Mafia II

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1900 Miles
recording of:
900 Miles
Verfasser(in):
[traditional] (special purpose artist)
Billy Merman2:29
2After the Lights Go Down Low
Albert Hibbler2:30
3Ain’t That Just Like a Woman (They’ll Do It Every Time)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-01-23) und New York, New York, Vereinigte Staaten (am 1946-01-23)
Produzent(in):
Milt Gabler
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1946-01-23)
E-Gitarre:
Carl Hogan (am 1946-01-23)
Klanghölzer / Claves:
Vic Lourie (am 1946-01-23)
Klavier:
Wild Bill Davis (am 1946-01-23)
Kontrabass:
Jesse ‘Po’ Simpkins (am 1946-01-23)
Maracas / Rumba-Rasseln:
Harry Dial (am 1946-01-23)
Schlagzeug:
Eddie Byrd (US drummer) (am 1946-01-23)
Tenorsaxophon:
Josh Jackson (tenor saxophone player) (am 1946-01-23)
Trompete:
Aaron Izenhall (am 1946-01-23)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1946-01-23)
recording of:
Ain’t That Just Like a Woman (am 1946-01-23)
Verfasser(in):
Claude Demetrius und Fleecie Moore
publisher:
Cherio Music
Louis Jordan and His Tympany Five2:50
4Ain’t That a Kick in the Head
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor)
recording of:
Ain’t That a Kick in the Head (am 1960-05-10)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Maraville Music Corp.
Dean Martin4.52:22
5Caldonia Boogie
recorded in:
New York, New York, Vereinigte Staaten (am 1945-01-19)
Produzent(in):
Milt Gabler
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1945-01-19)
Bass, Kontrabass und Kontrabass [bass]:
Al Morgan (jazz double-bassist) (am 1945-01-19)
Klarinette:
Freddie Simon (jazz sax) (am 1945-01-19)
Klavier:
William Austin (1940s jazz pianist) (am 1945-01-19)
Schlagzeug:
Alex 'Razz' Mitchell (1940s jazz drummer) (am 1945-01-19)
Tenorsaxophon:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1945-01-19) und Freddie Simon (jazz sax) (am 1945-01-19)
Trompete:
Leonard Graham (am 1945-01-19)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1945-01-19)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2009)
recording of:
Caldonia (What Makes Your Big Head Hard?) (am 1945-01-19)
Texter und Komponist(in):
Louis Jordan (US jazz, blues and r&b musician and songwriter) und Fleecie Moore
publisher:
Chappell Morris Ltd., Cherio Corp. und Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (am 1945-04-16)
Louis Jordan and His Tympany Five52:40
6Auf Wiederseh’n, Sweetheart
Les Baxter2:49
7Choo Choo Ch’boogie
recorded in:
New York, New York, Vereinigte Staaten (am 1946-01-23)
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1946-01-23)
E-Gitarre:
Carl Hogan (am 1946-01-23)
Klanghölzer / Claves:
Vic Lourie (am 1946-01-23)
Klavier:
Wild Bill Davis (am 1946-01-23)
Kontrabass:
Jesse ‘Po’ Simpkins (am 1946-01-23)
Maracas / Rumba-Rasseln:
Harry Dial (am 1946-01-23)
Schlagzeug:
Eddie Byrd (US drummer) (am 1946-01-23)
Tenorsaxophon:
Josh Jackson (tenor saxophone player) (am 1946-01-23)
Trompete:
Aaron Izenhall (am 1946-01-23)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1946-01-23)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1946)
recording of:
Choo Choo Ch’Boogie (am 1946-01-23)
Verfasser(in):
Denver Darling, Milt Gabler und Vaughn Horton
publisher:
Rytvoc (ASCAP) und Warner/Chappell (Warner/Chappell Music, Inc.)
Louis Jordan & His Tympany Five52:41
8Did You Ever Love a Woman
recording of:
Did You Ever Love a Woman
Komponist(in):
Arnold Dwight Moore (Arnold Dwight Moore)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Gatemouth Moore2:47
9Che la Luna
Louis Prima2:31
10Everybody Eats When They Come to My House
recording of:
Everybody Eats When They Come to My House (am 1947-12-11)
Verfasser(in):
Jeanne Burns
Cab Calloway42:44
11Chow Mein
recording of:
Chow Mein
Komponist(in):
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
The Gaylords2:11
12Count Every Star
Albert Hibbler2:47
13Friendship
recording of:
Friendship
Verfasser(in):
Claude Demetrius und Louis Jordan (US jazz, blues and r&b musician and songwriter)
Louis Jordan and His Tympany Five42:20
14Jezebel
recording of:
Jezebel
Texter und Komponist(in):
Wayne Shanklin
publisher:
Anne-Rachel Music Corp. und Domino Publishing Co. Ltd.
Frankie Laine3:10
15Gangster’s Blues
Peetie Wheatstraw2:44
16G.I. Jive
alto saxophone, Saxophon, Tenorsaxophon und Sologesang:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1944-03-15)
Bass:
Al Morgan (jazz double-bassist) (am 1944-03-15)
Klavier:
Arnold Thomas (am 1944-03-15)
Kontrabass:
Billy Hadnott (am 1944-03-15) und Al Morgan (jazz double-bassist) (am 1944-03-15)
Schlagzeug:
Wilmore Jones (am 1944-03-15)
Trompete:
Eddie Roane (am 1944-03-15) und Courtney Williams (1930-40s trumpeter) (am 1944-03-15)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1944-03-15)
recording of:
G.I. Jive (am 1944-03-15)
Texter und Komponist(in):
Johnny Mercer
publisher:
WC Music Corp.
Louis Jordan and His Tympany Five2:57
17Let the Good Times Roll
Sam Butera and the Witnesses2:13
18Makin’ Whoopee!
recording of:
Makin’ Whoopee!
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
Doris Day3:35
19I Can’t Lose With the Stuff I Use
Lester Williams2:10
20Inflation Blues
recording of:
40s: Delta Radio: Inflation Blues
Version von:
Inflation Blues
recording of:
Inflation Blues
Jack McVea2:49
21Mambo Italiano
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-23)
vocals:
Rosemary Clooney (am 1954-09-23) und The Mellomen (American singing quartet) (am 1954-09-23)
Orchester:
Buddy Cole and His Orchestra (am 1954-09-23)
conductor:
Paul Weston (am 1954-09-23)
recording of:
Mambo Italiano (original english version) (am 1954-09-23)
Texter und Komponist(in):
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
Rosemary Clooney4.352:29
22Manhattan Spiritual
Reg Owen Orchestra2:42
23Mercy Mr. Percy
Varetta Dillard2:46
24Open the Door, Richard
recording of:
Open the Door, Richard (1946 song)
Texter:
Dan Howell und John Mason ("Spider Bruce", vaudeville comedian)
Komponist(in):
Jack McVea
Louis Jordan and His Tympany Five3:00
25My Bonnie Lassie
recording of:
My Bonnie Lassie
Texter:
Roy C. Bennett (US songwriter) und Sid Tepper
Komponist(in):
[traditional] (special purpose artist)
arranger:
Marion McClurg
basiert auf:
Scotland the Brave (lyrics by Cliff Hanley, arr. Marion McClurg)
The Ames Brothers2:24
26Pachuko Hop
Ike Carpenter Orchestra2:12
27My Guardian Angel
Jim Breedlove2:50
28Ration Blues
recording of:
Ration Blues (am 1943-10-04)
Verfasser(in):
Collenane Clark, Antonio Cosey und Louis Jordan (US jazz, blues and r&b musician and songwriter)
Louis Jordan and His Tympany Five43:06
29Oh Marie
Produzent(in):
Voyle Gilmore
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete und Sologesang:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Oh Marie (am 1956-04-19)
Texter und Komponist(in):
Eduardo Di Capua
arranger:
Louis Prima
Louis Prima42:24
30Ooh, Baby, Ooh
Dave Appell and the Applejacks2:36
31Rock Around the Clock
Harold Singer2:53
32That Chick’s Too Young to Fry
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-01-23)
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1946-01-23)
E-Gitarre:
Carl Hogan (am 1946-01-23)
Klanghölzer / Claves:
Vic Lourie (am 1946-01-23)
Klavier:
Wild Bill Davis (am 1946-01-23)
Kontrabass:
Jesse ‘Po’ Simpkins (am 1946-01-23)
Maracas / Rumba-Rasseln:
Harry Dial (am 1946-01-23)
Schlagzeug:
Eddie Byrd (US drummer) (am 1946-01-23)
Tenorsaxophon:
Josh Jackson (tenor saxophone player) (am 1946-01-23)
Trompete:
Aaron Izenhall (am 1946-01-23)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1946-01-23)
recording of:
That Chick's Too Young to Fry (am 1946-01-23)
Verfasser(in):
Tommy Edwards und Jimmy Hilliard
Louis Jordan and His Tympany Five2:22
33Pennies From Heaven
Louis Prima2:17
34Return to Me
Produzent(in):
Lee Gillette
conductor:
Gus Levene
cover recording of:
Return to Me
Verfasser(in):
Daniel DiMinno (American composer, lyricist, author) und Carmen Lombardo
publisher:
Southern Music Publ. Co. Ltd. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Arrangement von:
Return to Me (Regresa a mí)
Dean Martin52:21
35That’ll Get It
Floyd Dixon2:44
36The Fat Man
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
United Artists (in 1949) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten
recording of:
The Fat Man (am 1949-12-10)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Antoine Domino42:34
37Springtime in Monaco
Billy Merman2:38
38That’s Amore
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1953-08-13)
Orchester:
Dick Stabile and His Orchestra (am 1953-08-13)
conductor:
Dick Stabile (am 1953-08-13)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-08-13)
recording of:
That’s Amore (am 1953-08-13)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) und Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) und BMG Unisongs Music Publishers BV
Teil von:
The 26th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.353:05
39What’s the Use of Getting Sober (When You Gonna Get Drunk Again)
recorded in:
New York, New York, Vereinigte Staaten (am 1942-07-21)
Produzent(in):
Milt Gabler
alto saxophone und Tenorsaxophon:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1942-07-21)
Klavier:
Arnold Thomas (am 1942-07-21)
Kontrabass:
Dallas Bartley (am 1942-07-21)
Schlagzeug:
Walter Martin (1930-40s drummer) (am 1942-07-21)
Trompete:
Eddie Roane (am 1942-07-21)
vocals:
Eddie Roane (?) (am 1942-07-21) und Louis Jordan (US jazz, blues and r&b musician and songwriter) (am 1942-07-21)
recording of:
What’s the Use of Gettin’ Sober (When You’re Gonna Get Drunk Again)? (am 1942-07-21)
Texter und Komponist(in):
Busby Meyers
Louis Jordan and His Tympany Five2:55
2▼CD
Nr.TitelKünstlerBewertungLänge
1Baby It’s Cold Outside
vocals:
Buddy Clark (US 1930s~1940s singer) und Dinah Shore
Orchester:
Ted Dale and His Orchestra
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1949)
recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1949 winner)
Dinah Shore & Buddy Clark2:19
2The Closer to the Bone
Louis Prima4:10
3The Peanut Vendor
Pérez Prado2:37
4Boogie Woogie Bugle Boy
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1941-01-02)
vocals:
The Andrews Sisters (am 1941-01-02), Maxene Andrews (am 1941-01-02), Laverne Andrews (am 1941-01-02) und Patti Andrews (am 1941-01-02)
Orchester:
Vic Schoen and His Orchestra (am 1941-01-02)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1941)
recording of:
Boogie Woogie Bugle Boy (am 1941-01-02)
Verfasser(in):
Hughie Prince und Don Raye
publisher:
A4V Digital, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
The Andrews Sisters2:41
5Buttons and Bows
accordion:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1947-11-30)
vocals:
Dinah Shore (am 1947-11-30)
recording of:
Buttons and Bows (1947 song) (am 1947-11-30)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (am 1948-02-25)
Teil von:
The 21st Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1948 winner)
Dinah Shore12:01
6When You’re Smiling
Louis Prima33:56
7Happiness Is a Thing Called Joe
cover recording of:
Happiness Is a Thing Called Joe (am 1957-04-04)
Texter:
Yip Harburg (in 1940)
Komponist(in):
Harold Arlen (in 1940)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Peggy Lee4:02
8Held for Questioning
Farrell Draper2:21
9I Haven’t Time to Be a Millionaire
recording of:
I Haven’t the Time to Be a Millionaire
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
James V. Monaco
publisher:
Anne-Rachel Music Corp.
Bing Crosby2:47
10I’ve Got a Pocketful of Dreams
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-07-11)
vocals:
Bing Crosby (am 1938-07-11)
Orchester:
John Scott Trotter and His Orchestra (am 1938-07-11)
conductor:
John Scott Trotter
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und MCA Music Ltd. (in 1938)
recording of:
I’ve Got a Pocketful of Dreams (am 1938-07-11)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
James V. Monaco
publisher:
Santly Joy Select, Inc. (am 1938-05-07)
Bing Crosby2:36
11It Don’t Mean a Thing
alto saxophone:
Harry Carney und Johnny Hodges
Banjo:
Fred Guy
baritone saxophone:
Harry Carney
Klarinette:
Barney Bigard, Harry Carney und Johnny Hodges
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader)
Kontrabass:
Wellman Braud
Posaune:
Lawrence Brown (jazz trombonist) und Joe "Tricky Sam" Nanton
Schlagzeug:
Sonny Greer
Sopransaxophon:
Johnny Hodges
Tenorsaxophon:
Barney Bigard
Trompete:
Freddie Jenkins, Arthur Whetsel und Cootie Williams
Ventilposaune:
Juan Tizol
Sologesang:
Ivie Anderson
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (am 1932-02-02)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Edward Ellington23:08
12Java
Freddy Friday1:55
13Let It Snow!
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter) und Lee Gillette
Sologesang:
Dean Martin (American singer/actor) (in 1959)
conductor:
Gus Levene (in 1959)
arranger:
Sammy Cahn und Jule Styne
phonographisches Urheberrecht (℗) von:
The Dean Martin Family Trust und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1959)
Teil von:
Billboard Hot 100: 2026-01-03 (Nummer: 7), Billboard Hot 100: 2025-12-27 (Nummer: 8), Billboard Hot 100: 2025-12-20 (Nummer: 11), Billboard Hot 100: 2025-12-13 (Nummer: 13), Billboard Hot 100: 2025-12-06 (Nummer: 22), Billboard Hot 100: 2025-11-29 (Nummer: 34) und Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 93)
cover recording of:
Let It Snow! Let It Snow! Let It Snow! (in 1959)
Texter:
Sammy Cahn (in 1945-07)
Komponist(in):
Jule Styne (in 1945-07)
publisher:
Cahn Music Company, Chappell & Co., Chappell/Morris Ltd., Cherry Lane Music Ltd., Imagen Music, J. Albert & Son Pty. Ltd., Producers Music Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und WB Music Corp. (1929–2019)
Dean Martin4.251:55
14Pennies From Heaven
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-07-24)
vocals:
Bing Crosby (am 1936-07-24)
Orchester:
Georgie Stoll and His Orchestra (am 1936-07-24)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und MCA Music Ltd. (in 1936)
recording of:
Pennies From Heaven (am 1936-07-24)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Bing Crosby33:11
15Praise the Lord and Pass the Ammunition
recording of:
Praise the Lord and Pass the Ammunition (am 1942-07-31)
Texter und Komponist(in):
Frank Loesser
Kay Kyser and His Orchestra2:32
16Rum and Coca‐Cola
recording of:
Rum and Coca‐Cola (calypso) (am 1944-10-18)
Texter:
Lord Invader (calypso vocalist and songwriter)
zusätzlicher Texter:
Morey Amsterdam
Komponist(in):
Lionel Belasco (Trinidadian-Venezuelan calypso pianist, composer and bandleader)
zusätzliche(r) Komponist(in):
Paul Baron (conductor) und Jeri Sullivan
publisher:
EMI Feist Catalog Inc. und EMI Partnership Musikverlag GmbH
The Andrews Sisters3:07
17Sing, Sing, Sing
recording of:
Sing, Sing, Sing (With a Swing)
Texter und Komponist(in):
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (beendet) und EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Benny Goodman33:06
18Straighten Up and Fly Right
vocals:
The Andrews Sisters (in 1944)
recording of:
Straighten Up and Fly Right (in 1944)
Verfasser(in):
Nat King Cole und Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30)
The Andrews Sisters2:26
19Strip Polka
vocals:
The Andrews Sisters (in 1942)
recording of:
Strip Polka (am 1942-07-17)
Texter und Komponist(in):
Johnny Mercer
The Andrews Sisters2:46
20The Dipsy Doodle
vocals:
Edythe Wright (am 1937-10-14)
recording of:
Dipsy Doodle (am 1937-10-14)
Texter und Komponist(in):
Larry Clinton (in 1937)
Thomas Dorcey3:08
21The Pessimistic Character
Bing Crosby2:28
22There’ll Be a Hot Time in the Town of Berlin
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-06-30)
vocals:
The Andrews Sisters (am 1944-06-30) und Bing Crosby (am 1944-06-30)
Orchester:
Vic Schoen and His Orchestra (am 1944-06-30)
recording of:
There'll Be a Hot Time in the Town of Berlin (am 1944-06-30)
Verfasser(in):
Joe Bushkin und John DeVries
The Andrews Sisters2:50
23Victory Polka
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-09-27)
vocals:
The Andrews Sisters (am 1943-09-27) und Bing Crosby (am 1943-09-27)
Orchester:
Vic Schoen and His Orchestra (am 1943-09-27)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
Vict’ry Polka (am 1943-09-27)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
The Andrews Sisters2:43
24Why Don’t You Do Right
vocals:
Peggy Lee (jazz vocalist) (am 1947-11-19)
conductor:
Dave Barbour (am 1947-11-19)
cover recording of:
Why Don’t You Do Right? (am 1947-11-19)
Texter und Komponist(in):
Kansas Joe McCoy
publisher:
Edwin Morris Music und Morley Music Co
Version von:
Weed Smoker’s Dream
recording of:
Why Don’t You Do Right?
Texter und Komponist(in):
Kansas Joe McCoy
publisher:
Edwin Morris Music und Morley Music Co
Version von:
Weed Smoker’s Dream
Peggy Lee42:24
25Beating the Dog
Geige / Violine:
Joe Venuti (am 1927-06-28)
Gitarre:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (am 1927-06-28)
Joe Venuti and Eddie Lang2:38
26Belleville
recording of:
Belleville
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
Jean Reinhardt42:29
27Blue Skies
alto saxophone:
Toots Mondello (am 1935-06-25) und Hymie Shertzer (am 1935-06-25)
Gitarre:
George van Eps (am 1935-06-25)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1935-06-25)
Klavier:
Frank Froeba (am 1935-06-25)
Kontrabass:
Harry Goodman (am 1935-06-25)
Posaune:
Red Ballard (am 1935-06-25) und Jack Lacey (am 1935-06-25)
Schlagzeug:
Gene Krupa (am 1935-06-25)
Tenorsaxophon:
Dick Clark (tenor saxophonist) (am 1935-06-25) und Art Rollini (am 1935-06-25)
Trompete:
Bunny Berigan (am 1935-06-25), Nate Kazebier (am 1935-06-25) und Jerry Neary (am 1935-06-25)
instrumental recording of:
Blue Skies (am 1935-06-25)
Texter und Komponist(in):
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Benny Goodman2:50
28By the Light of the Silvery Moon
Bing Crosby1:27
29Clarinet Marmalade
recorded in:
New York, New York, Vereinigte Staaten (am 1927-02-04)
alto saxophone:
Jimmy Dorsey (am 1927-02-04) und Stanley "Doc" Ryker (am 1927-02-04)
Banjo:
Howdy Quicksell (am 1927-02-04)
Klarinette und Rohrblattinstrumente:
Jimmy Dorsey (am 1927-02-04)
Klavier:
Paul Mertz (Paul Madeira Mertz) (am 1927-02-04) und Itzy Riskin (am 1927-02-04)
Kornett:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (am 1927-02-04)
Posaune:
Bill Rank (am 1927-02-04)
Saxophon [C-melody saxophone]:
Frankie Trumbauer (am 1927-02-04)
Schlagzeug:
Chauncey Morehouse (am 1927-02-04)
recording of:
Clarinet Marmalade (am 1927-02-04)
Komponist(in):
Henry Ragas (in 1918) und Larry Shields (in 1918)
Frank Trumbauer and His Orchestra3:10
30Come On and Stomp, Stomp, Stomp
Interpret(in):
Johnny Doddsʼ Black Bottom Stompers (am 1927-10-08)
Johnny Dodds2:54
31Goin’ Places
Joe Venuti and Eddie Lang2:57
32Good Little Bad Little You
Cliff Edwards2:40
33Happy Feet
Banjo:
Morris White (jazz guitarist) (am 1930-10-14)
Klavier:
Earres Prince (am 1930-10-14)
Posaune:
DePriest Wheeler (am 1930-10-14)
Rohrblattinstrumente:
Andrew Brown (jazz saxophonist) (am 1930-10-14), Walter Thomas (am 1930-10-14) und William Thornton Blue (American jazz reed player) (am 1930-10-14)
Schlagzeug:
Leroy Maxey (jazz drummer) (am 1930-10-14)
Trompete:
Reuben Reeves (am 1930-10-14) und Lammar Wright (am 1930-10-14)
vocals:
Cab Calloway (am 1930-10-14)
recording of:
Happy Feet (am 1930-10-14)
Texter:
Jack Yellen
Komponist(in):
Milton Ager
publisher:
Warner Bros., Inc. (not for release label use!) (in 1930)
Cab Calloway22:34
34Riverboat Shuffle
recording of:
Riverboat Shuffle (am 1927-05-09)
Komponist(in):
Hoagy Carmichael, Irving Mills, Parish und Dick Voynow
Frank Trumbauer and His Orchestra3:10
35Stringing the Blues
Joe Venuti and Eddie Lang2:49
36The Best Things in Life Are Free
recording of:
The Best Things in Life Are Free (Good News)
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
publisher:
Chappell & Co.
Teil von:
Good News (1947 film)
The Ink Spots32:31
37You’re Driving Me Crazy
recording of:
You’re Driving Me Crazy
Texter:
Walter Donaldson
Komponist(in):
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC und Tobago Music Co.
Jean Reinhardt2:51
38Ain’t That a Shame
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
F. D. & Hunter (in 1955) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten
recording of:
Ain’t That a Shame (am 1955-03-15)
Verfasser(in):
Antoine Domino (Fats Domino) und Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) und United Artists Music Ltd. (vom 1977 bis heute)
Antoine Domino4.52:23
39Bo Diddley
Gitarre:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1955-03-02)
Maracas / Rumba-Rasseln:
Jerome Green (am 1955-03-02)
Schlagzeug:
Clifton James (am 1955-03-02)
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1955-03-02)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 62), Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2017) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 277)
recording of:
Bo Diddley (am 1955-03-02)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (bis 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Good Music Ltd.
Bo Diddley2.452:43
40Boom Boom
Produzent(in):
Calvin Carter
Bass:
James Jamerson
Gitarre:
John Lee Hooker (US blues singer, songwriter & guitarist)
Klavier:
Joe Hunter (of the Motown "Funk Brothers" studio ensemble)
Schlagzeug:
Benny Benjamin (US drummer) (in 1961)
Tenorsaxophon:
Hank Crosby
vocals:
John Lee Hooker (US blues singer, songwriter & guitarist)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1967)
aufgenommen bei:
Universal Recording Corporation, Studio B in Chicago, Illinois, Vereinigte Staaten (am 1961-10-26)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2009), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 218) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 463)
recording of:
Boom Boom (am 1961-10-26)
Texter und Komponist(in):
John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
Conrad Publishing Co. Inc. und Tristan Music Ltd.
John Lee Hooker3.252:38
3▶CD