100 Hits: Party Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

| |
1▼CD
#TitoloArtistaValutazioneDurata
1Don’t You Want Me (original version)
assistente alla programmazione:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (nel 1981)
programmazione:
Martin Rushent (nel 1981)
assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981), Jo Callis (nel 1981) e Philip Oakey (nel 1981)
voce di accompagnamento:
Joanne Catherall (nel 1981) e Susan Ann Sulley (nel 1981)
voce principale:
Philip Oakey (nel 1981) e Susan Ann Sulley (nel 1981)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981)
video musicali:
Don’t You Want Me di The Human League
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 79) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 82)
registrazione di:
Don’t You Want Me (Human League song) (nel 1981)
paroliere:
Philip Oakey
compositore:
Jo Callis, Philip Oakey e Philip Adrian Wright (Human League)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.93:59
2Rio
registrazione di:
Rio
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
Duran Duran4:45
3White Wedding (Part 1)
assistente tecnico:
Steve Bates (engineer)
tecnico:
Brian Reeves
produttore:
Keith Forsey (drummer, producer and songwriter)
batteria :
Steve Missal
chitarra :
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
chitarra basso :
Phil Feit
voce principale:
Billy Idol (English rock singer‐songwriter)
arrangiatore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1982) e Chrysalis Records, Inc. (not for release label use!) (nel 1982, nel 2002)
registrata presso e mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
video musicali:
White Wedding, Pt. 1 di Billy Idol (English rock singer‐songwriter)
registrazione di:
White Wedding
paroliere e compositore:
Billy Idol (English rock singer‐songwriter)
editore:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Rare Blue Music Inc
Billy Idol4.154:13
4Love Is the Drug
registrazione di:
Love Is the Drug
paroliere:
Bryan Ferry
compositore:
Andy Mackay (of Roxy Music)
editore:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs e E.G. Music Ltd. (publisher) (nel 1975)
Roxy Music3:59
5Don’t You (Forget About Me)
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Jez Coad
esecutore:
Simple Minds (Scottish rock band) (il 1984-07-10)
diritti fonografici (℗) detenuti da:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 25) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 340)
registrazione di:
Don’t You (Forget About Me) (il 1984-07-10)
autore:
Keith Forsey (drummer, producer and songwriter) e Steve Schiff
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. e Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:19
6Karma Chameleon
tecnico:
Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
armonica (a bocca) :
Judd Lander (nel 1983)
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
tastiera ospite :
Phil Pickett (songwriter, producer, keyboard player) (nel 1983)
voce di accompagnamento:
Helen Terry (UK singer) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Karma Chameleon di Culture Club (English pop group)
registrazione di:
Karma Chameleon (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss e Phil Pickett (songwriter, producer, keyboard player)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e BMG VM Music Ltd. (dal 2013-05 a oggi)
Culture Club3.753:52
7Red Red Wine (edit)
produttore:
Ray “Pablo” Falconer e UB40
arrangiatore:
UB40
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982, nel 1983) e DEP International (UB40) (nel 1983)
registrazione cover di:
Red Red Wine
paroliere e compositore:
Neil Diamond (nel 1967)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) e Bang Records (Bert Berns label) (nel 1968)
UB403.83:03
8Kids in America
tecnico di registrazione:
Jeo (dal 1980 al 1981)
programmazione:
Jörn‐Uwe Fahrenkrog‐Petersen (dal 1980 al 1981) e Derek von Krogh (dal 1980 al 1981)
tecnico:
Steve Stewart (engineer, guitarist of The Enid)
produttore:
Ricky Wilde
batteria :
Bernhard Hahn (dal 1980 al 1981), Chris North (UK drummer of The Enid) (dal 1980 al 1981) e Tobias Wörner (dal 1980 al 1981)
chitarra :
Thomas Hahn (dal 1980 al 1981), Charlotte Hatherley (dal 1980 al 1981), Francis Lickerish (dal 1980 al 1981), Steve Stewart (engineer, guitarist of The Enid) (dal 1980 al 1981), James Stevenson (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
chitarra basso :
Martin Russell (recording engineer, producer, composer & musician) (dal 1980 al 1981) e Derek von Krogh (dal 1980 al 1981)
tastiera :
Jörn‐Uwe Fahrenkrog‐Petersen (dal 1980 al 1981), Robert John Godfrey (member of The Enid) (dal 1980 al 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (dal 1980 al 1981), Derek von Krogh (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
tastiera aggiunto:
Nick Priessnitz (dal 1980 al 1981)
voce:
Kim Wilde (dal 1980 al 1981)
voce di accompagnamento:
D. Janz (dal 1980 al 1981), M. Janz (dal 1980 al 1981), N. Janz (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
voce principale:
Charlotte Hatherley (dal 1980 al 1981) e Kim Wilde (dal 1980 al 1981)
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981, nel 1996, nel 2001), EMI France (nel 1993) e EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrata presso:
Amira Studio (dal 1980 al 1981), RAK Studios in London (Greater London), England, Regno Unito (dal 1980 al 1981), Soundmastaz Studios (dal 1980 al 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germania (dal 1980 al 1981) e The Lodge Recording Studio in Northampton, Northamptonshire, England, Regno Unito (dal 1980 al 1981)
mixata presso:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germania, RAK Studios in London (Greater London), England, Regno Unito e Studio 77 in Stuttgart, Baden-Württemberg, Germania
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 55)
registrazione di:
Kids in America (dal 1980 al 1981)
autore:
Marty Wilde e Ricky Wilde
editore:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Rickim Music Ltd.
Kim Wilde4.13:28
9French Kissin’ in the USA (edit)
produttore:
Seth Justman
voce:
Deborah Harry
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
The David Geffen Company (legal rights relating to Geffen Records) (nel 1986)
registrazione di:
French Kissin’ in the USA
paroliere e compositore:
Chuck Lorre (US TV director, writer, producer & composer)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Home Grown Music (formerly Home Grown Music Network), Home Grown Music, Inc. (work publisher) e Theodello Profunct Publishers
Deborah Harry2.654:11
10Centerfold
tecnico:
Dave Thoener
produttore:
Seth Justman
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981) e EMI Catalog (nel 2006)
registrata presso:
Long View Farm in North Brookfield, Massachusetts, Stati Uniti
mixata presso:
Mix Room, Record Plant (NYC) in New York, New York, Stati Uniti
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 38), Billboard: Greatest of All Time Hot 100 Songs (numero: 73) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 314)
registrazione di:
Centerfold (song by The J. Geils Band)
paroliere e compositore:
Seth Justman
editore:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) e Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:37
11The Loco‐Motion
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 351)
registrazione di:
The Loco‐Motion (aka Locomotion) (nel 1962)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (dal 1962 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Little Eva22:25
12Walkin’ Back to Happiness
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1961)
registrazione di:
Walking Back to Happiness
autore:
Mike Hawker e John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
Helen Shapiro22:30
13The Wanderer
registrazione di:
The Wanderer
paroliere e compositore:
Ernie Maresca
editore:
Mijac Music, Schwartz Music Ltd., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd., Warner/Chappell Music, Inc. e Warner/Chappell North America
Dion2:42
14Do Wah Diddy Diddy
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e HMV Records Ltd. (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 35)
registrazione cover di:
Do Wah Diddy Diddy
autore:
Jeff Barry e Ellie Greenwich
editore:
EMI Music Publishing (do not use as a release label!), Intersong–Basart Publishing Group E.D., Trio Music Company, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Manfred Mann42:23
15Take Good Care of My Baby (1961 version)
registrazione di:
Take Good Care of My Baby
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Warner/Chappell Music Ltd. (1996–2019)
Bobby Vee2:27
16I’m Gonna Be (500 Miles)
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 21)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:36
17Tubthumping
tecnico:
Neil Ferguson (Chumbawamba)
produttore:
Chumbawamba
diritti fonografici (℗) detenuti da:
Chumbawamba (nel 1997)
diritti fonografici (℗) detenuti da:
EMI Electrola GmbH & Co KG (not for release label use! DE subsidiary of EMI Records from 1972–2002) (nel 1997)
registrata presso:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Regno Unito (nel 1997-02)
mixata presso:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Regno Unito (nel 1997-09)
edit di:
Tubthumping (album version) di Chumbawamba
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 23)
registrazione di:
Tubthumping (nel 1997-02)
editore:
Chumbawamba (nel 1997)
autore:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) e Boff Whalley
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Leosong (publisher) (nel 1997)
Chumbawamba3.653:34
18Tequilla (Mint Royale Shot)
produttore:
Edwyn Collins
remixer:
Mint Royale
registrazione di:
Tequila (Terrorvision cover)
autore:
Chuck Rio (Daniel Flores)
autore aggiunto:
Terrorvision (British rock band)
si basa su:
Tequila
Terrorvision3.54:09
19I Am a Cider Drinker (Paloma Blanca)
The Wurzels3:04
20Lily the Pink
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968)
registrazione di:
Lily the Pink
autore:
[traditional] (special purpose artist), John Gorman (UK comedian) e Roger McGough (poet)
editore:
Campbell Connelly (Australia) P/L
The Scaffold4.54:22
2▼CD
#TitoloArtistaValutazioneDurata
1Respectable (7″ version)
produttore:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mark McGuire (UK producer/engineer) e Stock Aitken Waterman
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (nel 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987) e The Supreme Record Company Ltd. (nel 1987)
video musicali:
Respectable di Mel & Kim (Appleby sisters)
registrazione di:
Respectable
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:23
2U Can’t Touch This (radio mix)
MC Hammer4:13
3Back to Life (However Do You Want Me)
tecnico:
Arabella Rodriguez
produttore e tecnico di missaggio:
Nellee Hooper e Jazzie B
voce e esecutore:
Caron Wheeler (English singer, songwriter, and record producer)
voce principale ospite:
Caron Wheeler (English singer, songwriter, and record producer)
diritti fonografici (℗) detenuti da:
10 Records (nel 1989)
registrata presso e mixata presso:
Brittania Row (first location, 1975–1995 Islington) in Islington, London (Greater London), England, Regno Unito
registrazione di:
Back to Life
autore:
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo e Caron Wheeler (English singer, songwriter, and record producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul feat. Caron Wheeler4.153:49
4Milkshake
produttore:
The Neptunes (US producer duo Chad Hugo & Pharrell Williams)
voce:
Kelis
registrazione di:
Milkshake
autore:
Chad Hugo e Pharrell Williams
Kelis3.83:04
5Superstar
programmazione:
Joe Belmaati
produttore:
Joe Belmaati e Mich Hansen
registrazione cover di:
Superstar
autore:
Joe Belmaati, Mich Hansen e Remee (Danish producer, composer and songwriter)
editore:
Cutfather & Joe Music Ltd., Remee Songs, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner/Chappell (Warner/Chappell Music, Inc.)
Jamelia3.653:35
6All Rise (radio version)
produttore:
StarGate (Norwegian production/songwriting team)
registrazione di:
All Rise
autore:
Mikkel Storleer Eriksen, Tor Erik Hermansen, Hallgeir Rustan (norwegian producer), Daniel Stephens (songwriter) e Simon Webbe
Blue2.63:44
7Make Luv (radio edit)
produttore:
Vito Lucente (Electronic dance producer and DJ)
voce ospite:
Oliver Cheatham
campionamenti:
Get Down Saturday Night di Oliver Cheatham
registrazione di:
Make Luv
autore:
Vito Lucente (Electronic dance producer and DJ)
si basa su:
Get Down Saturday Night
Room 5 feat. Oliver Cheatham33:31
8Fascination
registrazione di:
Fascination
autore:
Anders Bønløkke, Stine Bramsen, Troels Møller Hansen, Rasmus Nikolaj Østergaard Nagel, Anders Stig Gehrt Nielsen e Anders Reinholdt
Alphabeat3:03
9That’s the Way (I Like It) (edit)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1976) e T.K. Records (Miami‐based disco label) (nel 1975)
edit di:
That’s the Way (I Like It) di KC and the Sunshine Band (US funk, R&B & disco band)
registrazione di:
That’s the Way (I Like It)
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.43:05
10You Sexy Thing (7″ version)
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975) e CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1984)
registrazione di:
You Sexy Thing (nel 1975)
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. e RAK Publishing Ltd
Hot Chocolate3.854:05
11Ladies Night
registrazione di:
Ladies’ Night
autore:
Cliff Adams, Chris Alberts, Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Jon Faddis, Adam Ippolito, Robert Spike Mickens e Claydes Smith
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Atomic Kitten feat. Kool & the Gang3:07
12Stuck in the Middle With You
video musicali:
Stuck in the Middle With You di Louise (British pop singer)
registrazione cover di:
Stuck in the Middle With You
paroliere e compositore:
Gerald Rafferty e Joe Egan (Scottish singer-songwriter)
editore:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Louise2.53:47
13Opposites Attract (7″ edit)
registrazione di:
Opposites Attract
paroliere e compositore:
Oliver Leiber
Paula Abdul with The Wild Pair4:24
14Body Rock
diritti fonografici (℗) detenuti da:
Capitol Records Ltd. (not for release label use; UK company)
registrazione di:
Body Rock
autore:
John Bettis e Sylvester Levay
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Maria Vidal23:42
15(Hey You) The Rock Steady Crew
registrazione di:
(Hey You) The Rock Steady Crew
autore:
Stephen Hague e Soldier B
The Rock Steady Crew3.53:45
16Good Life (edit)
tecnico:
Ben Grosse (American producer and engineer)
produttore:
Kevin Saunderson
tecnico di missaggio:
Ben Grosse (American producer and engineer) e Kevin "Master Reese" Saunderson
diritti fonografici (℗) detenuti da:
10 Records Ltd. (company and copyright holder for 10 Records) (nel 1989)
registrazione di:
Good Life
autore:
Paris Grey, Roy Holmon, Jackson, Ann Saunderson e Kevin Saunderson
editore:
Drive On Music e Virgin Songs
Inner City3.253:58
17Come On Everybody (Get Down)
assistente tecnico:
Mark Aubrey e Graham Hogg
tecnico:
J.C. Concato
produttore:
Jim Hawkins e Geoff Wilkinson
pianoforte :
Gareth Williams (UK jazz pianist and composer, b. 1968)
tromba :
Alexander Pope Norris
altra voce [rap]:
KCB (Rapper)
mixata presso:
Konk Studios in Hornsey, Haringey, London (Greater London), England, Regno Unito
Us35:50
18Wild World
diritti fonografici (℗) detenuti da:
10 Records Ltd. (company and copyright holder for 10 Records) (nel 1988)
registrazione cover di:
Wild World
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Sony Tunes, Inc. (conclusa), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (dal 1970 a oggi) e Irving Music, Inc. (dal 1970 a oggi)
Maxi Priest3.53:36
19Living in a Box (7″ version)
registrazione di:
Living in a Box
paroliere e compositore:
Steve Piggott e Marcus Vere
editore:
Brampton Music International, Brampton Music Ltd. (publisher) e Empire Music Ltd.
Living in a Box3:05
20We Close Our Eyes
produttore:
Gary Stevenson
remixer:
Tom Lord‐Alge
diritti fonografici (℗) detenuti da:
EMI Records (UK label renamed from Virgin EMI Records in 2020) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1985)
video musicali:
We Close Our Eyes di Go West
registrazione di:
We Close Our Eyes
autore:
Peter Cox (Artist and songwriter) e Richard Drummie
editore:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing (do not use as a release label!)
Go West3.23:42
3▼CD
#TitoloArtistaValutazioneDurata
1Rebel Yell
tecnico:
Michael Frondelli
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Dave Wittman
basso, chitarra e tastiera :
Steve Stevens (US guitarist and songwriter) (nel 1983)
batteria :
Thommy Price (nel 1983)
chitarra basso :
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (nel 1983)
tastiera :
Judi Dozier (nel 1983)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1983)
arrangiatore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1983), Chrysalis Records, Inc. (not for release label use!) (nel 1983, nel 1999) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1986)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (nel 1983)
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Rebel Yell di Billy Idol (English rock singer‐songwriter)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 79)
registrazione di:
Rebel Yell (nel 1983)
paroliere e compositore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
editore:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) e WC Music Corp.
Billy Idol4.54:49
2No More Heroes
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
No More Heroes
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music Ltd.
The Stranglers52:57
3One Way or Another
assistente tecnico:
Grey Russell e Peter Coleman (British engineer & producer)
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1978-06 al 1978-07)
chitarra :
Frank Infante (dal 1978-06 al 1978-07) e Chris Stein (dal 1978-06 al 1978-07)
chitarra basso :
Nigel Harrison (dal 1978-06 al 1978-07)
tastiera :
Jimmy Destri (dal 1978-06 al 1978-07)
voce principale:
Deborah Harry (dal 1978-06 al 1978-07)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978, nel 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 2001), Capitol Records (imprint of Capitol Records, Inc.) (nel 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 298)
registrazione di:
One Way or Another (dal 1978-06 al 1978-07)
autore:
Nigel Harrison e Deborah Harry
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. e Rare Blue Music Inc (nel 1978)
Blondie4.153:27
4Turning Japanese
produttore:
Vic Coppersmith‐Heaven
basso elettrico [bass guitar] :
Steve Smith (UK bassist for the Vapors)
batteria :
Howard Smith (UK drummer for the Vapors)
chitarra e voce principale:
David Fenton
chitarra [lead guitar] :
Edward Bazalgette
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, nel 1980)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 30)
registrazione di:
Turning Japanese
paroliere e compositore:
David Fenton
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) e Glenwood Music Corp.
The Vapors3.63:44
52‐4‐6‐8 Motorway
produttore:
Vic Maile
basso :
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
batteria :
Dolphin Taylor (il 1977-09-14)
chitarra :
Danny Kustow (il 1977-09-14)
organo e pianoforte :
Mark Ambler (il 1977-09-14)
voce:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
Berwick Street Studios in Westminster, London (Greater London), England, Regno Unito (il 1977-09-14)
registrazione di:
2‐4‐6‐8 Motorway (il 1977-09-14)
paroliere e compositore:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
editore:
Konkwest Music Limited
Tom Robinson Band4.253:17
6My Sharona (single version)
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack3.94:01
7Milk and Alcohol (1978 recording)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978)
registrazione di:
Milk and Alcohol (nel 1978-09)
autore:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) e Gypie Mayo
editore:
Plangent Visions Music Ltd. e Rock Music Co., Ltd.
Dr. Feelgood4.152:48
8Motor Bikin’
tecnico:
Douglas Hopkins (engineer)
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
registrazione di:
Motor Bikin’
paroliere e compositore:
Chris Spedding
Chris Spedding3.352:38
9Tokyo Joe
registrazione di:
Tokyo Joe
paroliere, autore e compositore:
Bryan Ferry
editore:
BMG Songs Ltd. e E.G. Music Ltd. (publisher) (nel 1977)
Bryan Ferry3:56
10Tiger Feet
co-produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
esecutore:
Mud (UK glam rock band)
diritti fonografici (℗) detenuti da:
RAK (nel 1974)
registrazione di:
Tiger Feet
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) e BMG Music Publishing Ltd.
Mud53:52
11Can the Can
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1973), RAK Records Ltd. (nel 1973) e RAK Records (copyrights holder) (nel 1975)
registrata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
Can the Can
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
BMG Music, Chinnichap (production company and publisher) e Universal Music Publishing MGB Australia
Suzi Quatro4.153:35
12Whole Lotta Love
registrazione cover di:
Whole Lotta Love
paroliere aggiunto:
Willie Dixon
autore:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page e Robert Plant (of Led Zeppelin)
editore:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB e WB Music Corp. (1929–2019)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
You Need Love
CCS3:09
13Smoke on the Water (1971 recording)
registrata a:
Montreux, Vaud (Canton Vaud), Svizzera (nel 1971-12)
assistente tecnico:
Jeremy Gee
tecnico:
Martin Birch
produttore:
Deep Purple
basso elettrico :
Roger Glover (nel 1971-12)
batteria :
Ian Paice (nel 1971-12)
chitarra elettrica :
Ritchie Blackmore (nel 1971-12)
organo Hammond :
Jon Lord (nel 1971-12)
voce principale:
Ian Gillan (nel 1971-12)
registrata presso:
Rolling Stones Mobile Studio in Regno Unito (nel 1971-12)
registrazione di:
Smoke on the Water (nel 1971-12)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music e Henrees Music co.
sub-editore:
EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Deep Purple3.953:47
14Nutbush City Limits
produttore:
Ike Turner
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1973), United Artists (nel 1973) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrazione di:
Nutbush City Limits
paroliere e compositore:
Tina Turner
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music e Valley Spring Music Corp.
Ike & Tina Turner3.752:53
15I Hear You Knocking
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
EMI Records UK (company credits only; file no releases here!) (nel 1970) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971)
registrazione cover di:
I Hear You Knocking
paroliere e compositore:
Dave Bartholomew e Pearl King
editore:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier e World Music (publisher)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:48
16Roll Over Beethoven (single version)
registrazione di:
Roll Over Beethoven
paroliere e compositore:
Chuck Berry (nel 1956-01)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-editore:
Fujipacific Music, Inc. e Rock ’n’ Roll Music
Electric Light Orchestra3:54
17Hi Ho Silver Lining
produttore:
Mickie Most (English record producer) (il 1967-01-19)
batteria :
Clem Cattini (il 1967-01-19)
chitarra basso :
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (il 1967-01-19)
chitarra elettrica e voce principale:
Jeff Beck (English rock guitarist) (il 1967-01-19)
voce di accompagnamento:
Rod Stewart (il 1967-01-19)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1967)
lavorazione tecnica effettuata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (il 1967-01-19)
registrazione di:
Hi Ho Silver Lining (il 1967-01-19)
autore:
Scott English e Larry Weiss (American singer-songwriter)
editore:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:54
18See My Baby Jive
produttore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972, nel 1973)
registrazione di:
See My Baby Jive
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Belinda Music, EMI Belinda Music Australia Pty. Ltd. e Roy Wood Music Ltd.
Wizzard54:59
19Make Me Smile (Come Up and See Me)
produttore:
Steve Harley e Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 18)
registrazione di:
Make Me Smile (Come Up and See Me)
paroliere e compositore:
Steve Harley
editore:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:59
20On the Road Again (single version)
registrazione di:
On the Road Again
paroliere e compositore:
Floyd Jones (blues performer and songwriter) e Alan Wilson (Canned Heat member)
editore:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) e United Partnership Ltd.
Canned Heat4:57
4▼CD
#TitoloArtistaValutazioneDurata
1Shakin’ All Over
registrazione di:
Shakin’ All Over
paroliere e compositore:
Frederick Heath e Johnny Kidd
editore:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Kidd & the Pirates3.752:22
2Hippy Hippy Shake
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963) e HMV Records Ltd. (nel 1963)
registrazione cover di:
Hippy Hippy Shake
paroliere e compositore:
Chan Romero
editore:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) e Universal Music Careers
The Swinging Blue Jeans3.751:45
3Got to Get You Into My Life
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963, nel 1966) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1966)
registrazione cover di:
Got to Get You Into My Life
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Cliff Bennett & the Rebel Rousers2:32
4Hush
tecnico:
Barry Ainsworth (engineer)
produttore e tecnico di missaggio:
Derek Lawrence (British producer)
basso elettrico :
Nick Simper (il 1968-05-11)
batteria :
Ian Paice (il 1968-05-11)
chitarra elettrica :
Ritchie Blackmore (il 1968-05-11)
organo Hammond e voce di accompagnamento:
Jon Lord (il 1968-05-11)
voce principale:
Rod Evans (il 1968-05-11)
diritti fonografici (℗) detenuti da:
HEC Enterprises Ltd. (nel 1968)
registrata presso:
Pye Studios in London (Greater London), England, Regno Unito (il 1968-05-11)
registrazione cover di:
Hush (South, Royal, Deep Purple) (il 1968-05-11)
paroliere e compositore:
Joe South (fino al 1967)
editore:
BMG Music Publishing Ltd., BMG Ufa (not for release label use! this is a music publisher), Lowery-Chappell Music e Sony/ATV Music Publishing Australia Pty Ltd.
Deep Purple4.14:26
5We’ve Gotta Get Out of This Place
The Animals3:14
6Just One Look
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1997)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1964-01-27)
registrazione cover di:
Just One Look (il 1964-01-27)
autore:
Gregory Carroll e Doris Payne
editore:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
registrazione di:
Just One Look
autore:
Gregory Carroll e Doris Payne
editore:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies2:28
7I’m Into Something Good
tecnico:
Val Valentin
produttore:
Mickie Most (English record producer)
basso elettrico :
Karl Green
batteria :
Barry Whitwam
chitarra :
Keith Hopwood e Derek Leckenby
voce principale:
Peter Noone (UK singer/songwriter member of Herman's Hermits)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964)
registrazione cover di:
I’m Into Something Good
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Herman’s Hermits4.352:33
8You Were Made for Me
registrazione di:
You Were Made for Me
paroliere e compositore:
Mitch Murray
Freddie & the Dreamers2:18
9Rubber Ball
registrazione di:
Rubber Ball
paroliere e compositore:
Gene Pitney e Aaron Schroeder (1950s~1960s US songwriter)
editore:
J. Albert & Son Pty. Ltd.
Bobby Vee2:30
10The Young Ones
produttore:
Norrie Paramor
voce:
Cliff Richard (dal 1989-06-16 al 1989-06-17)
esecutore:
The Shadows (British pop/rock band that once backed Cliff Richard) (dal 1989-06-16 al 1989-06-17)
registrazione dal vivo di:
The Young Ones (dal 1989-06-16 al 1989-06-17)
compositore:
Roy C. Bennett (US songwriter) e Sid Tepper
editore:
EMI Film & Theatre Music Ltd. e Warner Bros., Inc. (Warner Bros. Music Division)
Cliff Richard & The Shadows2.653:11
11Apache
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1960)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Apache
compositore:
Jerry Lordan
editore:
Francis, Day & Hunter Ltd.
The Shadows4.652:52
12Pistol Packin’ Mama
Gene Vincent2:10
13Georgy Girl
registrazione di:
Georgy Girl
paroliere:
Jim Dale
compositore:
Tom Springfield
editore:
Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
parte di:
The 39th Academy Award for Best Original Song (numero: 2)
The Seekers2:16
14A World Without Love
registrazione di:
A World Without Love
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
EMI Music Publishing (do not use as a release label!) e Northern Songs Ltd.
Peter & Gordon32:41
15Sha La La
Manfred Mann2:31
16Super Girl
registrazione di:
Super Girl
paroliere:
Barry Mason (English songwriter)
compositore:
Graham Bonney
editore:
Patricia Music Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Graham Bonney2:29
17Sunshine Superman (stereo)
registrazione di:
Sunshine Superman
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan Music Ltd. e Peer International Corporation (BMI)
Donovan3:14
18Here Comes the Sun
produttore:
Steve Harley
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1976)
registrazione cover di:
Here Comes the Sun
paroliere e compositore:
George Harrison (The Beatles)
editore:
Harrisongs Ltd. e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
parte di:
Reprise
Steve Harley & Cockney Rebel3.652:57
19Rhinestone Cowboy
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1975)
registrazione cover di:
Rhinestone Cowboy
paroliere e compositore:
Larry Weiss (American singer-songwriter)
editore:
House of Weiss Music Co, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
Glen Campbell4.53:16
20American Pie (Part 1)
tecnico:
Tom Flye
banjo e chitarra acustica :
Don McLean (il 1971-05-26)
basso :
Bob Rothstein (il 1971-05-26)
batteria e percussione :
Roy Markowitz (il 1971-05-26)
chitarra elettrica :
David Spinozza (il 1971-05-26)
marimba e vibrafono :
Mike Mainieri (il 1971-05-26)
pianoforte :
Paul Griffin (American pianist, session musician) (il 1971-05-26)
pianoforte elettrico :
Ray Colcord (il 1971-05-26)
cori:
West 44th Street Rhythm and Noise Choir (il 1971-05-26)
voce:
Bob Rothstein (il 1971-05-26) e Don McLean (il 1971-05-26)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1971) e United Artists Records (for bootlegs and counterfeit) (nel 1971)
registrazione parziale di:
American Pie (il 1971-05-26)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:07
5▼CD
#TitoloArtistaValutazioneDurata
1Geno
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
registrazione di:
Geno
autore:
Al Archer e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:29
2A Message to You Rudy
produttore:
Elvis Costello
trombone ospite :
Rico Rodriguez (Jamaican trombonist)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 132)
registrazione cover di:
A Message to You, Rudy
paroliere e compositore:
Dandy Livingstone
registrazione di:
A Message to You, Rudy
paroliere e compositore:
Dandy Livingstone
The Specials feat. Rico Rodriguez42:55
3Ranking Full Stop
The Beat2:50
4Strollin’ On
Maxi Priest3:21
5Do You Really Want to Hurt Me (edit)
assistente tecnico:
Gordon Milne (engineer)
tecnico e produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e vibrafono :
Jon Moss
chitarra , pianoforte elettrico e sintetizzatore :
Roy Hay (Member of Culture Club and composer for film and television)
chitarra basso :
Mikey Craig (Culture Club bassist)
synclavier :
Keith Miller (Synthesiser Pioneer)
voce aggiuntiva:
Helen Terry (UK singer)
voce principale:
Boy George
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito (nel 1982)
video musicali:
Do You Really Want to Hurt Me di Culture Club (English pop group)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 58)
registrazione di:
Do You Really Want to Hurt Me
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. e Virgin Music (Publishers) Ltd.
Culture Club3.954:23
6Locomotion
tecnico:
Steve Jackson (recording engineer), Ronald Prent (Dutch sound engineer and producer) e Brian Tench
produttore:
Orchestral Manoeuvres in the Dark e Brian Tench
pianoforte :
Gordian Troeller (band manager)
esecutore:
Orchestral Manoeuvres in the Dark
arrangiatore ottoni :
Tony Visconti
registrazione di:
Locomotion (OMD)
autore:
Paul Humphreys (Orchestral Manoeuvres in the Dark), Andy McCluskey e Gordian Troeller (band manager)
editore:
Virgin Music, Inc. (US arm of Virgin’s publishing company)
Orchestral Manoeuvres in the Dark33:53
7Gold
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
basso :
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (nel 1982)
batteria :
John Keeble (nel 1982)
chitarra :
Gary Kemp (nel 1982)
percussione e sassofono :
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (nel 1982)
tastiera :
Jess Bailey (nel 1982)
voce principale:
Tony Hadley (nel 1982)
esecutore:
Spandau Ballet (nel 1982)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
registrazione di:
Gold (nel 1982)
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:54
8Echo Beach
assistente tecnico:
Laurence Diana
tecnico:
Richard Manwaring (Producer)
produttore:
Mike Howlett
diritti fonografici (℗) detenuti da:
Dindisc Ltd (nel 1980) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1980, nel 2002)
registrata presso:
The Manor in Oxfordshire, England, Regno Unito (nel 1979-08)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 87)
registrazione di:
Echo Beach
paroliere e compositore:
Mark Gane
editore:
EMI Virgin Music Ltd. (do not use this as a release label!) e Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (nel 1980)
Martha and the Muffins3.63:34
9Jerk It Out (original mix)
parte di:
Anti-Hit List: January 23, 2003 (numero: 3)
registrazione di:
Jerk It Out
paroliere e compositore:
Joakim Åhlund
Caesars3.83:17
10Caught by the Fuzz
tecnico:
John Cornfield
produttore:
Sam Williams (producer & musician. ex‐member of The Animalhouse)
batteria :
Danny Goffey (dal 1994-02 al 1994-08)
chitarra e voce principale:
Gaz Coombes (dal 1994-02 al 1994-08)
chitarra basso e voce di accompagnamento:
Mick Quinn (dal 1994-02 al 1994-08)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1994)
registrata presso:
Sawmills Studio in Golant, Cornwall (Cornovaglia), England, Regno Unito (dal 1994-02 al 1994-08)
video musicali:
Caught by the Fuzz di Supergrass
registrazione di:
Caught by the Fuzz (dal 1994-02 al 1994-08)
autore:
Gaz Coombes, Danny Goffey e Mick Quinn
editore:
EMI Music (do not use as release label! this is a music publisher) e EMI Music Publishing Ltd. (PRS‐affiliated)
Supergrass3.652:18
11Bohemian Like You
produttore:
David Sardy (American score composer) e Courtney Taylor‐Taylor
tecnico di missaggio:
David Sardy (American score composer)
basso e tastiera :
Zia McCabe
batteria e voce di accompagnamento:
Brent DeBoer
chitarra :
Peter Holmström e Courtney Taylor‐Taylor
chitarra slide :
Troy Stewart
organo ospite :
Erik Gavriluk
voce:
Courtney Taylor‐Taylor
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2000)
video musicali:
Bohemian Like You di The Dandy Warhols
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 449)
registrazione di:
Bohemian Like You
paroliere e compositore:
Courtney Taylor‐Taylor
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) e Dandy Warhols Music (BMI)
The Dandy Warhols3.853:34
12Ride
registrazione di:
Ride
paroliere e compositore:
Craig Nicholls
The Vines42:37
13The Life of Riley
tecnico:
Cenzo Townshend (engineer)
produttore:
Ian Broudie e Simon Rogers
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1992)
registrazione di:
The Life of Riley
paroliere e compositore:
Ian Broudie
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
The Lightning Seeds44:04
14I Can See Clearly
registrazione di:
I Can See Clearly
autore:
Arthur Baker (American record producer and DJ) e Tony McIlwaine
editore:
Shakin’ Baker Music Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music, Inc.
Deborah Harry3:28
15Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1997)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:47
16China in Your Hand (single version)
registrazione di:
China in Your Hand
autore:
Carol Decker e Ron Rogers (Ronald Phillip Rogers, T'Pau)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. e Virgin Music (Publ.) Ltd. (publisher) (nel 1987)
T’Pau54:00
17(I Just) Died in Your Arms
tecnico:
Terry Brown (producer)
produttore:
Terry Brown (producer), Cutting Crew e John Jansen (US recording engineer and producer)
tecnico di missaggio:
Tim Palmer (British producer/mixer)
basso :
Colin Farley
batteria , percussione e tamburello :
Martin Beedle
chitarra acustica , chitarra elettrica e sintetizzatore [E-mu Emulator] :
Kevin MacMichael
pianoforte :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce di accompagnamento:
Peter Birch
voce principale:
Nick Van Eede
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) e Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1986)
registrata presso:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
mixata presso:
Utopia Studios (London) in London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 26)
registrazione di:
(I Just) Died in Your Arms
paroliere e compositore:
Nick Van Eede
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. e Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:25
18Morning Train (Nine to Five) (edit)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1980)
registrazione di:
9 to 5
paroliere e compositore:
Florrie Palmer
editore:
Chappell Music (UK), Pendulum Music (publisher) e Warner/Chappell Music Ltd. (1996–2019)
Sheena Easton4.353:19
19Golden Brown
co-produttore:
Steve Churchyard
produttore:
Steve Churchyard e The Stranglers
tecnico di missaggio:
Tony Visconti
esecutore:
The Stranglers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrazione di:
Golden Brown
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Plumbshaft-Ltd.
The Stranglers4.453:29
20Enjoy Yourself (It’s Later Than You Think)
produttore:
Jerry Dammers e Dave Jordan (UK producer/remixer)
registrazione cover di:
Enjoy Yourself (It’s Later Than You Think)
paroliere:
Herb Magidson (nel 1949)
compositore:
Carl Sigman (nel 1949)
The Specials33:37

Accreditamenti

Pubblicazione

ASIN:DE: B009DW62LM [info]

Gruppo di pubblicazioni

parte di:100 Hits (UK Demon Music Group) (ordine: 9)