Black Magic: The Most Beautiful Black and Soul Ballads

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Lean On Me
produttore:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) e Bill Withers
basso elettrico :
Melvin Dunlap (nel 1972)
batteria e percussione :
James Gadson (American drummer) (nel 1972)
chitarra elettrica :
Benorce Blackmon (guitarist, producer, writer) (nel 1972)
piano elettrico Wurlitzer :
Ray Jackson (trombonist, pianist and arranger) (nel 1972)
pianoforte e voce principale:
Bill Withers (nel 1972)
arrangiatore archi :
Ray Jackson (trombonist, pianist and arranger)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1972), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 236)
registrazione di:
Lean on Me (nel 1972)
paroliere e compositore:
Bill Withers
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers4.254:19
2Oh, People
tecnico di registrazione:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters)
programmazione degli strumenti:
Robbie Buchanan (Canadian producer) e Paul Fox (Producer)
assistente tecnico:
Glen Holguin (engineer), Julie Last e Kraig Miller
tecnico aggiunto:
Glen Holguin (engineer), John Boghosian e Thom Panunzio
produttore:
Richard Perry (producer)
chitarra :
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
chitarra basso :
Nathan East
percussione :
Paulinho da Costa (Brazilian percussionist)
pianoforte [acoustic piano] solista :
Andy Goldmark
sintetizzatore :
Robbie Buchanan (Canadian producer) e Paul Fox (Producer)
voce di accompagnamento:
Carla Benson, Evette Benton e Barbara Ingram
voce principale:
Patti LaBelle
remixer:
Bill Schnee
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1986)
registrazione di:
Oh, People
autore:
Andrew Goldmark e Bruce Roberts (American singer-songwriter)
Patti LaBelle5:16
3Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:56
4Cherish
diritti fonografici (℗) detenuti da:
Delite Recorded Sound (not for release) (nel 1984) e PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1984)
registrazione di:
Cherish
autore:
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) e Claydes Smith
editore:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Windswept Pacific Music Ltd.
Kool & the Gang4.54:44
5Sweet Inspiration
registrazione di:
Sweet Inspiration
autore:
Spooner Oldham e Dan Penn (songwriter, soul singer)
editore:
Press Music Co.
The Sweet Inspirations2:54
6Kiss and Say Goodbye
registrazione di:
Kiss and Say Goodbye
paroliere e compositore:
Winfred Lovett (Lovett Winfred Lorenzo)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. e EMI Songs Ltd.
The Manhattans4:28
7When a Man Loves a Women
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:51
8Rainy Night in Georgia
registrazione cover di:
Rainy Night in Georgia
paroliere e compositore:
Tony Joe White
editore:
Combine Music Corp. e EMI Songs Limited
Brook Benton3:52
9You’ll Never Find Another Love Like Mine
registrazione di:
You’ll Never Find Another Love Like Mine
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lou Rawls4:29
10Baby I Love You
tecnico di registrazione:
Tom Dowd (il 1967-06-23) e Arif Mardin (il 1967-06-23)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-06-23)
chitarra basso :
Tommy Cogbill (il 1967-06-23)
chitarra elettrica :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-06-23) e Joe South (il 1967-06-23)
organo , pianoforte e pianoforte elettrico :
Spooner Oldham (il 1967-06-23) e Truman Thomas (il 1967-06-23)
sassofono baritono :
Willie Bridges (il 1967-06-23)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-06-23) e King Kurtis (saxophonist) (il 1967-06-23)
tromba :
Melvin Lastie (il 1967-06-23)
trombone basso :
Tony Studd (il 1967-06-23)
vibrafono :
Ted Somers (vibes) (il 1967-06-23)
cori:
Aretha Franklin (il 1967-06-23), Carolyn Franklin (il 1967-06-23) e Irma Franklyn (il 1967-06-23)
voce principale:
Aretha Franklin (il 1967-06-23)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-06-23)
registrazione di:
Baby I Love You (il 1967-06-23)
paroliere e compositore:
Ronnie Shannon
editore:
14th Hour Music, Fourteenth Hour Music, Inc. e Pronto Music (publisher)
Aretha Franklin32:38
11Just Be Good to Me
registrazione di:
Just Be Good to Me
compositore:
James Harris III (James Harris of Jam & Lewis) e Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
The S.O.S. Band4:40
12Licence to Kill
produttore:
Walter Afanasieff e Narada Michael Walden
voce:
Gladys Knight (soul and r&b music singer-songwriter)
arrangiatore:
Walter Afanasieff e Narada Michael Walden
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1989)
registrazione di:
Licence to Kill
autore:
Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) e Narada Michael Walden
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e SBK Songs Ltd. (nel 1989)
parte di:
James Bond themes
cita la musica di:
Goldfinger
Gladys Knight3.355:14
13Me and Mrs. Jones
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce:
Billy Paul (American soul singer) (nel 1972)
esecutore:
MFSB (Mother Father Sister Brother) (nel 1972)
arrangiatore archi e arrangiatore ottoni [horns] :
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Me and Mrs. Jones (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Yamaha Music Entertainment (Japanese label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:44
14Can’t Give You Anything (But My Love)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1975)
registrazione di:
I Can’t Give You Anything (But My Love)
autore:
Luigi Creatore, Hugo Peretti e George David Weiss
editore:
Abilene Music Inc. e Music Sales Corporation (American copyright holder in both popular and classical music)
The Stylistics23:17
15When Something Is Wrong With My Baby
registrazione di:
When Something Is Wrong With My Baby
compositore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Rondor, Rondor Music, Rondor Music (Australia) Pty Ltd, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Sam & Dave3:16
16What a Wonderful World
registrata a:
New York, Stati Uniti (il 1967-08-16)
tecnico:
Eddie Brackett e Bob Simpson (US jazz engineer/producer)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Grady Tate (il 1967-08-16)
chitarra :
Allen Hanlon (jazz guitarist) (il 1967-08-16), Art Ryerson (il 1967-08-16) e Willard Suyker (il 1967-08-16)
clarinetto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Jerome Richardson (il 1967-08-16)
contrabbasso :
Russ Savakus (il 1967-08-16)
flauto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16), Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
percussione :
Warren Hard (il 1967-08-16)
pianoforte :
Hank Jones (piano) (il 1967-08-16)
sassofono baritono :
Raymond Stanfield (il 1967-08-16)
sassofono contralto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
sassofono tenore :
Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
tromba :
Louis Armstrong (il 1967-08-16), Clark Terry (American swing trumpeter) (il 1967-08-16) e Joe Wilder (il 1967-08-16)
trombone :
Urbie Green (il 1967-08-16) e J.J. Johnson (jazz/bop trombonist/session leader) (il 1967-08-16)
voce principale:
Louis Armstrong (il 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (il 1967-08-16)
direttore d'orchestra e maestro del coro:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (il 1967-08-16)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e Project 3 Records Inc. (nel 1988)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 171) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 283)
registrazione di:
What a Wonderful World (il 1967-08-16)
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Louis Armstrong3.952:17
2▼CD
#TitoloArtistaValutazioneDurata
1Sexual Healing
assistente tecnico:
Henri Van Durme e Didier Leonard
tecnico:
Dan Bates (strumenti a fiato [horns]), Mike Butcher (recording engineer and guitarist) e John Kovorak
produttore:
Marvin Gaye
produttore esecutivo:
Larkin Arnold
tecnico di missaggio e editor:
Harvey Fuqua
batteria , bonghi , campana [bells] , campana [orchestra bells] , cimbalini a dita , congas , glockenspiel , organo , pianoforte elettrico [Fender Rhodes] e sintetizzatore :
Marvin Gaye
chitarra :
Gordon Banks
strumenti a fiato [horns] :
The L.A. Horn Section e David Stout (American trombonist)
voce:
Marvin Gaye
voce di accompagnamento:
Gordon Banks, Harvey Fuqua e Marvin Gaye
direttore d'orchestra:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (strumenti a fiato [horns])
arrangiatore strumenti a fiato [horns] :
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982), Sony BMG Music Entertainment Inc. (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrata presso:
Arco Studios in München (Munich), Bayern (Baviera), Germania (voce principale, voce di accompagnamento), Kendun Recorders in Burbank, California, Stati Uniti (strumenti a fiato [horns]), Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio e Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio (voce principale, voce di accompagnamento)
mixata presso:
Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio
editing effettuato presso e remixata presso:
Devonshire Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 198) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 231)
registrazione di:
Sexual Healing
autore:
Odell Brown, Marvin Gaye e David Ritz (American author)
editore:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e April Music Inc. (nel 1982)
Marvin Gaye3.654:01
2(Sittin’ on) The Dock of the Bay
registrazione di:
(Sittin’ on) the Dock of the Bay
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding2:41
3Ain’t No Woman
Four Tops3:01
4Everything
registrazione di:
Everything (Jody Watley)
autore:
Gardner Cole e James Newton Howard (American score composer)
editore:
Newton House Music, Sizzling Blue Music, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) e ワーナー・チャペル音楽出版 (Warner/Chappell Music Japan)
Jody Watley4:13
5Rock Wit’cha
assistente tecnico di registrazione:
Don Emerson e John Guggenheim
tecnico di registrazione e editor:
Jon Gass
produttore:
Babyface (R&B musician Kenny Edmonds) e L.A.
assistente tecnico di missaggio:
Toni Greene (engineer) e Fred Howard (engineer)
tecnico di missaggio:
Babyface (R&B musician Kenny Edmonds), Jon Gass e L.A.
strumenti:
Babyface (R&B musician Kenny Edmonds) e L.A.
voce di accompagnamento:
Babyface (R&B musician Kenny Edmonds) e Bobby Brown (R&B singer, New Edition member)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1988)
è stato produttore per:
LaFace Inc. (production company)
registrata presso:
Silverlake Studios in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Elumba Recording in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Rock Wit’cha
autore:
Antonio “L.A.” Reid e Babyface (R&B musician Kenny Edmonds)
editore:
Chappell Music Ltd.
Bobby Brown4.54:47
6After the Love Has Gone
produttore:
Maurice White (Earth, Wind & Fire)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1979)
campionamenti da:
I Am di Earth, Wind & Fire (nel 1979)
registrazione di:
After the Love Has Gone
autore:
Bill Champlin, David Foster (Canadian music producer, arranger and composer) e Jay Graydon
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music (BMI), Irving Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Ninth Music e Noted for the Record
sub-editore:
Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Earth, Wind & Fire3.154:36
7If You Need Me
registrazione cover di:
If You Need Me
autore:
Robert Bateman (R&B singer/songwriter/record producer), Wilson Pickett e Sonny Sanders
editore:
Belinda (conclusa), Cotillion Music Inc. (BMI) e Lupine Music
Solomon Burke2:34
8Your Love Is King
produttore:
Robin Millar
chitarra basso :
Paul S. Denman (dal 1983-10 al 1983-11)
chitarra e sassofono :
Stuart Matthewman (dal 1983-10 al 1983-11)
tastiera :
Andrew Hale (keyboardist/composer) (dal 1983-10 al 1983-11)
voce:
Sade Adu (dal 1983-10 al 1983-11)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1984) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984)
registrata presso:
Power Plant in London (Greater London), England, Regno Unito (dal 1983-10 al 1983-11)
registrazione di:
Your Love Is King (dal 1983-10 al 1983-11)
paroliere:
Sade Adu
compositore:
Sade Adu e Stuart Matthewman
editore:
Angel Music Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Sade33:59
9Hey Jude
registrazione cover di:
Hey Jude
scritta a:
England, Regno Unito (nel 1968-06)
autore:
John Lennon (The Beatles) (nel 1968-06) e Paul McCartney (The Beatles) (nel 1968-06)
editore:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP)
scritta presso:
Cavendish Avenue (Paul McCartney’s house c. 1969) in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1968-06 al 1968-07-26)
Wilson Pickett4:05
10If You Don’t Know Me by Now
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce di accompagnamento:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s) (nel 1972)
voce principale:
Harold Melvin (nel 1972)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972, nel 1991)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
If You Don’t Know Me by Now (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner/Chappell Music Australia Pty. Ltd.
Harold Melvin & The Blue Notes3.753:31
11Almaz
registrazione di:
Almaz
orchestratore:
Wil Malone
autore:
Randy Crawford (US jazz/R&B singer Veronica Crawford)
Randy Crawford4:09
12(I Wanna) Make Love to You
Bobby Womack4:20
13Casanova
registrazione di:
Casanova
paroliere e compositore:
Reggie Calloway
editore:
Calloco Music e Hip Trip Music (publisher)
LeVert44:02
14That’s the Way Love Is
Ten City4:13
15You to Me Are Everything
registrazione di:
You to Me Are Everything
autore:
Michael Denne e Ken Gold
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Screen Gems–EMI Music Ltd.
The Real Thing3:19
16Save the Last Dance for Me
registrazione di:
Save the Last Dance for Me
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (nel 1974) e Trio Music (publisher) (nel 1974)
The Drifters2:27

Accreditamenti