Against the Odds: 1974–1982 (super deluxe edition)

~ Release by Blondie (see all versions of this release, 5 available)

Tracklist

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1▼12" Vinyl: Blondie
#TitleRatingLength
A1X Offender
recording engineer:
Rob Freeman (engineer) (from 1976-08 until 1976-09)
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer) and Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive) and Craig Leon (musician, arranger, composer and producer)
bass guitar:
Chris Stein (from 1976-08 until 1976-09)
drums (drum set):
Clem Burke (from 1976-08 until 1976-09)
farfisa, grand piano, piano and synthesizer [roland]:
Jimmy Destri (from 1976-08 until 1976-09)
guitar:
Gary Valentine (from 1976-08 until 1976-09)
lead vocals:
Deborah Harry (from 1976-08 until 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
recording of:
X Offender (from 1976-08 until 1976-09)
writer:
Gary Lachman and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), EMI Music (do not use as release label! this is a music publisher), Jiru Music, Inc. and Norfolk Square Music
43:15
A2Little Girl Lies
recording engineer:
Rob Freeman (engineer) (from 1976-08 until 1976-09)
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer) and Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Gary Valentine (from 1976-08 until 1976-09)
drums (drum set):
Clem Burke (from 1976-08 until 1976-09)
farfisa, grand piano, piano and synthesizer [roland]:
Jimmy Destri (from 1976-08 until 1976-09)
guitar:
Chris Stein (from 1976-08 until 1976-09)
lead vocals:
Deborah Harry (from 1976-08 until 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
recording of:
Little Girl Lies (from 1976-08 until 1976-09)
lyricist and composer:
Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music (do not use as release label! this is a music publisher) and Jiru Music, Inc.
52:07
A3In the Flesh
recording engineer:
Rob Freeman (engineer) (from 1976-08 until 1976-09)
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer) and Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Gary Valentine (from 1976-08 until 1976-09)
drums (drum set):
Clem Burke (from 1976-08 until 1976-09)
farfisa, grand piano, piano and synthesizer [roland]:
Jimmy Destri (from 1976-08 until 1976-09)
guitar:
Chris Stein (from 1976-08 until 1976-09)
background vocals:
Ellie Greenwich (from 1976-08 until 1976-09), Hilda Harris (from 1976-08 until 1976-09) and Micki Harris (from 1976-08 until 1976-09)
lead vocals:
Deborah Harry (from 1976-08 until 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
recording of:
In the Flesh (from 1976-08 until 1976-09)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and Jiru Music, Inc.
32:33
A4Look Good in Blue
recording engineer:
Rob Freeman (engineer) (from 1976-08 until 1976-09)
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer) and Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Gary Valentine (from 1976-08 until 1976-09)
drums (drum set):
Clem Burke (from 1976-08 until 1976-09)
farfisa, grand piano, piano and synthesizer [roland]:
Jimmy Destri (from 1976-08 until 1976-09)
guitar:
Chris Stein (from 1976-08 until 1976-09)
lead vocals:
Deborah Harry (from 1976-08 until 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
recording of:
Look Good in Blue (from 1976-08 until 1976-09)
lyricist and composer:
Jimmy Destri
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jiru Music, Inc.
42:55
A5In the Sun
recording engineer:
Rob Freeman (engineer) (from 1976-08 until 1976-09)
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer) and Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive) and Craig Leon (musician, arranger, composer and producer)
bass guitar:
Gary Valentine (from 1976-08 until 1976-09)
drums (drum set):
Clem Burke (from 1976-08 until 1976-09)
farfisa, grand piano, piano and synthesizer [roland]:
Jimmy Destri (from 1976-08 until 1976-09)
guitar:
Chris Stein (from 1976-08 until 1976-09)
lead vocals:
Deborah Harry (from 1976-08 until 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
recording of:
In the Sun (from 1976-08 until 1976-09)
lyricist and composer:
Chris Stein
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jiru Music, Inc.
42:41
A6A Shark in Jets Clothing
recording engineer:
Rob Freeman (engineer) (from 1976-08 until 1976-09)
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer) and Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Gary Valentine (from 1976-08 until 1976-09)
drums (drum set):
Clem Burke (from 1976-08 until 1976-09)
farfisa, grand piano, piano and synthesizer [roland]:
Jimmy Destri (from 1976-08 until 1976-09)
guitar:
Chris Stein (from 1976-08 until 1976-09)
lead vocals:
Deborah Harry (from 1976-08 until 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
recording of:
A Shark in Jets Clothing (from 1976-08 until 1976-09)
lyricist and composer:
Jimmy Destri
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jiru Music, Inc.
43:40
B1Man Overboard
recording engineer:
Rob Freeman (engineer) (from 1976-08 until 1976-09)
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer) and Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Gary Valentine (from 1976-08 until 1976-09)
drums (drum set):
Clem Burke (from 1976-08 until 1976-09)
farfisa, grand piano, piano and synthesizer [roland]:
Jimmy Destri (from 1976-08 until 1976-09)
guitar:
Chris Stein (from 1976-08 until 1976-09)
background vocals:
Ellie Greenwich (from 1976-08 until 1976-09), Hilda Harris (from 1976-08 until 1976-09) and Micki Harris (from 1976-08 until 1976-09)
lead vocals:
Deborah Harry (from 1976-08 until 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1976) and Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
recording of:
Man Overboard (from 1976-08 until 1976-09)
lyricist and composer:
Deborah Harry
writer:
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), EMI Music (do not use as release label! this is a music publisher) and Jiru Music, Inc.
43:22
B2Rip Her to Shreds
recording engineer:
Rob Freeman (engineer) (from 1976-08 until 1976-09)
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer) and Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Gary Valentine (from 1976-08 until 1976-09)
drums (drum set):
Clem Burke (from 1976-08 until 1976-09)
farfisa, grand piano, piano and synthesizer [roland]:
Jimmy Destri (from 1976-08 until 1976-09)
guitar:
Chris Stein (from 1976-08 until 1976-09)
lead vocals:
Deborah Harry (from 1976-08 until 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1976), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
recording of:
Rip Her to Shreds (from 1976-08 until 1976-09)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and Jiru Music, Inc.
3.33:23
B3Rifle Range
recording engineer:
Rob Freeman (engineer) (from 1976-08 until 1976-09)
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer) and Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Gary Valentine (from 1976-08 until 1976-09)
drums (drum set):
Clem Burke (from 1976-08 until 1976-09)
farfisa, grand piano, piano and synthesizer [roland]:
Jimmy Destri (from 1976-08 until 1976-09)
guitar:
Chris Stein (from 1976-08 until 1976-09)
lead vocals:
Deborah Harry (from 1976-08 until 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1976, in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1977) and Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
recording of:
Rifle Range (from 1976-08 until 1976-09)
writer:
Chris Stein and Ronnie Toast
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), EMI Music (do not use as release label! this is a music publisher) and Jiru Music, Inc.
3.53:41
B4Kung Fu Girls
recording engineer:
Rob Freeman (engineer) (from 1976-08 until 1976-09)
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer) and Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Gary Valentine (from 1976-08 until 1976-09)
drums (drum set):
Clem Burke (from 1976-08 until 1976-09)
farfisa, grand piano, piano and synthesizer [roland]:
Jimmy Destri (from 1976-08 until 1976-09)
guitar:
Chris Stein (from 1976-08 until 1976-09)
lead vocals:
Deborah Harry (from 1976-08 until 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1977), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1977) and Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
recording of:
Kung Fu Girls (from 1976-08 until 1976-09)
writer:
Jimmy Destri, Gary Joseph Lachman and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and Jiru Music, Inc.
42:33
B5The Attack of the Giant Ants
recording engineer:
Rob Freeman (engineer) (from 1976-08 until 1976-09)
mastering:
Greg Calbi (American mastering engineer)
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer) and Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Gary Valentine (from 1976-08 until 1976-09)
drums (drum set):
Clem Burke (from 1976-08 until 1976-09)
farfisa, grand piano, piano and synthesizer [roland]:
Jimmy Destri (from 1976-08 until 1976-09)
guitar:
Chris Stein (from 1976-08 until 1976-09)
lead vocals:
Deborah Harry (from 1976-08 until 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
recording of:
The Attack of the Giant Ants (from 1976-08 until 1976-09)
lyricist and composer:
Chris Stein
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jiru Music, Inc.
3:24
2▼12" Vinyl: Plastic Letters
#TitleRatingLength
C1Fan Mail
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
recording of:
Fan Mail (from 1977-06 until 1977-07)
lyricist and composer:
Jimmy Destri
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
1.52:43
C2Denis
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
cover recording of:
Denise (from 1977-06 until 1977-07)
lyricist and composer:
Neil Levenson (pianist and songwriter)
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. and Taking Care of Business Music Inc. (BMI)
3.552:22
C3Bermuda Triangle Blues (Flight 45)
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
recording of:
Bermuda Triangle Blues (Flight 45) (from 1977-06 until 1977-07)
lyricist and composer:
Chris Stein
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
32:53
C4Youth Nabbed as Sniper
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
ebow:
Chris Stein
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
recording of:
Youth Nabbed as Sniper (from 1977-06 until 1977-07)
lyricist and composer:
Chris Stein
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
33:06
C5Contact in Red Square
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1977) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
recording of:
Contact in Red Square (from 1977-06 until 1977-07)
writer:
Jimmy Destri
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) and Jiru Music, Inc.
3.252:04
C6(I’m Always Touched) By Your Presence, Dear
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 1978, in 2001), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
recording of:
(I’m Always Touched by Your) Presence, Dear (from 1977-06 until 1977-07)
lyricist and composer:
Gary Joseph Lachman
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Jiru Music, Inc. and Monster Island Music Publishing Corporation
3.052:47
C7I’m on E
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) and Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1977)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
recording of:
I’m on E (from 1977-06 until 1977-07)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Jiru Music, Inc.
22:22
D1I Didn’t Have the Nerve to Say No
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
recording of:
I Didn’t Have the Nerve to Say No (from 1977-06 until 1977-07)
writer:
Jimmy Destri and Deborah Harry
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
42:58
D2Love at the Pier
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
recording of:
Love at the Pier (from 1977-06 until 1977-07)
lyricist and composer:
Deborah Harry
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
2.52:32
D3No Imagination
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
recording of:
No Imagination (from 1977-06 until 1977-07)
lyricist and composer:
Jimmy Destri
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
33:00
D4Kidnapper
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Dale Powers, Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
recording of:
Kidnapper (from 1977-06 until 1977-07)
lyricist and composer:
Jimmy Destri
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
12:42
D5Detroit 442
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1977), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
recording of:
Detroit 442 (from 1977-06 until 1977-07)
writer:
Jimmy Destri and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Jiru Music, Inc.
22:31
D6Cautious Lip
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
recording of:
Cautious Lip (from 1977-06 until 1977-07)
writer:
Chris Stein and Ronnie Toast
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
14:27
3▼12" Vinyl: Parallel Lines
#TitleRatingLength
E1Hanging On the Telephone
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
cover recording of:
Hanging On the Telephone (from 1978-06 until 1978-07)
lyricist and composer:
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) and Rare Blue Music Inc (in 1978)
4.32:24
E2One Way or Another
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 298)
recording of:
One Way or Another (from 1978-06 until 1978-07)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
4.153:36
E3Picture This
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Picture This (from 1978-06 until 1978-07)
writer:
Jimmy Destri, Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc (in 1978)
3.652:57
E4Fade Away and Radiate
miscellaneous support:
Robert Fripp
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Robert Fripp, Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Fade Away and Radiate (from 1978-06 until 1978-07)
lyricist and composer:
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, BMG RM Chrysalis Music France, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and Rare Blue Music Inc (in 1978)
3.754:02
E5Pretty Baby
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001) and Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Pretty Baby (from 1978-06 until 1978-07)
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc (in 1978)
43:22
E6I Know but I Don’t Know
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07) and Frank Infante (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
I Know but I Don’t Know (from 1978-06 until 1978-07)
lyricist and composer:
Frank Infante
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc (in 1978)
3.353:55
F111:59
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978, in 1979) and Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
11:59 (from 1978-06 until 1978-07)
lyricist and composer:
Jimmy Destri
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc (in 1978)
3.753:19
F2Will Anything Happen?
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978) and Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Will Anything Happen? (from 1978-06 until 1978-07)
lyricist and composer:
Jack Lee (US songwriter and musician)
publisher:
Chrysalis Songs (ended), BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc (in 1978)
3.83:01
F3Sunday Girl
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978, in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Sunday Girl (from 1978-06 until 1978-07)
lyricist and composer:
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc (in 1978)
3.83:06
F4Heart of Glass
assistant engineer:
Grey Russell
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison
drums (drum set):
Clem Burke
guitar:
Frank Infante and Chris Stein
keyboard:
Jimmy Destri
vocals:
Deborah Harry
phonographic copyright (℗) by:
Chrysalis (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978) and Chrysalis Records, Inc. (not for release label use!) (in 1979)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
part of:
TV Cream: Real 100 Best Singles Ever (number: 2), Indie 88: Top 500 Indie Rock Songs (number: 138), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 138) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 255)
recording of:
Heart of Glass
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
version of:
Once I Had a Love
4.33:49
F5I’m Gonna Love You Too
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
cover recording of:
I’m Gonna Love You Too (from 1978-06 until 1978-07)
writer:
Joe B. Mauldin (double bassist, songwriter, and recording engineer), Norman Petty and Niki Sullivan
publisher:
MPL (Paul McCartney-related) (ended), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1957, in 1958)
recording of:
I’m Gonna Love You Too
writer:
Joe B. Mauldin (double bassist, songwriter, and recording engineer), Norman Petty and Niki Sullivan
publisher:
MPL (Paul McCartney-related) (ended), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1957, in 1958)
3.42:10
F6Just Go Away
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978) and Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Just Go Away (from 1978-06 until 1978-07)
lyricist and composer:
Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc (in 1978)
4.23:27
4▼12" Vinyl: Eat to the Beat
#TitleRatingLength
G1Dreaming
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
background vocals:
Ellie Greenwich (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
part of:
RuPaul’s Drag Race Lip Sync Performances (season 7) (number: 4) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 414)
recording of:
Dreaming (from 1979-05 until 1979-06)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS‐affiliated)
3.753:07
G2The Hardest Part
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
The Hardest Part (Blondie) (from 1979-05 until 1979-06)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS‐affiliated)
2.53:42
G3Union City Blue
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001), Blondie Music, Inc. (in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Union City Blue (from 1979-05 until 1979-06)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Blue, BMG Monarch, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated) and Monster Island Music Publishing Corporation
3.23:21
G4Shayla
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) and Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Shayla (from 1979-05 until 1979-06)
lyricist and composer:
Chris Stein
publisher:
BMG Monarch, Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS‐affiliated)
43:57
G5Eat to the Beat
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guest harmonica:
Randy Hennes
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) and Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Eat to the Beat (from 1979-05 until 1979-06)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) and Monster Island Music Publishing Corporation
42:40
H1Accidents Never Happen
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
background vocals:
Lorna Luft (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Accidents Never Happen (from 1979-05 until 1979-06)
lyricist and composer:
Jimmy Destri
publisher:
BMG Monarch, Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS‐affiliated)
44:14
H2Die Young Stay Pretty
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
background vocals:
Jimmy Destri (from 1979-05 until 1979-06) and Frank Infante (from 1979-05 until 1979-06)
guest background vocals:
Mike Chapman (Australian producer and songwriter) (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Die Young Stay Pretty (from 1979-05 until 1979-06)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS‐affiliated)
2.653:33
H3Slow Motion
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
background vocals:
Deborah Harry (from 1979-05 until 1979-06) and Lorna Luft (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979) and Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Slow Motion (Blondie) (from 1979-05 until 1979-06)
writer:
Ann Davis (Student Teachers) and Jimmy Destri
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS‐affiliated)
43:28
H4Atomic
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
background vocals:
Ellie Greenwich (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Atomic (from 1979-05 until 1979-06)
writer:
Jimmy Destri and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc
3.84:39
H5Sound-a-Sleep
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979) and Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Sound‐a‐Sleep (from 1979-05 until 1979-06)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS‐affiliated)
34:17
H6Victor
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
background vocals:
Jimmy Destri (from 1979-05 until 1979-06) and Frank Infante (from 1979-05 until 1979-06)
guest background vocals:
Mike Chapman (Australian producer and songwriter) (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) and Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Victor (from 1979-05 until 1979-06)
writer:
Deborah Harry and Frank Infante
publisher:
BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS‐affiliated)
33:18
H7Living in the Real World
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
guest background vocals:
Donna Destri (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Living in the Real World (from 1979-05 until 1979-06)
lyricist and composer:
Jimmy Destri
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS‐affiliated)
32:42
5▼12" Vinyl: Autoamerican
#TitleRatingLength
I1Europa
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
recording of:
Europa (in 1980)
lyricist and composer:
Chris Stein
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc
43:32
I2Live It Up
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest guitar:
Melvin “Wah Wah” Watson (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
percussion:
Scott Lesser (in 1980)
timpani:
Chris Stein (in 1980)
background vocals:
The ‘B’ Girls (in 1980)
lead vocals:
Deborah Harry (in 1980)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
recording of:
Live It Up (in 1980)
lyricist and composer:
Chris Stein
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc
34:10
I3Here's Looking at You
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
recording of:
Here’s Looking at You (in 1980)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc
22:58
I4The Tide Is High
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
background vocals [girl-group backup vocals]:
The ‘B’ Girls and Deborah Harry
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett (in 1967) and Tyrone Evans (in 1967)
writer:
John Holt (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
4.154:40
I5Angels on the Balcony
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
recording of:
Angels on the Balcony (in 1980)
writer:
Laura Davis (Student Teachers) and Jimmy Destri
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc
33:36
I6Go Through It
recording of:
Go Through It
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc
42:40
J1Do the Dark
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest Lyricon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
recording of:
Do the Dark (in 1980)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc
33:53
J2Rapture
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
vocals:
Deborah Harry
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001) and Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
recording of:
Rapture (in 1980)
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation and Rare Blue Music Inc
4.256:33
J3Faces
recording of:
Faces
lyricist and composer:
Deborah Harry
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc
3:51
J4T-Birds
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
guest vocals:
Howard Kaylan (in 1980) and Mark Volman (in 1980)
lead vocals:
Deborah Harry (in 1980)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
recording of:
T‐Birds (in 1980)
writer:
Nigel Harrison and Deborah Harry
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
43:58
J5Walk Like Me
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
recording of:
Walk Like Me (in 1980)
writer:
Jimmy Destri
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc
43:46
J6Follow Me
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest synthesizer:
Steve Goldstein
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
recording of:
Follow Me (Camelot) (in 1980)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Inc. (USA) and Chappell Music Ltd.
part of:
Camelot (full musical)
cover recording of:
Follow Me (Camelot)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Inc. (USA) and Chappell Music Ltd.
part of:
Camelot (full musical)
43:00
6▼12" Vinyl: The Hunter
#TitleRatingLength
K1Orchid Club
engineer:
Markie Iannello and Doug Schwartz (mastering engineer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1981)
drums (drum set):
Clem Burke (in 1981)
guest saxophone:
Robert Aaron (in 1981)
guitar:
Frank Infante (in 1981) and Chris Stein (in 1981)
keyboard:
Jimmy Destri (in 1981)
lead vocals:
Deborah Harry (in 1981)
instruments arranger:
Robert Aaron
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and Chrysalis Records, Inc. (not for release label use!) (in 1982)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1981)
mixed at:
United Western Recorders in Hollywood, Los Angeles, California, United States
recording of:
Orchid Club (in 1981)
lyricist:
Deborah Harry
composer:
Nigel Harrison
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Rare Blue Music Inc (in 1982) and Red Admiral Music Inc. (publisher) (in 1982)
5:41
K2Island of Lost Souls
engineer:
Markie Iannello and Doug Schwartz (mastering engineer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1981)
drums (drum set):
Clem Burke (in 1981)
guest saxophone:
Robert Aaron (in 1981)
guitar:
Frank Infante (in 1981) and Chris Stein (in 1981)
keyboard:
Jimmy Destri (in 1981)
lead vocals:
Deborah Harry (in 1981)
instruments arranger:
Robert Aaron
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2001)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1981)
mixed at:
United Western Recorders in Hollywood, Los Angeles, California, United States
recording of:
Island of Lost Souls (in 1981)
lyricist:
Deborah Harry
composer:
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1982)
4:38
K3Dragonfly
engineer:
Markie Iannello and Doug Schwartz (mastering engineer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1981)
drums (drum set):
Clem Burke (in 1981)
guest saxophone:
Robert Aaron (in 1981)
guitar:
Frank Infante (in 1981) and Chris Stein (in 1981)
keyboard:
Jimmy Destri (in 1981)
lead vocals:
Deborah Harry (in 1981)
instruments arranger:
Robert Aaron
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1982), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1982) and Chrysalis Records, Inc. (not for release label use!) (in 1982)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1981-12)
mixed at:
United Western Recorders in Hollywood, Los Angeles, California, United States
recording of:
Dragonfly (Blondie) (in 1981)
lyricist:
Deborah Harry
composer:
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1982)
35:58
K4For Your Eyes Only
engineer:
Markie Iannello and Doug Schwartz (mastering engineer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1981)
drums (drum set):
Clem Burke (in 1981)
guest saxophone:
Robert Aaron (in 1981)
guitar:
Frank Infante (in 1981) and Chris Stein (in 1981)
keyboard:
Jimmy Destri (in 1981)
lead vocals:
Deborah Harry (in 1981)
instruments arranger:
Robert Aaron
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and Chrysalis Records, Inc. (not for release label use!) (in 1982)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1981)
mixed at:
United Western Recorders in Hollywood, Los Angeles, California, United States
recording of:
For Your Eyes Only (in 1981)
lyricist:
Deborah Harry
composer:
Chris Stein
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc (in 1982)
3:04
K5The Beast
engineer:
Markie Iannello and Doug Schwartz (mastering engineer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1981)
drums (drum set):
Clem Burke (in 1981)
guest saxophone:
Robert Aaron (in 1981)
guitar:
Frank Infante (in 1981) and Chris Stein (in 1981)
keyboard:
Jimmy Destri (in 1981)
lead vocals:
Deborah Harry (in 1981)
instruments arranger:
Robert Aaron
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and Chrysalis Records, Inc. (not for release label use!) (in 1982)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1981)
mixed at:
United Western Recorders in Hollywood, Los Angeles, California, United States
recording of:
The Beast (in 1981)
lyricist:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc (in 1982)
4:49
L1War Child
engineer:
Markie Iannello and Doug Schwartz (mastering engineer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1981)
drums (drum set):
Clem Burke (in 1981)
guest saxophone:
Robert Aaron (in 1981)
guitar:
Frank Infante (in 1981) and Chris Stein (in 1981)
keyboard:
Jimmy Destri (in 1981)
lead vocals:
Deborah Harry (in 1981)
instruments arranger:
Robert Aaron
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1982), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1982), Chrysalis Records, Inc. (not for release label use!) (in 1982), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1981)
mixed at:
United Western Recorders in Hollywood, Los Angeles, California, United States
recording of:
War Child (in 1981)
lyricist:
Deborah Harry
composer:
Nigel Harrison
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, Monster Island Music Publishing Corporation, Rare Blue Music Inc (in 1982) and Red Admiral Music Inc. (publisher) (in 1982)
13:57
L2Little Caesar
engineer:
Markie Iannello and Doug Schwartz (mastering engineer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1981)
drums (drum set):
Clem Burke (in 1981)
guest saxophone:
Robert Aaron (in 1981)
guitar:
Frank Infante (in 1981) and Chris Stein (in 1981)
keyboard:
Jimmy Destri (in 1981)
lead vocals:
Deborah Harry (in 1981)
instruments arranger:
Robert Aaron
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1982), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1982) and Chrysalis Records, Inc. (not for release label use!) (in 1982)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1981)
mixed at:
United Western Recorders in Hollywood, Los Angeles, California, United States
recording of:
Little Caesar (in 1981)
lyricist:
Deborah Harry
composer:
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1982)
2:58
L3Danceway
engineer:
Markie Iannello and Doug Schwartz (mastering engineer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1981)
drums (drum set):
Clem Burke (in 1981)
guest saxophone:
Robert Aaron (in 1981)
guitar:
Frank Infante (in 1981) and Chris Stein (in 1981)
keyboard:
Jimmy Destri (in 1981)
lead vocals:
Deborah Harry (in 1981)
instruments arranger:
Robert Aaron
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and Chrysalis Records, Inc. (not for release label use!) (in 1982)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1981)
mixed at:
United Western Recorders in Hollywood, Los Angeles, California, United States
recording of:
Danceway (in 1981)
lyricist and composer:
Jimmy Destri
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc (in 1982)
3:16
L4(Can I) Find the Right Words (to Say)
engineer:
Markie Iannello and Doug Schwartz (mastering engineer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1981)
drums (drum set):
Clem Burke (in 1981)
guest saxophone:
Robert Aaron (in 1981)
guitar:
Frank Infante (in 1981) and Chris Stein (in 1981)
keyboard:
Jimmy Destri (in 1981)
lead vocals:
Deborah Harry (in 1981)
instruments arranger:
Robert Aaron
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and Chrysalis Records, Inc. (not for release label use!) (in 1982)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1981)
mixed at:
United Western Recorders in Hollywood, Los Angeles, California, United States
recording of:
(Can I) Find the Right Words (to Say) (in 1981)
lyricist:
Deborah Harry
composer:
Jimmy Destri
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc (in 1982)
3:05
L5English Boys
engineer:
Markie Iannello and Doug Schwartz (mastering engineer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1981)
drums (drum set):
Clem Burke (in 1981)
guest saxophone:
Robert Aaron (in 1981)
guitar:
Frank Infante (in 1981) and Chris Stein (in 1981)
keyboard:
Jimmy Destri (in 1981)
lead vocals:
Deborah Harry (in 1981)
instruments arranger:
Robert Aaron
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and Chrysalis Records, Inc. (not for release label use!) (in 1982)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1981)
mixed at:
United Western Recorders in Hollywood, Los Angeles, California, United States
recording of:
English Boys (in 1981)
lyricist:
Deborah Harry
composer:
Chris Stein
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc (in 1982)
3:47
L6The Hunter Gets Captured by the Game
engineer:
Markie Iannello and Doug Schwartz (mastering engineer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1982)
drums (drum set):
Clem Burke (in 1982)
guest saxophone:
Robert Aaron (in 1982)
guitar:
Frank Infante (in 1982) and Chris Stein (in 1982)
keyboard:
Jimmy Destri (in 1982)
background vocals:
Lani Groves (in 1982), Janice Pendarvis (in 1982), Zachary Sanders (in 1982) and Darryl Tookes (in 1982)
lead vocals:
Deborah Harry (in 1982)
performer:
Deborah Harry
instruments arranger:
Robert Aaron
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and Chrysalis Records, Inc. (not for release label use!) (in 1982)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1982)
mixed at:
United Western Recorders in Hollywood, Los Angeles, California, United States
cover recording of:
The Hunter Gets Captured by the Game (in 1982)
lyricist, writer and composer:
Smokey Robinson
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc. (in 1966)
3:32
7▼7" Vinyl: Moonlight Drive
#TitleRatingLength
AMoonlight Drive
mixer:
Tom Camuso (assistant engineer) and Steve Rosenthal
analog synthesizer [Polymoog synthesizer], farfisa [Farfisa organ], grand piano and synthesizer [Roland synthesizer]:
Jimmy Destri (on 1977-08-03)
bass guitar [bass], ebow, guitar, harmonica and whistling:
Chris Stein (on 1977-08-03)
background vocals:
Clem Burke (on 1977-08-03) and Jimmy Destri (on 1977-08-03)
vocals:
Debbie Harry (on 1977-08-03)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1977-08-03)
cover recording of:
Moonlight Drive (on 1977-08-03)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company and Nipper Music
3:00
BMr. Sightseer
recorded in:
New York, New York, United States (from 1978 until 1979)
producer:
Chris Stein
mixer:
Tom Camuso (assistant engineer) and Steve Rosenthal
bass guitar [bass], drum machine and guitar:
Chris Stein
vocals:
Debbie Harry
3:45
8▼12" Vinyl: Out in the Streets (Out-takes & Rarities)
#TitleRatingLength
O1Out in the Streets (1974 session)
engineer:
Eric Emerson (musician, actor, dancer)
producer:
Chris Stein
mixer:
Tom Camuso (assistant engineer) and Steve Rosenthal
bass guitar [bass]:
Fred Smith (bassist) (in 1974)
drums (drum set) [drums]:
Billy O’Connor (in 1974)
guitar:
Chris Stein (in 1974)
background vocals:
Elda Gentile (The Stillettos) (in 1974), Snooky Bellomo (Snooky Bellomo) (in 1974) and Tish Bellomo (Tish Bellomo) (in 1974)
vocals:
Debbie Harry (in 1974)
cover recording of:
Out in the Streets (in 1974)
writer:
Jeff Barry and Ellie Greenwich
publisher:
Malt Shoppe Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Steeplechase Music, Tender Tunes Inc., Tender Tunes Music Co., Inc., Trio Music Co., Inc. and Universal–Songs of PolyGram International, Inc.
2:25
O2The Disco Song (1974 session)
engineer:
Eric Emerson (musician, actor, dancer)
producer:
Chris Stein
mixer:
Tom Camuso (assistant engineer) and Steve Rosenthal
bass guitar [bass]:
Fred Smith (bassist) (in 1974)
drums (drum set) [drums]:
Billy O’Connor (in 1974)
guitar:
Chris Stein (in 1974)
background vocals:
Elda Gentile (The Stillettos) (in 1974), Snooky Bellomo (Snooky Bellomo) (in 1974) and Tish Bellomo (Tish Bellomo) (in 1974)
vocals:
Debbie Harry (in 1974)
3:56
O3Sexy Ida (1974 session)
engineer:
Eric Emerson (musician, actor, dancer)
producer:
Chris Stein
mixer:
Tom Camuso (assistant engineer) and Steve Rosenthal
bass guitar [bass]:
Fred Smith (bassist) (in 1974)
drums (drum set) [drums]:
Billy O’Connor (in 1974)
guitar:
Chris Stein (in 1974)
background vocals:
Elda Gentile (The Stillettos) (in 1974), Snooky Bellomo (Snooky Bellomo) (in 1974) and Tish Bellomo (Tish Bellomo) (in 1974)
vocals:
Debbie Harry (in 1974)
4:00
P1Platinum Blonde (Betrock demo)
recorded in:
Queens, New York, New York, United States (in 1975-06)
engineer:
Kevin Kelley
producer:
Alan Betrock (Alan Betrock (1950-2000) was a New York music critic, magazine publisher, author and record producer.)
mixer:
Chris Stamey
bass guitar [bass] and piano:
Gary Valentine (in 1975-06)
drums (drum set) [drums]:
Clem Burke (in 1975-06)
guitar:
Chris Stein (in 1975-06)
vocals:
Debbie Harry (in 1975-06)
recording of:
Platinum Blonde (in 1975-06)
writer:
Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Monster Island Music Publishing Corporation
2:19
P2The Thin Line (Betrock demo)
recorded in:
Queens, New York, New York, United States (in 1975-06)
engineer:
Kevin Kelley
producer:
Alan Betrock (Alan Betrock (1950-2000) was a New York music critic, magazine publisher, author and record producer.)
mixer:
Chris Stamey
bass guitar [bass] and piano:
Gary Valentine (in 1975-06)
drums (drum set) [drums]:
Clem Burke (in 1975-06)
guitar:
Chris Stein (in 1975-06)
vocals:
Debbie Harry (in 1975-06)
recording of:
The Thin Line (Blondie) (in 1975-06)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) and Monster Island Music Publishing Corporation
2:28
P3Puerto Rico (Betrock demo)
recorded in:
Queens, New York, New York, United States (in 1975-06)
engineer:
Kevin Kelley
producer:
Alan Betrock (Alan Betrock (1950-2000) was a New York music critic, magazine publisher, author and record producer.)
mixer:
Chris Stamey
bass guitar [bass] and piano:
Gary Valentine (in 1975-06)
drums (drum set) [drums]:
Clem Burke (in 1975-06)
guitar:
Chris Stein (in 1975-06)
vocals:
Debbie Harry (in 1975-06)
recording of:
Puerto Rico (in 1975-06)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) and Monster Island Music Publishing Corporation
2:08
P4Once I Had a Love (Betrock demo)
recorded in:
Queens, New York, New York, United States (in 1975-06)
engineer:
Kevin Kelley
producer:
Alan Betrock (Alan Betrock (1950-2000) was a New York music critic, magazine publisher, author and record producer.)
mixer:
Chris Stamey
bass guitar [bass] and piano:
Gary Valentine (in 1975-06)
drums (drum set) [drums]:
Clem Burke (in 1975-06)
guitar:
Chris Stein (in 1975-06)
vocals:
Debbie Harry (in 1975-06)
recording of:
Once I Had a Love (in 1975-06)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) and Monster Island Music Publishing Corporation
3:58
P5Out in the Streets (Betrock demo)
recorded in:
Queens, New York, New York, United States (in 1975-06)
engineer:
Kevin Kelley
producer:
Alan Betrock (Alan Betrock (1950-2000) was a New York music critic, magazine publisher, author and record producer.)
mixer:
Chris Stamey
bass guitar [bass] and piano:
Gary Valentine (in 1975-06)
drums (drum set) [drums]:
Clem Burke (in 1975-06)
guitar:
Chris Stein (in 1975-06)
vocals:
Debbie Harry (in 1975-06)
cover recording of:
Out in the Streets (in 1975-06)
writer:
Jeff Barry and Ellie Greenwich
publisher:
Malt Shoppe Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Steeplechase Music, Tender Tunes Inc., Tender Tunes Music Co., Inc., Trio Music Co., Inc. and Universal–Songs of PolyGram International, Inc.
2:22
9▼12" Vinyl: Plaza Sound (Out-takes & Rarities)
#TitleRatingLength
Q1X Offender (intro)
engineer:
Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
mixer:
Tom Camuso (assistant engineer) and Steve Rosenthal
vocals:
Debbie Harry (on 1976-05-06)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1976-05-06)
recording of:
X Offender
writer:
Gary Lachman and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), EMI Music (do not use as release label! this is a music publisher), Jiru Music, Inc. and Norfolk Square Music
0:18
Q2X Offender (Private Stock single version)
engineer:
Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar [bass] and guitar:
Gary Valentine (on 1976-05-06) and Chris Stein (on 1976-05-06)
drums (drum set) [drums] and percussion:
Clem Burke (on 1976-05-06)
electric piano [RMI Piano], farfisa [Farfisa organ], grand piano, pipe organ and synthesizer [Roland synthesizer]:
Jimmy Destri (on 1976-05-06)
vocals:
Debbie Harry (on 1976-05-06)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1976-05-06)
recording of:
X Offender (on 1976-05-06)
writer:
Gary Lachman and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), EMI Music (do not use as release label! this is a music publisher), Jiru Music, Inc. and Norfolk Square Music
3:15
Q3In the Sun (Private Stock single version)
engineer:
Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive) and Craig Leon (musician, arranger, composer and producer)
mixer:
Tom Camuso (assistant engineer) and Steve Rosenthal
bass guitar [bass] and guitar:
Gary Valentine (on 1976-05-06) and Chris Stein (on 1976-05-06)
drums (drum set) [drums] and percussion:
Clem Burke (on 1976-05-06)
electric piano [RMI Piano], farfisa [Farfisa organ], grand piano, pipe organ and synthesizer [Roland synthesizer]:
Jimmy Destri (on 1976-05-06)
vocals:
Debbie Harry (on 1976-05-06)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1976, in 2001) and Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976)
recorded at:
Plaza Sound Studios in New York, New York, United States (in 1976, on 1976-05-06)
recording of:
In the Sun (on 1976-05-06)
lyricist and composer:
Chris Stein
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jiru Music, Inc.
recording of:
In the Sun (in 1976)
lyricist and composer:
Chris Stein
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jiru Music, Inc.
42:40
Q4Little Girl Lies (Private Stock mix)
assistant engineer:
Don Hunerberg
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar [bass] and guitar:
Chris Stein and Gary Valentine (in 1976-08)
drums (drum set) [drums] and percussion:
Clem Burke (in 1976-08)
electric piano [RMI piano], farfisa [Farfisa organ], grand piano, pipe organ and synthesizer [Roland synthesizer]:
Jimmy Destri (in 1976-08)
vocals:
Debbie Harry (in 1976-08)
remixer:
Craig Leon (musician, arranger, composer and producer)
recorded at:
Plaza Sound Studios in New York, New York, United States (in 1976-08)
recording of:
Little Girl Lies (in 1976-08)
lyricist and composer:
Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music (do not use as release label! this is a music publisher) and Jiru Music, Inc.
2:08
Q5In the Flesh (extended intro)
engineer:
Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar [bass] and guitar:
Chris Stein and Gary Valentine (in 1976-08)
drums (drum set) [drums] and percussion:
Clem Burke (in 1976-08)
electric piano [RMI piano], farfisa [Farfisa organ], grand piano, pipe organ and synthesizer [Roland synthesizer]:
Jimmy Destri (in 1976-08)
background vocals:
Ellie Greenwich (in 1976-08), Hilda Harris (in 1976-08) and Micki Harris (in 1976-08)
vocals:
Debbie Harry (in 1976-08)
recorded at:
Plaza Sound Studios in New York, New York, United States (in 1976-08)
recording of:
In the Flesh (in 1976-08)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and Jiru Music, Inc.
2:52
Q6A Shark in Jets Clothing (take 2)
engineer:
Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
mixer:
Tom Camuso (assistant engineer) and Steve Rosenthal
bass guitar [bass] and guitar:
Gary Valentine (on 1976-09-01) and Chris Stein (on 1976-09-01)
drums (drum set) [drums] and percussion:
Clem Burke (on 1976-09-01)
electric piano [RMI piano], farfisa [Farfisa orgna], grand piano, pipe organ and synthesizer [Roland synthesizer]:
Jimmy Destri (on 1976-09-01)
vocals:
Debbie Harry (on 1976-09-01)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1976-09-01)
recording of:
A Shark in Jets Clothing (on 1976-09-01)
lyricist and composer:
Jimmy Destri
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jiru Music, Inc.
3:42
Q7Kung Fu Girls (take 8)
engineer:
Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
mixer:
Tom Camuso (assistant engineer) and Steve Rosenthal
bass guitar [bass] and guitar:
Gary Valentine (on 1976-09-01) and Chris Stein (on 1976-09-01)
drums (drum set) [drums] and percussion:
Clem Burke (on 1976-09-01)
electric piano [RMI piano], farfisa [Farfisa orgna], grand piano, pipe organ and synthesizer [Roland synthesizer]:
Jimmy Destri (on 1976-09-01)
vocals:
Debbie Harry (on 1976-09-01)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1976-09-01)
recording of:
Kung Fu Girls (on 1976-09-01)
writer:
Jimmy Destri, Gary Joseph Lachman and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and Jiru Music, Inc.
2:28
Q8Scenery (Plaza Sound outtake)
engineer:
Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar [bass] and guitar:
Gary Valentine (on 1976-08-31) and Chris Stein (on 1976-08-31)
drums (drum set) [drums] and percussion:
Clem Burke (on 1976-08-31)
electric piano [RMI piano], farfisa [Farfisa orgna], grand piano, pipe organ and synthesizer [Roland synthesizer]:
Jimmy Destri (on 1976-08-31)
vocals:
Debbie Harry (on 1976-08-31)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1976-08-31)
recording of:
Scenery (on 1976-08-31)
lyricist and composer:
Gary Valentine
3:10
R1Denis (Terry Ellis mix)
mixer:
Terry Ellis (UK producer & band manager) (on 1978-02-23)
additional guitar:
Frank Infante
analog synthesizer [Polymoog synthesizer], grand piano and synthesizer [Roland synthesizer]:
Jimmy Destri
bass guitar [bass], ebow, guitar, harmonica and whistling:
Chris Stein
drums (drum set) [drums]:
Clem Burke
background vocals:
Clem Burke and Jimmy Destri
vocals:
Debbie Harry
mixed at:
Air Recording Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1978-02-23)
cover recording of:
Denise (from 1977-07 until 1977-08)
lyricist and composer:
Neil Levenson (pianist and songwriter)
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. and Taking Care of Business Music Inc. (BMI)
2:23
R2Bermuda Triangle Blues / Flight 45 (take 1)
mixer:
Tom Camuso (assistant engineer) and Steve Rosenthal
additional guitar:
Frank Infante (on 1977-07-08)
analog synthesizer [Polymoog synthesizer], farfisa [Farfisa organ], grand piano and synthesizer [Roland synthesizer]:
Jimmy Destri (on 1977-07-08)
bass guitar [bass], ebow, guitar, harmonica and whistling:
Chris Stein (on 1977-07-08)
drums (drum set) [drums]:
Clem Burke (on 1977-07-08)
background vocals:
Clem Burke (on 1977-07-08) and Jimmy Destri (on 1977-07-08)
vocals:
Debbie Harry (on 1977-07-08)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1977-07-08)
recording of:
Bermuda Triangle Blues (Flight 45) (on 1977-07-08)
lyricist and composer:
Chris Stein
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
2:39
R3I Didn’t Have the Nerve to Say No (take 1)
mixer:
Tom Camuso (assistant engineer) and Steve Rosenthal
analog synthesizer [Polymoog synthesizer], farfisa [Farfisa organ], grand piano and synthesizer [Roland synthesizer]:
Jimmy Destri (on 1977-07-08)
bass guitar [bass], ebow, guitar, harmonica and whistling:
Chris Stein (on 1977-07-08)
drums (drum set) [drums]:
Clem Burke (on 1977-07-08)
background vocals:
Clem Burke (on 1977-07-08) and Jimmy Destri (on 1977-07-08)
vocals:
Debbie Harry (on 1977-07-08)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1977-07-08)
recording of:
I Didn’t Have the Nerve to Say No (on 1977-07-08)
writer:
Jimmy Destri and Deborah Harry
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
2:59
R4I’m on E (take 2)
mixer:
Tom Camuso (assistant engineer) and Steve Rosenthal
analog synthesizer [Polymoog synthesizer], farfisa [Farfisa organ], grand piano and synthesizer [Roland synthesizer]:
Jimmy Destri (on 1977-08-01)
bass guitar [bass], ebow, guitar, harmonica and whistling:
Chris Stein (on 1977-08-01)
background vocals:
Clem Burke (on 1977-08-01) and Jimmy Destri (on 1977-08-01)
vocals:
Debbie Harry (on 1977-08-01)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1977-08-01)
recording of:
I’m on E (on 1977-08-01)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Jiru Music, Inc.
2:38
R5Kidnapper (take 2)
additional bass guitar:
Frank Infante (on 1977-08-01)
analog synthesizer [Polymoog synthesizer], farfisa [Farfisa organ], grand piano and synthesizer [Roland synthesizer]:
Jimmy Destri (on 1977-08-01)
bass guitar [bass], ebow, guitar, harmonica and whistling:
Chris Stein (on 1977-08-01)
background vocals:
Clem Burke (on 1977-08-01) and Jimmy Destri (on 1977-08-01)
vocals:
Debbie Harry (on 1977-08-01)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1977-08-01)
recording of:
Kidnapper (on 1977-08-01)
lyricist and composer:
Jimmy Destri
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
2:33
R6Detroit 442 (take 2)
mixer:
Tom Camuso (assistant engineer) and Steve Rosenthal
additional guitar:
Frank Infante (on 1977-07-19)
analog synthesizer [Polymoog synthesizer], farfisa [Farfisa organ], grand piano and synthesizer [Roland synthesizer]:
Jimmy Destri (on 1977-07-19)
drums (drum set) [drums]:
Clem Burke (on 1977-07-19)
background vocals:
Clem Burke (on 1977-07-19) and Jimmy Destri (on 1977-07-19)
vocals:
Debbie Harry (on 1977-07-19)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1977-07-19)
recording of:
Detroit 442 (on 1977-07-19)
writer:
Jimmy Destri and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Jiru Music, Inc.
2:56
R7Poet’s Problem
analog synthesizer [Polymoog synthesizer], farfisa [Farfisa organ], grand piano and synthesizer [Roland synthesizer]:
Jimmy Destri (on 1977-08-02)
bass guitar [bass], ebow, guitar, harmonica and whistling:
Chris Stein (on 1977-08-02)
background vocals:
Clem Burke (on 1977-08-01) and Jimmy Destri (on 1977-08-02)
vocals:
Debbie Harry (on 1977-08-02)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1977-08-02)
recording of:
Poet’s Problem (on 1977-08-02)
writer:
Jimmy Destri
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Jiru Music, Inc. and Monster Island Music Publishing Corporation
2:22
10▶12" Vinyl: Parallel Beats (Out-takes & Rarities)
11▶12" Vinyl: Blondie (Out-takes & Rarities)
12▶12" Vinyl: Home Tapes (Out-takes & Rarities)