Give Me the Night

~ Release by George Benson (see all versions of this release, 13 available)

Annotation

℗ & © «1980 Warner Records Inc.»

Countries where available (iTunes + Deezer + Spotify)

(This is all of them, as of 2020-09-13).

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  • Antarctica: 🇦🇶 Antarctica (aq) 🇧🇻 Bouvet Island (bv)
Annotation last modified on 2020-09-13 22:46 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Love × Love
recording engineer and mixer:
Bruce Swedien
assistant engineer:
Sheridan Eldridge, Ralph Osborne (engineer) and Mark Sackett
producer:
Quincy Jones
bass guitar:
Louis Johnson (bass, member of Brothers Johnson) and Abraham Laboriel
drums (drum set):
John “JR” Robinson (session drummer)
flute and saxophone:
Kim Hutchcroft and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
guitar:
George Benson (jazz guitarist/singer)
keyboard:
Greg Phillinganes
percussion:
Paulinho da Costa (Brazilian percussionist)
trumpet:
Jerry Hey
background vocals:
Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray and Jocelyn Allen
vocals:
George Benson (jazz guitarist/singer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
produced for:
Quincy Jones Productions, Inc.
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States and Kendun Recorders in Burbank, California, United States
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Love × Love
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
44:47
2Off Broadway
recording engineer and mixer:
Bruce Swedien
assistant engineer:
Sheridan Eldridge, Ralph Osborne (engineer) and Mark Sackett
producer:
Quincy Jones
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
drums (drum set):
John “JR” Robinson (session drummer)
flute and saxophone:
Kim Hutchcroft and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
guitar:
George Benson (jazz guitarist/singer) and Lee Ritenour
keyboard and synthesizer:
Greg Phillinganes
percussion:
Paulinho da Costa (Brazilian percussionist)
trumpet:
Jerry Hey
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
produced for:
Quincy Jones Productions, Inc.
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States and Kendun Recorders in Burbank, California, United States
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Off Broadway
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
45:26
3Moody’s Mood
recording engineer and mixer:
Bruce Swedien
assistant engineer:
Sheridan Eldridge, Ralph Osborne (engineer) and Mark Sackett
producer:
Quincy Jones
bass guitar:
Abraham Laboriel
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
George Benson (jazz guitarist/singer)
keyboard and synthesizer:
Greg Phillinganes
trumpet:
Jerry Hey
solo vocals:
Patti Austin
vocals:
George Benson (jazz guitarist/singer)
conductor:
Marty Paich
strings arranger:
Marty Paich
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
produced for:
Quincy Jones Productions, Inc.
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States and Kendun Recorders in Burbank, California, United States
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
cover recording of:
Moody’s Mood for Love (1949 jazz instrumental)
composer:
Dorothy Fields (American librettist and lyricist), Jimmy McHugh (songwriter) and James Moody (jazz saxophonist)
publisher:
EMI Hastings Catalog Inc, EMI Robbins Catalog Inc. (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
is based on:
I’m in the Mood for Love
3:25
4Give Me the Night
recording engineer and mixer:
Bruce Swedien
assistant engineer:
Sheridan Eldridge, Ralph Osborne (engineer) and Mark Sackett
producer:
Quincy Jones
bass guitar:
Abraham Laboriel
bass synthesizer:
Richard Tee
drums (drum set):
John “JR” Robinson (session drummer)
flute and saxophone:
Kim Hutchcroft and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
guitar:
George Benson (jazz guitarist/singer) and Lee Ritenour
percussion:
Paulinho da Costa (Brazilian percussionist)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
synthesizer:
Michael Boddicker
background vocals:
Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray and Jocelyn Allen
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
produced for:
Quincy Jones Productions, Inc.
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States and Kendun Recorders in Burbank, California, United States
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Give Me the Night
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3.655:01
5What’s on Your Mind
recording engineer and mixer:
Bruce Swedien
assistant engineer:
Sheridan Eldridge, Ralph Osborne (engineer) and Mark Sackett
producer:
Quincy Jones
bass guitar:
Abraham Laboriel
drums (drum set):
John “JR” Robinson (session drummer)
electric piano:
Richard Tee
flute and saxophone:
Kim Hutchcroft and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
guitar:
George Benson (jazz guitarist/singer) and Lee Ritenour
percussion:
Paulinho da Costa (Brazilian percussionist)
synthesizer:
Michael Boddicker
trumpet:
Jerry Hey
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
produced for:
Quincy Jones Productions, Inc.
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States and Kendun Recorders in Burbank, California, United States
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
What’s on Your Mind
writer:
Glen Ballard and Kerry Chater
publisher:
Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:05
6Dinorah, Dinorah
recording engineer and mixer:
Bruce Swedien
assistant engineer:
Sheridan Eldridge, Ralph Osborne (engineer) and Mark Sackett
producer:
Quincy Jones
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
drums (drum set):
John “JR” Robinson (session drummer)
flute and saxophone:
Kim Hutchcroft and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
guitar [lead guitar]:
George Benson (jazz guitarist/singer)
percussion:
Paulinho da Costa (Brazilian percussionist)
Rhodes piano and electric piano:
Greg Phillinganes
Rhodes piano, piano and synthesizer [Yamaha YC-30]:
Clair Fischer
synthesizer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
trumpet:
Jerry Hey
background vocals:
Patti Austin
vocals:
George Benson (jazz guitarist/singer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
produced for:
Quincy Jones Productions, Inc.
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States and Kendun Recorders in Burbank, California, United States
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Dinorah, Dinorah
writer:
Ivan Lins and Vítor Martins
publisher:
BMG Sapphire Songs, Dinorah Music, Rashida Music and フジパシフィックミュージック (Fujipacific Music, Inc.)
3:43
7Love Dance
recording engineer and mixer:
Bruce Swedien
assistant engineer:
Sheridan Eldridge, Ralph Osborne (engineer) and Mark Sackett
producer:
Quincy Jones
acoustic guitar:
Lee Ritenour
bass guitar:
Abraham Laboriel
drums (drum set):
Carlos Vega
keyboard and synthesizer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
percussion:
Paulinho da Costa (Brazilian percussionist)
vocals:
Patti Austin and George Benson (jazz guitarist/singer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
produced for:
Quincy Jones Productions, Inc.
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States and Kendun Recorders in Burbank, California, United States
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
cover recording of:
Love Dance
lyricist:
Gilson Peranzzetta (pianist, composer) and Paul Williams (US songwriter/soft rock vocalist)
composer:
Ivan Lins and Gilson Peranzzetta (pianist, composer)
publisher:
BMG Sapphire Songs, Dinorah Music, Hobsong Music, Inc., Kidada Music, Inc. (publisher), State of the Arts Music and Sunset Squid Music (ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
3:18
8Star of a Story
recording engineer and mixer:
Bruce Swedien
assistant engineer:
Sheridan Eldridge, Ralph Osborne (engineer) and Mark Sackett
producer:
Quincy Jones
bass guitar:
Abraham Laboriel
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Lee Ritenour
keyboard and piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
percussion:
Paulinho da Costa (Brazilian percussionist)
synthesizer:
Michael Boddicker, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Richard Tee
background vocals:
Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray and Jocelyn Allen
vocals:
George Benson (jazz guitarist/singer)
conductor:
Marty Paich
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
produced for:
Quincy Jones Productions, Inc.
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States and Kendun Recorders in Burbank, California, United States
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
The Star of a Story
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
34:43
9Midnight Love Affair
recording engineer and mixer:
Bruce Swedien
assistant engineer:
Sheridan Eldridge, Ralph Osborne (engineer) and Mark Sackett
producer:
Quincy Jones
drums (drum set):
Carlos Vega
flute and saxophone:
Kim Hutchcroft and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
guitar:
Lee Ritenour
keyboard:
George Duke
synthesizer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Richard Tee
trumpet:
Jerry Hey
vocals:
George Benson (jazz guitarist/singer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
produced for:
Quincy Jones Productions, Inc.
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States and Kendun Recorders in Burbank, California, United States
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Midnight Love Affair
lyricist and composer:
David “Hawk” Wolinski
publisher:
EMI April Music Inc., Overdue Music, State of the Arts Music and フジパシフィックミュージック (Fujipacific Music, Inc.)
3:35
10Turn Out the Lamplight
recording engineer and mixer:
Bruce Swedien
assistant engineer:
Sheridan Eldridge, Ralph Osborne (engineer) and Mark Sackett
producer:
Quincy Jones
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
drums (drum set):
John “JR” Robinson (session drummer)
electric guitar:
Lee Ritenour
keyboard:
Greg Phillinganes
percussion:
Paulinho da Costa (Brazilian percussionist)
synthesizer:
Richard Tee
background vocals:
Patti Austin and Tom Bahler
vocals:
George Benson (jazz guitarist/singer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
produced for:
Quincy Jones Productions, Inc.
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States and Kendun Recorders in Burbank, California, United States
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Turn Out the Lamplight
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:44