Reggae & Sun, vol. II

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Tic, Tic, Tac
Negritude Jr.3:36
2Reggae Night
recording of:
Reggae Night
writer:
Amir Bayyan and La Toya Jackson
publisher:
Amirfull Music and Bayyan Internationale Music
Beat System / Jimmy Cliff3:02
3That Girl
guest vocals:
Shaggy (Orville Richard Burrell, dancehall and reggae singer)
performer:
Maxi Priest (British reggae vocalist of Jamaican descent) and Shaggy (Orville Richard Burrell, dancehall and reggae singer)
samples:
Green Onions by Booker T. & the MG’s
recording of:
That Girl
composer:
George Benson (jazz guitarist/singer), Steve Cropper, Missy Elliott (American rapper, singer, dancer & record producer), Al Jackson, Jr. (Booker T & The MGs drummer), Booker T. Jones, Robert Livingston (Jamaican reggae and dancehall producer), Orville Richard Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia and Lewie Steinberg
publisher:
Al Jackson Jr. Music and Irving Music (BMI)
is based on:
Green Onions
Maxi Priest1.754:00
4Anamorada
Carlinhos Brown4:47
5Ven a mi fiesta
Pato Banton5:02
6Jamboree (soca version)
Compañía Ilimitada4:23
7Ay! cosita linda
Kassiano3:36
8Sunshine Reggae
recording of:
Sunshine Reggae
lyricist and composer:
John Guldberg and Tim Stahl
Laid Back3.354:18
9Amigo
recording of:
Amigo
writer:
Elroy Bailey, Anthony Brightly, Keith Drummond (reggae, ex black slate), Chris Hansen (Black Slate), Desmond Mahoney and Cledwyn Rogers (reggae, ex black slate)
Black Slate4:09
10Working
Grupo Phoenix3:21
11Johnny B. Goode
producer:
Chris Kimsey and Peter Tosh
bass:
Leebert "Gibby" Morrison
clavinet:
Peter Tosh
drums (drum set):
Carlton “Santa” Davis
guitar:
Donald Kinsey and Stevie Golding
keyboard:
Byron Allred and Peter Couch
organ:
Robbie Lyn
percussion:
Scully Sims and Uziah “Sticky” Thompson
piano:
Keith Sterling
background vocals:
Audrey Hall (Jamaican reggae singer), Pam Hall, Raymond Hall (Jamaican singer), Donald Kinsey, Dorrett Myers, Peter Tosh and Betty Wright (American soul and R&B singer)
remixer:
Jellybean (US producer John Benitez)
produced for:
Intel-Diplo Enterprises Inc and Wonderknob Ltd
cover recording of:
Johnny B. Goode
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
part of:
Back to the Future: the Musical
Peter Tosh44:04
12Gimme Hope Jo’Anna
engineer:
Glen Johansen (singer-songwriter, producer, engineer)
producer:
Eddy Grant
recorded at:
Blue Wave Studios in Barbados
recording of:
Gimme Hope Jo’anna
lyricist and composer:
Eddy Grant
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greenheart Music, Intersong (publisher) and Warner/Chappell (Warner/Chappell Music, Inc.)
is based on:
Apunta't al Cepitu
Eddy Grant4.53:48
13The Tide Is High
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
background vocals [girl-group backup vocals]:
The ‘B’ Girls and Deborah Harry
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett (in 1967) and Tyrone Evans (in 1967)
writer:
John Holt (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie4.154:40
14Rendez-Vous
Alpha Blondy3:32
15Everything I Own
producer:
Stewart Levine (record producer and saxophonist)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
cover recording of:
Everything I Own
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. and Sony/ATV Music Publishing (UK) Ltd.
recording of:
Everything I Own
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. and Sony/ATV Music Publishing (UK) Ltd.
Boy George2.83:56
16Tomorrow People
Ziggy Marley & The Melody Makers3:55