchester:
Glenn Miller & His Orchestra (am 1939-04-10)
recording of:
Little Brown Jug (arr. Finegan 1939) (am 1939-04-10)
Verfasser(in):
Joseph Eastburn Winner (composer/publisher) (in 1868)
arranger:
John Wasson und Bill Finegan (in 1939)
Arrangement von:
Little Brown Jug
Glenn Miller & His Orchestra2:51
4I'll Be Seeing You
alto saxophone:
Johnny Mintz (am 1940-02-26), Les Robinson (am 1940-02-26) und Fred Stulce (am 1940-02-26)
Gitarre:
Benny Heller (am 1940-02-26)
Klarinette:
Johnny Mintz (am 1940-02-26)
Klavier:
Bob Kitsis (am 1940-02-26)
Kontrabass:
Gene Traxler (am 1940-02-26)
Posaune:
Tommy Dorsey (swing trombone player & band leader) (am 1940-02-26), Lowell Martin (jazz trombonist) (am 1940-02-26) und Ward Silloway (US jazz trombonist) (am 1940-02-26)
Schlagzeug:
Buddy Rich (am 1940-02-26)
Tenorsaxophon:
Paul Mason (jazz saxophonist) (am 1940-02-26) und Irving “Babe” Russin (am 1940-02-26)
Trompete:
Jimmy Blake (jazz trumpeter) (am 1940-02-26), Ray Linn (am 1940-02-26) und Zeke Zarchy (am 1940-02-26)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1940-02-26)
conductor:
Tommy Dorsey (swing trombone player & band leader)
aufgenommen bei:
RCA Studio 2 in New York, New York, Vereinigte Staaten (am 1940-02-26)
recording of:
I’ll Be Seeing You (am 1940-02-26)
Texter:
Irving Kahal (in 1938)
Komponist(in):
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music und Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Tommy Dorsey & His Orchestra3:06
5Moonglow
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1941-01-23)
Klarinette:
Artie Shaw (am 1941-01-23)
Klavier:
Johnny Guarnieri (am 1941-01-23)
Posaune:
Jack Jenney (American jazz trombonist) (am 1941-01-23)
Schlagzeug [drums]:
Nick Fatool (am 1941-01-23)
Orchester:
Artie Shaw and His Orchestra (am 1941-01-23)
recording of:
Moonglow (am 1941-01-23)
Texter:
Eddie DeLange
Komponist(in):
Will Hudson und Irving Mills
Artie Shaw and His Orchestra3:30
6Memories of You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-10-16)
alto saxophone:
Les Hite (am 1930-10-16) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-10-16)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-10-16)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-10-16)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-10-16) und Henry Prince (am 1930-10-16)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-10-16)
Posaune:
Luther Craven (am 1930-10-16)
Schlagzeug und Vibraphon:
Lionel Hampton (am 1930-10-16)
Trompete:
Louis Armstrong (am 1930-10-16), George Orendorff (am 1930-10-16) und Harold Scott (am 1930-10-16)
vocals:
Louis Armstrong (am 1930-10-16)
conductor:
Les Hite (am 1930-10-16)
recording of:
Memories of You (am 1930-10-16)
Texter:
Andy Razaf (in 1930)
Komponist(in):
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
Louis Armstrong & His Orchestra3:12
7I'll Get By
alto saxophone:
Claude Lakey (am 1941-04-07) und Sam Marowitz (saxophonist and clarinetist) (am 1941-04-07)
baritone saxophone:
Chuck Gentry (am 1941-04-07)
Geige / Violine:
Glenn Herzer (big band violinist) (am 1941-04-07), Alex Pevsner (am 1941-04-07), Sam Rosenblum (am 1941-04-07) und Leo Zorn (am 1941-04-07)
Gitarre:
Ben Heller (am 1941-04-07)
Klavier:
Al Lerner (big band composer/conductor/pianist) (am 1941-04-07)
Kontrabass:
Thurman Teague (Jazz bassist) (am 1941-04-07)
Posaune:
Hoyt Bohannon (am 1941-04-07), Harry Rogers (US big-band trombonist and arranger) (am 1941-04-07) und Dalton Rizzotto (Jazz trombonist) (am 1941-04-07)
Schlagzeug:
Mickey Scrima (jazz percussionist) (am 1941-04-07)
Tenorsaxophon:
Vido Musso (am 1941-04-07)
Trompete:
Claude Bowen (am 1941-04-07), Harry James (US big band leader, trumpeter & actor) (am 1941-04-07) und Al Stearns (am 1941-04-07)
Sologesang:
Dick Haymes (am 1941-04-07)
recording of:
I’ll Get by (as Long as I Have You) (am 1941-04-07)
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
Harry James and His Orchestra2:44
8On the Alamo
recorded in:
New York, New York, Vereinigte Staaten (am 1941-01-15)
E-Gitarre:
Charlie Christian (am 1941-01-15)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1941-01-15)
Klavier:
Count Basie (pianist) (am 1941-01-15)
Kontrabass:
Artie Bernstein (am 1941-01-15)
Schlagzeug [drums]:
Jo Jones (US jazz drummer) (am 1941-01-15)
Tenorsaxophon:
Georgie Auld (am 1941-01-15)
Trompete:
Cootie Williams (am 1941-01-15)
Orchester:
Benny Goodman & His Sextet (am 1941-01-15)
instrumental recording of:
On the Alamo (am 1941-01-15)
Texter:
Gilbert Keyes und Joe Lyons (US songwriter & arranger)
Komponist(in):
Isham Jones
publisher:
Forster Music Publisher, Inc. (vom 1922-08-02 bis heute) und Tell Taylor, Inc. (von 1922-03-17 bis 1922-08-02)
The Benny Goodman Sextet3:26
9Pennies From Heaven
recorded in:
New York, New York, Vereinigte Staaten (am 1936-11-19)
Gitarre:
Allan Reuss (am 1936-11-19)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1936-11-19)
Klavier:
Teddy Wilson (am 1936-11-19)
Kontrabass:
John Kirby (jazz bass/trombone/tuba player) (am 1936-11-19)
Schlagzeug [drums]:
Cozy Cole (am 1936-11-19)
Tenorsaxophon:
Ben Webster (am 1936-11-19)
Trompete:
Jonah Jones (am 1936-11-19)
vocals:
Billie Holiday (am 1936-11-19)
Orchester:
Teddy Wilson and His Orchestra (am 1936-11-19)
recording of:
Pennies From Heaven (am 1936-11-19)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teddy Wilson and His Orchestra3:18
10Body and Soul
recorded in:
New York, New York, Vereinigte Staaten (am 1939-10-11)
alto saxophone:
Jackie Fields (am 1939-10-11) und Eustis Moore (am 1939-10-11)
Gitarre:
William Oscar Smith (am 1939-10-11)
Klavier:
Gene Rodgers (am 1939-10-11)
Posaune:
Earl Hardy (am 1939-10-11)
Schlagzeug [drums]:
Arthur Herbert (Jazz drummer) (am 1939-10-11)
Tenorsaxophon:
Coleman Hawkins (am 1939-10-11)
Trompete:
Joe Guy (trumpet) (am 1939-10-11) und Tommy Lindsay (am 1939-10-11)
Orchester:
Coleman Hawkins and His Orchestra (am 1939-10-11)
instrumental recording of:
Body and Soul (am 1939-10-11)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Coleman Hawkins and His Orchestra3:03
11Let's Get Lost
recorded in:
New York, New York, Vereinigte Staaten (am 1943-05-22)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1943-05-22)
Orchester:
Lucky Strike Orchestra (am 1943-05-22)
conductor:
Mark Warnow (am 1943-05-22)
cover recording of:
Let’s Get Lost (am 1943-05-22)
Texter:
Frank Loesser
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Sony/ATV Harmony (ASCAP)
Frank Sinatra3:00
12Blues in the Night
vocals:
Cab Calloway (am 1941-09-10)
Orchester:
Cab Calloway and His Orchestra (am 1941-09-10)
recording of:
Blues in the Night (My Mama Done Tol’ Me) (am 1941-09-10)
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
Cab Calloway and His Orchestra3:08
13There Shall Be No Night
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1940-09-05)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1940-09-05)
Tenorsaxophon:
Ben Webster (am 1940-09-05)
vocals:
Herb Jeffries (am 1940-09-05)
Orchester:
Duke Ellington & His Famous Orchestra (am 1940-09-05)
recording of:
There Shall Be No Night (am 1940-09-05)
Verfasser(in):
Gladys Shelley und Abner Silver
Duke Ellington & His Orchestra3:12
14Echoes of Harlem
recorded in:
New York, New York, Vereinigte Staaten (am 1938-01-19)
alto saxophone:
Johnny Hodges (am 1938-01-19)
baritone saxophone:
Harry Carney (am 1938-01-19)
Klarinette und Tenorsaxophon:
Barney Bigard (am 1938-01-19)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1938-01-19)
Kontrabass:
Billy Taylor (jazz bassist) (am 1938-01-19)
Posaune:
Joe Nanton (am 1938-01-19)
Schlagzeug [drums]:
Sonny Greer (am 1938-01-19)
Trompete:
Cootie Williams (am 1938-01-19)
Orchester:
Cootie Williams and His Rug Cutters (am 1938-01-19)
recording of:
Echoes of Harlem (am 1938-01-19)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Cootie Williams & His Rug Cutters3:14
15Skylark
recorded in:
New York, New York, Vereinigte Staaten (am 1942-03-19)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1942-03-19)
vocals:
Billy Eckstine (am 1942-03-19)
Orchester:
Earl Hines and His Orchestra (am 1942-03-19)
recording of:
Skylark (am 1942-03-19)
Texter:
Johnny Mercer
Komponist(in):
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. (ASCAP), The Johnny Mercer Foundation, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Earl Hines and His Orchestra3:10
16Saturday Night Is the Loneliest Night of the Week
Bass:
Ward Lay (am 1944-11-14)
Bratsche / Viola:
Morris Kahn (am 1944-11-14), Sol Paeff (am 1944-11-14) und Sol Rumberg (am 1944-11-14)
Cello:
E. Gara (am 1944-11-14), George Polikian (am 1944-11-14) und Avron Twerdowsky (am 1944-11-14)
Geige / Violine:
Julius Brand (am 1944-11-14), Fred Buldrini (am 1944-11-14), Sid Harris (am 1944-11-14), L. Kanter (am 1944-11-14), Murray Kellner (am 1944-11-14), Bernard Kundell (am 1944-11-14), William Lockwood (violinist) (am 1944-11-14), Arthur Loesserman (violinist) (am 1944-11-14), Harold Micklin (violinist) (am 1944-11-14), Seymour Miroff (am 1944-11-14), Gene Orloff (am 1944-11-14) und Raoul Polikian (am 1944-11-14)
Gitarre:
Matty Golizio (am 1944-11-14)
Harfe:
Ruth Hill (harpist) (am 1944-11-14)
Klarinette:
Arthur Baker (saxophonist, flutist and clarinetist)
Klavier:
Billy Rowland (am 1944-11-14)
Posaune:
Charles Small (trombone) (am 1944-11-14), John D'Agostino (trombonist) (am 1944-11-14) und Andy Russo (Jazz trombonist) (am 1944-11-14)
Saxophon:
Arthur Baker (saxophonist, flutist and clarinetist) (am 1944-11-14), Harold Feldman (woodwind player) (am 1944-11-14), Bernard Kaufman (am 1944-11-14), Peter Pumiglio (am 1944-11-14) und Henry Ross (am 1944-11-14)
Schlagzeug:
Johnny Blowers (am 1944-11-14)
Trompete:
Carl Poole (US trumpeter) (am 1944-11-14), Sammy Shapiro (Sandy Spears, Big Band-era trumpeter) (am 1944-11-14) und Melvin "Red" Solomon (am 1944-11-14)
Waldhorn:
Karl Chlupse (French horn player) (am 1944-11-14)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1944-11-14)
conductor:
Axel Stordahl (am 1944-11-14)
arranger:
George Siravo
recording of:
Saturday Night (Is the Loneliest Night in the Week) (am 1944-11-14)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Barton Music Corp., Cahn Music Company, Chappell Music Ltd., Producers Music Publishing Co., Quaytor Productions LLC und WC Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Frank Sinatra32:43
17Paper Doll
vocals:
Donald Mills (am 1942-02-18), Harry Mills (am 1942-02-18), Herbert Mills (am 1942-02-18) und John Mills, Sr. (am 1942-02-18)
recording of:
Paper Doll (am 1942-02-18)
Texter und Komponist(in):
Johnny S. Black (in 1915)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
The Mills Brothers2:36
18Long Ago and Far Away
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-02-09)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1944-02-09)
conductor:
Axel Stordahl (am 1944-02-09)
arranger:
Axel Stordahl
cover recording of:
Long Ago (and Far Away) (am 1944-02-09)
Texter:
Ira Gershwin
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und T.B. Harms Co. (in 1944)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
enthalten in:
Cover Girl (1944)
recording of:
Long Ago (and Far Away)
Texter:
Ira Gershwin
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und T.B. Harms Co. (in 1944)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
enthalten in:
Cover Girl (1944)
Frank Sinatra2:43
19Sentimental Journey
recorded in:
New York, New York, Vereinigte Staaten (am 1944-11-20)
vocals:
Doris Day (am 1944-11-20)
Orchester:
Les Brown and His Orchestra (am 1944-11-20)
recording of:
Sentimental Journey (am 1944-11-20)
Texter:
Bud Green (in 1944)
Komponist(in):
Les Brown (American big band & jazz musician) (in 1944) und Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc. und Morley Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Les Brown and His Orchestra3:50
20Waiting for the Train to Come In
recorded in:
New York, New York, Vereinigte Staaten (am 1945-08-20)
Trompete:
Harry James (US big band leader, trumpeter & actor) (am 1945-08-20)
vocals:
Kitty Kallen (am 1945-08-20)
Orchester:
Harry James and His Orchestra (am 1945-08-20)
recording of:
Waiting for the Train to Come In (am 1945-08-20)
Verfasser(in):
Martin Block (composer) und Sunny Skylar
Harry James and His Orchestra3:07
3▼CD: I'm Beginning to See the Light, Dance Hits from the Second World War
Nr.TitelKünstlerBewertungLänge
1C Jam Blues
recording of:
“C” Jam Blues (am 1942-01-21)
Komponist(in):
Barney Bigard und Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
Duke Ellington & His Orchestra2:39
2Frenesi
recording of:
Frenesí (am 1940-03-03)
Texter und Komponist(in):
Alberto Domínguez
Artie Shaw and His Orchestra3:04
3In the Mood
recording of:
In the Mood (am 1939-08-01)
Texter:
Andy Razaf
Komponist(in):
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
basiert auf:
Tar Paper Stomp
Teil von:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller & His Orchestra3:35
4Let Me Off Uptown
recording of:
Let Me Off Uptown (am 1941-05-08)
Texter:
Redd Evans
Komponist(in):
Earl Bostic (saxophonist)
Gene Krupa and His Orchestra3:04
5Taxi War Dance
recording of:
Taxi War Dance (am 1939-03-19)
Verfasser(in):
Lester Young (saxophonist)
Count Basie & His Orchestra2:50
6The Sheik of Arab
recording of:
The Sheik of Araby (am 1940-01-03)
Texter:
Harry B. Smith (in 1921) und Francis Wheeler (in 1921)
Komponist(in):
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music und Salabert
Coleman Hawkins All Star Octet2:59
7Pistol Packin' Mama
accordion:
Paul Sells (am 1942-03-20)
Bass:
Fred Whiting (US double bassist) (am 1942-03-20)
Gitarre:
Johnny Bond (country music guitarist, singer, songwriter and historian) (am 1942-03-20), Al Dexter (am 1942-03-20) und Dick Reinhart (country and western singer, multi-instrumentalist bandleader and actor) (am 1942-03-20)
Steel-Gitarre:
Frankie Marvin (US country musician) (am 1942-03-20)
Trompete:
Harry Hollinger (am 1942-03-20)
Sologesang:
Al Dexter
aufgenommen bei:
CBS Columbia Square Recording Studios (KNX and Columbia Broadcasting System) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
V Disc (by matrix number) (Nummer: VP 39)
recording of:
Pistol Packin’ Mama (am 1942-03-20)
publisher:
Albert Poindexter (am 1942-02-16)
Texter und Komponist(in):
Al Dexter
publisher:
Universal–Songs of PolyGram International, Inc.
Al Dexter and His Troopers42:48
8American Patrol
recording of:
American Patrol (swing version) (am 1942-04-02)
Komponist(in):
F. W. Meacham (in 1885)
arranger:
Jerry Gray (US big band arranger and conductor) (in 1942)
publisher:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
Arrangement von:
American Patrol
Glenn Miller & His Orchestra3:20
9For the Good of Your Country
Count Basie & His Orchestra3:16
10Cherokee
recording of:
Cherokee (am 1939-07-17)
Texter und Komponist(in):
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
Charlie Barnet and His Orchestra3:16
11Rose Room
recording of:
Rose Room (am 1939-10-02)
Texter:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
Komponist(in):
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group und Warner/Chappell Music, Inc.
The Benny Goodman Sextet2:49
12Opus No. 1
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-11-14)
Klarinette:
Buddy DeFranco
Klavier:
Milt Golden
Posaune:
Tommy Dorsey (swing trombone player & band leader) (am 1944-11-14)
Schlagzeug:
Buddy Rich
arranger:
Sy Oliver
recording of:
Opus One (1943 song) (am 1944-11-14)
Texter:
Sidney Reginald Garris
Komponist(in):
Sy Oliver
publisher:
Embassy Music Corp. (am 1943-06-23)
Teil von:
New York, New York (1977 musical film soundtrack)
Tommy Dorsey & His Orchestra2:56
13I'm Beginning to See the Light
alto saxophone:
Edward Rosa (am 1944-11-21) und Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1944-11-21)
baritone saxophone:
George Davis (40s jazz saxophone) (am 1944-11-21)
Bratsche / Viola:
Al Neiman (violist) (am 1944-11-21), Bill Spear (am 1944-11-21) und Dave Sterkin (am 1944-11-21)
Cello:
Al Friede (am 1944-11-21) und Cy Bernard (am 1944-11-21)
Geige / Violine:
Al Saparoff (am 1944-11-21), Sam Caplan (am 1944-11-21), Sam Freed, Jr. (Violinist) (am 1944-11-21), Jack Gootkin (am 1944-11-21), Harry Jaworski (am 1944-11-21), John DeVoogd (am 1944-11-21), Gerald Joyce (am 1944-11-21) und Nick Pisani (am 1944-11-21)
Gitarre:
Allen Reuss (am 1944-11-21)
Klavier:
Arnold Ross (am 1944-11-21)
Kontrabass:
Ed Mihelich (am 1944-11-21)
Posaune:
Charles Preble (jazz trombonist) (am 1944-11-21), Vic Hamann (jazz trombonist) (am 1944-11-21) und Jesse Heath (am 1944-11-21)
Schlagzeug:
Nick Fatool (am 1944-11-21)
Tenorsaxophon:
Corky Corcoran (am 1944-11-21) und Cliff Jackson (US jazz saxophonist) (am 1944-11-21)
Trompete:
Irwin Berken (am 1944-11-21), James Campbell (jazz trumpeter and saxophonist) (am 1944-11-21), Harry James (US big band leader, trumpeter & actor) (am 1944-11-21), Al Ramsey (am 1944-11-21) und Yan Rasey (am 1944-11-21)
Ventilposaune:
Juan Tizol (am 1944-11-21)
vocals:
Kitty Kallen (am 1944-11-21)
Orchester:
Harry James and His Orchestra (am 1944-11-21)
arranger:
Johnny Thompson (big band arranger & conductor)
recording of:
I’m Beginning to See the Light (am 1944-11-21)
Texter:
Don George (US songwriter/composer, 1909–1987) (in 1944)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) und Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
Harry James and His Orchestra3:14
14Tuxedo Junction
recording of:
Tuxedo Junction (am 1939-07-18)
Texter:
Buddy Feyne
Verfasser(in):
Dash, Feyne, Hawkins und Johnson (US jazz alto saxophonist, clarinetist & arranger)
Komponist(in):
Bill Johnson (US jazz alto saxophonist, clarinetist & arranger), Julian Dash, Buddy Feyne und Erskine Hawkins
Erskine Hawkins and His Orchestra3:18
15One O'Clock Jump
recording of:
One O’Clock Jump (am 1942-01-21)
Komponist(in):
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
Count Basie & His Orchestra3:04
16I'm Confessin'
recording of:
I’m Confessin’ (That I Love You) (am 1941-06-26)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
Artie Shaw and His Orchestra3:23
17(I've Got a Gal in) Kalamazoo
Hintergrundgesang:
The Modernaires (1940s vocal group) (am 1942-05-20)
Sologesang:
Marion Hutton und Tex Beneke (am 1942-05-20)
recording of:
(I’ve Got a Gal in) Kalamazoo (am 1942-05-20)
Texter:
Mack Gordon
Komponist(in):
Mack Gordon und Harry Warren (US composer and lyricist)
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1942 nominee)
Glenn Miller & His Orchestra33:17
18Boogie Woogie
recording of:
Boogie Woogie (am 1938-09-16)
Komponist(in):
Clarence “Pine Top” Smith
Tommy Dorsey & His Orchestra3:11
19T'aint What You Do (It's the Way That You Do It)
recording of:
It Ain’t What You Do (It’s the Way That You Do It) (am 1939-01-03)
Verfasser(in):
Sy Oliver und Trummy Young
Jimmie Lunceford and His Orchestra3:01
20Sing, Sing, Sing
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-07-06)
Klarinette:
Benny Goodman (clarinetist and bandleader)
Schlagzeug:
Gene Krupa
Tenorsaxophon:
Vido Musso
Trompete:
Harry James (US big band leader, trumpeter & actor)
arranger:
Jimmy Mundy
instrumental recording of:
Sing, Sing, Sing (With a Swing) (am 1937-07-06)
Texter und Komponist(in):
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (beendet) und EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
recording of:
Sing, Sing, Sing (With a Swing) (am 1937-07-06)
Texter und Komponist(in):
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (beendet) und EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Benny Goodman and His Orchestra58:39
4▼CD: Songs Without Words, Classical Music from The War A Ken Burns Film
Nr.TitelKünstlerBewertungLänge
1The Death of Falstaff
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1989-08)
Chorgesang:
London Philharmonic Choir
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1989-08)
conductor:
Leonard Slatkin (conductor) (, in 1989-08)
recording of:
Passacaglia: Death of Falstaff (catch-all for unknown arrangement)
Komponist(in):
William Walton (British composer and conductor)
basiert auf:
Henry V
Leonard Slatkin & London Philharmonic Orchestra3:38
2Cello Concerto in B minor (second movement)
Techniker(in):
Charles Harbutt (sound engineer and reissue producer) (von 1995-01-27 bis 1995-01-30)
Produzent(in):
Steven Epstein (classical music producer)
Cello:
Yo‐Yo Ma (cellist) (von 1995-01-27 bis 1995-01-30)
Orchester:
New York Philharmonic (von 1995-01-27 bis 1995-01-30)
conductor:
Kurt Masur (conductor) (von 1995-01-27 bis 1995-01-30)
aufgenommen bei:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (von 1995-01-27 bis 1995-01-30)
recording of:
Cello Concerto in B minor, op. 104: II. Adagio ma non troppo (Konzert für Violoncello und Orchester in h-Moll, Op. 104: II. Adagio ma non troppo) (von 1995-01-27 bis 1995-01-30)
Komponist(in):
Antonín Dvořák (composer) (von 1894-11-08 bis 1895-02-09)
Teil von:
Cello Concerto in B minor, op. 104
Yo‐Yo Ma, Kurt Masur & New York Philharmonic12:36
3Concerto for Clarinet, Strings, Harp and Piano
Techniker(in):
Larry Keyes (engineer)
Produzent(in):
John McClure (recording engineer and record producer)
Harfe:
Laura Newell (harpist)
Klarinette:
Benny Goodman (clarinetist and bandleader)
Klavier:
Abba Bogin
Orchester:
Columbia Symphony Orchestra
conductor:
Aaron Copland (composer)
aufgenommen bei:
Manhattan Center in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1963-02-20)
recording of:
Clarinet Concerto
Komponist(in):
Aaron Copland (composer) (von 1947 bis 1949)
was commissioned by:
Benny Goodman (clarinetist and bandleader) (in 1947)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
Version von:
Concerto for Clarinet and String Orchestra (with Harp and Piano) (Original version)
Benny Goodman, Aaron Copland & Columbia Symphony Orchestra16:58
4Lamento
Geige / Violine:
Saschko Gawriloff (violinist) (von 1996-05-09 bis 1996-05-10)
Klavier:
Pierre‐Laurent Aimard (pianist) (von 1996-05-09 bis 1996-05-10)
Waldhorn:
Marie Luise Neunecker (horn player) (von 1996-05-09 bis 1996-05-10)
aufgenommen bei:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel (Kanton Neuenburg), Schweiz (von 1996-05-09 bis 1996-05-10)
recording of:
Trio for Violin, Horn, and Piano: IV. Lamento. Adagio (von 1996-05-09 bis 1996-05-10)
Komponist(in):
György Ligeti (Austrian-Hungarian composer) (in 1982)
Teil von:
Trio for Violin, Horn, and Piano
Pierre‐Laurent Aimard, Marie Luise Neunecker, Saschko Gawriloff7:34
5Elegie, op. 24
Cello:
Steven Isserlis (cellist) (von 1994-07-12 bis 1994-07-14)
Klavier:
Pascal Devoyon (pianist) (von 1994-07-12 bis 1994-07-14)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1994-07-12 bis 1994-07-14)
recording of:
Élégie pour violoncelle et piano, op. 24 (von 1994-07-12 bis 1994-07-14)
Komponist(in):
Gabriel Fauré (French composer) (in 1883)
Teil von:
Works of Gabriel Fauré by opus number (Nummer: op. 24)
Steven Isserlis & Pascal Devoyon7:01
6Nuages Gris
Klavier:
Barry Douglas (classical pianist and conductor)
recording of:
Trübe Wolken (Nuages gris), S. 199, R. 78
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor) (in 1881)
Teil von:
The Music of Liszt (Nummer: S. 199)
Barry Douglas2:13
7Quartet for the End of Time (third movement)
recording engineer:
Richard Gardner (engineer) (in 1975-12) und Masao Ohno (engineer) (in 1975-12)
Produzent(in):
Peter Serkin (pianist) und Max Wilcox (engineer/editor/producer)
Cello:
Fred Sherry (cellist) (in 1975-12)
Geige / Violine:
Ida Kavafian (violinist and violist) (in 1975-12)
Instrumente:
Tashi (in 1975-12)
Klarinette:
Richard Stoltzman (clarinetist) (in 1975-12)
Klavier:
Peter Serkin (pianist) (in 1975-12)
recording of:
Quatuor pour la fin du Temps : III. Abîme des oiseaux (in 1975-12)
Komponist(in):
Olivier Messiaen (composer and organist) (in 1940)
Teil von:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Ensemble Tashi7:44
8Grovers Corners
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Aaron Copland (composer)
recording of:
Music for Movies Suite: IV. Grover’s Corners (originally from the 1940 film "Our Town")
Komponist(in):
Aaron Copland (composer) (in 1940)
Teil von:
Music for Movies Suite
Aaron Copland & New Philharmonia Orchestra3:13
9Song Without Words
Cello:
Yo‐Yo Ma (cellist)
Klavier:
Emanuel Ax (pianist)
cover recording of:
Lied ohne Worte, op. 109 (Song Without Words, op. 109, original for cello and piano)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1845)
Teil von:
Works of Felix Mendelssohn by opus number (Nummer: op. 109) und Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (Nummer: MWV Q 34)
Yo‐Yo Ma & Emanuel Ax4:09
10Nimrod
Orchester:
London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
Leonard Slatkin (conductor)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Augustus J. Jaeger
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Leonard Slatkin & London Philharmonic Orchestra5:06

Nennungen

Veröffentlichung

Teil von:The War: A Ken Burns Film (From PBS World War II miniseries) (Reihenfolge: 1)
Discogs:https://www.discogs.com/release/13626989 [Info]
ASIN:US: B000TGUUHS [Info]

Veröffentlichungsgruppe

IMDb:https://www.imdb.com/title/tt0996994/ [Info]