Tracklist

1CD
#TitleArtistRatingLength
1Stardust
Buddy DeFranco6:09
2Manhattan
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
Manhattan (on 1955-01-17)
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Tal Farlow3:19
3Summertime
Stan Getz6:06
4My Funny Valentine
Ben Webster3:26
5As Time Goes By
double bass:
Gene Ramey (on 1956-03-05)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-03-05)
piano:
Teddy Wilson (on 1956-03-05)
instrumental recording of:
As Time Goes By (the song from “Casablanca”) (on 1956-03-05)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
Teddy Wilson3:11
6Tea for TwoBud Powell4:17
7Night and Day
Charlie Parker2:53
8Misty
engineer:
Val Valentin
producer:
Esmond Edwards
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1965)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1965)
guitar:
Wes Montgomery (in 1965)
piano:
Wynton Kelly (in 1965)
conductor:
Claus Ogerman
brass arranger and woodwind arranger:
Claus Ogerman
recorded at:
The Half Note in SoHo, New York, New York, United States (in 1965)
recording of:
Misty (original instrumental work) (in 1965)
composer:
Erroll Garner
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Wes Montgomery6:45
9Take the "A" Train
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
recording of:
Take the “A” Train (version with lyrics by Sherrill) (from 1959-07-14 until 1959-08-09)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Oscar Peterson3:05
10Satin Doll
instrumental recording of:
Satin Doll (in 1965-06)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
Jimmy Smith7:06
11The Shadow of Your Smile
Wes Montgomery2:19
12Bye Bye Blackbird
engineer:
Val Valentin
producer:
Russell Garcia
bass and double bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
Bye Bye Blackbird (on 1959-11-06)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
Ben Webster6:45
13Blue Moon
producer:
Norman Granz
double bass [bass]:
Percy Heath (on 1957-09-29)
drums (drum set):
Connie Kay (on 1957-09-29)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1957-09-29)
trumpet:
Roy Eldridge (on 1957-09-29)
recorded at:
Civic Opera House in Chicago, Illinois, United States (on 1957-09-29)
live instrumental recording of:
Blue Moon (on 1957-09-29)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Roy Eldridge2:29
14The Days of Wine and Roses
recording of:
Days of Wine and Roses
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
part of:
The 35th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1964 winner) and Academy Award for Best Original Song (number: 1962 winner)
Oscar Peterson2:41